A quanto si dice in giro, un certo libro sta venendo stampato dalle capaci mani dei ragazzi di Aquattro Servizi Grafici. A me sembra che stia venendo benissimo, ma potrete giudicarlo voi stessi a partire dal 20 Ottobre. Yay!

Ricomincia da qui - Ste Tirasso
BAO Publishing
dal 20 Ottobre in libreria.

Still working on this thing. I said I wasn’t going to post anything until it’s completely finished, but I’m really happy with it so far. Yuichi became a beautiful boy when I wasn’t looking lol. Going to take a break now, I might work on it some more tonight.

I actually don’t mind the slow pace I have been going at in regards to my work. I don’t care about finishing things in a timely manner. I plan on doing one thing at a time and taking all the time I need/want on it. I am currently at my most relaxed since I have started pulling more and more away from tumblr. I’m happy it’s here when I want to share something or want to post some art. But I think I’m getting to the point where I don’t feel like I need it to survive. I’m not thinking about it every second of the day. Certain events one here, personal ones, have kind of forced me. I’m not going anywhere or anything, but I’m not on it nearly as much. 

I’m still happy to see people turn up in my notifications, ngl lol Anyway, probably my only post for the evening/night. I was going to add some little info about him, but I am just going to wait until this whole image is done lol For now, this is my precious space son and I love him dearly.

Academic Articles - Super-wiki
This Page Needs Updating. Badly (2/~)

Refereed Articles

Åström, Berit. 2010. “Let’s get those Winchesters pregnant”: Male pregnancy in Supernatural fan fiction. Transformative Works and Cultures, no. 4. http://dx.doi.org/10.3983/twc.2010.0135

Blake, Linnie. 2015. All Hell Breaks Loose: Supernatural, Gothic Neo-Liberalism and the American Self. Horror Studies, 6: 2, pp. 225–238. http://dx.doi.org/10.1386/host.6.2.225_1

Brennan, Joseph. 2014. ‘Fandom is full of pearl clutching old ladies’: Nonnies in the online slash closet. International Journal of Cultural Studies, 17(4), 363-380. http://dx.doi.org/10.1177/1367877913496200

Brennan, Joseph. 2016. Queerbaiting: The 'playful’ possibilities of homoeroticism. International Journal of Cultural Studies. http://dx.doi.org/10.1177/1367877916631050

Bruce, Melissa N. 2010. The Impala as negotiator of melodrama and masculinity in Supernatural. Transformative Works and Cultures, no. 4. http://dx.doi.org/10.3983/twc.2010.0154

Chan, Suzette. 2010. Supernatural bodies: Writing subjugation and resistance onto Sam and Dean Winchester. Transformative Works and Cultures, no. 4. http://dx.doi.org/10.3983/twc.2010.0179

Engstrom, Erika, and Joseph M. Valenzano, III. 2010. Demon hunters and hegemony: Portrayal of religion on the CW’s Supernatural. Journal of Media and Religion 9, (2), 67-83. http://dx.doi.org/10.1080/15348421003738785

Felschow, Laura. 2010. “Hey, check it out, there’s actually fans”: (Dis)empowerment and (mis)representation of cult fandom in Supernatural. Transformative Works and Cultures, no. 4. http://dx.doi.org/10.3983/twc.2010.0134

Flegel, Monica, and Jenny Roth. 2010. Annihilating love and heterosexuality without women: Romance, generic difference, and queer politics in Supernatural fan fiction. Transformative Works and Cultures, no. 4. http://dx.doi.org/10.3983/twc.2010.0133

Freund, Katharina. 2010. “I’m glad we got burned, think of all the things we learned”: Fandom conflict and context in Counteragent’s “Still Alive.” Transformative Works and Cultures, no. 4. http://dx.doi.org/10.3983/twc.2010.0187

