so much of being an ok person is just 1) not panicking, 2) not taking things personally, and 3) not letting the vindictive gargoyle that lives in your head tell you what to do. this sucks because brains love doing those things
i learned about the Horse, Sergeant Reckless. A Horse who served with the marines in Korea. She was able to haul ammunition by herself without a handler, would seek a bunker or lay down when under fire and received two purple hearts as well as other medals for her service in the Korean war (x)
i feel like it should be mentioned for people who dont know that ten seconds later he gets called out for smoking so he just immediately swallows the cigarette
why must reductress hurt me in this way
ok a) lmao me too girl, and
b) once burnout hits you CANNOT work that hard, by your standards, so odds are it actually hit a while ago and you just “powered through” because that’s what you’re used to doing. So now, every day, you’re hitting your limit and thinking “wtf man i used to be able to do this, i used to be competent, clever, diligent” and like yeah. you were. and that burns glucose. welcome to the dumb bitch zone.
and c), lmao, me too girl
j-cutter
fuck b) came for me harder than the first post did god damn
This is legit the best thing I’ve read all day.
I love Hideo Kojima he makes multiple games where characters give long winded monologues (that he personally wrote) about how US entertainment media is designed to manufacture consent for the military, and then he'll spend 3 days gushing about Top Gun
Kojima is very anti war, but also he has like a little kid brain where he just loves military hardware and spies and soldiers and he especially loves big machines that go really fast and make huge kabooms, and I think it's the tension between these two parts of him that makes his art so deliciously insane
poisoning & smashing bugs is so cruel. when i have bugs in my house i put them down swiftly &mercifully with 2 bullets to the back of the head
It knows how to hunt. But I know how to survive. Prey (2022) dir. Dan Trachtenberg