I don’t understand why people are mad at me for watching bootlegs. People reason that watching it online would mean that the actual theatre production wouldn’t get that much money anymore. Let me just say that, I live all the way in Asia, and in a country where stage tours rarely visit. I will watch all the bootlegs I want because let me just tell you, that if ever the show DOES tour in my country, I would still sell my kidneys to get money and buy tickets for it, even if I’ve already seen it in my crappy phone screen.
Doing theatre is stressful, but theatre stress is a different kind of stress. Theatre stress is stress that I want; it’s stress that I crave. I thrive off of it. Theatre stress is good stress, because theatre is my passion.
I have quite a collection of playbills. And im willing to trade!!!
Here are the playbills I am willing to trade :)
-1 Newsies Tour @ The National Theatre
-1 Lord Of The Dance @ Lyric Theatre (signed)
-4 Wicked Playbills @ Gershwin Theatre (1 signed)
-2 Fun Home @ Circle In The Square
-3 Matilda Pride Playbills @ Sam S. Shubert Theatre
-2 Dear Evan Hansen @ The Music Box
Here are playbills I’m looking for:
-Legally Blonde The Musical On broadway
-The Curious Incident Of The Dog In The Nighttime
If you have any questions or interests please message me!!!
Why is Elphaba The Hardest Role in Theatre? (Part I)
icked is the West End and Broadway’s hottest ticket. And
quite rightly, it has a kick ass plot, amazing direction and two amazing female
leads. However, it’s argued that the role of Elphaba is considered to be one of
the hardest roles to perform and I am here to break down why.
Stage managers oversee every facet of WICKED’s daily operation. From maintaining the artistic integrity of the production to ensuring the show runs as smoothly as possible, stage managers keep every performance as impeccable as opening night.