you just sound dumb

Honestly? I love trans girls. Absolutely all of you.

Non-passing trans girls? Beautiful. ❤️
Trans girls of color? Amazing. ❤️
Trans girls that still like masculine things? Wonderful. ❤️
Trans girls that don’t want to start hormones or get any kind of surgery? Absolutely perfect. ❤️
Trans girls that aren’t out, whether because they can’t come out or because they aren’t ready? So, so amazingly wonderful. ❤️
Nonbinary trans girls? So great, you have no idea. ❤️
Any trans girls I didn’t mention specifically with this post? Absolutely wonderful, so great, so amazingly perfect. ❤️
All of you are so wonderful and absolutely valid, and I love all of you. You’re all so great and so beautiful and so pretty and you deserve the absolute best. ❤️❤️❤️❤️

So I’ve known there is a whole anti scarlet vision fandom out there but I was really digging into it (I’m at a long graduation) and I’m amazed at the level of hate projected on to vision in particular.

There’s a couple examples of MCU vision that they consistently list, like his entrance into her room, when he keeps her in the compound, and when he let’s her go to prison. I would like to address these just because it’s bothering me and the answer seems so obvious to me.

First, yes vision floated into her room even though she’d already told him he shouldn’t do that. But just think about it. He’s still not exactly well versed in human customs. And he’s right, the door was open. If I could float through walls you bet I wouldn’t use the door if it was faster to go though the wall. Especially since he had very important news to share with them. I 100% know that after their first discussion he never went into her room when the door was closed again (If that’s even what he did before, she could just not like it because it startled her).

Second, yes he was keeping her in the compound, but do you understand why? She had just accidentally caused an explosion that killed several people. She is in a country without a legal visa or other right to be there. The public vision of her was not good at the moment. Chances are, if she went out, someone would recognize her and it’s possible she would get called out. They could harass her, maybe even get violent. While I don’t agree with Tony making this decision without her knowledge or inclusion, it was with the intention of preventing another negative scene. When vision explains this she’s not happy about it of course. But what is she going to do, insist on leaving to get groceries of all things? She doesn’t have anywhere to go, she doesn’t have anyone but her new friends. Of course she chooses to stay. There was really no other option. And when Clint comes to get her, an option opens up and she sees a chance to actually do something she believes in. Aka help her friends instead of just sitting around waiting for nothing. Clearly vision couldn’t actually keep her there if she didn’t make the conscious choice to stay.

Lastly, do you really think vision helped put her in that prison? Or even more ridiculously, that she faught imprisonment. Of course she probably didn’t expect them to tie her up and throw a collar on her. No one knew how intense the prison was going to be. But best believe they all went quietly. They aren’t crimmals, willing to kill their captors to escape. They lined up peacefully, knowing they had broken the law and that they had to face the consequences. I can even see vision politely asking if the cuffs are really necessary as he shoots concerned looks at wanda. Plus all of them were friends with rhodey and I’m sure the shock of his accident put them all in quiet compliance.

I feel like anti scarlet vision supporters are just shining a negative light on every one of their moments. But for each for their examples, I can show them the positive or opposing view. And everytime I see such blatant hate toward this ship it confuses and upsets me because this ship has brought me so much happiness in so many different ways. And all the negative comments or examples are the exact opposite of the way I’ve been analyzing these scenes and characters.

To me this ship represents the beauty of loving someone for their whole soul. Regardless of differences or past choices. And I’m excited to see it continue to build in Infinity Wars.

Study Buddy

You didn’t want to do your homework. You wanted to kiss your boyfriend.

Anon said: oMg rEQueStS arE oPeN !!!1!!1! Can you write a fluffy Johnny (or with kdy, since you might prefer writing about him) scenario ? thanks in advance ! ♥

someone else who saw the secret like wowow good shit. this was. gonna be a totally different idea but i wasn’t feeling the first idea and then saw this like. partially written thing in my drafts so. here you go. i hope you like this lovely ^^

Keep reading

Something Special

Originally posted by fairestcharming

Request: (by @chigonaconchaHey! Can I request a Winn Schott one shot where Winn wants to ask out reader but doesn’t know how and finds out she’s never been asked out on a date?? Also if u could tag me in it that would be awesome thank uuuu

Pairing: Winn x Reader, feat. Alex, James, and Kara

Warnings: N/A

Words: 2155

A/N: This hits way too close to home…

Winn sat at his computer at the DEO, fidgeting with a toy that he kept on his desk. He stared off into space as he contemplated asking you out. It wasn’t so much whether to ask you out or not, but rather how to ask you out. He always got nervous talking to beautiful women, but with you, it was worse. You were really special to him and therefore needed to be asked out in a special way. He couldn’t just ask you.

