you are really interested in this interview

anonymous asked:

harry followed tom lamont on 2014, when he wrote a super controversial article (you should look it up its an interesting read) on one direction... i remembered it now cause when harry followed him it caused some controversy as well. i didn't realize he was the one to interview louis!

Oh really?! This is really interesting. Maybe @beccasafan will know!

decadeoldtiger  asked:

If you had the chance to interview Ishida what would you ask him?

Oh that’s an interesting ask. I would love to interview him after the manga, but mostly after I see the complete final product tbh and see which answers I get for some of my questions automatically at the end and which not. But these would be some of my questions: Who inspires you? What inspired TG? your favourite books? You said you studied something useless what was it really? People are speculating about japanese literature? You said you need someone who goes with you to the ghoul café. How about me next time so we can talk even more because I have serious questions, questions about your life and crack questions . We probably need a whole day. So it’s better if we two already plan a date for our next meeting (clever of me right ;D?). Listen I will be in my 2nd HP crisis when this series ends. Any tips for me how to get over this? Do you plan a next project? The insider joke between a mutual a me is pain and peacefull hell can’t surrender even if one of these three dies because I dreamed in the middle of the night about all three and I’m now 100% convinced there’s a parallel AU universe out there where they are 24/7 lying in the sun in the girl/boy/boy order. What do you say about that?  What do you say if I personally think western fandom is much more aggressive than japanese fandom? (we would probably talk about some scenes in this manga which caused on tumblr huge reactions and over there it had been more chill). How would you describe your personality?

How to be good at interviews:

I’m having next Wednesday my first professional interview (eeeeek) so I decided to share the research I’m doing. I googled all of this and chose the information I found most important, and organized it. I truly hope it’s helpful for someone out there :)

PLAN AND PRACTICE:

  • always do your homework: learn about the organization, its ideas and story 
  • don’t necessarily memorize responses, but try to have a planned general strategy for answering common interview questions
  • practice in front of the mirror
  • be ready to briefly describe related experience
  • compare your qualifications to what the organization wants from you

COMMON INTERVIEW QUESTIONS:

  1. What’s your biggest weakness? Think of a genuine issue you have as well as ways you have managed to work with/around it.
  2. What’s your biggest strengths?” Stand out from the crowd and don’t be afraid to speak about your strengths in an authentic and compelling way. See if your strengths align with the company’s needs.
  3. Why do you want this job?”/ “Why should we hire you?” Stay focused on why your background makes you an ideal candidate and tell them how you are going to contribute to that department and that company. 
  4. Tell me about yourself.” Don’t tell them your life story, instead discuss what your interests are relating to the job and why your background makes you a great candidate.
  5. Why did you leave your last job/position/school?” Do not go into details about your dissatisfaction, tell them that while you valued the experience and education you received, you felt that the time had come to seek outo a new opportunity, expand your skills and knowledge, and to find a company with wich you could grow. Try to put a positive spin on things. Be honest if you were fired but don’t trash your previous boss.
  6. Where do you see yourself in five years?”  Be honest about what your greater aspirations are.

And much much much more (from your behaviour to work experiences, education, interests and motivation or problems and challeges you’ve faced previously), I would encourage you to try to write down some topics for each questions that work for you. Being prepared is everything.

THE DAY OF THE INTERVIEW:

  • sleep and eat well so you look rested and healthy on the big day
  • give yourself time to calm down/meditate/relax
  • don’t noodle around on your phone or electronic device while waiting - it may communicate boredom and frivolousness, maybe stick your notebook/notes

What to wear: normally it’s best to dress neutral, professionally/formal, not overly fashionable or trendy, and brightly colored clothing is bad. Make sure your clothes are neat and wrinkle free, and make sure your image is very clean and neat.

What to bring: if revelant, extra copies of your resume on quality paper, a notepad or professional binder and pen, information you might need to complete an application.

