I love the subtle intimacy of knees unintentionally touching while ur both seated . very cute
Forrest J. “Forrie” Ackerman’s copy of DRACULA signed by nearly everyone who played the Count on screen and stage.
when someone says "why would you want a physical copy of that? you can just stream it" i physically recoil. a feeling of dread comes over me like an evil spirit just passed through my body
Kate Kretz // Feral // 2012 // human hair embroidery on hair, velvet, convex glass, frame
1850s dolls’ house inside a cupboard, fully furnished and with electric chandeliers.
Edmund Dulac - To —— —— (Mrs. Maris Louise Shew), from 'The Poetical Works of Edgar Allan Poe', 1912.
i literally think about this ser serpas piece every day
The Lure (2015), dir. by Agnieszka Smoczyńska. Polish stylish dark fantasy synth-pop musical with grotesque elements belonging to the body horror genre - following the story of two mermaids, Gold and Silver, performing in a nightclub. As a feminist re-interpretation of Hans Christian Andersen’s The Little Mermaid (loosely connected), inspired by the director’s experiences as well, the film contains underlying commentaries on the exploitation of women, the Madonna-whore complex, and misogyny. In a lush visceral Lynchian realm in Warsaw, femininity shows an animalistic side. Since the angelic voice of mermaids was meant to be a way of luring men into water so they can be eaten, in the first place, eventually Gold, one of the mermaids, becomes thirsty for human blood, which causes a conflict between the sisters.
Source: uncannyarchive
