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Stitching Sanity

@stitchingsanity / stitchingsanity.tumblr.com

A stitch in time saves the mind....

I grew up with a grandma who quilted, but she’d never been interested in passing along the hobby, so when she finally kicked it I was the grandkid who got all her materials, ‘cause I was the only one who knew how to use a sewing machine. Then, in 2015, a friend had a baby and I figured I’d make her a quilt, ‘cause how hard could it be?

oh

my

god

Luckily I am the stubbornest human alive, ‘cause I never woulda finished otherwise. I didn’t know what I was doing, didn’t know the terms to look up how to do anything, I musta reinvented the wheel like eight times and it took ten months, BUT I DID IT.

Figured I’d suffered enough and would never do it again and now I’m on quilt #9 smdh

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I’m hyperventilating.

Holy shit. Holy SHIT.

This is INCREDIBLE.

Oh my god.

I’ve gotta go lay down holy shit look at this how do we just walk by other human beings every day and live our separate lives when there’s a person sitting next to you on the train or in line for coffee who goes home and makes things like this what even IS being human holy shit.

GOOD FUCKING JOB.

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Oh heck I did not expect the notes to blow up on this, UM

Okay so on a purely technical level, this is not that difficult, you just gotta come at it a little sideways.

The background of this sucker is just rows of 1.5″-wide fabric strips. I can’t remember the exact pattern, but I wanna say it was something like one row 6″ strips, one row 4.5″ strips, one row alternating? I don’t remember exactly, it was a while ago. That’s not difficult, you just lay it out and sew it all together one row at a time. It’s not hard, just tedious.

The fish are a lil different. I can’t draw, there is a disconnect somewhere and my hands are stupid, so I figured out probably fifteen years ago that tracing was the way to go. For this, I legit just yanked several photos of fancy-looking goldfish off the internet and traced over ‘em in Photoshop.

Once I had enough, I printed my outlines, laid ‘em out on the background to create the idea of movement, and then traced the outlines out on fabric and pinned the hell out of ‘em.

This woulda been WAY easier with Heat ‘N Bond, but I didn’t know that was a thing at the time. From there I just used just about every fancy stitch on my inherited sewing machine to make the fish STAY WHERE I PUT THEM, and also look good.

I have since learned this is called “raw edge applique” but whatever. It’s fun, it’s neat, you can do it with a bunch of stuff and impress the hell outta people. More recently, it’s how I’ve gone from this:

to this:

(this was another project I SUFFERED over unnecessarily, because I’m the dip that decided to quilt the waves, like a moron)

god that sucked but it looked SO COOL when I was done!

I’m very sorry to tell you that if you thought we would be less impressed with you after this update you were very mistaken. I’ll say again:

Holy. Shit.

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Bubbles" by Barbara McElroy of Greely, Colorado. Stained glass applique. Fun color and movement.

“Spring Harmony” by Kathy McNeil of Tulalip, Washington. A beautiful appliqued pagoda triptych. I’ve never been to Japan, but I have a picture of my daughter in a similar setting at Epcot, and this brings back wonderful memories.

“The Sprinter” by Birgit Schueller of Riegelsberg, Germany.

The stitched figures are simply marvelous. I have several friends who run (I don’t, and being asthmatic gives me an ironclad excuse) and when I showed the pictures of this quilt to one of them, she joked “if that was you, the guy would be clutching a Charley horse.” Too true!

“Dream House 3” by Karen Turnbull of Laguna Niguel, California. I love the current trend of wholecloth quilts depicting images. This is a stunning example of what you can do in thread.

Photo taken at AQS QuiltWeek Daytona Beach 2019

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While en route to New Hampshire for the MQX show, I thought I’d try to get through a few more of my favorites from Daytona Beach Quilt Week.

Wifi on a train is spotty at best, so I may have to store them all up and send them when I reach somewhere with a connection.

“Protecting the Flame” by Sandi Snow of Lutz, Florida. Winner of Second Place Wall Quilts - Pictorial. The details in Sandi’s quilts are meticulous, and the rich colors in this stained glass style piece make it one of my favorites out of all her work.

“Dance of the Twirly Girls” by Andrea Brokenshire of Round Rock, Texas. Winner of Best Wall Quilt.

Vivid color and super detailed stitching. Another gorgeous floral piece!

“Happiness Blooms from Within” by Kestrel Michaud of West Melbourne, Florida. Raw edge fused applique in a wonderful palette.

“Bubble Ballet” by Birgit Schueller of Riegelsberg, Germany.

Fun use of color with a lot of great free motion work.

Photo taken at AQS QuiltWeek Daytona Beach 2019

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“Birds of the British Isles” by Jane Hopkins of the United Kingdom.

AQS QuiltWeek opens today in Daytona Beach, and here I am, still sorting through my many favorites from World Quilt Show. This beautiful mandala styled quilt has an almost Egyptian feel to it until you get close enough to appreciate the colorful details.

Careful detail is given to all of these charming appliqued birds and the overall result is wonderful.

Photo taken at World Quilt Show Florida, Tampa 2019.