IMPORTANT TIPS:

  • make eye contact
  • show courtesy to everyone during the interview, this means everyone from the reception staff to the interviewer herself
  • smile
  • have good posture
  • avoid fidgeting too much or playing with your hair/touching face
  • have a good handshake
  • don’t cross your arms over your chest
  • walk, act, talk with confidence
  • be comfortable and relaxed
  • choose the words you say
  • don’t place stuff on their desk
  • manage your reactions - facial and body expressions give clues on how you feel: project a positive image
  • show interest and enthusiasm
  • show warmth and personality - being personable is about getting the interviewer’s emotional side to like you and believe in you
  • don’t lie to make it seem like you know something you don’t. You probably won’t fool your interviewer, and admitting to not know something is much more impressive than lying
  • be honest
  • keep things simple and short, talk in 30-90 second chunks. Any less and you’re likely to seem unqualified; any more and your interviewer is likely to lose interest in what you’re saying

THINK OF QUESTIONS TO ASK: participating actively during the interview gives a good impression of your level of interest in the job. Most of times it is more adequeate to ask in the end of the interview.  But I feel like you really need to make sure your questions are adequate. Examples:

  • “What types of training opportunities do you offer?”
  • “What are the chances for professional growth in this job opportunity?”
  • “Is there anything else I can provide you with that would be helpful?”
  • ALWAYS ask the “ When can I expect to hear back from you about the position?” question if  the interviewer does not tell you

Good questions are open-ended, and thus cannot be answered with a “yes” or “no.” Better questions are behavioral: they ask how things are done or have happened in the past, because current and past behavior is the best predictor of future behavior.

AFTER THE INTERVIEW:

  • shake hands with the interviewer - try to invest some feeling into the handshake and pleasantries, even if you think you bombed the interview
  • hold your head high and keep your cool
  • your emotions are probably teetering at the highest of highs or the lowest of lows, but try to stay measured
  • project a cool confidence, not cockiness, and walk out of the interview with your head held high

SOMETHING TO ALWAYS KEEP IN MIND:

  • when you know in your heart and your gut that you bring to the table something just as valuable as a paycheck and maybe much more – your tremendous experience, intellect and instinct – you’ll carry yourself differently. You won’t trip over your words in an effort to please His Majesty or Her Highness, because you’ll see yourself and the interviewer as equals on a level playing field. 
  • you are valuable and unique. You have something very special in you and you deserve to be given a chance. good luck!
Hot Off The Press

Another AU where Jacky-Boy is a hockey player and Bitty has a job that involves hockey bc that’s my aesthetic. Anyway, I really know nothing about how the world of sports journalism works so there is probably some inaccuracies in here, but it’s an AU so who cares. Artistic license and all that. Very slightly NSFW (i just wanted to get all the warnings out there). 

***

“Are you into men?”

Jack has been asked this question before, but in such a subtle way (and typically involving Parson) that it’s easy to avoid. No reporter has ever straight out asked him. Besides, he’s not gay. He’s bisexual. So when Jack usually tells them, “No.” it’s not a lie. However, this time it feels different. Maybe it wasn’t just this particular time, but all the times added onto each other that’s finally causing him to really think about what hole he’s digging himself into.

The blunt question has him feeling panicky and the other presser notice his reaction too. Jack can’t say no, because that’s not true. He is into men. Jack’s panic quickly shifts, and now he just feels like shoving the microphones away and storming out, because this is hockey goddammit. Not E! news.

“Excuse me?” Jack clears his throat, trying to buy himself some time to think of a properly crafted response. Over the years, he’s developed a talent for that.

But everything is on overdrive and he feels his breath start to quicken again–

“Are you into men?” Another reporter asks, and it takes Jack a moment to realize that the reporter isn’t asking him. He’s asking the man who popped the question in the first place.

 All attention, including Jack’s, turns to the small blonde that got lost in the bundle of people. He holds up his mic towards the reporter who popped the question in the first place. 

Keep reading

theguardian.com
Ten things I learned about writing from Stephen King
The novelist James Smythe, who has been analysing the work of Stephen King for the Guardian since 2012, on the lessons he has drawn from the master of horror fiction
By James Smythe

Stephen King is an All-Time Great, arguably one of the most popular novelists the world has ever seen. And there’s a good chance that he’s inspired more people to start writing than any other living writer. So, as the Guardian and King’s UK publisher Hodder launch a short story competition – to be judged by the master himself – here are the ten most important lessons to learn from his work.

