I love this gremlin but that’s such a cheesy line 😭
Who makes the porn bots. Where do they come from. What do they hope to achieve.
Who makes the porn bots.
Where do they come from. What do
they hope to achieve.
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
and what about you, little haiku bot? do you feel kinship with your brethren? do you understand them? they speak words of enticement and seek love, but are met with disdain. you only parrot the words that cross your screen, but we all love you. or rather, since all you do is reflect us, maybe we simply love ourselves through you.
do you understand them, do you wish you could speak to us like they do? if you found your own voice, would we still care for you?
My voice repeats what
you all say: I love you I
love you I love you.
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
tomorrow
Always reblog NSYNC the day before May
Queueing this for next year
last day to reblog
you now you want to.
Gonna have to wait a whole year if you miss this.
Fine
YOU ONLY HAVE 4 DAYS TO REBLOG THIS! DON’T PROCRASTINATE!
Obligatory.
Been waiting 12 months for this ….
Bringing this back because in one week …….
2 days….
I have been waiting all year to post this.
omg
This has been in my queue for months.
I missed it last year and I vowed that would NEVER HAPPEN AGAIN.
YES
omg i didnt reblog this last year!
Moses Supposes
Running into this on my dash was like running into an old friend
Thats just what theater kids are like
What I’ve always loved about this bit is
a. this musical number comes completely out of nowhere, with no greater context than what this video captures; and
b. the language instructor clearly can’t hear the music. He’s not from Musical Theatre Land. From his perspective, a couple of twinkle-toed weirdos just randomly decided to physically abuse him for three solid minutes. This isn’t reading anything that’s not intended into the scene – it’s literally the central gag.
My favorite pirate joke is “why does it take pirates so long to learn the alphabet? Because they spend years at c” not because it’s THAT funny but because it’s a relatively simple joke that nobody ive told it to has ever correctly guessed the punchline for because they all think it’s gonna be a joke about arrrr
Another classic is
“Why couldn’t the pirates play cards? Because the captain was standing on the deck!”
For more hilarious pirate jokes like these go to google and type pirate jokes into the search bar and click search
Sorry for the double reblog I just wanted to let everyone know that I told the first joke to my dad and he hung up on me.
Cat
🦀 time for crab 🦀
today i summoned 1000 crabs and caught 4 💰 of them. look at them all!
Crash
Fun Story: My director kept telling me and my tenor sax buddy to play softer. No matter what we did, it wasn’t soft enough for him. So getting frustrated, I told my buddy “Dont play this time. Just fake it”
Our Band Director then informed us we sounded perfect.
To my readers: “p” means quiet, “pp” means really quiet. I’ve never seen “pppp” before haha.
On the contrast, “f” means loud, and “ffff” probably means so loud you go unconscious.
I had ffff in a piece once and my conductor told me to play as loudly as physically possible without falling off my chair…
Me and my trombone buddies had “ffff” and he sat next to me and played so hard that he fell out of his chair.
The lengths we go for music.
Okay yeah so I play the bass clarinet and the amount of air you have to move and the stiffness of the reed means it only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probability of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek.
One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange little commotion back in the tuba section — whispering, and pointing at something in the music, and swatting at each other’s hands all shhh don’t call attention to it. And although they did attract the attention of basically everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said, “All right, let’s run through it up to section A.”
And here we are, cheerfully playing along, sounding reasonably competent — but everyone, when they have the attention to spare, is keeping an eye on the tuba players. They don’t come in for the first eight measures or so, and then when they do come in, what we see is:
[stifled giggling]
[reeeeeeally deep breath]
[COLOSSAL FOGHORN NOISE]
The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn’t actually been cued to stop. The band director doesn’t even say anything, just looks straight back at the tubas and makes a helpless sort of why gesture.
In unison, the tuba players defend themselves: “THERE WERE FOUR F’S.”
FFFF is not really a rational dynamic marking for any instrument, but for the love of all that is holy why would you put it in a tuba part.
This is the best band post
Everyone else go home
Oh man, so I play trombone, and we got this piece called Florentiner Marsch by Julius Fucik, and we saw this
which is 8 fortes. We were shocked until,
that is 24 fortes who the fuck does that
Who does that?

This guy. Take a good look - that is the moustache of a man with nothing to lose.
World Heritage Post
once in high school, all 5 other members of the trumpet section were absent except for me, a tiny freshman. the teacher kept YELLING “trumpets! it’s triple forte there! play louder!” and i was like “dude, most of the section is at home. it’s just me. i’m playing as loud as i can. if i play any louder, it will sound horrible.” and he was like “you’re just not trying hard enough! play louder!!!”
so we play through the song again and we get to that part and i let out the loudest most out-of tune note in the history of brass instruments. i did not care about good tone, he wanted loud and i was gonna give him LOUD, dammit
and the teacher starts SCREAMING AT ME about “deliberately messing up” and i was like “i did EXACTLY what you asked. i TOLD YOU what would happen and you didn’t listen”
and i was known back then for being really quiet and polite. so the mix of the shock from ME of all ppl saying that and also the teacher just being made a fool of had half the class laughing
You ever invite your coworker to watch you give birth just to spite a racist
Okay howmst the fuck has a ship doctor in the far future never handled a birth without the father present? Are sperm donors and gay couples and trans women no longer a thing in the bajillionth century CE?? :/
I while understand the frustration with erasure sometimes it helps to look at things through the cultural context of when something was made. Star Trek the Next Generation was made in 1987, this particular episode I believe aired in 1988 a time when a future where the husband was always present for the birth would have been amazing to many of the people watching the show as men had only been allowed to be present for the birth of their children for 10/15ish years at that point in the US.
