won a golden globe

  • i can never stress enough how you all should be watching crazy ex-girlfriend.
  • i gather it’s for free on the cw app
  • i gather netflix uploads the episodes weekly in most regions
  •  it has everything tumblr claims to desperately want and yet its fandom is made of like three people.
  •  drop the “sexist title” bullshit and try to actually watch: the entire show is about deconstructing the “crazy” world by dealing with a young woman with untreated anxiety and depression. yes, anxiety and depression
  • and yet the writing is so clever for some reason it feels bittersweet rather than intoxicatingly sad
  • it’s not about romantic/sexual relationships. there are those, but they’re just a means to explore the female protagonist’s life and journey.
  • you get anti-heroes. because you don’t have to be a man making drugs on a cable drama to be an anti-hero. you have to be deeply fucked up and that’s what these characters are.
  • it’s the most diverse cast i’ve ever seen. 
  • one character gets a number on coming out as bisexual. the word is said multiple times. you don’t like shows shying away from it? fucking watch crazy ex-girlfriend.
  • they sing and dance their ass off, and well, and showcasing meta commentaries on storytelling and how even music videos are made. they do pop, rap, rock, old hollywood musicals, you name it. they do everything and they’re brilliant at it. the soundtrack’s online. the music sheets too.
  • it’s just overall brilliant. it won the cw a golden globe and two emmys. rachel bloom is out of this world
  • rachel bloom also led this anti-trump anthem
  • again: cw app and netflix.

emma stone, ascending the stage to accept her inevitable best actress oscar: oh wow thank you so much for this award. here’s to the ones who dream or some shit

me:
Amy Lou Adams (born August 20, 1974) is an American actress and singer. She was named one of 100 most influential people by Time magazine in 2014 and is among the highest-paid actresses in the world.[1] She has won two Golden Globe Awards and has been nominated for five Academy Awards, and six BAFTA Awards.

Adams began her career on stage performing in dinner theater and went on to make her feature film debut in Drop Dead Gorgeous (1999). After moving to Los Angeles, she made several appearances on television and in B-movies, before starring in Steven Spielberg’s 2002 biopic Catch Me If You Can. Adams’s breakthrough role came in the 2005 independent film Junebug, in which her portrayal of a young pregnant woman earned her an Academy Award for Best Supporting Actress nomination. In 2007, she starred as a princess in the commercially successful Disney musical film Enchanted.

Adams received three more Oscar nominations for her supporting roles in Doubt (2008), The Fighter (2010), and The Master (2012). She played reporter Lois Lane in the 2013 superhero film Man of Steel and a troubled con artist in David O. Russell’s film American Hustle; for the latter, she won a Golden Globe Award and was nominated for an Academy Award for Best Actress. She won a second consecutive Golden Globe Award for portraying artist Margaret Keane in the comedy-drama Big Eyes (2014). In 2016, Adams reprised the role of Lois in Batman v Superman: Dawn of Justice, and garnered acclaim for her performances in the science-fiction film Arrival and the crime thriller Nocturnal Animals.

