Mom: Tell me about one of your characters. I want to know what you’re doing.

Me: So this is a PoV character. He is a twenty-four year old pirate/outlaw with a massive drink problem who is trying to get over a traumatic experience. He is bisexual and has fathered two children out of wedlock, one of whom is mixed race. He is continuously trying to eye-fuck another PoV character despite having a complicated relationship with him whilst being in a stable bromance with a character who is insanely jealous over the fact that his best friend is fucking everybody but him.

Mom:

“Shh, it’s alright,” the villain said. “You’re doing beautifully and I’m so proud of you. But that’s enough now. It was cruel of them to make you fight me - you could never have won. It’s not your fault.”

A brief and ugly summary of surviving cold climates

For visitors and writers alike.

  1. You were never meant to be here. Never forget this. You are an ape of the equator, built to run the savannah and swim in tropical waters. Whatever terms and conditions your body has, they are void here. Mother nature never certified to function in a Death World.
  2. Enduring the cold is never a matter of “how much” as much at it is “how long”. Think of it as the water levels of the vieogames you have played. No matter what equipment enables you to remain longer, you can’t stay there indefinitely. The coat that keeps you warm and toasty for three hours in -15 is enough to keep you functional for an hour of -40.
  3. Whatever the locals say, listen to them. Err to the side of caution if you must. You may not endure what they can endure, but you SURE AS FUCKING NOT cannot survive what they say cannot be endured.
  4. That being said, alcohol is a filthy fucking liar and so is anyone who offers it to you. The warmth it gives is an illusion, and a sign of damage. You are worse off feeling comfortable with a mouthful of whiskey as you are freezing your gonads off stone cold sober.
  5. Winter tires. Studded winter tiers are a MATTER OF LIFE AND DEATH when you drive on a frozen road. That being said, whatever the locals tell you that your car will need to run as theirs do, take it. Taking the risk of being pranked is worth survival, and you can always stab their tires in the spring if they were shitting you.
  6. Eat. For the love of god, make sure that you eat. Heavier meals might be unpalatable at first for someone used to lighter nutrition, but maintaining bodily warmth in a cold climate takes up a lot of energy, and you will feel tired and drowsy for a long while shile your metabolism adjusts to producing more heat than Mother Nature ever intended. The skinny people in your party are especially vulnerable, ensure their well-being on a regular basis.
  7. If you have a smartphone/other essential technology on your body, keep them close to your body to keep them warm. They were not designed to be frozen any more than you were.
  8. Sleep is death. SLEEP IS DEATH. Never, ever stop to rest in the cold, if you do not have the means to make a fire/otherwise produce heat. The cold tires you out because keeping warm takes energy, but taking a rest will not return your energy. If you feel the need to sit down and rest because you are tired because of the cold, call for help. This is not a hyperbole, if you feel like you are too tired to go on in a cold climate, CALL A FUCKING AMBULANCE. If you fall asleep in the snow, you will not wake up. Hypothermia can and will literally kill you.
  9. Avoid skin-to-snow-contact if you can. It hurts because you were not supposed to do it. Consider ice to be like acid. Touching is bad for you.

Feel free to add to the list if you feel like I missed something.

A handy list of poisons for writing reference, provided to you by me, Bella

Poisoning is one of the oldest murder tactics in the books. It was the old equalizer, and while it’s often associated with women, historically men are no less likely to poison you. This is not a guide on how to poison people, you banana bunches, it’s a guide on writing about poisons in fiction so you don’t end up on a watch list while researching them. I’ve taken that hit for you. You’re welcome. These are just a few of the more classic ones.