“Earth to Winn!” Alex waved a hand in front of his face.

“What? Oh hey, Alex.” He shook his head. “What can I do for you?”

“Can you trace this for me?” She handed him a piece of paper with something written on it.

“Sure can!” He took it from her and started running a trace on his computer.

“So, what’s on your mind?”

“What do you mean?”

“You were totally zoning out a minute ago.”

Keep reading

anonymous asked:

Hey, Pilot! I was wondering if you could give me some writing advice. I have a lot of trouble starting off stories. Like, the first paragraph to start an entire fic. :/

My mom has always said that a moving boat is easier to push. Getting it going from a dead stop is nearly impossible and super discouraging, but building up any kind of momentum at all is easier to capitalize on. So when you receive advice that says “Just start” im sure it sounds dumb, but write ANYTHING. Experiment with traditional starting styles you see in books all the time if you dont have the inspiration at the second to make your own. 

There is the hard start- an example being 

“The alley way was still, holding only distant echoes of the city it inhabited. There was a space of a moment on one, lazy, stifling, creeping summer night where nothing happened at all. And then all at once, the silence did not shatter.

It exploded.

A man flung into the alleyway, slamming hard against the dingy wall and crashing to the floor, his momentum carrying him back into an unsteady run as his vision swirled and blotted-”

and so on. Its the BOOM BAM kind of beginning, right into the shit! Right into the fire! Holy crap! Where is this?! Who is this!? What did he do?? Where is he going?? ((notice how i used formatting to add to the big PUNCH, a beloved tactic of mine))

There is the ‘establishing shot’ beginning. Like how in movies you see the picture of the outside of the house before you see the inside of a room and then finally you see the character in a chair or whatever. It establishes the place, the space, and the person. This is also a way to start. Describe the house and the hill and the weather and the time. Then the living room, the decorations, the disheveled stack of papers on the coffee table. Then the woman, sitting with her legs crossed. Now tell us how she fits into the room, give her context in this space ((Always remember to connect a character to the environment and clue the reader in on the context you already know))

There is the ‘Just tuning in’ beginning. Where the story begins already part way through an event or a conversation. It is typical to heavily rely on body language and staging to help the reader figure out everything that they ‘missed’ and adds intrigue and speculation to your story right off the bat.

There is also the ‘Just missed it’ beginning, where it starts right AFTER a whole bunch of stuff went down and the story moves through the aftermath, which in turn gives context to the situation just passed. This is common is war stories, where it begins in the shambles of a home after an air raid and what the family must now do to survive. 

Thing to Remember!

The reader doesnt know everything, you do. Filling in the difference is where a whole lot of intrigue can come from, and setting that up with a good start is always possible! 

Tip!

Remember, every movie and tv show is just a story told with pictures instead of words. Pay attention to how movies and episodes of shows begin when you watch them next! I am sure you will see the same things i detailed here as well as a few other things! The Establishing shot, the Hard Start, the Just Missed It, you will see all of these and more in films, so watch a few for inspiration. Pay attention to if they start with some information and events already passed ((Spirited Away: starts in a car filled with moving boxes. Before they even speak you know this family is somewhere new they have no experience with because they are moving in from elsewhere)). Very Very few stories start from the ‘true’ beginning, so decide whats already happened in your timeline and go from there if anything at all


When i met the writers of Miraculous Ladybug I got some very good advice from a crazy awesome woman.

“You have to lay some shit down in order for flowers to grow.”


Write the worst version of your story first, and then go back and fix it! Just get the boat moving and PUSH! You can do it!

anonymous asked:

Would it be possible to get some Platonic McCree, Junkrat and/or Geniji headcanons? ;;

McCree


  • He’s the fun yet responsible friend
    • Instead of lecturing you about doing dumb stuff
    • He’ll just suggest different options
    • That sound just as cool
    • Just a little less dangerous
  • He is a little protective
    • Always there for you if you have any problems
    • Sensing when you’re being bothered
    • Appearing to save you

Junkrat


  • He is the friend that encourages you to do stupid stuff
    • We should totally light that firework inside
    • What could possibly go wrong
    • A lot of things actually
  • He will show up at your house at three in the morning because you vague posted about being sad
    • Driving you to the nearest McDonald’s
    • And complaining on the way back when their flurry machine is broken
    • You aren’t even sure that McFlurries even exist anymore