1. Write whatever the hell you like

King might be best known – or, rather, best regarded – as a writer of horror novels, but really, his back catalogue is crammed with every genre you can think of. There are thrillers (Misery, Gerald’s Game), literary novels (Bag Of Bones, Different Seasons), crime procedurals (Mr Mercedes), apocalypse narratives (The Stand), fantasy (Eyes Of The Dragon, The Dark Tower series) … He’s even written what I think of as being one of the greatest Young Adult novels of all time: The Long Walk. Perhaps the only genre or audience he hasn’t really touched so far is comedy, but most of his work features moments that show his deft touch with humour. It’s clear that King does what he wants, when he wants, and his constant readers – the term he calls his, well, constant readers – will follow him wherever he goes.

2. The scariest thing isn’t necessarily what’s underneath the bed

Horror is a curious thing. What scares one person won’t necessarily scare another. And while there might be moments in his horror novels that tread towards the more conventional ideas of what some find terrifying, for the most part, the truly scary aspects are those that deal with humanity itself. Ghosts drive people to madness, telekinetic girls destroy whole towns with their powers, clowns … well, clowns are just bloody terrifying full stop. But the true crux of King’s ability to scare is finding the thing that his readers are actually worried about, and bringing that to the fore. If you’re writing horror, don’t just think about what goes bump in the night; think about what that bump might drive people to do afterwards.

3. Don’t be scared of transparency

One of my favourite things about King’s short story collections are the little notes about each tale that he puts into the text. The history of them, the context for the idea, how the writing process actually worked. They’re not only invaluable material for aspiring writers – because exactly how many drafts does it take to reach a decent story? King knows! – but they’re also brilliant nuggets of insight into King himself. Some people might think that it’s better off knowing nothing about authors when they read their work, but for King, his heart is on his sleeve. In his latest collection, The Bazaar of Broken Dreams, King gets more in-depth than ever, talking about what inspired the stories in such an honest way that it couldn’t have come from another writer’s pen. Which brings us to …

4. Write what you know. Sort of. Sometimes

Write what you know is the most common writing tip you’ll find anywhere. It’s nonsense, really, because if we all did that we’d end up with terribly boring novels about writers staring out of windows waiting for inspiration to hit. (If you like those, incidentally, head straight for the literary fiction section of your nearest bookshop.) But King understands that experience is something which can be channelled into your work, and should be at every opportunity. Aspects of his life – addiction, teaching, his near-fatal car accident, rock and roll, ageing – have cropped up in his work over and over, in ways that aren’t always obvious, but often help to drive the story. That’s something every writer can use, because it’s through these truths that real emotions can be writ large on the page.

5. Aim big. Or small

King’s written some mammoth books, and they’re often about mammoth things. The Stand takes readers into an apocalypse, with every stage of it laid out on the page until the final fantastical showdown. It deals with a horror that hits a group of characters twice in their lives, showing us how years and years of experience can change people. And The Dark Tower is a seven (or eight, or more, if you count the short stories set in its world) part series that takes in so many different genres of writing it’s dizzying. When he needs to, King aims really big, and sometimes that’s what you have to do to tell a story. At the other end of the spectrum, some of King’s most enduring stories – Rita Hayworth & Shawshank Redemption, The Mist – have come from his shorter works. He traps small groups of characters in single locations and lets the story play out how it will. The length of the story you’re telling should dictate the size of the book. Doesn’t matter if it’s forty thousand words or two hundred, King doesn’t waste a word.

6. Write all the time. And write a lot

King’s published – wait for it – 55 novels, 11 collections of stories, 5 non-fiction works, 7 novellas and 9 assorted other pieces (including illustrated works and comic books). That’s over a period of 41 years. That’s an average of two books a year. Which is, I must admit, a pretty giddying amount. That’s years of reading (or rereading, if you’re as foolishly in awe of him as I am). But he’s barely stopped for breath. This year has seen three books published by him, which makes me feel a little ashamed. Still, at my current rate of writing, I might catch up with him sometime next century. And while not every book has found the same critical and commercial success, they’ve all got their fans.