  • Hemlock: Hemlock (conium maculatum) is one of the more famous ones, used in ancient times most notably in Socrates’ forced suicide execution. So it goes. The plant has bunches of small, white flowers, and can grow up to ten feet tall. It’s a rather panicky way to die, although it wouldn’t show: hemlock is a paralytic, so the cause of death is most often asphyxiation due to respiratory paralysis, although the mind remains unaffected and aware.
  • Belladonna: Atropa belladonna is also called deadly nightshade. It has pretty, trumpet-shaped purple flowers and dark, shiny berries that actually look really delicious which is ironic since it’s the most toxic part of the plant. The entire plant is poisonous, mind you, but the berries are the most. One of the most potent poisons in its hemisphere, it was used as a beauty treatment, so the story says, and rubbed into the eyes to make the eyes dilate and the cheeks flush. Hench the name beautiful lady. The death is more lethargic than hemlock, although its symptoms are worse: dilated pupils, sensitivity to light, blurred vision, tachycardia, loss of balance, staggering, headache, rash, flushing, severely dry mouth and throat, slurred speech, urinary retention, constipation, confusion, hallucinations, delirium, and convulsions. It’s toxic to animals, but cattle and rabbits can eat it just fine, for some reason. 
  • Arsenic: Arsenic comes from a metalloid and not a plant, unlike the others here, but it’s easily the most famous and is still used today. Instead of being distilled from a plant, chunks of arsenic are dug up or mined. It was once used as a treatment for STDs, and also for pest control and blacksmithing, which was how many poisoners got access to it. It was popular in the middle ages because it looked like a cholera death, due to acute symptoms including stomach cramps, diarrhea, confusion, convulsions, vomiting, and death. Slow poisoning looked more like a heart attack. The Italians famously claimed that a little arsenic improved the taste of wine.
  • Strychnine: Strychnine (strick-nine) is made from the seed of strychnos nux vomica and causes poisoning which results in muscular convulsions and eventually death through asphyxia. Convulsions appear after inhalation or injection—very quickly, within minutes—and take somewhat longer to manifest after ingestion, around approximately 15 minutes. With a very high dose, brain death can occur in 15 to 30 minutes. If a lower dose is ingested, other symptoms begin to develop, including seizures, cramping, stiffness, hypervigilance, and agitation. Seizures caused by strychnine poisoning can start as early as 15 minutes after exposure and last 12 – 24 hours. They are often triggered by sights, sounds, or touch and can cause other adverse symptoms, including overheating, kidney failure, metabolic and respiratory acidosis. During seizures, abnormal dilation, protrusion of the eyes, and involuntary eye movements may occur. It is also slightly hallucinogenic and is sometimes used to cut narcotics. It also notably has no antidote. In low doses, some use it as a performance enhancer.
  • Curare: Chondrodendron tomentosum is lesser known than its famous cousins, but kills in a very similar way to hemlock. It is slow and terrible, as the victim is aware and the heart may beat for many minutes after the rest of the body is paralyzed. If artificial respiration is given until the poison subsides, the victim will survive.
  • WolfsbaneAconitum has several names; Monkshood, aconite, Queen of Poisons, women’s bane, devil’s helmet) and is a pretty, purple plant with gourd-shaped flowers. The root is the most potent for distillation. Marked symptoms may appear almost immediately, usually not later than one hour, and with large doses death is near instantaneous. Death usually occurs within two to six hours in fatal poisoning. The initial signs are gastrointestinal including nausea, vomiting, and diarrhea. This is followed by a sensation of burning, tingling, and numbness in the mouth and face, and of burning in the abdomen. In severe poisonings pronounced motor weakness occurs and sensations of tingling and numbness spread to the limbs. The plant should be handled with gloves, as the poison can seep into the skin.
  • FoxgloveDigitalis is large with trumpet-shaped flowers that can be many colors, but usually a pinkish shade. It may have from the term foxes-glew, which translated to fairy music. Intoxication causes nausea, vomiting and diarrhea, as well as sometimes resulting in xanthopsia (jaundiced or yellow vision) and the appearance of blurred outlines (halos), drooling, abnormal heart rate, cardiac arrhythmias, weakness, collapse, dilated pupils, tremors, seizures, and even death. Slowed heartbeat also occurs. Because a frequent side effect of digitalis is reduction of appetite and the mortality rate is low, some individuals have used the drug as a weight-loss aid. It looks a bit like comfrey, which is an aid for inflammation. Make sure not to confuse the two.
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From the makers of the no-effort character checklist, I bring to you… The no-effort complete character sheet for lazy writers like you and me™! 

Because the extra effort I put in staying up until 3 am to do put this together can save us all a lot of effort filling out longer character sheets ^^

You’re supposed to print it out and fold it in half to make a little booklet but you can save ink and do it on your computer :P

Link to PDF on google drive (fixed typo)

Reading Like a Writer

One of the most common pieces of writing advice is to read. Important, but vague. An easy way to analyze novels to become a better writer is to sort what you read into what you don’t like and what you do like. Spend some time thinking–whether alone, in writing, or through conversation–about what makes you like or dislike the writing, and brainstorm ways that the writing could have been improved or changed.

Here are some possible dislikes and likes that you might notice when reading:

What You Don’t Like: 

  • Boring spots that you skim through
  • Unnecessary scenes that don’t advance the plot
  • Confusing sub-plots
  • Chunky dialogue 
  • Characters acting outside their character
  • Poorly done tropes 
  • Too much telling, not enough showing
  • Too much showing, not enough telling
  • Overly flowery prose
  • Big words for the sake of big words
  • One-dimensional villains
  • Lack of distinctive voices

What You Do Like: 

  • Twists on tropes 
  • Scenes where you felt like you were a part of that world
  • Characters you think about after the book ends
  • Clever plot twists
  • Good information reveal
  • Villains and antagonists that keep you on your toes
  • Characters that know what they want
  • Characters forced to make sacrifices 
  • Side-characters that have personalities of their own
  • Scenes so intense that you find yourself peeking at the next page
  • Protagonists with flaws that hold them back
  • Scenes where you felt the emotions conveyed

anonymous asked:

Do you have any tips for writing enemies to lovers?