Genji


  • He is super patient
    • It would take a lot to anger him into a fight
    • It would have to be something insensitive about his brother or Zenyatta
    • Which you would regret immediately
    •  Apologizing to the fuming cyborg
  • He has a better sense of your emotions than you do
    • Knowing when you need to be comforted
    • Or just have a shoulder to cry on
    • Having emotions isn’t something to feel guilty about
    • Cry is you need to
    • Everything will fall into place
the worst type of crying

when your lips start to shake, tears build up quickly and fall fast. you are bent over or crouched trying to suck it in and not make any noise but it hurts too much to hold it in so you let out a yelp and a cry, then comes the loss of breath which sucks because not only you are crying out loud but you think you sound dumb for not breathing too. it is just a mess.

anonymous asked:

Not to sound dumb, but...what's krisgate?

oh no you dont sound dumb dont worry!! krisgate is just what i (and i think other people do too but idk) call the events of kris leaving exo. it’s a play on words with the watergate scandal that nixon tried to cover up bc tbh kris leaving was wild enough to be synonymous with watergate and also sm is nixon’s administration trying to cover everything up and pretend like kris never existed/it never happened also it sounds funny

Everyone talking about Skam S.4 rn is obviously focusing a lot on Sana and her romantic/platonic relationships and how her friendships w/the girls and Isak could all intersect with her future relationships and those theories got me seriously fucked, I agree. And as exciting and riveting as those things are, allow me to indulge in the little sub-relationships and details that may go overlooked:

Sana’s relationship with her brother, that whole playing-over-who-gets-to-enslave-the-other (Did no one else do this with their siblings because I screamed like I spent my childhood enslaved tbh) the, “I don’t tell you everything, Elias.” There are invisible boundaries between them. Even Sana distancing herself from being around her brother and his squad because it’s so weird for her to be around her sibling and partying with him and his friends in this way. Their honest conversation about Russ Busses and how people will judge Sana for being apart of one. There are so many blurred boundary lines between them and it’s so fucking real. You can’t decide if they’re tight-knit or awkward and I can relate so hard??

Sana’s mom telling her she’d make things easier if she hung out with “people like her.” Like every single Muslim parent hasn’t told their child at least once to ditch their friends and find friends that are similar to them. Can you imagine Sana struggling to fit in, to find her place, to please her parents and stay true to herself. We know she hates Jamila and her squad even if it is unclear as to why, but how many Muslim girls have been rejected by people they thought they belonged to? How do you balance this idea of belonging but not knowing where you belong?

Also Sana’s mom trusting Sana, but Sana also reciprocating that trust and being honest with her mom? It’s admittedly a fake concept  but Sana telling her mom she’s going to a party when she was supposed to go to Mosque. This may sound dumb to some of y’all but you can’t just ditch Mosque to go to a party, like that’s consequential with any Muslim parent but her mom told her she trusted her and it was so beautiful??

Other tiny details:
- Sana fixing her hijab in front of the mirror!! The struggle!! I love her!!
- Sana telling Noora about Muslim guys playing non-Muslim girls, this girl is straight up (Lmao this is lowkey real, she wasn’t just saying it to push Noora away from Yousef lol!!!)
- Sana’s friends picking up on Sana’s lingo!! (Insh’allah)

- We have 11 episodes to go and I’m already upset tbh but I hope y’all realize how important Sana is. As a character in Skam and just generally. I cried throughout the entire first ep. for no other reason than that this character is real and multi-dimensional and beautiful and she looks like me and acts like me and loves like me and it’s the best thing ever.

godforsakenthing  asked:

[kisses lips] You’ve got the kissing disease!! spread it by kissing the next ten people on your dash

                    never  has  there  been  a  slower  and  more  ominous  turning  of  a  head  to  stare  someone  down  in  the  HISTORY  of  the  human  race.   for  a  moment,  the  vagabond  is  so  prevalent  that  he  might  as  well  be  wearing  the  mask.

 and  then,  of  course,  he  stutters.    “  s  —  ah,  stuh  —  hm.  “    for  a  moment,  he  briefly  considers  whether  whatever  verbal  jab  he  was  going  for  is  WORTH  stumbling  through  to  its  conclusion,  and  then  proceeds  to  just  shake  his  head  in  bewilderment  and  beat  a  hasty  retreat.

