Steve Universe is a children’s animation that has themes of mourning, identity, romance both straight and lbgt, representation, a predominately female group in a scifi/fantasy setting
Gravity Falls is an enthralling mystery with suspense, horror, strained relationships within a family, having a positive outlook on an uncertain future. Also a children’s animation
Avatar the Last Airbender is an Asianic inspired adventure where an eclectic group of protagonists, powered and non, all under the age of 15 are responsible for ending a 100 year war. Is nonspecific oriented in terms of age demographic
The Amazing World of Gumball uses an eclectic array of animation/art styles, has genuine humor and toys with trope expectations, but also deals several heart warming moments. Definitely intended for children, but has a few more adult jokes.
Clarence is a light hearted look into the almost idealistic world of childhood memory and experiences. Once again a Children’s animation.
Regular Show is, while intended for children, a stoner comedy with themes of growing up and dealing with relationships romantic or non, particularly moving on.
Adventure Time, despite in my personal opinion straining under its own weight in recent years, delves into aspects of depression, nurodiversity, responsibility, themes of growing up, accepting mortality, morality is a grey area being a reoccurring theme. Also a children’s animation.
Star VS the Forces of Evil, a children’s animation with a female protagonist and a Hispanic male lead, is a subversion of the magical girl genre in anime with unique style and humor, deals with the aftereffects of colonialism(both from the oppressed and the descendants of oppressors)
Bojack Horseman, an adult animation, delves into the psychosis of an alcoholic struggling with depression and self loathing, toxic relationships, the effects of having and loosing fame, has an asexual supporting character, and heavily deals with the consequences of our actions for better or for worse.
The Adventures of Rick and Morty, another adult animation, deals with existentialism, depression, surviving an attempted sexual assault, sacrificing your freedom for your family, and much, much dark humor.
Meanwhile Seth Macfarlene is still swimming in the stagnate pile of decaying fecal matter and vomit that is his three series, Family Guy being the worst offender. Littered with horrible messages, shock humor that tries far too hard and is pathetic to watch, and completely insulting to everyone. Hell, even the Simpsons are still fresh and interesting after a decade on the air. And the remakes of Teen Titans and Power Puff Girls are an insult to the original series, and are peddled off as for children.
i just rewatched aladdin with the roommates and it got me thinking
aladdin wishes to be made a prince, but all genie does is get him a lot of stuff and money. that’s not what a prince is. a prince is the son of the king, someone in line for the throne. someone with a lot of money is just - rich. so what i think is:
genie goes okay, that’s a big one - and i can do it! but not on my own, not if you want to do it right. not if you truly want a chance to marry your princess for real, as a prince. and aladdin is a foolish, moral, kind boy - and he agrees. he’s fallen in love with jasmine, an innocent all encompassing love, and he’ll do anything for this sweet, clever girl he only knew for a few hours. so genie takes him across the desert, far from agrabah, and plops right in the middle of a skirmish and is like okay, good luck! and aladdin is like ?????
but there’s assholes with swords attacking a young girl, and aladdin doesn’t even have to think about that, just like when he stood in front of the whip for those little kids. there are three men against him, but he’s fast and clever and has been against a dozen trained palace guards. so it’s not easy to get out of there alive, especially with the little girl to protect, but he manages it with only a thin slice on his upper arm, and he’s endured worse for less. so he picks up the little girl and says “i think we should get out of here, hmm?” and she’s in a pretty red silk getup with tiny jewels encrusted on her like stars against sunset. and she nods and throws her arms around his neck. she won’t talk, only points in the direction of home, but aladdin’s okay with that, he’s used to quiet, scared kids. so he keeps up a steady stream of stories of agrabah, which seems almost like this other desert land. but there are more men with swords and aladdin is like what the fuck is going on, but he hides the girl in a corner and fights them too. and that’s how it goes all the way home. there’s no one on the streets really, and they all scatter when the men attack, and they keep on attacking, he fights his way all the way through the city with the girl on his hip or hidden away.
and he should have known, of course, but he was tired and bruised and bleeding by the time he realized the little girl is silently guiding him to the palace and he’s like why can’t you princesses stay inside??? but he walks up and the guards get one look at the child in his arms and whisk him through and multiple people try to take the girl away but she won’t budge from him, a stubborn pout to her lips as her hands remained locked behind his neck. and he’s finally tossed into a throne room where a tall old man is sitting in agony and two young men pace in front of him, each at least a decade older than aladdin. “they’ve taken our sister!” one of the younger men hiss, “i don’t care about their power or their connections, they’ve taken esfir, and we must go get her!”
“uh,” he clears his throat, “hi?”
and all three men whirl on him and the old man stumble-runs to him. esfir finally lets go of aladdin to picked up and twirled around by her father. the two men are rahim and shapur and they look in wonder at this dirty boy of fifteen who’s returned the girl to them, and he speaks with an accent and clearly is not from here and they get the story from him - he’s traveled across the desert because those in his own country want him dead. “you know,” rahim says as the king clutches at esfir in desperate relief, “you could have held her for ransom. you almost died saving her, and we would have paid handsomely to have her returned safely.”
and aladdin gives him a flat disapproving look, appearing in this moment four times his age, and says “people are not objects or bargaining chips. especially not lost little girls.” and rahim and shapur share an impressed conspiring look and they each grab one of his arms and lead him away. “hey! what are you -”
“do be quiet little brother,” shapur says cheerfully, “we really have to get you out of your rags.”
Now comparison time~ Since Ha-neul was the first children design I drew, he wasn’t completely off from Saeyoung except I added a mole on his lower right lip. He also trimmed his lower back hair which I added a shade of black. _(:3_|)_
First daughter and presidential adviser Ivanka Trump was booed on Tuesday while speaking on a women’s economic empowerment panel, after she praised her father, President Donald Trump, for being a “tremendous champion of supporting families.”
Ivanka Trump was also asked to defend the “attitudes toward women your father has publicly displayed."
In response, Ivanka Trump blamed "criticism from the media” for how her father is viewed on women’s issues.
For years I was always like, in the Harry Potter films, there was a whole ginger family, and I never got an audition. And I was like, come on, it’s outrageous! Every actor in England was in the Harry Potter films, but I never got the call.