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If you know anyone who is a resident of Atlanta, reach out to them and share this info!
Just some of the Orca Jason doodles from today ft. small robin Dick shifter and the potential drowning of Bruce Wayne
OHHHHHHHHSFHDJFB GDARE YOU KIDDINGEMEEEEE
ok i have had a LOT of time to think about these parallels.
in itsv, miles isn’t fully spider-man yet. he’s wearing the kids’ costume that doesn’t even fit. peter is the experienced spider-man, wearing the suit, who’s telling him he knows better and that he should sit this one out. but miles doesn’t. he takes his leap of faith and becomes spider-man.
in atsv, miles has a brand-new suit. he’s been spider-man for longer, and he’s had time to figure out what works for him.
peter comments on his new suit design and says it looks like he’s bleeding from the armpits. it’s meant as a joke, but it’s also a subtle nod that a lot of time has passed. peter doesn’t quite get how much miles has changed and come into his own.
in the scene where they have a heart to heart, peter is wearing a bathrobe covering up his spidey suit, showing how he’s out of touch with miles. he’s not the best mentor he can be right now. miles is the one fully displaying the suit. he tells peter he wants to be spider-man in a different way—peter told him in the first movie to “do it like you,” and that’s exactly what miles is doing.
in both scenes, peter thinks he knows better. but miles flips it right on his head and proves that he’s gonna do his own thing.
You are Superman, aren’t you? Lois, look, we’ve been through these hallucinations of yours before. Can’t you see what you almost did? Throwing yourself off a building 30 stories high? Can’t you see what a tragic mistake you almost made? I made a mistake? I made a mistake because I risked my life instead of yours. Lois! Don’t be insane! And don’t fall down ‘cause you’re just going to have to get up again! Superman II: The Richard Donner Cut (2006)
This scene features one of the best things about Chris Reeve’s portrayal, which is that he physicalized his different choices between playing Clark and Superman. Like, look at the difference:
He could go from Rick Moranis to Chris Evans with just his posture. It’s like his glasses are weighing his entire body down. Here it is, in motion:
Acting.
This is a perfect example that proves that the Clark Kent disguise actually does work….and how it works….
Christopher Reeve was the best Superman and still is
Are we gonna discuss that Lois Lane rationalized that Superman wouldn’t even feel a bullet, thus wouldn’t even know he hadn’t been hit, causing Clark Kent to reveal himself for who he truly is without her having to risk anybodies life?
God I love Christopher Reeve’s Superman because some of Clark’s clumsiness can be seen in Superman too. The fact that this man didn’t realize it was a blank even though he can see things move in slow motion is really funny to me
Like he grew up thinking he had to hide his powers and I just assume that sometimes he forgets he has them because Clark is Clark. He might be superhuman but he’s still a clumsy dumbass and that’s his biggest flaw.
You don’t need kryptonite when you’re dealing with a good honest clumsy man and Lois knows that because she knows Clark!
It’s why I don’t like pretty much any other Superman movie as much. They make him too perfect, that’s not what makes this Kansas man so charming!
Reblogging specifically for the shot with the glasses (so fabulous a transformation) and also for the emotional context of the scene, which his face continues to do extraordinary things—including signaling a kind of vulnerability that has nothing to do with being proof against bullets.
Left: 10,000 B.C.–5000 B.C. arrowhead / Right: mouse cursor
wheeeeeeeew doggies
"Revolt for Nahel"
Graffiti in memory of 17-year-old Nahel M, who was murdered by police on June 27 in the western Parisian suburb of Nanterre, sparking an ongoing rebellion in cities across France.
Look, people can talk all they want about how lotms is a “bad documentary” with “really weird editing” but few things in the history of cinema compare to the moment when Frank says that Ray and Bob are the hardest-working people he knows and it immediately cuts to the two of them playing what appears to be Donkey Konga with laser-like focus.
Judith and the Head of Holofernes (detail), by Francesco del Cairo, c. 1633.