shows on netflix u should definitely be watching
  • Crazy-Ex Girlfriend - ITS A COMEDY MUSICAL, GUYS, CREATED BY RACHEL BLOOM (who won a golden globe?? YES HER). get to the 3rd episode at least. there’s an OPENLY BISEXUAL CHARACTER (later on in the season) and its such a good representation of love & what it actually is and growing up and letting go?? such a good show
  • BoJack Horseman - just a really, really good & cleverly written show about an anthropomorphic horse. 7000% animal puns. 5000% describes exactly how u feel about life and sadness.
  • Jane the Virgin - CUTE!! mock telenovela that deals with lots of social issues, like immigration, etc (the last episode i watched had the narrator checking every scene for the bechdel test omg) ALSO, arrested development level narration, fam, get on this. gina rodriguez will slay ur ass
  • Bob’s Burgers - such a good lil family show about a burger joint. watch this when you need to laugh or just to lift ur spirits. also, we are all either gene, louise, or tina. don’t lie
  • Lovesick (prev. Scrotal Recall) - adorable show prev. suffering from a truly tragic name. cute & british, about a man who finds out he has chlamydia and has to tell all of his previous sexual partners. you’ll fall in love with these characters by the end of s1, they’re all so dear to me
  • Master of None - aziz ansari’s show. each episode is basically a lil movie. the love story is ridiculously cute and it talks on some subjects rlly well
  • Jessica Jones - !!!!!!! if you haven’t seen this, GET ON IT. esp. if you’re a girl, cause this is SUCH A RELATABLE SHOW FOR WOMEN. grizzled neo-noir female detective? SIGN ME THE FUCK UP. also, watch daredevil if u wanna be caught up for Marvel’s Defenders, which is gonna be sofuckinggood
  • Sense8 - HOW HAS NOBODY SEEN THIS ONE? god, it’s so good. it’s got some problems but overall it does well @ showing other cultures and also some kickass sequences and wow main the characters interacting is just A1
  • It’s Always Sunny in Philadelphia/The League - this is. so funny. get past the 1st season and its such a good garbage show. the characters are such assholes, dude. they’re horrible. super dark humor, only watch if ur into that/ funny show abt a fantasy football league. both garbage shows and i love them w all my heart
  • Arrested Development - just in case u haven’t seen the best show ever written. basis of basically every comedy show u love. watch.
  • The Office - how have u not binged the office?? binge the office.
  • Comedy Specials - comedy specials are an UNTAPPED GOLDMINE on netflix. some of my fave comedians are John Mulaney, Bo Burnham, Ali Wong, Chelsea Peretti, Donald Glover, Jim Gaffigan, and Aziz Ansari.

BONUS - non-netflix shows u should also be watching

  • You’re The Worst - messed up characters and darkkk dry humor, but the second season does such an EXCELLENT job at portraying depression!! also, a dysfunctional relationship that is not necessarily unhealthy (sometimes, tho, sometimes)
  • Community - ONE OF MY FAVORITE SHOWS. Gets emotional so quickly. S1-3 are some of the best moments on television. skip S4. S5-6 are good but S1-3 are amazing. characters will become all of ur faves
  • Westworld - my expectations for this show were sky-high and it has oNLY PROVED THEM RIGHT! half sci-fi, half western fantasy VR, all badass. i have no idea what’s going on and i love it. literally Robots With Anxiety #relatable

pls add to this if you have any great shows, and i’ll update this list whenever i find something else wonderful that i don’t hear people talking about

Source

Hey Elizabeth! Don’t you have some racist AF, rape culture promoting, homophobic POS movie to make? 

1. Racist AF: the Asian character in both “Pitch Perfect” movies is literally a human joke with no real dialogue, just “weirdo” surreal one-liners. The Latina character in the 2nd movie is the same, and the jokes involve how little her life is worth because she’s Latina. And Banks directed that one! 

2. Rape Culture promoting: see this post - Rape Culture 101: “No Means Yes”

3. Homophobic: the black character’s lesbianism is literally joked about in the first movie and treated with a “hush hush wink wink” vibe from the other girls throughout both. The “Bellas” all treat it as something embarrassing and it’s only treated as normal the one time in each movie that the character shares an anecdote about herself.

To be clear:

1. I’m not saying that Spielberg shouldn’t make more movies with women leads, far from it!

2. I AM saying that it’s peak white feminism when you read through Spielberg’s Wiki or IMDB filmography, see The Color Purple, and not know that movie STARRED OPRAH WINFREY AND WHOOPI GOLDBERG. 

Millennials and young people, you have an excuse - Banks doesn’t. She is 43 and was 11 when the movie came out in 1985. The movie and actresses were nominated for Oscars in ‘86 and Goldberg won the Golden Globe for Best Supporting Actress. This was not some college film that Spielberg made, it was nominated for 10 Oscars.

3. I am ALSO saying that “Pitch Perfect 2″ directed by Banks was one of the most offensive movies I’ve watched in years (yeah I know there are worst movies, I don’t seek out shit), especially the “throwaway life / who cares if I die” joke line on the Latina character. 

