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@squiddviscous

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minos was such a pussy. if my wife gave birth to an epic minotaur baby i wouldn't have locked him in a labyrinth. i would have taken him to the mcdonalds play place (athens) every day and let him eat as many stray mcnuggets (athenians) off the floor as he wanted. i love you hungry son

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(pulling a painted vase out of my wallet) and this is my youngest at his first nose ring fitting. isn't he handsome

hey don't cry. 7,401 species of frog in the world, ok?

IMPORTANT UPDATE: 7,532 species of frog in the world, ok?!

great news! 7,556 species of frog in the world, ok?!

hey don't cry, now there are 7,576 species of frog in the world, ok?!

excellent news! 7,591 species of frog in the world, peace and love on planet earth

guess what! 7,624 species of frog on planet earth, ok?

hey don't cry, 7,645 species of frog on planet earth, ok? peace and love on planet autism

The Environmental Protection Agency approved a component of boat fuel made from discarded plastic that the agency’s own risk formula determined was so hazardous, everyone exposed to the substance continually over a lifetime would be expected to develop cancer. Current and former EPA scientists said that threat level is unheard of. It is a million times higher than what the agency usually considers acceptable for new chemicals and six times worse than the risk of lung cancer from a lifetime of smoking.

Federal law requires the EPA to conduct safety reviews before allowing new chemical products onto the market. If the agency finds that a substance causes unreasonable risk to health or the environment, the EPA is not allowed to approve it without first finding ways to reduce that risk.

But the agency did not do that in this case. Instead, the EPA decided its scientists were overstating the risks and gave Chevron the go-ahead to make the new boat fuel ingredient at its refinery in Pascagoula, Mississippi. Though the substance can poison air and contaminate water, EPA officials mandated no remedies other than requiring workers to wear gloves, records show.

ProPublica and the Guardian in February reported on the risks of other new plastic-based Chevron fuels that were also approved under an EPA program that the agency had touted as a “climate-friendly” way to boost alternatives to petroleum-based fuels. That story was based on an EPA consent order, a legally binding document the agency issues to address risks to health or the environment. In the Chevron consent order, the highest noted risk came from a jet fuel that was expected to create air pollution so toxic that 1 out of 4 people exposed to it over a lifetime could get cancer.

In February, ProPublica and the Guardian asked the EPA for its scientists’ risk assessment, which underpinned the consent order. The agency declined to provide it, so ProPublica requested it under the Freedom of Information Act. The 203-page risk assessment revealed that, for the boat fuel ingredient, there was a far higher risk that was not in the consent order. EPA scientists included figures that made it possible for ProPublica to calculate the lifetime cancer risk from breathing air pollution that comes from a boat engine burning the fuel. That calculation, which was confirmed by the EPA, came out to 1.3 in 1, meaning every person exposed to it over the course of a full lifetime would be expected to get cancer.

Such risks are exceedingly unusual, according to Maria Doa, a scientist who worked at EPA for 30 years and once directed the division that managed the risks posed by chemicals. The EPA division that approves new chemicals usually limits lifetime cancer risk from an air pollutant to 1 additional case of cancer in a million people. That means that if a million people are continuously exposed over a presumed lifetime of 70 years, there would likely be at least one case of cancer on top of those from other risks people already face.

When Doa first saw the 1-in-4 cancer risk for the jet fuel, she thought it must have been a typo. The even higher cancer risk for the boat fuel component left her struggling for words. “I had never seen a 1-in-4 risk before this, let alone a 1.3-in-1,” said Doa. “This is ridiculously high.”

Another serious cancer risk associated with the boat fuel ingredient that was documented in the risk assessment was also missing from the consent order. For every 100 people who ate fish raised in water contaminated with that same product over a lifetime, seven would be expected to develop cancer — a risk that’s 70,000 times what the agency usually considers acceptable.

When asked why it didn’t include those sky-high risks in the consent order, the EPA acknowledged having made a mistake. This information “was inadvertently not included in the consent order,” an agency spokesperson said in an email.

im so fucking tired

Ok good news there's already mounting political pressure. We just all have to write our senators and congressmen. If things start to loose momentum we will organize a protest outside of our politicians houses. This is a bridge too far if nothing is done

I'm playing TW1 again and I have thoughts about this tiny little sequence in the Chapter 2 quest "Memories of a Blade", which amounts to the only mention of Coën in the game.

When undertaking this quest, Geralt is investigating the origin of the silver sword he was given to slay a cockatrice; he mistakenly believes that it might be Berengar's sword since he knows the other witcher to have been in the area. A conversation with Thaler, from whom the sword was confiscated by the guard, will lead him eventually to speak to the Gardener outside St. Lebioda's hospital in Vizima. This man used to be a mercenary under Pretty Kitty, but has since retired and works as a gardener, and had lost the silver sword at dice poker. When interacted with, he will begin any conversation with "Look how they grow!", referring to the plants in his garden. The player can then initiate the quest dialogue with option one, "I'm more interested in silver swords".

GERALT: I'm more interested in silver swords.

GARDENER: I knew one of you would come by eventually.