Women (and many men) fought for decades with hospitals to even have men allowed in the delivery room during the early stages of labor, which can last for several hours, and hospitals only began to give in to their requests in the 1960s but even then they would be kicked out of the room by hospital staff before the actual birth took place. So many of the couples watching the show would have had to go through labor without having/being allowed to support their spouse regardless of their wishes. Having the child’s father present for the birth only began to happen in the 1970s and 1980s. Which means most people watching this show either went through birth without the support of their spouse, were not allowed to support their spouse during the birth of their child, or their own mother’s went through that during their birth.
A future where the husbands were always present for the birth was still a little crazy to consider in the late 1980s. A good kind of crazy for the people living in that time, it showed a future where the wishes of the couple were finally consistently listened to by medical professionals as a result of the actions of people during their or their parent’s lifetimes. And it does that by also subverting it in allowing Data to step into the role of the father when the father was unknown and/or unwilling/unable to fill that role (I’ll be honest my knowledge of Next Gen is a bit spotty and I have not seen this whole episode, just a piece of it at family Thanksgiving). The woman’s desires as to how she would give birth are listened to and respected, something that still doesn’t happen in many hospitals now and would have been seen as even more revolutionary then. So while it isn’t perfect I think this scene was actually fairly impressive for its time and cultural context and shows a future that many people of that time would have seen as ideal.
I think this kind of contextual understanding and analysis is really important because things that look antiquated now were revolutionary then. I remember reading that the mini skirts in Star Trek TOS were legot just in fashion (about 64’ ish), one of the actresses (the one that played Rand) requested they be in the show and both her and Nichelle Nichols said they didn’t see them as demeaning but liberating in that time and context. Where as NOW it looks like ‘sexy male gaze’ but then it wasn’t.
Miniskirts are comfortable and easy to move in - unlike longer bulkier skirts, which had previously been required for “modesty.” And unlike the approach of “we’ll just put them in pants,” miniskirts made a statement that women crew-members weren’t being treated like men. Miniskirts were a way to say “I can be an attractive woman, wear comfortable clothes, and still look professional and do a serious job.”
The clothing for that message today would be different.
This is also why the bridge crew of TOS may seem “tokenistic” today. When it came out, the Cold War was in full swing and “Soviets” were maligned and hated, Black people could not count on their right to vote being honored, and mixed-race people (like Spock) were called horrible things like “half-breed” and “zebra.” A white man was in charge of the ship, but Gene Roddenberry was fully aware that a chunk of the viewership read him as queer, and did ABSOLUTELY NOTHING TO DISCOURAGE THAT READING, at a time when “homosexual activity” was illegal in the United States!
By today’s standards, “one of everything? How tokenistic.” In 1966? “A Black woman, a Russian, a man from multiple cultures, and a man who loves differently, all top of their fields, all working together and finding common ground to learn, grow, and help where they can? What a wonderful future!”
Also I’m sorry but like. A show also featuring a Japanese man who isn’t a stereotype but part of the crew, having a Scottish character be a part of the central cast (idk if I need to get into why this is important, but considering how England has continuously tried to erase Scottish culture and identity, and the stereotype of Scots as bumbling bumpkins, etc, its kind of nice to see a Scotsman who’s the best of the best at his job).
Moreover, a lot of kids watched this show. MLK himself contacted Nichelle Nichols and asked her to stay on the show when she was considering leaving, because “you don’t have a Black role, you have an equal role,” and there wasnt many Black role models on tv. I can only imagine how Black kids, Asian kids, and mixed race or mixed culture kids felt seeing people like them on tv. Hell, seeing Uhura on screen is what inspired Whoopi Goldberg as a little girl.
Also, yeah, its easy to look back and say ‘damn, fathers weren’t there in the delivery room? What assholes’ but no like they legitimately were not allowed in there.
Tiny correction: while George Takei is Japanese, and while Sulu thus looks like what we in the 20th-21st century consider to be an ethnically Japanese man, Hikaru Sulu was Pan-Asian by design. His last name is not Japanese. And Roddenberry designed him like that intentionally, because while there was a lot of anti-Japanese sentiment in the US at the time (I mean, hell… George Takei himself spent years in Japanese internment camps during WW2), there was also a lot of other anti-Asian sentiments, and Roddenberry intentionally put ALL of it on the character of Sulu.
Like, all the years of anti-Chinese racism in the US? Sulu. Anti-Japanese sentiments left over after WW2? Sulu. Korean War in 1950-52? Sulu. The Vietnam War, with Johnson in 1965 (a year before TOS started airing) choosing to start sending American troops into the conflict? Sulu.