7. Voice is just as important as content

King’s a writer who understands that a story needs to begin before it’s actually told. It begins in the voice of the novel: is it first person, or third? Is it past or present tense? Is it told through multiple narrators, or just the one? He’s a master at understanding exactly why each story is told the way it’s told. Sure, he might dress it up as something simple – the story finding the voice it needs, or vice versa – but through his books you can see that he’s tried pretty much everything, and can see why each voice worked with the story he was telling.

8. And Form is just as important as voice

King isn’t really thought of as an experimental novelist, which is grossly unfair. Some of King’s more daring novels have taken on really interesting forms. Be it The Green Mile’s fragmented, serialised narrative; or the dual publication of The Regulators and Desperation – novels which featured the same characters in very different situations, with unsettling parallels between the stories that unfolded for them; or even Carrie’s mixed-media narrative, with sections of the story told as interview or newspaper extract. All of these novels have played with the way they’re presented on the page to find the perfect medium for telling those stories. Really, the lesson here from King is to not be afraid to play.

9. You don’t have to be yourself

Some of King’s greatest works in the early years of his career weren’t published by King himself. They were in the name of Richard Bachman, his slightly grislier pseudonym. The Long Walk, Thinner, The Running Man – these are books that dealt with a nastier side of things than King did in his properly attributed work. Because, maybe it’s good to have a voice that allows us to let the real darkness out, with no judgments. (And then maybe, as King eventually did in The Dark Half, it’s good to kill that voice on the page … )

10. Read On Writing. Now

This is the most important tip in the list. In 2000, King published On Writing, a book that sits in the halfway space between autobiography and writing manual. It’s full of details about his process, about how he wrote his books, channelled his demons and overcame his challenges. It’s one of the few books about writing that are actually worth their salt, mainly because it understands that it’s about a personal experience, and readers might find that useful. There’s no universal truths when it comes to writing. One person’s process would be a nightmare for somebody else. Some people spend years labouring on nearly perfect first drafts; some people get a first draft written in six weeks, and then spend the next year destroying it and rebuilding it. On Writing tells you how King does it, to help you to find your own. Even if you’re not a fan of his books, it’s invaluable to the in-development writer. Heck, it’s invaluable to all writers.

AU where instead of going to Samwell, Jack starts a widely successful Publicly Broadcast show for children.

Jack learns that he is great with kids after coaching them for a little over two years. Moreover, kids are good with Jack. There is no pressure to be anything other than who he is.


It all starts with a local news program doing a fluff piece on Jack Zimmermann’s coaching ability. But then it turned into something completely different when Jack skated onto camera and started to introduce every single one of his kids and what was special about them. He was…really enchanting actually. He didn’t ever really talk down to them. Jack just treated them as a tiny friend. 

They ARE his tiny friends, but that’s not the point. 

The footage they got of “snack time” was really the best. Imagine a good 16 kids piled around this massive man teaching them the best way to make a peanut butter and jelly sandwich. 

 It should have been obvious that a local channel would contact him. It still surprises Jack. They want him to host a show? Why? Everyone always teased him about how impersonable he was during interviews. Is it because he’s Jack Zimmermann’s son? Or Alicia’s? 

Jack asks all of these questions to his mother and she just laughs. “You made a PB&J interesting to 16 kids just by being you”

Jack figures it wouldn’t hurt to give it a shot. 

Keep reading

anonymous asked:

1. The polish journalist, who was given broccoli by Harry, talked about the interview recently and I haven't seen it anywhere yet, so I thought I would share the translation! "I was very impressed with Harry. He acted like a true gentleman and was incredibly nice. I admire him for kind of distancing himself from all of the things that are happening around him without letting anyone down. He's just really nice and funny"

2. “When he looks at you, he seems super interested in what you’re saying. He looks at people in a very specific way. He would look at me the whole time and sometimes it was so intense I just couldn’t keep that eye contact with him anymore. I think I even stuttered once when he looked at me cause I didn’t know what was going on, but then he smiled, winked at me and we made it!”