Elizabeth Banks - work on your own shit, hire women of color as writers, and watch The Color Purple for f*cks sake

okay don’t get me wrong i think it’s amazing that brooklyn nine nine won a golden globe after only airing like half of its first season but how the hell has it not won or hardly been nominated for anything since then when it has only gotten even better and has covered some huge and important topics???!!!! and the fact that it doesn’t get the ratings it so badly deserves infuriates me even more!!!!!

8

Michael Jackson with his parents, Katherine and Joe Jackson at the Golden Globes held at the Century Plaza Hotel, Los Angeles on January 28, 1973.

At just 14-years old Michael Jackson performed his song ‘Ben’ at the Golden Globes. 'Ben’ won the Golden Globe for Best Original Song. The song was Jackson’s first U.S. #1 solo hit.

anonymous asked:

I'm not trying to be rude but I don't understand why people love David so much. He is not at all perfect. I don't know much about him but I just don't see it. Why do you like him? I'm really just curious.

Hello, Anon

Let me tell you about David Duchovny. The man who attended Princeton and Yale and his (never-written) thesis was called “The Schizophrenic Critique of Pure Reason in Beckett’s Early Novels.” Who envisioned his life as staying in academia to make a living and then taking summers off writing novels. The man who only tried out acting in his late twenties because of liking the idea of collaboration… “I thought if I’m gonna write plays I should learn something about speaking the lines that I might try to write.”

So, he became an actor. He appeared in some commercials, Red Shoes Diaries, Twin Peaks, and the movie Kaliforgia before he’s been cast as FBI Agent Fox Mulder in 1994. He was sure that his show will tank ‘cause sooner or later you have to show the people some aliens otherwise they will be pissed’. Well, the show did not tank, it became a phenomenon. Which meant that the actors went from total obscurity to worldwide stardom…This caused lot of tension, things were said and done, and so the dark ages happened in the 90s. ‘He went nuts and crazy and had a very bad year as a result of him being in a “particularly bad mood’ But years passed by and here we are.

By 2017, he had some projects that failed, some that were successful. But he just keeps moving forward trying new things. He wrote and directed his own movie, several TV show episodes, won a Golden Globe for Californication, did a play in New York. He is on the advisory board of Target Zero and frequently speaks up on political issues. He published two books, one of them is a New York Time bestseller. He learnt to play the guitar, toured the US (twice) and Europe with his debut album, Hell or Highwater. His second album is about to be released and next tour stop is Australia. He is proud of his legacy; The X-files, Mulder & Scully, and he is the biggest shipper out there. He started to attend Comic Cons and does ‘Meet and Greet’ on his concerts, book signings. When his schedule is free, he loves driving his kids wherever they need to be and watching Dancing with the Stars or MSR shipper videos on Youtube. He skips leg days in the gym but definitely spends enough time working on those arms He does great pranks on set and occasionally lets his fans to steal his cab. He has a dog named Brick who owns a Donald Trump chew-toy. … 

Now, if I could go back to the 90s and tell David Duchovny the story of how he became this humble, kind, funny, ZEN master, writer, singer, actor, activist and daaaaamn fine looking, beautiful man, who is about to shoot the 11th season of the same damn show he tried to leave so eagerly, he would definitely not believe me. 

Judy: We did it, Nick!!!!!! *Sniff* First the Golden Globes, and now WE WON THE OSCAR!!!!!!

Nick: *Holds Judy very tight and kisses her on the forehead* Carrots, you’re the reason this is possible.

Judy: No. WE are the reason we won. Everybody, including Ben, Bogo, and Gideon. *Sniff* ZOOTOPIA won the OSCAR!!!!!!!

Nick: …For Best Animated Film.

This is my congratulations to the people behind Zootopia for winning the Oscar for Best Animated Film. I had an interesting time making this, such as getting the height right, getting the exact colors, getting the background looking like pictures being taken, and having the overall red (the color of victory) for the whole image. I think the fur details, Judy’s expression and dress, and the tear going down her cheek are my favorite parts. This is also the recap of both the Golden Globes picture and this image from the premiere:

which makes it come full circle to this story.