Hi, love!  Thanks for your question and your patience <3  I’m currently writing something similar to this, so I hope my experience can help you here!

Enemies-to-lovers is a popular trope, but it’s often treated carelessly by writers – especially TV/movie writers who rush through the transition to fit a single movie or episode arc.  There’s nothing worse you can do in this situation than to rush your arc.  Falling in love is already a time-consuming plotline – but transitioning from enemies, who are already shutting each other out, to lovers?  The quicker it happens, the less believable it becomes.

I have a lot of notes on how to write enemies to lovers, so bear with me as I list them out.


Writing Enemies to Lovers: The Basic Ingredients

1. Give them some similar traits.

No matter what, two people can’t fall in love if they don’t relate on some level.  The first step to creating possible love interests is to find where they’ll connect.  Are they a hero and a villain?  Evil and good?  Night and day?  I bet they both love animals.  Maybe they’re both way into politics.  Maybe they share a common enemy.  Maybe they’re both neat freaks or a bit sassy or super gay or love the same music.  It can be a few important things or a bunch of superficial things – just make sure they have something that can tie them together.

Originally posted by sonandheirofnothinginparticular


2. Put them on the same side of something.

When two people are mortal foes, it can be hard for them to see each other in any other light.  Bringing in a common enemy (an anti-hero, a natural disaster, a person in power), or a common interest (a mutual friend, a school play, a moral cause), can land foes on a team together.  This forces them to become aware of each other’s strengths, and to consider (and worry about) each other’s weaknesses.  This is perfect fodder for an eyebrows-raised, “Hey, they don’t suck at this particular thing,” moment.

Originally posted by ilostthatfeeling


3. Get them alone.

With other people watching (especially friends/coworkers/allies), little groundwork can be made for your two hate-lovers.  If you get your characters alone together, you’re given a bounty of opportunities to bond them, including but not limited to: actual conversations, accidental (or faux-accidental) physical contact, the sneaky moment of checking each other out, etc. etc. etc.  People are different when you get them away from their friends – less extreme, less rowdy, less unreachable.  If you have to trap your characters in an elevator the old-fashioned way, damn it, you’re the only one who can do it.

Originally posted by vicchan


4. Let them fight their feelings.

If these two are truly enemies, there isn’t going to be a moment of, “Oh, I like them.  Huh.  Neato.”  Oh, no.  There will be internal backlash – they will beat their emotions back with a broom, and deny them to anyone who asks.  There will be extra hateful glares, more middle fingers, and basically anything they can do to remind themselves that they don’t like this person.  If you show this internal conflict, it both (a) makes the feelings seem real, organic, and (b) creates a more realistic transition from hate to love.

Originally posted by 1980s-90sgifs


5. Love can sound like hate.

There’s a reason people say indifference is the true opposite of love.  When your two enemies start to feel things for each other, this will probably spark a lot of ranting, arguing, and door-slamming.  It creates a fixation – you sit there and you stew and you tell your friends, “Remember when they did that stupid thing?  Yeah.  Screw them.”  Your friends roll their eyes.  When will you stop talking about this person?  Just kiss them already.

Originally posted by newgirlonfox


6. Sexual tension is a powerful tool.

If your characters experience sexual attraction, this is a great way to accelerate their relationship against their will.  It’s the age-old, “My mind says no but my body says yes,” dilemma.  Your characters can’t stand each other, or the image they have of each other, but they’re attracted like magnets and can’t shake it.  This can make for some pretty hot – or pretty hilarious – scenes.

Originally posted by swmovies


7. Give them a moment of horrified realization.

Eventually, the feelings will grow strong enough that one or both of them will have to sit there, probably on the bathroom floor a little bit drunk with one sock on, and realize: “I love that f*cker.”  It’ll be a scary moment for them.  It’s not that they haven’t known it – they just have yet to accept that it’s something to deal with, until now.  This can be prompted by a dangerous situation, a shared activity, or a failed attempt at another romance – so when they really sit and think about it, they know.  Then it becomes a question of either “how do I get rid of this?” or “how do I pursue this?”.

Originally posted by crazyexedits


8. Try their hand at flirting.

Whether one or both characters have come to accept their feelings, someone’s gotta start flirting.  A glancing touch across the arm; a small comment that could kind of be construed as amicable; a lingering glance; that first peek at their enemy’s smile.  Something cute and quick and immediately followed by an existential crisis will do in a pinch.  Without this water-testing, readers won’t have any image of what this relationship will look like – and if it can succeed.

