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Embody The Cosmos

@something-close-to-reverie

|MN|
The daughter is sad. I’m so sad says the daughter. Why are you sad? asks the mother. The daughter doesn’t know. The days go by. The daughter isn’t getting better and the mother worries, frets, paces. The mother isn’t a doctor, she’s a poet, so she brings home a book. I’m too sad to read says the daughter but it’s not for reading, it’s for figuring: it’s a thesaurus. You can be as sad as you need to be says the mother but you must know what kind of sad you are. Are you sad-lonely, sad-desperate, sad-lacking-in-faith? The daughter sits at her desk and looks at the words she has written on the sheet of paper. It’s not that the words are any less true than she imagined, it’s not that they’re smaller than she thought, but they’re limited, they have boundaries, they’re finite, and she’s bigger than they are, surprisingly bigger and more vast than these words on the page, written in her own hand. Go figure. She starts to feel better.

Richard Siken

Richard Siken Poetry Starters

  • I wore his jacket for the longest time. 
  • I’d live on the moon probably except I think I’d miss the moonlight
  • Eventually something you love is going to be taken away. 
  • You see, I take the parts that I remember and stitch them back together
  • But you know how I am. I push too hard.
  • I’m hungry and hollow and just want something to call my own
  • The way you slam your body into mine reminds me I’m alive
  • Monsters are always hungry, darling.
  • Sorry about the blood in your mouth.
  • I could pretend I’m speaking to everyone.
  • I’m talking to you, and you know it.
  • Everyone needs a place. It shouldn’t be inside of someone else
  • Let me tell you what I do know: I am more than one thing and not all of those things are good.
  • Oh, the things we invent when we are scared and want to be rescued.
  • Tell me how all this, and love too, will ruin us.
  • Let’s admit, without apology, what we do to each other
  • Your body told me in a dream it’s never been afraid of anything.
  • Everything casts a shadow.
  • You could drown in those eyes
  • I swallow your heart and it crawls right out of my mouth
  • I want to be grateful but I’m having a hard time with it.
  •  I am sad and angry and I want everyone to be alive again.
  • I believe we will be reborn, because I believe everything, and I believe that we will meet again and suffer together again.
  •  Keep talking. I’ll keep walking toward the sound of your voice.
  • I wanted to take him home and rough him up and get my hands inside him
  • There are so many things I’m not allowed to tell you
  • We are all going forward. None of us are going back
  • Is that too much to expect?
  • I didn’t want to see it this way
  • Wanna make a monster?
  • It’s too ugly to be human. It’s too ugly to be you
  • I’m sure you remember, I was on the phone with you, sweetheart.
  • Someone once told me that explaining is an admission of failure.

Richard Siken Scheherazade

I’ve been using poems and songs as exercises to experiment with visual poetry techniques. This is one of my favorite poems. Do you have any poems you would recommend I try out?

“I would like to meet you all in Heaven. But there’s a litany of dreams that happens somewhere in the middle. Moonlight spilling on the bathroom floor. A page of the book where we transcend the story of our lives, past the taco stands and record stores. Moonlight making crosses on your body, and me putting my mouth on every one.”

— Richard Siken, “Snow and Dirty Rain,” from Crush

“I surrender my desire for a logical culmination. I surrender my desire to be healed. The blurriness of being alive. Take it or leave it, and for the most part you take it.”

Richard Siken, from Self-Portrait Against Red Wallpaper, War of the Foxes.

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“Oh, the body—its hungers, needs, and limitations. You look at somebody and you realize that they’re in there, inside there, somewhere, and how will you ever reach them, understand them?”

— Richard Siken, Love From a Distance

“You’re in a car with a beautiful boy, and he won’t tell you that he loves you, but he loves you. And you feel like you’ve done something terrible, like robbed a liquor store, or swallowed pills, or shoveled yourself a grave in the dirt, and you’re tired. You’re in a car with a beautiful boy, and you’re trying not to tell him that you love him, and you’re trying to choke down the feeling, and you’re trembling, but he reaches over and he touches you, like a prayer for which no words exist, and you feel your heart taking root in your body, like you’ve discovered something you didn’t even have a name for.” - Richard Siken

“I woke up in the morning and I didn’t want anything, didn’t do anything, couldn’t do it anyway, just lay there listening to the blood rush through me and it never made any sense, anything.”

Richard Siken