denver: and they were barefoot
tokyo: oh my god, they were barefoot
Me when i finished the serie that i've been waiting for a whole year in one night:
Quest'è il fiore del partigiano,
O bella ciao, bella ciao, bella ciao ciao ciao,
Quest'è il fiore del partigiano,
Morto per la libertà
I care more to be loved. I want to be loved. Little Women (2019) dir. Greta Gerwig
Penn Badgely who plays Joe Goldberg a murderous stalker and Bill Hader who plays Barry Block a violent hitman discussing the extremities that people go into defending white male characters. Using their characters as examples in this racially conscious discourse, they dissect the privilege that the average American white male possesses, in this essay I will-
Literally everything you heard happens in Cats is true
Jason Derulo almost sucks the main characters toes
There's roaches with human faces and they get eaten
Idris Elba looks like a naked human being
Taylor Swift sings a song about how incredibly hot Idris Elba is
You can see Judi Dench's normal human woman hands
The orgy is incredibly stylized but it's absolutely in there
Taylor Swift throws catnip over everyone to get them incredibly high while she sings about Idris Elba
There are multiple cats who are straight up wizards
Rebel Wilson cat just reaches down and scratches her taint on screen and it's the only thing happening for several seconds
why would I watch marriage story when I could simply get my parents in the same room and experience it live
It would be… strange if he turned to me and said, “And what do you want to do today?”
Marriage Story (2019) dir. Noah Baumbach
“We can accept an imperfect dad. Let’s face it, the idea of a good father was only invented like 30 years ago. Before that fathers were expected to be silent and absent and unreliable and selfish. And we can all say we want them to be different, but on some basic level, we accept them. We love them for their fallibilities, but people absolutely don’t accept those same failings in mothers. We don’t accept it structurally and we don’t accept it spiritually. Because the basis of our Judeo-Christian whatever is Mary, Mother of Jesus, and she’s perfect. She’s a virgin who gives birth. Unwaveringly supports her child and holds his dead body when he’s gone. And the dad isn’t there. He didn’t even do the fucking. God is in heaven. God is the father and God didn’t show up. So, you have to be perfect, and Charlie can be a fuck up and it doesn’t matter. You will always be held at a different, higher standard. And it’s fucked up, but that’s the way it is.”
— Marriage Story (2019), written and directed by Noah Baumbach
Jourdan Dunn by Nick Knight for Vogue UK Magazine - November 2019
Throwback Thursdays:
Balenciaga Ball Gown, 1948. Keenly historicist, Balenciaga invented a fantasy of eighteenth-century court dress, knowing that Marie-Antoinette favored overdresses with swags anchored by roses. Sustained by wide panniers also appropriated from eighteenth-century fashion, Balenciaga renewed the Rococo rose for the 1940s and 1950s. Met Museum.