Anyway, enjoy this awesome picture.

Epic Movie (Re)Watch #127 - Chicago

Originally posted by the-color-of-rain

Spoilers below.

Have I seen it before: Yes

Did I like it then: Yes.

Do I remember it: Yes.

Did I see it in theaters: No.

Format: Blu-ray

1) This film holds a lot of personal significance to me. I first saw it when I was 13 in one of the hardest months of my life. I was sick with pneumonia (diagnosed that day) and my great grandmother had just died, so the whole family was over because the funeral was that week. It was late and someone wanted to put in a movie so my dad pulls out Chicago. My mother was a little bit strangely strict about what PG-13 movies I could and could not see, usually forbidding more sexual stuff than anything else. So this was the most sexual film I had seen at the time and I had felt because of that, and the fact I was watching it with all the adults of my family, that I had been promoted to the adult table in some senses. I was really captivated by the music, the story, the moral ambiguity, it was just so different from anything else I’ve seen. I would not be Just Another Cinemaniac without Chicago. In some ways its as important to my film fan identity as Back to the Future.

2) The film opens with an extreme close up on Roxie’s (Renée Zellweger’s) eye, giving us our first inkling on how this is a musical in Roxie’s mind. But more on that later.

3) Note that we never see Velma Kelly’s (Catherine Zeta Jones’) face until she’s on stage giving a performance. This creates the feeling that Velma is ALWAYS putting on a performance.

4) Catherine Zeta Jones as Velma Kelly.

Originally posted by musemm

This film is pretty much perfectly cast, I think. 4 of its actors were nominated for Oscars, with another being nominated for a Golden Globe. Zeta Jones actually won her first (and to date only) Oscar for her role in this film, and for good reason to. She IS Velma Kelly. Zeta Jones is totally lost in the role, being able present all of Velma’s different qualities. Her showmanship, her rare vulnerability, her killer instinct, and it all just WORKS. You never EVER feel like you’re watching an actress. Zeta Jones IS Velma Kelly and as the first character we get a nice long look at, it is a great performance to start the film off with.

5) Hey, it’s Dominic West!

6) Renée Zellweger as Roxie Hart.

Originally posted by segel-sudeikis

Roxie is really the lead of this film, the character who we follow along and see the world through. The writing is really interesting. It would have been easy to start Roxie off as some innocent girl who made a mistake and goes on this big journey, but Roxie - despite whatever facade she puts up - is hardly some innocent girl. She readily and passionately has an affair even though her husband is a pretty nice guy (and not a “nice guy” where the guy acts nice but is really a jerk, but is actually pretty kind), murderers her lover just for being a jerk (there are better reasons to murderer someone), all while putting up this act like she did nothing wrong and is the victim. And I honestly think she believes it.

Renée Zellweger captures all these conflicting parts of Roxie’s character with true mastery. She also is able to handle Roxie’s transformation into a more cutthroat and determined creature with the same expertise. Like with Zeta Jones, you never feel like you’re watching Zellweger just giving a performance. She is - for all intents and purposes - Roxie. Originally Charlize Theron was cast in the part but after a change in directors there was a change in casting, and Zellweger had to learn signing and dancing for the film. It paid off wonderfully, as she was nominated for an Oscar for what is possibly her best role ever.

7) John C. Reilly as Amos.

Originally posted by mikewazowskis

John C. Reilly was also nominated for an Oscar for his performance in this film, and it is clear why. Amos is the only honestly good character in the film, and even then he is not without his flaws. He is not above losing his temper or being able to say when enough is enough when it comes to Roxie (you know, the woman who cheats on him, tries to have him take the fall for murder, and manipulates him in court just to get off). But - because this is Chicago - he’s the only main(ish) character to come out the other side being totally and utterly screwed over. There are some nice layers to Amos (mainly the loss of temper as mentioned above) and Reilly is just totally sincere in the part. It’s no wonder he was nominated for an Oscar.

8) This film sets itself apart from other movie musicals through the idea that the musical is all in Roxie’s head.