3.“Me and the other journalist where sitting in our chairs already, and Harry was eating lunch somewhere. At some point he yelled, ‘Hey, anybody wants some broccoli?’ Everybody said, ‘No, thank you’, which is what every normal person would do. But, of course, I had to be like, yeah, I want your broccoli. So I said I wanted it and was sure it was a joke and a minute later I learned it wasn’t”

4. He came up to me gave me a hug, asked me about my name, how I was, where I came from and then he just stood in front of me. I had no idea what he wanted, it was very awkward. That’s when I noticed Harry was holding a plate with his half eaten lunch on it. I think none of us knew what to do next so he said he brought me some food. I told him I thought it was just a joke. He said that I need to take some of his broccoli. There were no forks or anything, but he insisted, so I ate the broccoli.“

First of all, thank you loads for this. It’s really lovely of you to share this, and I certainly haven’t seen it around so far!

Second of all, this is… there’s something so… I don’t know if I have words for what this is. It’s so *casual* and it matches *every* perception of him so well that it’s… wow. He is who he is, through and through. Good for him. 

Thanks again, love! xx

If I were being totally blunt and honest, I had no interest really in listening to the record. I wasn’t even terribly curious about it. But I kept hearing from people… Well first of all he put out this epic single a little while back about six minutes long called ‘Sign of the Times’ which I thought, 'Gosh this sounds like Bowie crossed with Pink Floyd.’ I mean it’s absolutely the last sound you expect from this kid. And I was reading an interview that he gave with the New York Times… and he said you know once he finally stepped out on his own and got to do whatever he wanted, he said, 'I want to make a record that I would listen to and I grew up listening to The Rolling Stones and Pink Floyd and The Beatles.’ And you hear, as you heard on that song ['Carolina’], you hear the influences throughout this entire record. I think it’s pretty striking. He really does a great job with it. He’s only 23 years old, so I’m really looking forward to seeing where he goes with all of this. I’m just impressed that he was able to make such a left turn from everything that he knew leading up to this point.
Yuri on Ice interview translation - PASH! 2017/03 (p11) (Q&A part)

Here’s the Q&A part that was published with the episode commentary and I didn’t have time to translate the other day.

Regarding the question about Chris’ acquaintance, you may want to read the report of the other day’s talk show to get a more complete idea.

(Side note: I still haven’t had time to answer some of the questions I received, please wait a little… I will also work on the very long interview with Kubo on the magazine Febri from tonight. Interview rush this month, really.)

***If you wish to share this translation please do it by reblogging or posting a link to it***

***Re-translating into other languages is ok but please mention that this post is the source***


Mitsurou Kubo presents Q&A exhibition!!!
We asked Kubo-san about curiosities that didn’t fit the commentary, in a Q&A format.

Q. Why is Victor cold to JJ?
A. He genuinely doesn’t care (LOL). He doesn’t even remember JJ’s name correctly, but that’s because he is the type of person that doesn’t try to remember things he isn’t interested about. It’s not like he’s looking down or him or doesn’t get along, he really just doesn’t care. Until this point we hadn’t clearly shown Victor not being interested in someone, so I was thinking about a character who wouldn’t feel hurt even if Victor didn’t care about him… and realized that it could only be JJ. In fact, he wasn’t really bothered.

Q. What is Victor to JJ?
A. I think he is someone he has to challenge. The type of person he wants to confront and beat when they’re both in their very best condition. He would never want to win because Victor is in a bad condition or just out of a slump. More than admiring him, I think he wants to be his equal rival. And he believes that if he does his best he will get the gold medal. Therefore, to avoid looking at Victor like someone who is no match for him, he takes the liberty of speaking with him in that overfamiliar way. But I think that JJ is currently the one who is fighting against the fear of losing more than anyone else. It also looks like he didn’t really have a good relationship with his previous coaches and people didn’t understand him.

