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Spica Vierge

@spicavierge / spicavierge.tumblr.com

Trying to find center and getting lost in tangents.
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Mccoy AU1.0 Concept 102522a

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Beau!! This is what I imagine the uniforms would have looked like had the original Star Trek series received the budget and support of its studios at the time of filming. Television was a different kind of frontier then, with a shorter vision, and much of the costuming then came out of theatre rather than screen. That we would still adore Trek 55+ years later never occurred to studio execs in the 1960s.

Honestly, I want a reversal.

Garak never thought of Julian amorously because of many reasons-- regardless of how attractive and sweet and everything he was-- he wasn't Cardassian and even if he were, he was too nice. (Sure, he'd thought to have a tumble in the hay, but he'd never thought about loving him.)

Julian pined forever after Garak, and after the war was over, decided to come to Cardassia and tell him about his feelings.

Garak being socked in the gut with the realization that he's been in love all along and freaking out over it.

Everyone always writes it the other way round.

This is how I, too, interpret the Bashir-Garak dynamic. Both men have traumatic childhoods that were the outcome of manipulative parents, but what allows Bashir to salvage his sense of love if that, in a twisted sense, his parents really did love him. Garak, however, was used as a means to an end by his father, and his mother was too low on the Cardassian social structure to do much about it while likely also accepting the social convention. Garak is capable of love, but that sense was atrophied on purpose to protect himself, for the sake of his position in the Obsidian Order, and in Cardassian society as a whole. Love is latent within him during his time at DS9; he is able to recognize love but discards it in favor of forming alliances. This is why he approaches Bashir. Here is a pretty toy that he covets, and the doctor’s position in Starfleet will allow Garak to keep his eye on the Federation. (Doctors exist both within and without the chain of command, allowing Bashir—and thus Garak—greater potential leeway for getting/giving information.) But love does not enter Garak’s affections (for he is affectionate and flirts in a Cardassian manner), but if he feels inklings of love he must quash them to the level of unconscious yearning. I feel that Garak’s love for his father, Enabran Tain, exists in this same repressed space. True, Garak openly looks for his father’s approval (torturing Odo, skirting back into Cardassian society when tempted but not quite giving in, etc.) in a way that is acceptable to the son of the head of the Obsidian Order. But approval and love are not the same thing. The only time we see true love for his father emerging, and a little boy’s craving for love that never came to be, is when they are in the Dominion prison (”By Inferno’s Light”). Garak’s shell breaks precisely once, when he lifts his head and sighs, obviously crying, as he asks for Tain to acknowledge him as his son. This is a moment that leaves Bashir in clear distress as he looks on. In the end, Garak never gets his father’s love, but he does get his father’s approval (”I was proud of you that day.”) and that is close enough for Garak. Had a loving, romantic relationship between men been allowed to happen on 1990s television, this moment in the Dominion prison would have been a perfect turning point for Bashir and Garak to openly fall in love from that season on out. I would argue that it is at that moment that Garak begins to lose the armor of being “A Cardassian and Son of Tain” and instead becomes a man who is capable of love, even if he does not recognize it at first. He allows Bashir to witness him at his most vulnerable, in excruciating emotional pain, something that a secret government operative like Garak would not have been able to allow at any earlier time in his life. Cardassians as a whole do not allow people outside their family to witness family rites, but here is Garak, allowing Bashir into the circle of family, as one might a spouse. There is a connection deep between Garak and Bashir, even if Garak cannot yet give voice to its exact shape.

Ok so for the sake of science to PROVE how gay Garak and Bashir were:

Let’s do a fun experiment!

Grab a friend and get as physically close as these two are right here:

Things that you will experience at this very intimate distance:

1. I hope you brushed your teeth because you will feel the other persons breath on your face.

2. If you are uncomfortable with the distance you will back away automatically, notice how in this scene Bashir does not retreat a single inch.

3. All you will be able to see in your field of vision is the other persons face, specifically their eyes. Intense unbreakable eye contact is unavoidable at that distance.

4. You will likely feel the actual body heat from the other person at that distance.

5. Unless you are into that person you will become uncomfortable after about 3 seconds of holding this position.

6. If one of you has COVID you both have it now.

So just a quick reminder: two friends who are platonic and have no feelings for one another DO NOT do this. This is very intimate and the camera does not do justice to how truely close those two are in that shot.

Have you ever had a conversation with somebody at this distance? With a friend? Could you hold this distance with a lover without instinctively kissing???

I’m going to die bitter about this oh my god…

Seconding these points and also all of the ones in the notes (also I hope that story about Andy Robinson literally overstepping is true because that’s amazing). 

I wanted to add to this and others’ analyses by saying yes, TV aspect ratio was a big reason you can find shots of many DS9 characters standing super close together but that it’s also the rest of the body language/micro expressions happening in that shot that makes it so full of romantic tension. I mean, compare what Bashir and Garak are doing in that GIF to all the nothing going on in this explicitly romantic scene from “Shadowplay”:

(Kira and Bareil stand close to each other and trade a few lines of dialogue while being very still, then kiss.)

It is interesting to see Bashir and Garak are both tilting their head to their respective right; this is how lovers would align themselves for a kiss, specifically lovers who know each other well enough to anticipate the other’s movements. And for meta reasons this is compelling; most often actors will choreograph their head tilts to the right for kissing scenes. Siddig and Robinson were having fun with this proximity.

Rewatching King of the Hill after a ten-year hiatus, and I noticed that Dale and Boomhauer spend a lot of time with each other. Though I think they are heterosexual and homo-romantic at best in the show, this little story popped into my head after watching “It’s Not Easy Being Green,” from the 5th season.

So I was trying to find out what Mestral would look like now...

…so I found some more recent pictures of his actor and went into photoshop and um… 

sir… you have no business looking this good.

Beautiful! Plus, knowing that J. Paul Boehmer is such a geeky theatre kid at heart always brings me joy, because Mestral is such a geeky fan of humans. And I mean that in the fondest possible terms.

Sandra Cisneros on color:

“In English my name means hope. In Spanish it means too many letters. It means sadness, it means waiting. It is like the number nine. A muddy color. It is the Mexican records my father plays on Sunday mornings when he is shaving, songs like sobbing.” p.10

“But I like them. Their clothes are crooked and old. They are wearing shiny Sunday shoes without socks. It makes their bald ankles all red, but I like them. Especially the big one who laughs with all her teeth. I like her even though she lets the little one do all the talking.” p. 14-15

“Meme has a dog with gray eyes, a sheepdog with two names, one in English and one in Spanish. The dog is big, like a man dressed in a dog suit, and runs the same way its owner does, clumsy and wild with the limbs flopping all over the place like untied shoes.” p. 21

“Louie has another cousin. We only saw him once, but it was important. We were playing volleyball in the alley when he drove up in this great big yellow Cadillac  with whitewalls and a yellow scarf tied around the mirror. A couple of times and a lot of faces looked out from Louie’s back window and then a lot of people came out—Louie, Marin, and all the little sisters.” p.24

Sandra Cisneros, The House on Mango Street, 1984

Priests came to your home and performed an exorcism on your mother. After it was over you learned the terrible truth. The demon is the one who raised and loved you. And the possessed woman cared nothing for you. You now search for your true Mother.