Originally posted by inlovewithaudreyhepburn

This creates a plausible explanation for why character’s burst into song and dance, allows the film to utilize some unique editing and art direction, and finally gives us a nice peek into Roxie’s head. This element allows us to see just how passionate Roxie is not only for the desire to perform but also the desire for fame. It also lets us know how she sees OTHER characters in the film (namely Billy Flynn, but more on that later). I think it is this key element that set the film up for such critical and artistic success, leading to its best picture win at the Oscars.

9) Danny Elfman provides a few nice instrumental pieces of score for the film which feel totally period Chicago. When you are adapting a popular musical such as Chicago adding extra music could be a challenge, but Elfman’s occasional score blends perfectly with the rest of the film.

10) Queen Latifah as Mama.

Originally posted by isabellenightwoods

Latifah rounds out the quartet of Academy Award nominated performances with her portrayal as Matron Mama Morton. I think it’s Latifah’s best performance. She is able to portray Mama as cooperative and a bit soft spoken, but still someone who deals with no bullshit from her inmates. She is as manipulative as any other character in this film, if not as in big a way. You often hear her tell Roxie and Velma EXACTLY what they want to hear knowing that it will lead to a big pay day for her. It is a crafty role which Latifah plays well, and her introductory song “When You’re Good to Mama” shows off not only this characterization but Roxie’s perception of her quite well. It also allows for Latifah to show off her impressive singing chops.

11) The Cell Block Tango.

Originally posted by queen-cii

Where do I even begin with this number? It is by far the most iconic and best part of the entire film. The filmmakers are able to use the idea of “the musical in Roxie’s mind” to create a visually unique and compelling number which is edited together seamlessly with the “real world” of the Cook County jail Roxie finds herself in. Each of the “murderess mistresses” is given enough time to create a unique character and create a sense of the world Roxie (and the audience) finds herself in at this time. I particularly find the use of ribbons to illustrate blood/murder wildly effective, noting that Hunyak’s ribbon (the girl who constantly claims she is not guilty) is white whereas the others are red. This suggest that she is - in fact - innocent.

It is also worth noting that while the first story starts off very much “I’m guilty, here’s what happened”, that by the time we get to the inmate who claims her husband “ran into her knife” ten times the stories have become more and more claiming of legal innocence. This is a trend which continues through Velma’s story, where she claims she blacked out after seeing her husband & sister having sex and came to with blood on her hands. We as the audience have actually seen NOTHING which contradicts this story, further creating a nice sense of showmanship within the film.

Originally posted by mymovieblogx

12) Okay, I am all for good female friendships on film and television, but I would be lying if I said the catty relationship between Velma & Roxie was not entertaining. I think this is a byproduct from good writing (with what we know about these characters, how ELSE could their relationship go?) and the wildly captivating chemistry between Zeta Jones and Zellweger. Their relationship is one of the key sources of conflict throughout the film and with those two actresses it just WORKS.

13) Richard Gere as Billy Flynn.

The number in Roxie’s head which introduces us to Flynn - “All I Care About” - is a pitch perfect example of expectations vs. reality. After what she’s heard about Billy (which isn’t much mind you), Roxie expects him to be this honest to goodness lawyer who only wants to save women from dying in by the noose in Chicago. What we get however is the craftiest, most manipulative skeeze ball in the film. So why is he so damn likable? Who is he comparable to the roguish Han Solo? Why do we root for him? I think that is all in Gere’s performance. It would be easily to play him as a disgusting slime ball but there is a charisma that Gere brings which I think elevates the character and the film. Originally offered to Hugh Jackman & John Travolta at different parts, Gere’s chemistry with the rest of the cast is great and although the film didn’t land him an Oscar nomination he did receive a Golden Globe for his work.

14) I think it’s worth noting that Roxie does not take too long to adapt to prison. Again evidence that she’s not as innocent as she wants people to think.

