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LET'S GET REBLOGGING!

@sourcreamanonion

This is my blog for re-blogging stuff! My main is @wackytackysocks. I may occasionally reblog some triggering content, which will be tagged as "trauma", "horror", "body horror", "ableism", "gore", "medical", as well as "bug(s)" and "insect(s)". The "body horror" tag will neither be used in reference to disabilities nor any horror that derives from the stigmatization of an individual's body. Please let me know if you need something tagged!
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[Artfight 2023] [14]

Corrupted One

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Some people have been interested in how this was made - I am extremely bad at explaining but I’ll try to give a quick rundown!

First I draw the individual parts in a 2d art program, in this case procreate. I put an overlay texture that gives it some grittiness. As you can see I separated out the parts I planned to move a little bit, like the top and bottom jaw, eyes, wings, and body segments.

Each part of the texture is applied to a 2d plane through uv maps with the exception of the halo, which is 3d modeled.

The 2d planes are layered in a way that will create shadow when a light is added and avoid overlaps when rendered. This also really lends to the papercut aspect!

Animation for this particular piece is done through something called “shape keys” where blender will interpolate movement based on me slightly moving the individual parts.

I created several keys for different areas of motion. When all are combined it creates a nice effect. Some parts move smoother than others - this is due to me setting some keys to be “constant” instead of “bezier smoothed”.

(Oh also the halo is just rotated on an axis - 3d go brrrrr)

After rendering all the frames into a gif, I then threw it into a video editor to make the colors more contrasted and to add slight glitching and behold! Final product!

Hopefully that helps out some for people who want to try it. Or for people who are just curious!

slapping modeling clay around blindly without thought or purpose, i look down and find a perfectly sculpted replica of myself seated at a table with a lump of modeling clay before me, similarly shaped into a still smaller instance of the same scene. and i am afraid to look up

some people seem to think that being horny for a media is paradoxical to critical analysis but actually anyone who makes quality horny content is so knee-deep in critical analysis their horny content reads like an extremely led psych eval

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i'm fond of the jokes along the lines of "you know shit's about to hit the fan when the kazoo comes out" but i just learned what instrument actually makes that noise in the mp100 ost.

it's the seamoons.

they're "machines with lungs and vocal chords"

i don't know what it is exactly, but knowing it's not a kazoo but one of these tall fellas sure brings Something to the experience

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  1. reactions when i've exposed people to this knowledge have been pretty evenly split between delighted fascination and visceral discomfort and/or terror
  2. the art collective that created the seamoons (seamoonses?), maywa denki, is all about making nonsense instruments and nonsense art
  3. the gentlemans are people size and have a wide power stance going on
  4. they're in the ost because the composer, kawai kenji, has used them before and is just wild like that

here is a video from last year with an updated model, presumably the ones used for mp100

dark and brooding guy with horrible regrets yells "I HAVE BLOOD ON MY HANDS!" in a moment of vulnerability but theres a cutaway transition where hes at a state fair eating a banana and he throws the peel over his shoulder and the tilt-a-whirl operator slips on it causing him to fall on the controls and shift it into a skull and crossbones setting called OVERDRIVE and the tilt-a-whirl spins so fast it lifts off the ground and carries the people away screaming

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no i don’t have plans later. i will, however, be taking extensive poison damage periodically for the foreseeable future. but beyond that my schedule is totally open

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if you hear me going “haugh.” or perhaps “augh” every so often and see me doubling over. well. Don’t even worry about it.

[robot with the biggest eyebags ever] ill be fine as soon as i organize my wires nothing a bit of cable management camt fix. yeah hold on i just gotta allocate more ram and reset my internal clock and plug this usb stick in. ya im fine i just need to recharge and turn this dial and do a quick system reset. the diagnostics of that script i ran are a lie btw im fine. do you have any cigarettes

Our son Sam has told us that the D&D art file we use for a screensaver on various devices bothers him.

Because it makes him frustrated that he can’t look at some of them longer. He wants to know what is happening in some of them.

I told him that is one of the reasons we play Dungeons & Dragons, so we can go find out together, in our collective imagination.

Not really D&D related- but I feel compelled to add to this that not only are these GORGEOUS pixel arts- they are also in fact not animated. There are no frames used. There’s no extra pieces of art. Just one layer.

These pieces are so old that they stem from a time where animating cost way too much memory and/or only 256 colors could be used at one time, so the motion is achieved by ‘color cycling’. Half the available colors would be reserved for that very color cycling. It’s mchecking bonkers, please go watch this video if you feel like learning the technical details of how these artworks were made! They were screensavers that would match the actual time of day that you were in. Somehow. Just by cycling color palettes. Wild shit.

(Especially relevant time stamps for color cycling: 5:50, 9:55, 37:26, at 49:54 he gets into the technical side of HOW this even works)

Yup.

I’ve always enjoyed how they depicted some of the landscapes at different times of the day/weather/season.

Like these two areas. Daytime and nighttime at the village by the waterfalls.

And the high mountains hidden by rain in one and visible in the other.

yall r gonna post a man's entire portfolio of art and not give credit?

anyways these images are by mark ferrari, a color cycling pixel art master, you can check them out in their html color cycling forms, with sound effects and ability to change the time of day of the image, here and here

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when google wont give me a streaight fucking answer

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america is flat out the greatest country on earth

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if someone said to me 'well i guess thats all YOU can eat' while taking my plate away i would put the butterknife in my right eye and the fork in my left one