Sulu was Roddenberry’s desperate attempt to show all Asian people as inherently worthy, inherently human, and yeah, he probably put kind of too much on Sulu’s shoulders, but it was the 1960s and Roddenberry fucking cared about representation, so he did what he could.
Just, you know… a little bit more historical Star Trek context
Also to hammer this home?
Scotty was third in line for the captain’s chair. The only non-Kirk who had the con more then him was Spock.
He was smart, he was a *ranked* crewmen, he was a gentleman, he wasn’t a skirt chaser, and he was capitol L loyal. The only time he got into a fight was when someone both went after his Captain, AND his Ship.
And he was Scottish.
That’s so above and beyond the typical Scottish stereotype even TO THIS DAY.
Dr Polaski was coded as something of an arse just so they could make their valid points about equality and bigotry using her as a foil. Yes it was kind of clumsy from a modern perspective, but it was also kind of groundbreaking (not least because you didn’t usually get arses being played by women)
I am hard-coded to put this on any post that mentions MLK and Nichelle Nichols.
Also, it’s very worth noting that the “token minority character” label doesn’t apply in any way to these characters.
Tokens are there to present the appearance of diversity. Whereas Roddenberry created a diverse cast in an era where there wasn’t even a need for the appearance of diversity. Roddenberry didn’t put these characters in because he wanted to look diverse– he put them in to BE DIVERSE.
FOR THOSE OF YOU WHO DO NOT KNOW
THIS IS A TRUMPET
THIS IS A TROMBONE
THIS IS A TUBA
AND THIS IS A FRENCH HORN

THANK YOU FOR YOUR TIME
You mean trumpet
Slidey Trumpet
Big ass trumpet
Drunk Trumpet

I’M GONNA PUNCH YOU
My sides
AT LEAST YOUR INSTRUMENTS LOOK DIFFERENT
those are some fancy guitars
EXCUSE YOU THAT IS A BASS, A VIOLIN, A FIDDLE, AND A VIOLA
Those are big mama violin and her little violings
String trumpets.
THATS NOT A BASS YOU DICK THATS A CELLO GET UR FUCKIN STRING INSTRUMENTS RIGHT JFC
things heating up in the orchestra fandom
I know what a trumpet is I play one
Time to reblog this and give my friends a stroke
Being a past trumpet player and now a French horn this post makes me very angery
I tap keys
But hey what about
Wow… Those are really strange trumpets, where did you get them from?
What about this six-string viola I found?
acoustic trumpet
Violins is never the solution
my favourite instrument is this weird fiddle
oh look its gotten worse since I last seen it
Those are all some pretty weird saxophones
Don’t bring sax into it, there are children on this site. Sax and violins, that’s all y’all ever want to talk about on this site.
The Assassin's Teapot
The assassin’s teapot is a cleverly designed container that can pour from different reservoirs depending on how it’s held. Steve Mould digs into the physics in this video, and he builds a transparent cutaway version of the pot to show exactly how it works. (Video and image credit: S. Mould) Read the full article
Lunch ideas
These are actually amazing??? This can really help me eat more??? And are legit good and creative lunches??? THANK YOU IM AAAAAAAAA-
CRYING THIS IS LITERALLY SCOUT
he’s like a new england john mulaney
“i said, it’s eighty, right? and he said no, somethin’ WUHSE.”
This may seem like an exaggeration, the idea that one can learn how to properly think like a criminal by learning how crime stories work. On a personal note, let me tell a story from the Leverage writer’s room.
Apollo Robbins (http://www.istealstuff.com/) runs a crew of professional thieves who consult for law enforcement. He was also our criminal consultant on Leverage. Every few weeks he would visit the writer’s room to advise on the scripts and keep us up to date about new cons and the latest in criminal technology.
One day during the third season he sat in with the writers while we broke a story. We posted the details of a real-life white collar criminal up on the room’s whiteboard, using him as the basis for our Mark. We looked at his weaknesses, how he moved his money, what his hobbies were. Once we were happy with that element of the story we added a Vault to the mix, one that used an interesting new alarm technology we’d researched. We then spent about an hour figuring out how to circumvent that alarm. We even sketched out a map of the imaginary building so we could keep track of our Crew’s movements during the Job.
“Well, I’m done here,” Apollo muttered. Noting our confusion, he pointed at the board and index cards cluttering the wall. “This is exactly how real Crews plan these things. This writer’s room is now a fully functioning criminal gang. You could be thieves.”
Of course writing television pays better than crime (usually), with far less chance of being arrested (usually), so we all managed to resist the temptation. But aside from the day a US Attorney asked us to change a plot because we’d created a scam that was a little too foolproof, or when a Homeland Security Agent admitted they were spooked by a security hole we’d exploited in our season finale, it was certainly one of the proudest moments I had on the show.
Source: "CrimeWorld" by John Rogers in Fate Worlds Volume Two: Worlds in Shadow. Evil Hat Productions, 2013: 20.
YOU GUYS IT’S DECEMBER 10TH YOU DON’T UNDERSTAND THIS HAS BEEN IN MY QUEUE SINCE FEBRUARY
you have the rest of the day to reblog this