15) “We Both Reached For The Gun”

Originally posted by darker-than-light

I can never tell if this or “Razzle Dazzle” is my favorite number in the film, but I think for a visual standpoint it HAS to be this. This is once again where the conceit of “the musical in Roxie’s head” benefits the film GREATLY. The imagery of Roxie being a dummy operated by Billy to sell her story not reflects on their relationship in an incredibly clear way (as well as how Billy is literally using people) but also is just visually fascinating. Zellweger is a lot of fun during the number, and if you ever want to know why this film won the Oscar for best editing the year it was nominated just watch this scene.

16) The song “Roxie” when Roxie is at the top of her game is a great character study. It goes even deeper into Roxie’s desire for fame and admiration, a key quality in her character that drives pretty much all her actions throughout the film. It features gorgeous cinematography with its use of mirrors and presents us with Roxie’s ideal self. This ideal self is not a good person (not necessarily), but someone who is adored by her audience. If that doesn’t speak to who Roxie is as a character I don’t know what does.

Originally posted by barbara-stanwyck

17) A film is told in cuts, as in cutting from one moment to the next in as clean and clear a way as possible.

Velma [after Mama suggests she kisses Roxie’s ass to maintain some position]: “Over my dead body.”

[We cut to the mess hall, where Velma is seen smiling at Roxie]

Velma: “Mind if I join you?”

18) “I Can’t Do It Alone”

Originally posted by avengerassemble

Up until this point we have not seen Velma truly vulnerable. We have peeked more into who Roxie is as a character than who Velma is. That all changes with this number, which shows us that Velma is just as desperate for the spotlight as Roxie is. She NEEDS to stay relevant, she NEEDS the fame and the admiration, and only when it was too late did she realize that the murder of her sister took away one of the key things that made her so desirable to the world in the first place. This song is a fun number that adds nice depth to Zeta Jones’ character and shows off just how talented she can be with Velma’s vulnerability.

19) My heart broke a little when I saw Velma’s face after Roxie’s rejection of her.

And in that moment and that moment alone, I think I shipped the two of them together.

20) Lucy Liu’s glorified cameo as Kitty, the newest jazz killer in Chicago and the one who threatens to take away Roxie’s fame, is a perfect example of how easily Roxie can fall. But here’s the thing, Roxie is smarter than she appears. And more manipulative. It is her greatest strength that people underestimate her, so when she “faints” and mentions “the baby” everyone - from Velma to Billy - are all surprised by her.

21) I was a naive 13 year old. I didn’t understand that the doctor who said he’d testify that Roxie was pregnant had very clearly slept with her (hence Billy’s remark about his fly being open).

Originally posted by mulder-scully-gifs

22) “Mister Cellophane”

Originally posted by 80plays

Somehow this song not only shows us how ROXIE perceives her estranged husband as being someone who’s not worth caring about, but also makes Amos into a sympathetic character. He is not particularly whiny about the fact that he’s oft forgotten, he’s just a little sad about it. Reilly’s performance in the song is filled with soft sorrow and vulnerability we don’t always get to see from the actor, an honesty which carries the entire song on its back. It is a truly worthy number to be included with the rest of the film, with its Chaplin like art style and Reilly’s vocals, and I’m glad it made the cut.

23) In a lot of ways Chicago is a noir comedy musical. I say this for two reasons: Amos being kinda screwed over at the end, and the fact that Hunyak - the only innocent girl in the jail - is the only who is hanged. This also reminds Roxie of the fact that she IS on trial for murder and of the fatal consequences she could face.

24) “Razzle Dazzle”

Originally posted by barbara-stanwyck

If “We Both Reached for the Gun” is my favorite number in the film from a stylistic standpoint, then “Razzle Dazzle” is probably my favorite from a thematic one. Gere expresses Flynn’s belief that the courts are just a circus, simply entertainment to be manipulated, in a way which is just that: entertaining. I am always totally taken in by the song through its themes of craftiness, playful melody, and fun visuals. It is just a wonderful number which I love watching again and again.

25) If “Razzle Dazzle” doesn’t tell you how Billy sees the court system than this line will:

Originally posted by stilinska-archive

Hell, the non-musical court room scenes are in a lot of ways more dramatic than the musical ones.