Originally posted by spidersprout


9. Craft the perfect kiss/hug/confession.

When the time is right, create an undeniable display of attraction to transition into a new phase of their relationship: the “welp-we-both-like-each-other” phase, which comes right before the “we-decided-to-(stay-platonic/start-romancin’)” phase.  The Big Kiss/Confession is the most iconic climactic love scene, in which the two characters take a chance and become vulnerable with each other – and kiss, or say, “I love you,” or do anything that can’t be construed in any other way.  Want to extend the drama?  Interrupt them, or have it be one-sided, or let it turn into a fight until they decide, “Forget it, this was stupid.”  Readers will swoon.

Originally posted by theparksfiles


10. Finish up with an awkward adjustment period.

If and when your characters do enter a relationship, make sure it’s a little tentative at the beginning, to keep it realistic.  Your characters have made a huge shift in their dynamic – there will be some lingering arguments and love-hate, and maybe a bit of discomfort going public with their romance.  Then come the usual growing pains of a new relationship getting serious – figuring out how to navigate each other’s flaws, learning to be open with their feelings, dealing with unresolved fights from before their relationship.  It won’t be perfect right away.  That’s the beauty of it.

Originally posted by flirtyaniston


I hope this helps you, love!  I adore love-hate relationships, and I hope you enjoy crafting your own enemies-to-lovers as much as we’ll all love reading them :)  Good luck!

– Mod Joanna ♥️


If you need advice on general writing or fanfiction, you should maybe ask us!

Characteristics to make your OC more original without the classic “red hair, pale skin, different coloured eyes”

  • Webbed fingers
  • One toe/finger missing or adding one
  • Scars! Give them memories
  • Body mods - even though it sounds pretentious, it’s seldomly used bc of that reason. Give them piercings, gauges, tattoos, implants etc etc
  • Make them LGBT+. Not to make them “special” but to make them normal. Not everyone is cishet on this planet, make your story a realistic mirror of reality.
  • A small illness that shows at inconvenient times. Anaemia, a slightly crooked spine, you name it.
  • Naturally dark undereyes
  • Crooked/yellow teeth - it’s natural for some people no matter how much they brush em. Also healthcare isn’t affordable everywhere
  • Flat feet
  • Instead of a resting bitch face - a resting sad face. Or thinking face. “Wow, what are you thinking about?” “Uh.. that my lucky charms this morning may have already expired last week.”
  • Knowledge about really weird things! Architecture in the 20th century, the army, submarines, contemporary art
  • Little habits: chasing pigeons, greeting the news reporter back when he says “good evening” (these are more for younger characters), having to scratch the other side of their face if theyve scratched one side already
  • Having pets: bunnies, geckos, spiders, snakes, mice, rats, birds, chinchillas, fish, frogs, turtles
  • Give them a name with a special meaning, maybe even relevant for the story. But for the love of god leave the spelling as it is. Dont make maikayleighah out of mikayla.
  • Also, names like, skye, skylynn, raine etc do give off a certain :/ vibe
  • Make them religious!
  • Make them break gender rules

Note that you can still do whatever you want to and even if your OC is a ginger named ginger then thats totally fine - its your story. These are just preferences of mine

I hope this helped! Feel free to add on

List Of Alternate Universes

Alternate Universe (also known as alternate reality), is commonly abbreviated as AU and it is a descriptor used to characterize fanworks which change one or more elements of the source work’s canon. The term most often refers to fanfiction, but fanart can also depicted the characters in AUs.

Unlike regular fanfiction, which generally remains within the boundaries of the canon set out by the author, alternate universe fiction writers like to explore the possibilities of pivotal changes made to characters’ history, motivations, or environment.

