who really does things

CORBYN IS JUST A SWEET OLD MAN WHO WANTS FREE EDUCATION, A FULLY FUNCTIONING NHS AND TRAINS THAT RUN PROPERLY.

THERESA MAY PROBABLY EATS CHILDREN FOR BREAKFAST, AND VOTED AGAINST LGBT RIGHTS REPEATEDLY.

IF YOU’RE 18-24 PLEASE GO OUT AND VOTE. IT’S NOT COOL TO BE APATHETIC AT A TIME LIKE THIS.

I’m so happy with the way Nancy turned out. The response to her is really satisfying. A lot of times, there’s a lot of damsel and victim roles around. It was nice for me to get to play a girl who finds her strength, who is really courageous and does cool things. I was really happy with that. I hope that I brought that to life in some way. Nancy is all badass. I always love to give credit to the Duffers for giving the backbone to that character.

Leroux: Erik is an unparalleled genius, skilled in engineering and trickery, so all of his seemingly supernatural doings are actually mundane and fully explainable by his diabolical intelligence.

ALW: The Phantom is a fucking wizard.

10

bernie wolfe + @ao3tagoftheday (2/?)

bonus:

anonymous asked:

What are some non verbal indications that someone is good with guns (any and all)? Like, how someone holds a gun, their stance, where their holster is, etc.

In most cases it’s easier to know when someone doesn’t know what they’re doing. With that, there are enough that I wouldn’t pretend to be able to create an exhaustive list. The big ones that will send anyone with firearms training up the wall are trigger discipline and barrel control.

Trigger discipline is about keeping your finger off the trigger until you are ready to fire. It’s a really simple thing, and something everyone handling a gun should practice. Hollywood hates it. Or at least, some directors in Hollywood (apparently) think their actors should have their fingers on the trigger at all times, “because it looks more dangerous.” Which, you know, it actually is. Stupidly dangerous.

Most people who know what they’re doing will rest their index finger along the frame over the trigger. This isn’t the only way, some will simply have their finger sticking out at an awkward angle (and a lot of people will do that during reloads).

Barrel control is keeping the firearm pointed in a safe direction at all times. “Safe,” is a bit of a loaded term here, since, if your goal is to use the gun on someone, you’re going to be pointing it at them. Again, this is basic safety. This is a little more involved, because no matter what you do, the gun will be pointed somewhere. The important part is remembering that, and not pointing the gun at someone’s thigh when you’re not using it.

As with trigger discipline, this is an incredibly basic element of gun safety, that a lot of people who don’t know what they’re doing will easily miss.

There are a lot of other potential tells, someone who drops their magazines rather than retaining them, probably doesn’t know what they’re doing. (This is the practice of discarding a partial or empty magazine when reloading, instead of keeping it.) TV and film love presenting people dropping mags, probably because it looks more dramatic, but it is a pretty good sign that someone’s only education came from mass media.

Concealment isn’t cover. This is one of the few that does tend to separate trained shooters from untrained ones. In a shock to no one, bullets pass through objects in their environment. Taking cover means far more than hiding behind a car door or couch.

So, concealment means you cannot see your opponent. Cover means they’re hiding behind something that will take a bullet. Most of the time, just because you can’t see someone, doesn’t mean you can’t shoot them. Someone hides behind a wall in a home or office? Yeah, you can shoot straight through that. Drywall, almost all furniture, most parts of a vehicle, most garage doors… none of that will stop a pistol round. When you start dealing with rifle rounds, even things like exterior walls start getting iffy. Trained shooters will fire through concealment. Amateurs who learned how to shoot from Call of Duty and reruns of old Arnold movies will try to take cover behind a couch.

Firing until you run dry. This is a little trickier because trained shooters will do this on the range. No one’s shooting back, and you’re going to immediately repack the mag anyway. In the field though, emptying your magazine is a seriously dangerous situation. Reload partials when you have the opportunity to, don’t wait for it to run empty, and have a non-functional gun when you need it.

The problem with all of this information is; it doesn’t really answer your question. It tells you things to look for with someone who doesn’t know what they’re doing. Not how to identify someone who really does. This is because it’s far easier to identify things that an incompetent shooter will do, rather than tells that are exclusive to someone who really knows what they’re doing in contrast to someone who has a basic understanding of gun use.

Some of these also aren’t easy to operationalize. For example, with stance, There’s Weaver, Chapman, Center Axis Relock,  Modern Isosceles, and many more. There isn’t a, “correct,” or, “elite,” way to do choose one of these, and many experienced shooters will tailor their stance to match the situation they’re in on the fly. The exact way they do that, or if they choose something that isn’t a functional stance, like Gangster Style (holding a handgun horizontally at arm’s length), can tell you about their training and how comfortable they are with a gun, but it’s not something you can easily explain in abstract. (At least not without going into all of the pros and cons of the various stances, and spending a lot of time going through all of the debate on the subject.) There’s also a lot of blending between some of these stances, and “adapted,” “reverse,” or “modern” variants of them.