26) This film had a song which was shot but not included in the final cut, one sung between Mama and Velma called “Class”. Still found on the movie’s soundtrack, “Class” had the pair discuss how the world seems to have gone to shit and how no one has any class. It was cut both for pacing issues and - largely - because it did not fit the theme of “the musical in Roxie’s head”. Roxie was at the court house and these two started singing after hearing about what was going on over the radio. It is a wonderful song but I think the film works better without it featured.

27) It took absolutely no time at all for Roxie not to matter. The press didn’t even want her picture after the verdict was read. Another killer, another star.

28) The final number of the film is a dual thing. The first of which is Roxie singing the song “Nowadays” on her own at an audition. The song is sad, somber, and lacks umph. This causes the directors to pass on Roxie. But when Velma and Kelly work together? When they’re able to work with their heat and chemistry and put on a duet of “Nowadays”? The umph is back and it is a wonderful number to end the film on!

Originally posted by damnafricawhathappened


I’m obviously biased through my own personal experience with the film, but I think Chicago is quite possibly the best movie musical of the 21st century (yes, even better than Les Miserables). The acting is incredible across the board, with Catherine Zeta Jones and Renée Zellweger being the obvious standouts. The concept of “the musical in Roxie’s head” allows for a musical which is unique and supports a wonderful art style. The songs are fun, the pacing and editing are great, and it’s a technical spectacle in its subtletly. Just a wonderfully entertaining film I think everyone should watch.

JULIE ANDREWS

Dame Julie Elizabeth Andrews, is an English film and stage actress, and an operatic singer, who was born in Surrey, England. She was the original singer for the stage musicals of The King and I, My Fair Lady, and Mary Poppins.

In 1957 she became the 1st person to play Cinderella on-screen. She made her feature film debut in Mary Poppins (1964), for which she won the Academy Award for Best Actress. She later married Hollywood writer Blake Edwards.

She had the lead role in the blockbuster film The Sound of Music, an when Adjusted for inflation, this is the third-highest grossing film of all time. 

She acted in other big films an was directed by Alfred Hitchcock, making her the most successful film star in the world in the 1960s. In 2000, she was made a Dame by Queen Elizabeth II for services to the performing arts. 

In the 21st century her film career still continued, with the successes of The Princess Diaries and its sequel, plus the animated-films of Shrek (2004–2010), and Despicable Me (2010), for which she provided her ladylike voice.

In addition to her Oscar Award, she has won 5 Golden Globes, 3 Grammys, 2 Emmys, and a great many other awards that are too many to list here !

variety.com
‘Glee’ Star Chris Colfer Directing Fantasy ‘The Wishing Spell’ Movie for Fox
By Dave McNary

Glee” Star Chris Colfer has signed a deal with Fox to make his feature directorial debut on his fantasy story “The Wishing Spell.”

Colfer will also adapt “The Wishing Spell,” the first book of his six-book “The Land of Stories” series. Fox has acquired the feature rights to the series and set it up with Shawn Levy to produce through his 21 Laps production company with Dan Levine.

“The Land of Stories” includes illustrated picture books, audiobooks, in-world chapter books and an upcoming graphic novel. The final novel in the series “Worlds Collide” is scheduled to be published July 11.

“Wishing Spell” centers on twin brothers who, after losing their father, are transported into a book in which they come face to face with characters from classic fairy tales. For two weeks after the book’s release in 2012, it was number one on The New York Times Best Seller list in the Children’s Chapter Books category.

Colfer and Rob Weisbach will executive produce. Fox’s Kira Goldberg will oversee development for the studio.

Colfer played the Kurt Hummel character on “Glee” and won a Golden Globe. He wrote the 2014 “Glee” episode “Old Dog, New Tricks” and the 2012 movie “Struck by Lightning,” in which he also starred.

21 Laps produced “Arrival” and is currently in production on season two of the Netflix series “Stranger Things.” It’s in postproduction on Fox’s “The Darkest Minds” and on “Kodachrome,” starring Ed Harris and Jason Sudeikis.

Colfer is repped by ICM Partners, Rob Weisbach Creative Management and Myman Greenspan.