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@smokeonthebreeze

I grow our own vegetables. Many hybrid and heirloom varieties are bred for flavor rather than for commercial appeal and travel. There are entire species on the allotment that you can’t easily buy in stores because of this - like salsify, a root vegetable that tastes of fish and shellfish. Our neighbours happily take it to make vegan latkes of alarming similarity to fishcakes. You cannot sell it in stores because - despite looking like a white parsnip - it turns brown when you pick it if you scrape/bruise/cut the white root in any way, or damage the delicate little hairs, for some reason, it BLEEDS RED and is very upsetting to look at.

There are whole classes of foods like this. Foods that just don’t ship well or look good on supermarket shelves. Forbidden fruits. Vegetables that bleed and taste like meat. Sorry about this

This website is one of my fav places to find interesting heirloom stuff! I ordered a bunch of seeds to try growing next year I’m really excited about! 

I’ve gotten and plants seeds from that site, Baker Creek Heirloom Seeds, and they grow fantastically well for me.

I’m really looking forward to next season

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Highly recommend Native Seed/Search and Truelove. Baker Creek has an amazingly large catalog and has some very cool and rare stuff, but they are also Mennonites and as you might expect, they do have terrible politics as listed above, although they do some decent work preserving heirloom seeds from threatened communities.

An organization that does really interesting work preserving seed from threatened communities (and larger companies like baker creek often piggyback off of some of the work done by orgs like this and NS/S) is the Experimental Farm Network. They are very explicit about their (left-leaning) political views and you don’t have to worry about them being Problematic. They have lots of interesting and rare varieties and species you really cannot find anywhere else.

If you are looking for a wider selection of heirloom seed varieties, these two companies are very good resources as well, and carry many of the same things as Baker Creek. Afaik they are not expressly political beyond their general mission to preserve heirloom seeds (although southern exposure does a good job of preserving some very traditional african-American heirlooms from the Southeast US in particular).

Omg I hadn’t heard of the Experimental Farm Network and I am delighted! I am also completely thrilled to see people other than me remember that Baker Creek is a bunch of lying fash. They claimed they did not know about Cliven Bundy AFTER VISITING HIM IN JAIL. He was literally in jail for his anti-social bullshit when they first talked to him about the watermelons he and his mentor stole from Indigenous people and made their name on. They also take seeds from Indigenous communities globally and profit from them without sharing those profits with the communities they took the seeds from.

…I am blocked by them on Twitter after publicizing the Cliven Bundy crap, full disclosure, I have an actual feud with these people and their unethical practices.

I was trying to get signal in the goddamn Himalayas to argue with them about Bundy. *grumble*

I also second Native Seed/SEARCH as a great org doing great work. Some of their stuff is so desert-adapted it won’t grow for me, but I’ve had great luck with some of their bean varieties.

The soul starts to talk to itself in the deep sleep of summer. Under the light-flocked, mismatched spruce boughs, It begins to know each other.                                               The lonely half looks up at the sky, The other stares at the dirt. Who knows what they have to say,                                            their voices like just-strung electric wire, Constant, unhearable, but live to a single touch.

— Charles Wright, from “Buffalo Yoga,” Buffalo Yoga: Poems (Farrar, Straus, and Giroux, 2004)

7 Conversations of EFT

1.) Recognizing the Demon Dialogues: 

Identify the damaging dance the couple get into, when this dance happens, and how each partner’s moves escalate their confrontations.
Once they are aware of their negative steps, I ask them to dig beneath the destructive remarks and to figure out what they are really saying.

2.) Finding the Raw Spots: 

Understand their own and their partner’s reactions and that the drama here is all about the safety of their emotional attachment. Each partner starts to look beyond immediate reactions. 
We begin to plug into the deeper current of softer feelings, feelings connected with attachment needs and fears. 

3.) Revisiting a Rocky Moment: 

Couples replay a time when they got stuck in a demand-distance loop, acknowledging the steps each made and the emotions each felt. 
These first three conversations de-escalate tension in the relationship and prepare the couple for the next dialogues, which build and strengthen the bond.

4.) Hold Me Tight: 

This is the exchange that moves partners into being more accessible, emotionally responsive, and deeply engaged with each other. 

WILL UPDATE AS I READ FURTHER.

Taken from Hold Me Tight by Dr. Sue Johnson (51-54)

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On a March Day

by Sara Teasdale

Here in the teeth of this triumphant wind That shakes the naked shadows on the ground, Making a key-board of the earth to strike From clattering tree and hedge a separate sound, Bear witness for me that I loved my life, All things that hurt me and all things that healed, And that I swore it this day in March, Here at the edge of this new-broken field. You only knew me, tell them I was glad For every hour since my hour of birth, And that I ceased to fear, as once I feared, The last complete reunion with the earth.

1. your suffering can’t end until you stop identifying with it. if your sense of self is tied up in your suffering, anyone or anything that attempts to separate you from it will become the enemy because, whether consciously or subconsciously, you will on some level believe they are trying to take away a part of who you are.

2. read the above again.

“In order to be free you simply have to be so, without asking permission of anybody. You have to have your own hypothesis about what you are called to do, and follow it, not giving in to circumstances or complying with them. But that sort of freedom demands powerful inner resources, a high degree of self-awareness, a consciousness of your responsibility to yourself and therefore to other people.”

Andrei Tarkovsky, from “The artist’s responsibility,” Sculpting in Time, trans. Kitty Hunter-Blair (University of Texas Press, 1987)