  • Alien Invasion AU – In which the story deals with an alien invasion when canonically it does not ever happened.
  • All Human AU – In which characters who are canonically non-human are now humans, with corresponding changes to their backstories.
  • Alpha/Beta/Omega AU – Often referred to as A/B/O or even Omegaverse. It is a growing trope of AUs originated in kinkmemes in which characters can be Alphas (dominant males or females), Betas (ordinary working class), or Omegas (submissive males or females).
  • Ancient Egypt AU – It is also known as Pharaoh AU and in this AU the canon story is replace with the setting of Ancient Egypt. The characters are mostly still themselves, but they are either a part of the royal family, servants to the royal family, normal citizens or all of above.
  • Android AU – In which the main character or most of the cast are turn into androids that serve different purposes, such as bodyguard, solider, caregiver and so on. In other cases it becomes something similar to Absolute Boyfriend (also known as Zettai Kareshi) where they are mail order androids that can be order online or from a cataloged. If not, they may have originally been human but turn into an android for whatever reason.
  • Angel/Demon AU – When angels and demons exist (in the case of canons that don’t have them) or a character is recast as one of them. However, these kind of AUs don’t necessarily have to have both beings in the story as some tend to focus on only one of them.
  • Arranged Marriage AU – Similar to the Marriage Law AU, only the difference is that not all the characters are required to be married. It is mostly focused on only one pairing and it is usually a pairing that wouldn’t normally get together such as crack ships or doomed ships. In some stories it is a plausible idea, but in others it is not.
  • Atlantis AU – Is not to be confused with Undersea AU. In this AU the characters from a fandom are placed into the setting of Atlantis: The Lost Empire.
  • Avatar AU – Is also known as Bending AU (not to be confused with Na'vi AU) is an AU that puts the characters into the world of Avatar: The Last Airbender and/or The Legend of Korra. This AU gained popularity due to the concept of the characters being able to manipulate one of the four elements.
  • Baby AU – When the entire cast or most of them are reverted into children or babies. Usually one of the characters is still an adult that takes care of them until they figure out how to change them back into adults again.
  • Bakery AU – When most of the cast of a story works at a bakery while the rest are customers.
  • BDSM AU – Is when the entire cast is either a dominant or a submissive and BDSM relationships are considered the norm. Be advised that while a healthy BDSM relationship is consensual and not dangerous, if handled incorrectly it can result in abusive behavior which is offensive and considered bad BDSM etiquette.
  • Bookstore AU – When most of the casts works at a bookstore. If not, usually a few of the characters work there, while the rest of them are customers. Another version is the Library AU, in which one or two of the characters are librarians, while the rest of the cast spend their time looking for particular books to read or for information.
  • Business AU – In which the story is set in a building and the characters are employees. Sometimes it is focus on one character who works as a secretary and another character as their boss. 
  • Circus AU – In which the story is set in a circus and the characters are circus performers or customers.
  • Coffee Shop AU – Also known as Barista AU. In most cases, one half of the main pairing is the barista and the other is or becomes their favorite customer; in some stories the whole cast works at a coffee shop.
  • Crime AU – In which the characters of a story are various type of criminals, such as burglars, bank robbers, gangsters, drug dealers, smugglers, hitman/fixer and so on. This AU focuses on their criminal lives. It is similar to the Mafia AU.
  • Dance AU – Is an AU that has one or two characters that have a passion or interest for dancing. They go out to clubs or join a dance studio to learn. Or they own a dance studio and prefer to teach it. Sometimes the entire cast are students of a dance school. 
  • Darkside AU – Is when the canon villain of the story succeeded in their ultimate mission or goals and the AU story focuses on the outcome of it. For example: In Harry Potter, what would happen if Voldemort had won? Or what if Tom Riddle had been successful in sucking out all the life energy from Ginny and had come back alive? 
  • Desert island AU – Or an uninhabited island AU, in which a character or most of the characters of a story are trapped on a deserted island, usually from being shipwrecked or their plane crashing.
  • Dystopian AU – Is set in a dystopian society that is not the original setting of the canon.
  • Fairy Tale AU – In which canon characters are put into situations and/or settings from Disney’s fairy tales, such as Beauty and the Beast, Cinderella, Sleeping Beauty, Little Red Riding Hood, etc. Other times it’s uses the Grimm’s fairy tales versions, which is a much more darker.
  • Fake/Pretend Relationship AU – Is also known as Fake Dating AU (or Fake Marriage AU). Is when two characters are throw together in extended proximity and then explore the hidden, or not so hidden, feelings that develop. This AU covers all sorts of pretenses; marriages of convenience, undercover identities, investigations, financial schemes, immigration schemes, high school reunion dates, wedding dates, making someone jealous, and so on.
  • Fantasy AU – In which the story takes place in a fantasy universe where magic or magical abilities is normal, technology is nonexistent and supernatural creatures exist.
  • Flower Shop AU – Similar to the Coffee Shop AU and the Bakery AU, but instead the entire cast works in a flower shop. Or one of the characters works there and the rest are customers.