Fuchs, Michael. Hauntings: Uncanny Doubling in Alan Wake and Supernatural. Textus: English Studies in Italy vol. 25, no. 3, pp. 63-74. https://web.archive.org/web/20160930004632/https://www.academia.edu/5036330/Hauntings_Uncanny_Doubling_in_Alan_Wake_and_Supernatural

Fuchs, Michael. 2014. 'It’s like Groundhog Day’: Remediation, Trauma, and Quantum Physics in Time Loop Narratives on Recent American Television. GRAAT On-Line: A Journal of Anglophone Studies vol. 15, pp. 93-113.  http://www.graat.fr/backissuetvnarratology.htm

Gonçalves, Diana. 2015. Popping (it) up: Popular Culture in Supernatural. Diffractions 4. https://lisbonconsortium.files.wordpress.com/2012/12/2-diana-gonc3a7alves_pop-culture-and-supernatural.pdf

Gray, Melissa. 2010. From canon to fanon and back again: The epic journey of Supernatural and its fans. Transformative Works and Cultures, no. 4. http://dx.doi.org/10.3983/twc.2010.0146

Harrisson, Juliette. 2016. “Shipping in Plato’s Symposium.” In “The Classical Canon and/as Transformative Work,” edited by Ika Willis, Transformative Works and Cultures, no. 21. http://dx.doi.org/10.3983/twc.2016.0690

Herbig, Art, and Andrew F. Herrmann. 2016. Polymediated Narrative: The Case of the Supernatural Episode “Fan Fiction”. International Journal of Communication, no. 10. http://ijoc.org/index.php/ijoc/article/view/4397

Herzog, Alexandra. 2012. 'But this is my story and this is how I wanted to write it’: Author’s Notes as a Fannish Claim to Power in Fan Fiction Writing. Transformative Works and Cultures, no. 11. http://dx.doi.org/10.3983/twc.2012.0406

Howell, Charlotte E. 2013. The Gospel of the Winchesters (And Their Fans): Neoreligious Fan Practices and Narrative in Supernatural. Kinephanos 4:1 http://www.kinephanos.ca/2013/supernatural/

McGuire, Ann and David Buchbinder. 2010. The Forensic Gothic: Knowledge, the Supernatural, and the Psychic Detective. Canadian Review of American Studies 40, (3), 289-307. http://dx.doi.org/10.3138/cras.40.3.289

Noone, Kristin. 2010. What are little ghouls made of? The Supernatural family, fandom, and the problem of Adam. Transformative Works and Cultures, no. 4. http://dx.doi.org/10.3983/twc.2010.0136

Petersen, Line Nybro. 2010. Renegotiating religious imaginations through transformations of “banal religion” in Supernatural. Transformative Works and Cultures, no. 4. http://dx.doi.org/10.3983/twc.2010.0142

Schmidt, Lisa. 2010. Monstrous melodrama: Expanding the scope of melodramatic identification to interpret negative fan responses to Supernatural. Transformative Works and Cultures, no. 4. http://dx.doi.org/10.3983/twc.2010.0152

Silva, Alyssa. 2012. Dean Winchester: an existentialist hero?. Sesión no numerada: revista de letras y ficción audiovisual, (2), 67-83. https://web.archive.org/web/20160930004810/https://dialnet.unirioja.es/servlet/articulo?codigo=3877169

Sivarajan, Deepa. 2010. Tlön, fandom, and source text: The effect of fan works on the narrative of Supernatural. Transformative Works and Cultures, no. 4. http://dx.doi.org/10.3983/twc.2010.0171

Stein, Louisa Ellen. 2010. “What you don’t know”: Supernatural fan vids and millennial theology. Transformative Works and Cultures, no. 4. http://dx.doi.org/10.3983/twc.2010.0158

Torrey, K. T. 2014. Writing with the Winchesters: Metatextual Wincest and the provisional practice of happy ending. Journal of Fandom Studies 2: 2, pp. 163–180, http://dx.doi.org/10.1386/jfs.2.2.163_1

