i love mob so much please for the love of god tell me about ur feelings on 100% ecstasy
OH BOY WILL I !!! ABSOLUTELY 100% (pun unintended but warmly embraced)
out of all the 100% events, ecstasy is my favorite. the drama… the tragedy… will fiction EVER peak like this again? i don’t think so. but BEFORE I DELVE INTO ALL OF THAT, there’s something i want to talk about first: mob’s psychic powers as an expression of his emotions.
we all know that mob suppresses his emotions to avoid outbursts of psychic power. but THAT implies that mob’s psychic power is a form of self expression, in the same way that body language is expression.
he can direct his psychic powers – the same way we can direct our bodies’ actions – but there are other components that are difficult to stop, similar to how people’s shoulders tend to hunch when they’re angry or upset, how they subconsciously cross their arms and direct their feet away when something is making them uncomfortable, etc.
unless you know about these bits of body language, and make a deliberate attempt to suppress them, it’s difficult to stop your body from revealing something about your emotions. similarly, one function of mob’s psychic power is as an extension of the way he expresses himself. these things happen subconsciously and mostly without mob’s control.
for example, one of the trademarks of mob’s 100% events is that mob starts releasing waves of psychic power that push his hair back. other side effects include cracking the ground under him, often to dramatic effect.
mob doesn’t push his hair up on purpose, it’s just something that happens – as a result of him releasing his pent-up emotions in the form of psychic power. these little bits of expression aren’t something he can control.
mob also says something REALLY INTERESTING in his first 100% event:
during 100% rage mob uses his psychic powers to fight dimple, yes, but these lines suggest that his outburst of power happened because he finally had to express his anger. and that implies that, in order to show his emotions, and express himself, mob has to use his psychic powers.
which is something he almost never allows himself to do.
never forget the disdain / loathing mob had for himself at the beginning of the manga, and how convinced he was that he couldn’t allow himself to express himself OTHERWISE SOMETHING LIKE THIS WOULD HAPPEN.
further material to consider: the lines that he said right before his 100% animosity / hostility event
at this point, mob hasn’t taken any action against koyama yet. his outburst of psychic power, radiating outward and blanketing the area, is not doing anything but expressing his hostility – to the extent that mob expects koyama to be able to feel it.
in addition to that, during mob’s fight with toichirou, he cycles rapidly through a LOT of emotions, and this is what he says about it:
canon suggests that it’s not just a buildup of of emotions that cause his powers to run amok; allowing his powers to run amok also allows himself to feel the full intensity of his emotions. his psychic powers are key to expressing himself.
I COULD GO ON… but i’ll just leave things here for now. to summarize: mob subconsciously uses his psychic powers to express his emotions, which is why suppressing his emotions also suppresses his psychic powers.
figure 1: a helpful venn diagram of things
which brings us to the REALLY SAD, BITTERSWEET, MOURNFUL TRAGEDY THAT IS 100% ECSTASY.
the fight against toichirou is possibly the first time mob has been able to fully utilize his psychic powers. the first time he’s had to, even. all the unconscious limits he’s put on himself – not allowing his psychic power to go free, stifling his emotions and powers – all come undone.
mob is allowing himself to be himself, wholly and fully. he’s removed his inhibitions. he’s running wild and free. he’s no longer expending energy trying to regulate his psychic powers – he’s allowing himself to feel. this intensity of emotion and action is something mob has never given himself before, and the freedom of it… feels good. incredibly so. he feels free, he feels alive, and toichirou – the only individual to ever stand on a level close to mob’s – understands perfectly.
this is a level of joy mob has never felt before.
the release of his psychic power even comes hand in hand with mob’s body language becoming much freer and more expressive than it is in daily life. look at him go!! mob, for the first time in years… letting himself feel the intensity of his emotions, just as they really are.
but of course his happiness isn’t going to last
because mob wants to be a part of society, and he thinks he has to keep his psychic powers sequestered away in order to do that. his greatest fear is accidentally hurting the people he loves with his own psychic power, and when he remembers that possibility…
the tragedy of 100% ecstasy is that – for just a brief moment, mob released himself from his self-imposed limits. for a moment, he let himself really feel, he let himself be, and in that moment he experienced a richness, an intensity, a moment of being so utterly present and alive that it brought himself to heights he’d never reached before.
and mob will never willingly allow himself to do that ever again.