  • Genderswap AU – In which one or more characters in the story switch binary sexes, such as depicting a male character as a cis woman.
  • Ghost AU – Is also known as Paranormal AU. In which one of the characters is a ghost and they haunt the location of where they were killed or whoever disturbed their resting place. But them being a ghost doesn’t necessarily mean that they’re dead. Sometimes a character may appear as a ghost, but is actually alive and in a coma. Other times they are truly dead, but can be bought back to life with magic. Or they may be able to possess another character’s body permanently, instead of temporarily.
  • Ghostbusters AU – In this AU the characters from another fandom are portrayed as either ghosts or the people that “bust” them. 
  • Hanahaki Disease AU – In which everything is still canon, except an fictional disease known as Hanahaki exists within it. Those that catch the disease coughs up flower petals when they suffer from one-sided love. Their lungs get filled with the flowers and their respiratory system grows roots. They choke on their own blood and petals, and die. It can be cured through surgical removal, but when the infection is removed, the victim’s romantic feelings for their love also disappear. Sometimes this also removes the victim’s ability to ever love again. Another way to be cured of it is for the object of the victim’s love returns their affections, thus making the love no longer unrequited.
  • Harem AU – Or Reverse Harem AU is when a story that doesn’t contain any polygamous or love triangle relationships turns into one. Usually the main character has something happen to them that attracts the other characters to them, be it from a love potion, experimental perfume, spell gone wrong, and so on.
  • Haunted House AU – Or Haunted Castle AU, in which a character moves into a new home or castle and doesn’t know that it is haunted (usually by a ghost, sometimes a demon or some other type of creature) or they are dared by their friends to spend the night in it. 
  • High School/College AU – In which the characters are shown in high school or in college together. They are often done with characters who canonically meet later in life, altering or entirely overwriting their original backstories. Similar to this AU is the Boarding School AU and the Elementary School AU.
  • Hogwarts AU – In which the characters from other stories are placed into the setting of Harry Potter. These can be coexistent with Harry Potter canon, or ignore it entirely. But they are often portrayed as students of Hogwarts instead of teachers that work there.
  • Hospital AU – In which the characters of a story are doctors, nurses and patients in a hospital (sometimes it is set in an asylum). 
  • Host Club AU – Or Hostess Club AU, is an AU based off Ouran High School Host Club. It focuses more on the idea of the male characters of a fandom forming or joining a Host Club to earn money by catering and entertaining women. These clubs are distinguished from strip clubs in that there is no dancing, prostitution, or nudity. 
  • Hooker AU – Where one or more of the characters is a sex worker. The more common is the Pretty Woman-type fantasy of a hooker with a heart of gold, rescued from life on the streets by a client. Sex work of all kinds is portrayed: brothels, escorts, street prostitution, “call-girls” as well as strippers and go-go boys. Most of the time one character of the pairing is the hooker and the other the client, though some stories have both characters as prostitutes (sometimes along with other canon characters, in either a brothel-type setting or living on the streets).
  • Hunger Games AU – In which characters from other stories are competitors in the Hunger Games.
  • Ice Cream Shop AU – When the casts works at an ice cream shop. Possibly one of the characters owns it, while the rest are employees or customers.
  • Law Enforcement/Military AU – In which the cast are policeman, federal agents, soldiers, marines or whatnot and the story focuses on their lives.
  • Mafia AU – In which the characters are in a mafia.
  • Magic AU – Incorporate magic in stories where there is no magic present in canon.
  • Marriage Law AU – It spawn from the Marriage Law Challenge in the Harry Potter fandom, in which the premise is to forced marriage between a Muggle-born to a Pure-blood (or Half-Blood) due to a new decree passed by the Ministry of Magic to help preserve the magical population. 
  • Master/Slave AU – In which the cast are place in an universe where slavery is an accepted economic and cultural institution. Some stories treat this as a significant moral problem to be resisted and overthrown if possible; others treat slavery as an unchangeable institution.
  • Merpeople AU – Or also known as Undersea AU, in which a story is set in the ocean (or a large lake) and the characters are turned into mermaids and merman. Sometimes it’s focus on only one character that becomes a mermaid/merman and another character that is human. When it’s the latter the AU usually turns into a Little Mermaid type of story. The characters are sometimes Cecaelia (a race of sea beings with an upper body of a human, and the lower torso of a squid or octopus). Occasionally, they might be some other type of sea/water creature that has a human form, such as a Kelpie, Selkie, Water Dragon, etc. 
  • Modern AU – In which characters from a historical (or pseudo-historical) canon universe are placed into a modern setting.
  • Monster AU – In which the characters are changed into non-human creatures, such as Incubus/Succubus, Naga, Oni, Centaur, Banshee, Siren, Dullahan, Kitsune, Imp, Fairy, and other kinds of monsters.
  • Na’vi AU – In this AU the characters are placed in the world of James Cameron’s film, Avatar and are portrayed as Naʼvis; a blue alien race that reside on Pandora.