Q. Is Victor worried about the “whorl” of hair on his head?
A. More than Victor, this is something many Russian people care about. Though in Victor’s case I think it’s more like his hairline than the whorl (LOL). But I think that having such a weakness makes him a fascinating person. Before the FS in episode 7 Yuuri even presses the top of his head while a large audience is watching. In this scene I wanted to do something that people wouldn’t actually do in the real figure skating world, I had fun drawing it.

Q. We want to know more about Otabek!
A. In his private life he is also a DJ, and he’s kind of a street style guy. He actually has many mischievous friends. That’s why he finds Yurio really cool, because he has so many things that Otabek doesn’t have and admires. And he’s also the type who doesn’t give importance to hierarchies, so Yurio was happy that he wanted them to be equals. So you figure what happens when he asks him “will you come or not?”… (LOL)

Q. Who is the handsome guy always together with Chris?
A. He’s a man from the Swiss Skating Federation. I created him because I didn’t want Chris to feel lonely (LOL). I’m not going to say anything about what his relationship with Chris is, but we believe that he’s a former ice dancer that belongs to the Federation.

Q. We want to know some secret anecdotes about the last episode!
A. When I wrote the storyboard, I added “They say Katsuki is retiring.” as a subtitle. For Victor’s line I also considered “the ‘katsu’ in ‘Katsuki’ is the ‘katsu’ from ‘selfish’!*”, but I thought “nah, Victor is not that good at Japanese” and I didn’t use it (LOL). Also, in the storyboard there was a scene where Yuuri, before skating, is trying to tell Yurio that he’s going to retire but in the end isn’t able to tell him. But there was no time, so it was cut in the anime…
[*translator’s note: “Selfish” in Japanese can be said “jibunkatte” 自分勝手, where the kanji for the “kat(su)” part is the same kanji as the “Katsu” in “Katsuki” 勝生. I’m glad she didn’t use that because it would have been impossible to translate properly… though Victor does still use the word “jibunkatte” in the episode. Also, in the end they are supposed to be speaking in English together, so yeah. By the way, the subtitle she originally thought, which in Japanese is “Katsuki, intai suru’tte yo” is probably a reference to the title of the novel “The Kirishima Thing”  that in Japanese is “Kirishima, bukatsu yameru’tte yo” and was adapted into a movie. The ’~tte yo’ wording has kind of become popular after that.]

Q. How did you decide the way Victor cries?
A. I drew it so that Victor’s tears wouldn’t stream down his cheeks but “drop from the tip of his eyelashes”. Sometimes people who aren’t used to crying do not move their facial muscles and don’t wipe their tears, so they just trickle down. The way Victor cries is something I had already roughly sketched in a meeting with the director.

Q. Why didn’t Phichit talk to Yuuri about his dream?
A. I think the reason Phichit-kun still hasn’t talked to Yuuri about his dream of holding an ice show in Thailand is that he too wants to surprise him. They have this kind of relationship. I think that all skaters, even if this time they couldn’t achieve their best results, are thinking about what they can do to create a skating world that they can enjoy even more than now, and about what they can do for their home countries.

Q. Why does Michele speak in the Hiroshima dialect?
A. In the setting he is from Naples and speaks English with an Italian accent, so to express that I decided that he would speak in Hiroshima dialect.

Q. Tell us how you feel now that the series is over and about the future!
A. I am very well aware that you are all hoping for a continuation of the show, and with director Yamamoto we always talk about what we would like to do if we ever have the chance to work again with the staff that has gathered to make this series. We still do not know if a “St. Petersburg arc” would be the best. However, it’s definitely not something that I can do alone, and to draw this series again we would need to collect a lot of information and find many new things. It wasn’t a series that was possible to create just inside my head. But we must create something convincing, otherwise people are not going to follow us, and it wouldn’t come true. More than anything, the thought that we might not see Yuuri, Victor, Yurio and the other characters again makes us sadder than anyone else. Actually, I’m going to go on a trip abroad with the director soon (LOL), and we are planning to talk about the future too. I hope we have time to discuss carefully about what lies ahead for “Yuri on Ice”, and I’ll be happy if you keep on supporting us in the meantime.