-Preschool age triplets and the two Alphas being very worried about their clumsy and small Omega sibling so they always insist on each of them holding one of their hands and keeping the Omega safely between them when walking around crowded or public places
-Identical Omega twins in high school that think its funny to take turns flirting with the same Alpha, and the Alpha has no idea that he’s flirting with two different Omegas because they look and smell identical, and then the Omegas causing a big dramatic scene when one of them “catches” the Alpha flirting with their twin. And the Alpha just being so embarrassed and confused by the whole thing
-Twin Alphas that fight constantly but if anyone else picks a fight with one of them, the other will become extremely protective
-Older triplets with two Alphas and an Omega, other Omegas always befriending the Omega just to get closer to their Alpha siblings and the Alphas very bluntly rejecting any Omega that they catch doing it
-Twin Alpha and Omega that are very close and the Omega always goes out of their way to try and take care of their twin while the Alpha is very clingy and protective of them
-Twin Betas in middle school getting revenge on Alpha bullies by leaving fake love notes from Omegas in their lockers and watching the usually arrogant Alphas become flustered messes when they confront their “admirer” and are told that the note must be fake because the Omega doesn’t like them
-Triplets with two Alphas and an Omega, and the three of them going places and hanging out and the Omega walking ahead happily, not noticing their Alpha siblings behind them, giving death glares to any other Alphas that even glance at the Omega for more than a second
-Twin Alpha and Omega, the Omega being extremely picky about what kind of mate their twin will end up with. Partly because they don’t think anyone is good enough for their twin, but mainly because they want all the Alpha’s attention for themselves, the way it’s always been
-Baby twin Omegas and one of them almost never cries, except when their twin is extremely upset because even as an infant they can sense just how distressed their sibling is and it causes them to also become very distressed because they can’t make it better
-Twin Omega and Beta, and the Omega always really admiring the Beta and looking at them like they are the most impressive person in the world, so even when the Beta is looked down on by others it never really bothers them because their twin thinks they are great and that’s all they really care about
-Little triplets with two Alphas and an Omega, and whenever the Omega is sad the Alphas try their hardest to cheer them up, making funny faces and attempting squeaky croons until their Omega sibling is once again content and giggling
-Little triplets with two Omegas and an Alpha, and the Omegas always pulling the Alpha along into whatever they are doing like building nests and playing house and the Alpha going along with it all because they like making the Omegas happy
Ford looks at the piles of paper scattered around the table and groans. “This is just for the room assignments for the roadies?”
“Sadly, yes,” Lardo says, patting her on the back. “It only looks complicated though. I mostly have a system you can stick with, you’ll just have to worry about the new frogs next year.”
“Somehow I almost wish I was trying to schedule rehearsals again,” Ford mutters.
“Here,” Lardo hands her a small red folder. “Look, this is the basic set up, okay? I have one for hotels that have strictly doubles, one that has doubles and singles, and hotels where you might have to squish 3 per room. It happens sometimes.”
“Okay,” Ford flips the folder open and compares the sheets side by side. “So some people are always together, some people move around, and - what are those red exclamation points at the bottom?”
“Those mean absolutely not,” Lardo points out one pair. “Like, Whiskey and Tango get along really well normally, but before a game Whiskey needs quiet, and Tango always has questions. Terrible combination, as we discovered on their first roadie. Tango and Nurse is actually a good combination, because Nurse likes a bit of a distraction, and he can usually direct the conversation back to a somewhat relevant topic. Whiskey and Dex get stuck together a lot, because they both appreciate the quiet, unless I know Chow and Dex have a comp sci project due. Then I’ll try and put them together because they’ll probably be up half the night anyways, and then you don’t have two pissed off roommates. Ransom and Holster shouldn’t be split up, because frankly, it just makes them sad, and then they pout, which is a little bit pathetic but also endearing?”