You know what it is? I get excited about things. A song, a picture, a video etc. And I want to tell people about it. Once I do, I realize they aren’t even slightly interested. So I end up feeling like a complete idiot. And then it makes me want to stay silent and not tell anyone anything.

anonymous asked:

alright why do almost all zolu shippers gloss over the fact that zoro sacrificed his dream and life for the whole crew and not just for luffy. I know it's an important zolu moment but but I don't see why you guys have to tunnel vision on the Luffy part only and dismiss everyone else in the crew

………this is a really pointless ask to send me bcuz its trying to make it out like zolu shippers unreasonably think zoro doesnt care about ANYONE else but Luffy despite the fact he is Sword Mom of the Strawhat pirates and im p sure everyone (not just zolu fans) openly acknowledges this??? 

anyway the reason (if any) that so many people focus on that moment as being zoro sacrificing for Luffy alone and not just the crew as a whole is because… he… kind of is doing both without having to outright say over and over ‘this is for the whole crew’. what he DOES say over and over is ‘Luffy’

like Zoro openly acknowledges that by saving Luffy he saves the crew and thats all he can do here, but are you really arguing that fans of a pairing are given material like this and that we suck because we’re not making it about All Strawhat Crew and focusing instead on the two guys in the pairing??????? 

Like if anything Sanji trying to jump in and sacrifice in Zoro’s was more for openly for the Whole Crew (and even his own self) rather than just Zoro or Luffy based on how he declares himself. 

like up until Sanji’s appearance panels showing the rest of the crew havent even been shown, just shots of Luffy when Zoro is talking. But do you know how many doujins and fanart and fics are centered around this moment in the ZoSan circles? a lot. bcuz its ZoSan is the largest fanbase for the OP slash, despite have WAY less material to work with that can fuel a ship. 

so if youre saying ‘y do zolu fans have tunnel vision and make this more about Zoro’s devotion to Luffy rather than ~the whole crew~??’ bcuz Zoro knows Luffy is the whole crew and none of us feel the need to dismiss this INCREDIBLE moment as ‘oh i thought this was zolu but i guess he means the he wants to save the WHOLE crew, damn’. Like wtf fans would NOT focus on a moment like this to have it be about their pairing what are you even saying just let the Meatball Mom offer his life up for his Small Stretchy boyfriend jeez. 

chaosloved  asked:

ryan, leave gordon alone !! also give him a real compliment!! love you :)

                      this  is  harassment,  i  gave  him  a  goddamn  compliment  —  several,  by  the  way,  i  mentioned  hair  and  food  AND  eyes  —  and  he  shit  down  my  throat!   he’s  just  being  a  DICK!

Kaneki’s mindset

Originally, I was super skeptical about Ishida making Kaneki’s mother an abuser… because why does he want to make Kaneki suffer even more?

However, it psychologically makes sense - 

In a lot of Kaneki/Haise’s mindscapes/hallucinations/delusions he usually imagines himself as a child. Sometimes he imagines himself closer to the age he is now, but often those hallucinations have a tendency to be violent, cruel, and frankly, pretty creepy.

(:re 7, pretty creepy am I right?)

I always wondered why Ishida chose to include children in Sasaneki’s hallucinations… was it for emotional influence? Or as a side effect of what happen back at Aogiri - where he was forced to pick between a mother and a child living? (Which somehow also ties back in…)

In all regards, Kaneki has the mind of someone who’s been very emotionally and physically abused throughout his life. In fact, he probably has natural association of adulthood with cruelty – and he has a nasty tendency of placing himself or Rize in place of his mother.

It’s a fact that parents shape their kid’s life. His mother has taught him several things: to be the one getting hurt; to fear that people he deeply cares about to neglect and abuse him; to desire love, and perhaps fear it too. These are all common traits of abused children. But these traits have shaped how he views the world.

Likely, as a child, he got the impression that adults were bad, or the such.. As he grew up, the feeling likely wavered, but after the events of Tokyo Ghoul, it’s likely that his trauma slowly, subconsciously came back to him.

It’s why he casts hallucinations of his half-Ghoul self in the role of his antagonist, and his child self as his sympathizer. He still has the mind of the child, or at least his subconscious idea of what that is. He clearly wants to imagine his older self as an antithesis to him, something cold and foreign. Or like his mother as a mentioned above.

Anyway, the situation with mother and child back during the Aogiri torture just makes this altogether more genius on Ishida’s part – because mother’s love their children and what them to live right? But don’t children have to be hurt so their mothers aren’t getting hurt? Not to mention the regular moral dilemma going on here anyway – the layers behind the manga just keep getting more and more complex. There’s a meaning behind everything.

Sometimes I can’t believe how clever Ishida is.