GERALT: You lost it playing dice?

GARDENER: I was sure I'd win. Beware, the sharp one plays well.

GERALT: Where did you get this sword?

GARDENER: Five years ago, there was a battle near Brenna. When the dust had settled, our men had beaten the Nilfgaardians. We ceased to call ourselves an imperial province that day.

GERALT: You captured the sword during the battle?

GARDENER: Yes, it was witcher Cöen's [sic]. A strapping fellow and a rare breed. Not very talkative, mind you.

GERALT: Like most of us.

GARDENER: I gave my word the sword would find another witcher. As he lay dying, he mumbled about teeth and destiny. Then he laughed -- at his own death.

GERALT: Yet you lost it gambling?

GARDENER: I kept it hidden for five years. I lost hope I'd ever run into another witcher. Miss Shani knew Cöen [sic]. She works at the hospital.

GERALT: Thanks.

GARDENER: Good luck on the path!

The quest will lead you to speak with Shani, then Zoltan, but neither will provide further information on Coën, aside from Shani mentioning that he died on her operating table -- Shani's dialogue is to provide her backstory as a medic at Brenna and to mention Rusty, and Zoltan simply assesses the quality of the blade to ensure that it is a witcher blade of good workmanship. It has no further significance to Geralt, who, without his memory, has no idea who Coën is and has more pressing matters to deal with than to look into the past of a man who died five years ago (according to the somewhat off-kilter game timeline, anyway). But it's the only mention of Coën in the games, and I find that it's a very interesting way to manifest his presence.

I think it is reasonable to tie Coën quite closely to his sword on a symbolic level, if one considers his appearance in the novels where he not only trains with Ciri, but his prowess with a sword is unrivaled even by the other witchers to the point where she believes that he may be the best swordsman in the world. Additionally, the fact that he fought at Brenna at all means that he offered his sword in the service of the Northern Kingdoms, and when he dies, he is identified by his peers as a "master swordsman" rather than as a witcher, despite the fact that they know of his nature. As such, Coën's sword is a very important possession for him to leave behind.

And from there, there is a connection to Lambert, left unsaid. To go beyond the simple fact that Coën was Lambert's friend, someone dearly loved who was close enough with Lambert and his family to get on with the other wolves and stay a winter at Kaer Morhen, the importance lies with the sword. As with any witcher, Coën wouldn't have much in the way of worldly possessions to bequeath onto someone else in the event of his prophecied death. But he does have his swords, which are established as symbolically important to him. A steel sword could be taken up by any warrior capable enough to use it, but a silver sword belongs in the hands of a witcher, and that is what Coën asked for on his deathbed, for his silver sword to be given to another witcher. While it's very possible that this is meant in a general way, that he just wanted any other witcher to take it up, to avoid the sword being wasted, broken, or dismantled for its composite parts, it also strikes me as possible that he could have intended it for a specific witcher.

Lambert is one of the instructors for Ciri when she's first learning the swordplay and acrobatics associated with being a witcher. Lambert is the one in the first game to provide the instructional descriptions of the Fighting Styles for Geralt to regain his swordplay competencies after losing his memories. And there is another bit of dialogue in TW3 that really emphasises both Lambert's connection to Vesemir, the swordmaster of Kaer Morhen, and the idea of swords as inheritance, as a manifestation of closeness:

LAMBERT: Knew the old man couldn't live forever. Huh, even told Eskel that when it came time, I'd get his sword. Fits my hand perfectly, you know.

Which is a heartbreaking notion in and of itself upon which I could expostulate, the symbolism there in the fraught relationship between Lambert and his father figure reduced to something as simple as a hilt that fits two hands perfectly. But if this is the inheritance that Lambert wants, it makes it all the more pertinent that Coën desperately wanted his silver sword to make it into the hands of another witcher. Lambert, the son of a swordmaster, wants to take on a sword as a memento of someone he has lost, and Coën, the master swordsman, left his sword behind. Even if Lambert were not the specific intended target of the sword, he would have possibly or even likely known Coën well enough to fulfill his wishes, whatever they might be.

And yet Coën's sword never makes it home or into the hands of someone who would value it, like Lambert would, this last memory of his dear friend. Geralt makes use of the sword during his time in Vizima, and then it is lost, replaced by the gifted Aerondight. And so Coën is lost with it, never mentioned again.

man if ur a terf just go and write it in ur about and dont make me decipher twenty pro somethings that you claim to be, “pro biology”, I’m pro biology, I like bugs and critters, my yogurt is fucking pro biology. I got better things to do ya dingus 

I’m a mcfucking biologist and literally no aspect of terfery is based in anything resembling biology or even reality lmao “pro biology” you’re pro nazism just stfu and leave my field out of your gddamned mouth, terfs

I think it'd be very funny if there was a Zelda game where Ganon isn't the big bad, but when you get to the Gerudo area there's a male Gerudo named Ganondorf there. He has zero relevance to the plot. Not any kind of twist where he becomes the villain in the end, or any kind of side quest. He's just there and that knowledge perpetually looms over your head menacingly.

I'm laughing