Tosenberger, Catherine. 2008. “The epic love story of Sam and Dean”: Supernatural, queer readings, and the romance of incestuous fan fiction. Transformative Works and Cultures, no. 1. http://dx.doi.org/10.3983/twc.2008.0030

Tosenberger, Catherine. 2010a. Love! Valor! Supernatural! [editorial]. Transformative Works and Cultures, no. 4. http://dx.doi.org/10.3983/twc.2010.0212

Tosenberger, Catherine. 2010b. “Kinda like the folklore of its day”: Supernatural, fairy tales, and ostension. Transformative Works and Cultures, no. 4. http://dx.doi.org/10.3983/twc.2010.0174

Valenzano III, Joseph. M. and Erika Engstrom. 2014. Cowboys, Angels, and Demons: American Exceptionalism and the Frontier Myth in the CW’s Supernatural. Communication Quarterly, 62(5), 552-568. http://dx.doi.org/10.1080/01463373.2014.949388

Wilkinson, Jules. 2010. A box of mirrors, a unicorn, and a pony. Transformative Works and Cultures, no. 4. http://dx.doi.org/10.3983/twc.2010.0159

Wright, Julia M. 2008. Latchkey hero: Masculinity, class, and the Gothic in Eric Kripke’s Supernatural. Genders 47. https://web.archive.org/web/20080513152511/http://www.genders.org/g47/g47_wright.html

Zarin, Babak. 2010. Infernal redemption. Transformative Works and Cultures, no. 4. http://dx.doi.org/10.3983/twc.2010.0156

Time for my gym sesh. I’ve been on the same routine for about 6-7 weeks now so this week I’ve been going in and mixing it up, throwing some new exercises in. Not super happy with my physique right now but it’s ‘that time of the month’ which bloats me big time so I’m hoping after it passes I’ll be looking and feeling a little leaner.


Listen…. I’ll probably finish this (but my drawing program is being a complete dick)

Anyway, this beautiful man is @bigsleeveslikes OC, Uncle moose. He’s beautiful. And I ruined his beauty god forgive me.

I swear the pose will make sense once this is finished.

The only reason I decided to post this because I rarely post my art haha

(Hope you like this shitty WIP, bro)

Meta Essays - Super-wiki
This needs updating. Badly. (Part 3/~)

Books & Edited Volumes

Abbott, Stacey and David Lavery (eds). 2011. TV Goes to Hell: An Unofficial Roadmap of Supernatural. Toronto: ECW Press.

Booth, Paul. 2016. Crossing Fandoms: SuperWhoLock and the Contemporary Fan Audience. DOI: 10.1057/978-1-137-57455-8

Edmundson, Melissa (ed). 2016. The Gothic Tradition in Supernatural: Essays on the Television Series. Jefferson, NC: McFarland.

Engstrom, Erika, and Joseph M. Valenzano III. 2014. Television, Religion, and Supernatural: Hunting Monsters, Finding Gods. Lexington Books.

George, Susan and Regina Hanson (eds). 2014. Supernatural, Humanity and the Soul: On the Highway to Hell and Back. New York: Palgrave Macmillan. DOI: 10.1057/9781137412560

Irwin, William and Galen A. Foresman (eds). 2013. Supernatural and Philosophy: Metaphysics and Monsters… for Idjits. John Wiley & Sons.

Larsen, Katherine, and Lynn Zubernis. 2011. Fandom at the Crossroads: Celebration, Shame and Fan/Producer Relationships. Cambridge Scholars Publishing.

Larsen, Katherine, and Lynn S. Zubernis. 2013. Fangasm: Supernatural Fangirls. University of Iowa Press.

Wright, Julia M. 2016. Men with stakes: Masculinity and the Gothic in US Television. Manchester University Press.

Zubernis, Lynn S., and Katherine Larsen. Fan Phenomena: Supernatural. Intellect Books, 2014.