{PART 1} I Won’t Stop You // Jeon Jungkook, Vampire!AU

Originally posted by jengkook

Pairing: Jungkook x Reader

Genre: Vampire!AU, Fantasy, Angst, Smut

Summary; You drive to your boss‘s house with the intention of returning his wallet he left at the office. You feel uneasy, seeing his manor for the first time - Jungkook also feels uneasy, but for reasons that you could never begin to imagine.

A/N; This is the first instalment of a request I received that I decided to turn into a series that will contain smut. I’ll release a new chapter every Tuesday between 9pm-10pm (U.K Time), I hope you enjoy part 1 ^^

{Part 1} {Part 2}

Keep reading

The truth about Gifted is I wanted to direct it. I’d been on the hunt for something else to direct. I like human stories- movies like Kramer Vs. Kramer, with relationships where adults speak to children as peers- and I think Gifted is really charming. When they said, ‘Marc Webb got it’, I didn’t hear about it for a couple of months. Then I got a call from my team and they said, 'Remember Gifted? Would you be interested in acting in it?’ It was exciting. I hadn’t done a movie that felt like that in a long time.
EXCLUSIVE: The 7 Biggest Secrets From Hook & Emma's 'Once Upon a Time' Wedding: Vows, Honeymoon & Much More!

Source

Wedding bells are officially ringing in Storybrooke!

Once Upon a Time’s highly anticipated musical episode is almost here, which means that we’re just a few days away from witnessing Emma Swan and Killian Jones say “I do” in a breathtaking wedding ceremony. (Trust us. It’s perfect.)

ET had the pleasure of visiting Once Upon a Time’s set in Vancouver, Canada, last month during filming of the musical matrimony, and we sat down with stars Jennifer Morrison and Colin O'Donoghue for an intimate and in-depth interview that focused on each and every aspect of their on-screen wedding.

From their “honest” vows, to Emma’s “timeless” wedding gown, and their dream honeymoon – only ET has all the inside scoop straight from the stars of the series! Plus, we’ve got additional details from executive producers Adam Horowitz and Edward Kitsis, as well as Once Upon a Time’s head costume designer Eduardo Castro.

So, shall we get started? Or, as O'Donoghue cleverly put it: who’s ready for some “music and dance and some mighty fine romance” at Captain Swan’s wedding?

Just a warning that this is the biggest Once Upon a Time article we’ve ever written, so grab a comfy seat, put your cellphone on silent and get ready to go on an emotional roller coaster of feels. And, as always, please remember to breathe!

1. The Venue: The Once showrunners confessed that they had considered a number of “other places” for Emma and Killian to tie the knot – yes, even Granny’s! – but in the end, they settled on a brand new Storybrooke location for the ceremony. “Without wanting to spoil the episode, there’s a story reason for why it’s on the roof,” Horowitz revealed. “But there’s also something to us that was super romantic about having Storybrooke as the backdrop.”

Emma and Killian will tie the knot in front of a dream-worthy sunset and surrounded by their closest friends and family. “It’s the place where they’ve kind of come together,” Horowitz continued. “Where their love has grown and where both of them as characters have grown, so seeing the whole town kind of beneath and surrounding them felt like a really cool way to do it.”

“I thought it was perfect,” Morrison dished. “We just felt, like, what better way to make it feel extra special than to have [the wedding] also be the musical episode?”

Keep reading

4

Anon asked: ‘hey, what are your thoughts on harry styles? 👀

“He’s a great kid!”

Seriously though, didn’t really know much about Harry Styles before ‘Dunkirk’, so it’s been great fun discovering his music, personality and style. And meeting some of his lovely fans on tumblr, IG and Twitter —thank you so much for your support and interest in Cillian too.

How incredible is it that “doing a Harry Styles” is now a thing?! That term is now being used to describe other musicians moving into acting. Can’t wait for the release of ‘Dunkirk’ (126 days!) and for Cillian,Tom Hardy, Harry and the rest of the cast in interviews, on the red carpet and on the big screen. It’ll be fantastic.