  • No Human AU – Also known as Animal AU, is the opposite of All Human AU, in which characters that are canonically human are now non-humans. In this AU the characters are typically turned into cats, dogs or sometimes even into birds.
  • Noir Detective AU – In which the characters are put in a typical ‘40s or '50s film noir environment. Sometimes this AU is done as a homage towards the style, in which the characters are still their canon selves, but the plot or aesthetics are given a noir slant.
  • Opposite AU – In which canon personalities and backstories are swapped out with an opposite versions of themselves. Such as a quiet shy character may become loud and outgoing.
  • Pacific Rim AU – In which the characters are put into the world of Pacific Rim (most often as Jaeger pilots). This AU gained popularity due to the concept of Drift Compatibility that made for excellent shipping interactions.
  • Pen Pal AU – Is when two characters (who have met in canon) have not met each other in this AU. Sometimes they live in the area and other times they don’t live on the same continent. Usually it is their school that sets them up as pen pals. If not, it is because one of the characters writes a letter to the wrong person/wrong address or they accidentally texts the wrong person.
  • Pirate AU – When the whole cast are pirates and it is focus on shipboard life, usually it is set in early nineteenth-century Europe. Sometimes it’s pirates in outer space.
  • Prison AU – In which characters meet for the first time in an prison environment where they have to depend on each other.
  • Private Detective AU – When one of the characters becomes a professional detective while the rest of the cast are their clients or the detective’s contacts in the police department (sometimes they work in other fields, in which the Detective character calls them in for favors to help solve difficult cases).
  • Reincarnation AU – In which stories with historical canon setting have the characters become reincarnated into a modern setting and in doing so they are quite similar to their canon selves. Other times the characters or just one of them is reincarnated into another world, which they may or may not retrain their memories from their previous life.
  • Reverse AU – Also known as Role Reversal AU. Is when the roles (and sometimes backstories) of the characters are swapped, such as the hero is the villain and the villain is now the hero.
  • Rockstar AU – Is also known as Musician AU. In which the main casts is a popular music band or one of them is a solo artists with many groupies which may consist the rest of the characters of a fandom. Or they work within the same industry.
  • Romeo and Juliet AU – In this AU the main characters within the William Shakespeare story Romeo and Juliet are replace with characters from another fandom.
  • Roommate AU – In which the characters in a fandom are all living together in an apartment or an house. Usually this kind of story is focused on two characters that become roommates.
  • Royalty AU – Where one or more characters (who canonically aren’t) are members of a royal family. This usually goes hand in hand with a historical period, featuring a Medieval AU or Regency AU, although some works are set in Modern times or even the Future.
  • Single Parent AU – In which a character has a child or becomes a parent in someway and raises them on their own. 
  • Soulmates AU – Is when two (or more) characters are fated to be together, sometimes through multiple lives and/or into the afterlife. Sometimes but not always, the pairing might have a characteristic that helps them to find each other, such as identical or complementary birthmarks, tattoos, scars, or a string-of-fate that’s tied to their other half which becomes thicker and shorter the closer they get to them. Some stories only need a character to hear (or just see) their soulmate to know who they are.
  • Space AU – Where a fandom that is canonically set on Earth becomes set in outer space.
  • Spy AU – Also known as Secret Agent AU or Espionage AU. The whole cast is turned into spies, sometimes they work for the same organization, government or they operate independently. Other times the AU is focused on only one or two characters that are the spies.
  • Superpowers AU – In which the characters have superpowers and are either heroes and/or villains. 
  • Steampunk AU – In which a story is turned into a futuristic/sci-fi version of a 19th Century, usually Victorian or Edwardian containing clocks, gears, springs, steam power, analog computers, airships, etc. 
  • Tarzan AU – In this AU it’s based on the novel or film Tarzan. The canon characters are replaced with others from another fandom to explore the story with them in the roles instead.
  • Vampire/Werewolf AU – In which vampires and werewolves exist (in the case of canons that don’t have them) or a character is recast as a vampire or werewolf. However, these kind of AUs don’t necessarily have to contain both species as some tend to focus on only one kind.
  • Victorian AU – In which characters from a modern or future-set story are relocate to a stereotypical Victorian romanticism era.
  • Western AU – In which the characters are transplanted into the “Old West”; or sometimes, especially in science fiction stories a Space Western equivalent, which may involve a western-type plot without horses and cattle ranches.
  • Wonderland AU – In which the story and the characters are turned into their own version of Alice in Wonderland.
  • Yandere AU – Is when a character in a fandom is turned into a Yandere, which is a type of character who is initially very loving and gentle to another character, but their devotion to them becomes destructive in nature, often through manipulation, violence and/or brutality.
  • Zombie Apocalypse AU – Also know as Zombie AU. In which stories that don’t contain an zombie apocalypse have it happen to them.

