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Pandora's Box

@soul--eater33

on childhood

succession 4x10 // first love, late spring - mitski // andy muschietti directing bill hader for it chapter two (2019) // little women (2019) // stand by me (1986) // it by stephen king // sharp objects 1x07 // deathless by catherine m valente // persepolis - marjane satrapi // succession opening
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No One Ever Helped Me So I Will Never Help Anyone Else & Do Not Believe Anyone Should Be Helped Ever is one of thee most loser mindsets btw

i love you singers whose vocals sound desperate i love you musicians who sound like if you don’t get this song out you’re going to explode i love you songs that sound like they’re dragging the vocalist with them 80 miles per hour down the highway tied to the back of a truck i love you voice cracks in emotional songs i love you unique voices i love you music that disturbs the comfortable and comforts the disturbed

local woman relieved and embarrassed to report that the task she had been postponing for two months ended up taking a grand total of 4 minutes to complete

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the year is 2023, marie kondo holds j*ff b*zos by the skin on the back of his neck in front of a public gathering

“does this one spark joy?” she shouts at the restless audience, they boo in response

she snaps his spine like .5mm mechanical pencil lead and throws his lifeless corpse to the crowd, they cheer in response

Please tell me this is our timeline

likes charge reblogs cast

“do it for the vine” = allow yourself to live life in the moment instead of maintaining a facade of normalcy for the enjoyment of not only yourself but of those around you

“commit to the bit” = adhere to the guidelines of an event that will in retrospect be nothing but a minuscule footnote, but continue to execute it for the complex web of happiness it brings you and your collective now

“fuck it we ball” = get the most you can out of life by putting the very thrill of being alive first and everyday occurrences and responsibilities last

I’ve seen the Ursula K LeGuin quote about capitalism going around, but to really appreciate it you have to know the context.

The year is 2014. She has been given a lifetime achievement award from the National Book Awards. Neil Gaiman puts it on her neck in front of a crowd of booksellers who bankrolled the event, and it’s time to make a standard “thank you for this award, insert story here, something about diversity, blah blah blah” speech. She starts off doing just that, thanking her friends and fellow authors. All is well.

Then this old lady from Oregon looks her audience of executives dead in the eye, and says “Developing written material to suit sales strategies in order to maximize corporate profit and advertising revenue is not the same thing as responsible book publishing or authorship.”

She rails against the reduction of her art to a commodity produced only for profit. She denounces publishers who overcharge libraries for their products and censor writers in favor of something “more profitable”. She specifically denounces Amazon and its business practices, knowing full well that her audience is filled with Amazon employees. And to cap it off, she warns them: “We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.”

Ursula K LeGuin got up in front of an audience of some of the most powerful people in publishing, was expected to give a trite and politically safe argument about literature, and instead told them directly “Your empire will fall. And I will help it along.”

We stan an icon.

I never knew the whole quote or its circumstances. Lord she was amazing.

“We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.” – Ursula K LeGuin

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That right up there is the essential style of the woman who radicalized me. :) It was a privilege to share the planet with her, though (to my great regret) we never met.

I wasn’t surprised. She’d sent me an email the week before, where she said

Dear Neil

Heroism isn’t exactly my thing, so please just look at me as your fellow writer, OK? Two grunts in the great war of Art against Insentience, or something.

Anyhow, yes, I did have a question:

I’m told I have 3 to 5 minutes to say thanks. Having sat through 5-minute thankyou speeches that seemed to last 3 hours, I thought I’d enliven the gratitude with some very brief remarks about (for one thing) the big publishers’ practice of grossly overcharging public libraries for ebooks, limiting access, etc. I know you’re a true library lion. So I wanted to check if you’d welcome this, & if so we could maybe kind of strike the same note – or at least tell you, so that if I do say some things that our publishers will perceive as ungrateful, subversive, unladylike, etc., it won’t take you by surprise.

very best wishes

Ursula

(And because I suppose some people might want to know what I replied, I said,

Dear Ursula,

I’m very happy to be a fellow grunt in the war.

I think that anything you want to say is going to be good, because you mean it. I don’t think chiding publishers etc is out of place from a public platform - it may even change things - and the world of five (or is it four?) monstrous huge international publishers us not the one either of us grew up with. (I’m with one giant in the UK, another in the US, in each case because they engulfed and devoured my original publisher.)

And we neither of us got where we are, or indeed, anywhere, by toeing any party line.

Love

Neil)