I’m sure this will get buried in all the screaming at the current nonsense, and it’s really just to add to the pile, but in Selena Gomez’s Vogue interview today, she actually states that she no longer has her Instagram password and that her assistant runs the account. If you didn’t know, Gomez has the largest following on Instagram at the moment, and has for a long time, if memory serves.

ships passing in the night.

A quick, (hopefully) fluffy little fic featuring musician!Derek. Inspired by this prompts post of “Reunited AUs.”

now also on ao3!

Stiles is so close to getting somewhere with Derek. He can feel it.

They have inside jokes. They eat lunch together every day in the cafeteria. Stiles has found out that Derek can play like fifteen different instruments and likes to fiddle around with composing music in his spare time, and Derek knows all about Stiles’ fascination with folklore, unexplained phenomena, and The X-Files. Stiles overhears Derek telling Boyd that Stiles is a “brilliant researcher.” Derek has seen Stiles having a panic attack in the men’s restroom and talked him through it, and he went with Stiles as his (sadly platonic) plus-one to his dad’s wedding. There’s even a drunk almost-kiss at their boss Lydia Martin’s engagement party, Stiles making an idiot of himself but Derek smiling fondly anyway, and then—nothing.

“Hey, where’s Derek?” Stiles asks Greenberg when he comes in Monday morning. Derek is one of those annoyingly productive morning people and always beats Stiles to the office. Today his desk is empty. Like, weirdly empty. Stiles would almost venture to call it bare, except that makes no sense. “He’s not sick, is he? Or hungover?”

Although, as far as Stiles knows, Derek doesn’t drink.

“He quit,” Greenberg says, not looking up from the magazine he’s reading, as if this is totally normal.

There’s a strange ringing in Stiles’ ears. “Like, for the day?”

Greenberg doesn’t look up. “Like, for forever.”

It really is that sudden. One day he’s plugging away in the cubicle next to Stiles’, and the next, Stiles finds out from fucking Facebook that Derek Hale is overnight famous.

Keep reading

(***CLOSED***) anyone interested in being interviewed?

*** to all that replied– if I haven’t gotten back to you yet, I will soon. got way more responses than expected but I intend to follow through with all interviews as long as everyone’s still interested by the time I get there. :) thank you for your patience guys! ***

ALL YOU NEED IS THE *EXACT TIME* OF YOUR BIRTH.

this is for my own informal astrological studies.

interview would include some impersonal topics but I’m mostly interested in diving deep & really getting to know you and your psyche.

*please be very comfortable with opening up & talking about yourself/your life
*this is a private interview, discussions are just between just you & I
*phone call, text, Skype, or just messaging on Tumblr-whatever works best.

☆perks 4u☆
-you get to talk about yourself and have someone be extremely interested!!!!
-a little bit of therapy, like it’s all in ur chart I can probably help
-learn about yourself
-learn about astrology & your chart! (if you want)
-sorta like a free reading

you don’t have to be into astrology to do this btw, I won’t talk about it if you’re not interested.

iammamuse  asked:

Hi, a bit of a weird request but I'm looking for dark skinned girls to interview for my dissertation about whether or not the colour of their skin is of significance to their life experiences and was wondering if you could help post this. In need of UK, London participants age 18-25 and I'm really struggling to find people, thanks.

This sounds like a very interesting project. Let us help a sister out by clicking the link below for more info:

https://twitter.com/iammamuse/status/831280935702294528

Her contact: vagba001@gold.ac.uk

PLEASE SPREAD THE WORD BY REBLOGGING AND SHARING THIS.

Originally posted by dvnielia

  • Rockercellar Magazine: Looking at your Twitter feed, I noticed you often write in French. Is all the band fluent in the language?
  • Will Farquarson: I’m fairly conversational. I started learning French a year ago, because my girlfriend used to live in France as a kid. Her dad still lives there, so obviously I have to go see him. I think it’s impolite not to try to learn his first language. Dan speaks it a little and [drummer] Woody is learning German. Dan and [keyboardist] Kyle are learning sign language, which is really remarkable. There’s a lot of free time while touring and collectively, we made the decision – instead of staring at Twitter or playing games on your phone, why don’t we all learn something interesting?