Note: This isn’t a complete list of AUs, but I will keep updating it whenever I come across something new (or someone lets me know what I’m missing). Also, keep in mind that sometimes an AU story is combine with others elements. For example, instead of the very common AU story about the characters attending a regular high school in modern times, it can be a magical school or a superhero school (similar to the film Sky High or the X-Men comics). It might even take place in a futuristic world or historical time. Sometimes AUs stories may focus on an OC (Original Character), Self-insert or Reader-insert and not just canon characters of a fandom.

Fantasy Guide to Medicine: Cold and Flu

Nature is our pharmacy. Here are some herbs to clear colds and flus.

Disclaimer: I am not a doctor. Research must be done on these before use.


Originally posted by therealhughlaurie

  • Garlic – This is an antiseptic and can be used as an antibiotic.
  • Onion – Onions can be used treat coughing. Chemicals in onion can treat respiratory issues.
  • Thyme – Thyme can be used to cure respiratory infections and coughing. It also relieves stomach issues.
  • Sage – Another antiseptic. This can be used for to treat the sinuses. (Cannot be used by pregnant/breastfeeding women)
  • Cayenne powder – Cayenne is used preventative measure for a cold or flu. It can lessen the duration of these illnesses.
  • Peppermint – Used for lowering fevers and treating upset digestion.
  • Chamomile – It calms the nerves, improves sleeping patterns, curing pink eye and reduces fever.
  • Lemon – Can be used to fight flus and colds as well as reducing phlegm.
  • Nettle Leaf – contains vitamins and minerals to hydrate the body and destroy certain toxins. It can be used as an immune booster and to prevent illnesses.
  • Elderberry – Elderberry supports the body’s immune system even during illness.
  • Yarrow- Used for colds and flus. It can shorten illness if used correctly. It can combat fevers by sweating the patient. This is suitable for sick children.
50 Character Archetypes!!

Ever not know how to give your characters depth without going too far or not far enough? I’ve made a list of fifty character tropes, some you hopefully haven’t seen before, to try and help. Adding them to any character would immediately spice up how the reader sees them and is sure to make your characters more interesting. So here we go!

  • “The Whole Plot Happens to Them by Accident so they Learn on the Way”
  • “The Predestined Hero”
  • “The Unwilling but Wanting to Do Good”
  • “Retired Hero Back in Action”
  • “The Volunteer for the Big Journey”
  • “The Average Kid Turned Protagonist”
  • “The Sarcastic Best Friend”
  • “The Willful ‘Little Sibling’” (Note: does not actually have to be a little sibling)
  • “The So-Selfless-They’re-Reckless Type”
  • “The Wants-Recovery-But-Doesn’t-Know-How-to-Get-It”
  • “The Learned-From-Bad-Experiences Mentor”
  • “Stays-Strong-for-Others-Not-Self Type”
  • “Takes Out Conflicts on Others Type”
  • “Takes Out Conflicts on Others Type, but they feel guilty later”
  • “Unsuccessful Artist”
  • “The Unnatural Leader”
  • “The ‘It’s Never Enough’ Perfectionist”
  • “The Calculator”
  • “Expresses Emotions with Actions Type”
  • “The Trying-To-Keep-Up Type” (Note: Usually used when a character has self-doubts about abilities while in a talented group of people)
  • “The (usually not listened to) Voice of Reason”
  • “The Expositionist”
  • “The More-Than-Meets-the-Eye Type” (Note: Usually used with a character thought to be superficial)
  • “The New-to-the-World Type”
  • “The Philosophical Thinker”
  • “The Worried Caregiver”
  • “The Overbearing Guardian Figure”
  • “The Tyrannical Zealot”
  • “Connects More with Nature/Machines Type”
  • “The Connections Maker” (Note: Usually used in large city settings with black market/illegal dealings)
  • “The Storyteller”
  • “The Calming Presense”
  • “The Influencer”
  • “21st Century Tech-Savvy Mogul”
  • “The Narcissistic Anti-Villain”
  • “The Arms Dealer”
  • “The Traveler” (Note: Usually used with characters who make big impacts in peoples’ lives but only for a brief time before leaving) 36!!!
  • “The On-Top-of-Everything Assistant”
  • “The ‘At the Top but is Miserable’ Type”
  • “The Moralistic Murderer/Assassin/Warrior”
  • “The Angry Parent” (Note: Usually used in a positive way with parents who would fight to the death for their kids)
  • “The All-Bark-No-Bite Type”
  • “The Sassy ‘You need me, I don’t need you’ Type” (Note: Usually used with a character the protagonist comes to for help)
  • “The Bullied Genius”
  • “The Questionable Scientist”
  • “The Doomed-from-the-Start Type”
  • “The Survivalist”
  • “The Conspiracy Theorist”
  • “The International Person-of-Interest”
  • “The Pop Culture Know-it-All”
  • “The Smiles-in-the-Face-of-Death Type”


Aaaaand, we’re done! Those were fifty character archetypes you might not have thought of before to liven up your characters! Be sure to mix and match or use some traditionally protagonist types for your villain, as well. Good luck, and happy writing!