Individual Chapters in Edited Volumes

Booth, Paul and Lucy Bennett. 2016. “Interview with Emily Perkins, Actor in Supernatural.” Seeing Fans: Representations of Fandom in Media and Popular Culture, eds. Paul Booth and Lucy Bennett. London: Bloomsbury. DOI: 10.5040/9781501318481

Freim, Nicole. 2011. “I’ll Take Our Family Over Normal Any Day: Supernatural’s Commentary on the Modern American Family.” Bound by Love: Familial Bonding in Film and Television since 1950, ed. Laura Mattoon D'Amore. Cambridge Scholars Publishing.

Fuchs, Michael. 2011. “Trapped in TV Land: Encountering the Hyperreal in Supernatural,” in Simulation in Media and Culture: Believing the Hype, ed. Robin DeRosa. Lanham, MD: Lexington Books. http://www.academia.edu/400950/Trapped_in_TV_Land_Encountering_the_Hyperreal_in_Supernatural

Fuchs, Michael. 2012. “Play it Again, Sam … and Dean: Temporality and Meta-Textuality in Supernatural.” Time in Television Narrative: Exploring Temporality in Twenty-First-Century Programming, ed. Melissa Ames. Jackson: University Press of Mississippi. DOI: 10.14325/mississippi/9781617032936.003.0006

Fuchs, Michael. 2014. “‘Three hundred channels and nothing’s on’: Metaleptic Genre-Mixing in Supernatural,” in Critical Reflections on Audience and Narrativity: New Connections, New Perspectives, eds. Bianca Mitu, Silvia Branea, and Valentina Marinescu. Hanover: ibidem-Verlag. http://www.fuchsmichael.net/index.php/news/47-publication-news/89-metaleptic-genre-mixing-in-supernatural#.V-lzVev3aK0

Golomb, Liorah. 2015. “Dipping a Toe into the DH Waters.” Digital Humanities in the Library: Challenges and Opportunities for Subject Specialists, ed. Arianne Hartsell-Gundy, Laura Braunstein, and Liorah Golomb. Chicago: Association of College and Research Libraries (ACRL). http://www.alastore.ala.org/detail.aspx?ID=11391 

Graham. Anissa M. 2013. “A New Kind of Pandering: Supernatural and the World of Fanfiction.” Fan CULTure: Essays on Participatory Fandom in the 21st Century, eds. Kristin M. Barton and Jonathan M. Lampley. Jefferson, NC: McFarland. http://www.mcfarlandbooks.com/excerpts/978-0-7864-7418-9.Pandering.pdf

Klein, Michael J. and Kristi L. Shackelford. 2012. “'Hey Sammy, We’re Not in Kansas Anymore’: The Frontier Motif in Supernatural.” Undead in the West: Vampires, Zombies, Mummies, and Ghosts on the Cinematic Frontier, eds. Cynthia J. Miller and A. Bowdoin Van Riper. Lanham, Md.: Scarecrow Press.

Macklem, Lisa. 2014. “From Monstrous Mommies to Hunting Heroines: The Evolution of Women on Supernatural.” The Canadian Fantastic in Focus: New Perspectives, ed. Allan Weiss. Jefferson, NC: McFarland.

Larsen, Katherine and Lynn Zubernis. 2016. “We See You (Sort of): Representations of Fans on Supernatural.” Seeing Fans: Representations of Fandom in Media and Popular Culture, eds. Paul Booth and Lucy Bennett. London: Bloomsbury. DOI: 10.5040/9781501318481

Stein, Louise Ellen. (2013) “#Bowdown to Your New God”. A Companion to Media Authorship, eds Jonathan Gray and Derek Johnson. Wiley-Blackwell, Oxford, UK. doi: 10.1002/9781118505526.ch21

Wilkinson, Jules. 2013. “The Epic Love Story of Supernatural and Fanfic.” Why Fanfiction Is Taking Over the World, ed. Anne Jamison. https://www.wattpad.com/40308458-fic-why-fanfiction-is-taking-over-the-world-the

There’s a difference between challenging yourself and overwhelming yourself. It’s okay to go at your own pace, okay?