I'm just worried both Disney and fans are going to make a huge deal over Denise when she really should only be nothing more than a plot device.
She *should* be? Yes, I agree to the point of “Cmon you really think that Kermit and Piggy are NEVER EVER EVER getting back together?”
However, I hope she’s a good character that fans will actually like once we get to know her. Or NOT like but for good reasons. I want her to be a real character, especially because she’s a female and we get so little of female characters in the Muppets.
She doesn’t have to stick around forever, in fact when her and Kermit break up (maybe she see he really is still hung up on Piggy) it would be nice for them to still be friendly. It would be great to have a new lady character that isn’t used as a jealousy fuselage for Miss Piggy. Usually any female that gets friendly with Kermit (aside from Janice and she’s the only other major female Muppet) gets the Wrath of the Pig. It’s kinda old hat. So I’m hoping to see if they do anything different with their “official” break up, and we get to see Piggy dating too, etc.
My main point over all though, what I’m so excited for, why I love all this drag Kermit’s gotten on Twitter (and to a certain extent Denise, too) is that PEOPLE ARE FUCKING EXCITED and actively showing it about the show. The fallout from the news of the breakup was amazing. Yes, that’s a plot device, but it’s a smart one. It gets people talking, it gives the characters some major conflict going into the show, more so than the films, even though Kermit and Piggy have broken up MULTIPLE times, they’ve never had the social platform or maybe just out right balls to ANNOUNCE IT.
It’s great. I’m excited people are so vocal about Piggy and Kermit as their OTP. They take notice when their ship is being bombed. I’m excited to see what happens.
I’ve seen a few people do this recently and it seems like a lovely idea, plus I wanted to do a lil thank you thingy anyway for putting up with me for 2 years!
All you have to do is either submit or tag me in beautiful pictures of your lovely self and I’ll reblog it, it’ll be a chance for you to gain followers as well as boost your confidence!!
I really hope people take part in this and enjoy it, and anyone can take part whether you follow me or not! thank you~
grant's type is white girls with blond hair (he dates one, duh also his crush on Rachel) & candice likes white guys with blond hair (like her ex bf who was blond with blue eyes), seems like neither of them is each other's type
By exchanging notes, you get to know one another, to understand one another. As if your souls were connected and your hearts were overlapping. It’s a conversation through instruments. A miracle that creates harmony. In that moment, music transcends words.
i want a how i met your mother to be about a pansexual ted mosby and the running joke is that barney’s offended ted doesn’t find him attractive
i want a legally blonde to be about a lipstick lesbian who goes to law school to get her girlfriend back
i want a that ‘70s show where jackie is bisexual and between dating kelso and hyde she brings her ugly ass girlfriends with her to hang out with the gang (because there’s no way she can have a woman in her life prettier than herself)
i want a 13 going on 30 where jenna rink wakes up to be 30 years old and his name is michael rink and he still falls in love with matty from the house next door
i want a parks & recreation where ann perkins is asexual but still becomes pregnant via artificial insemination because ann is perfect and would be the best mother in the history of ever
being lgbt+ doesn’t have to be the focal point of a movie or show
like i understand it’s still a pretty bold move in media but like i’m just getting sick of all of the representation being the ultra dramatic main premise of it all
there are so many lgbt+ dramas. just give me my sitcom.
David Bianculli on Sid Caesar, a pioneer of sketch comedy:
Sid Caesar, who died Wednesday at age 91, was the driving engine behind NBC’s original “Saturday night live’’ – a show that had as great an impact on popular culture as the current SNL…
That series was Your Show of Shows, which ran on NBC from 1950-1954. It was broadcast in prime time, but other than that, everything about it sported the same template as Saturday Night Live, which would appear a TV generation later. Your Show of Shows, like the much later SNL, was 90 minutes long. It featured a guest host each week, and musical guests. And it was driven by a brilliant staff of performers and writers, the former led by Sid Caesar, with very able assistance from Imogene Coca, Carl Reiner and Howard Morris.
That wasn’t Caesar’s only TV showcase series from the early days of television. Your Show of Shows had grown out of Admiral Broadway Revue the year before, which had been simulcast by NBC and DuMont the year before. And after the talent on Your Show of Shows opted to divide and conquer, Caesar went on to Caesar’s Hour, maintaining some of the Your Show of Show writers, and adding others – including Larry Gelbart and Woody Allen, just to name two.
And if you want to name the writers on Your Show of Shows, you can start with Caesar, Reiner, Mel Brooks, Neil Simon, Danny Simon, Lucille Kallen, Max Liebman, and Mel Tolkin. Follow the resumes of all those writers, and you’ve got a legacy of 20th-century comedy every bit as impressive as that to spring from SNL or The Daily Show with Jon Stewart.
I teach Your Show of Shows in my TV History & Appreciation classes at New Jersey’s Rowan University – and every term, the comedy brilliance and antic energy of This Is Your Story (an extended spoof of the ambush biography show This Is Your Life) and the mostly wordless segment “The Clock” work as well as they must have in the early Fifties.
In 2001, Sid Caesar appeared during the Television Critics Association press tour to accept a Lifetime Achievement Award. He was in his late 70s then, and looked frail as he waited his turn to take his tentative tiny steps to the podium. As soon as he started to talk, though, the showman in him shaved decades off his demeanor.
Instead of delivering the expected thank-you speech, Caesar launched into one of his patented nonsense-language riffs. The usually hard-to-please crowd of TCA TV critics howled with laughter, because we were not only familiar with, but weaned on, Caesar’s gift for gobbledygook. He finished doing his “speech,” in what sounded like almost passable German, to a loud ovation. Then he picked another language to skewer, and did it again. And again.
Then, after his real thank-you speech, Caesar received a standing ovation so long that he was able to negotiate his way down the steps from the stage and towards his front-row table – at which point, still relishing the spotlight, he mimed remembering one more thing, and worked his way back to the stage and the podium, just as slowly.
The laughter, and the applause, stayed with him all the way. It was a grand bit of live comedy, from a guy who first provided them more than 50 years earlier.
That same year, I interviewed Caesar about his guest appearance on ABC’s Whose Line Is It Anyway?, an ABC improv series appearance perfectly suited to Caesar’s comedy skills – and taped, as it turned out, on his 79th birthday. I asked if he had been nervous, taking the stage in front of a live studio audience after so many years away.
“The nervousness I have now,” he said, “is, ‘Will they remember me? Will they know who I am?’”
Caesar said he told Carey, before the taping began, “These kids don’t know me. Two generations now, they never heard of me. Maybe their fathers, probably their grandfathers.”
Caesar then picked up the story of what happened next.
“Then when I get out there,” he told me, both astonished and proud, “I walk out onstage and get a 15-minute standing ovation. Really – I was so shocked. It was so nice. I looked around and said, ‘Who came in?’
“That really got me.”
That story really got me, too. There aren’t many TV icons from the salad days of television that were as original as Sid Caesar, as influential, or as monumentally talented. He was smart enough to surround himself with the best, on stage and off, and push them all, and himself, to do things on television that had never been done before, and seldom have been done as well since.
Sid Caesar will be missed.
He will not, however, be replaced.
photo of Sid Caesar and Imogene Coca on Your Show of Shows.