It’s easy to distinguish someone who doesn’t know what they’re doing from someone who’s had some basic training, but distinguishing between someone who knows what they’re doing, and someone who is actually good with the weapons can be tricky.

I am sorry if that doesn’t really answer your question.

-Starke

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sketch page full o’ OCs

of all things to call nihilist, i just saw someone claim centrism is. so now not only is trump a nihilist and fascists are nihilist and leftists are nihilist, centrists are as well. i hate how everybody’s stupid use of the word nihilism in the political realm has rendered the term p much moot

Second character design for Dancing Knight Fever (The current name for the dancing rhythm rpg idea I’m conceptualizing). He’s the leader of a desert gang of dancing skeleton baddies that specialize in tango. Still want to refine his design but I’m enjoying his first pass. 

Haise’s Birthday Poem begins with the lines [x]:

“Someone said this:
“Even if you have no memories of being loved, for as long as you have memories of loving someone, you can continue to live.”

…But how is someone who has never been loved be capable of loving someone else?

A child who wasn’t able to receive the minimal love they required at the time they needed it the most will continue to gaze at the illusion of affection and never know how to love until the day they die.

Well, how about me? Can I continue to live?”

Furuta grew up without love, surrounded by the products of Tsuneyoshi’s fucked up harem. The only person who seems to have shown any affection at all for him, as seen in the flashback in this chapter, is Rize. Rize who cared if he died when she ate him. Rize who played with him. Rize, whose fate he was fully aware of. Who he saved, because at some point, or maybe deep down still, he understood that that fate is wrong. She was the only thing he had, and he let her go, for her sake.

In this explanation to Kaneki, he mentions explicitly that as a child, he had these childish ideas of love and marriage in the future for them. Things he gave up for her safety from the men of the main Washuu house.

Even when he’s being crude and creepy, talking about Rize having all of those children for him, he references 101 Dalmatians. A Disney movie. And one with some of the healthiest romances, both between the dogs and the humans.

Even now, he’s looking at a Disney movie where two dogs snuggle each other. Where these two dogs have 15 puppies who they risk their lives to save. And who adopt 84 other puppies who would otherwise be dead. When you think about him as someone who grew up surrounded by who knows how many half-siblings, in the Garden like he did - this is basically him saying he wants a Disney Romance.

Which is not to say that the way he’s speaking isn’t terrible. That the tropes he’s using aren’t horrible and misogynistic. They are. Furuta, as he always has, is falling back on farce and drama, on systems of power that he himself as already explicitly told you he condemns. Furuta switches between honest and lying, between truth and exaggeration, between real emotion and fake dramatic flare over and over.

He speaks in this weird mix between a cynical jaded, crude adult, and a desperate, sad, idealistic, stubborn child. Like with his big speech to Eto about V in 66, I think this chapter he is mixing truth and fiction. Sometimes strategically, sometimes just because.

@linkspooky​ pointed out to me that it almost seems that the more honest he’s being, the less of his face is shown. Times when he’s really approaching sincerity and seriousness, he’s shown from the side.

Where as most of the time, he’s hidden under his flare and his masks and his drama.

Furuta, for all his fake emotion, is clearly uncomfortable with the real thing. Uncomfortable when people make him feel things and uncomfortable expressing emotion. Uncomfortable and unskilled and really parsing it.

Instead, he falls back on theatre and performance and lies.

When he says he couldn’t bare the thought of her having a kid after being free for so long… was he talking (just) about jealousy, or was he talking about the fact that the CCG, and thus V, was gaining on her - had almost captured her in the 6th ward and gotten Shachi in the struggle, and was well on their way to tracking her down again? Was he talking about not wanting her to be free, or about after all that time, still not being able to accept the idea of her being recaptured by V and used by the Washuu men like that.

He used her too, of course - and brutally. I think he was mad at her not only for wasting the freedom he helped her win, for almost getting caught again - but also because he still cares. And he doesn’t want to still care about her. So he punished her for his own feelings. Furuta is… not a fan of his own feelings. And he’s childish.

Its not an excuse for what he did to her, but I do think he acted when he did, if not the way he did, because if he hadn’t, there was a very real chance she’d have returned to her old fate. And that, he could not abide. Even now.

What he did, to Rize, in taking her power and undergoing that surgery himself, in killing off all the Washuu, taking leadership of the CCG - he gives multiple reasons for it even in this one conversation with Kaneki. On the one hand, in his proposal to Kaneki, he sets up a clear role for himself - as a villain to unite ghouls and humans against (Kaneki’s team, rather than the CCG and Clowns in this case) and introduces it as a big production, culminating in his own, rather than Kaneki’s death - ever suicidal as he is.

But explicitly, he also claims that people don’t need reasons for what they do. He also claims that he is doing what he wants to do, and that he is doing what he wanted to do as a child.

I think all of these have a grain of truth to them. He talks in such a way that mixes narratives, mixes truth and fiction, and sometimes just because its easier to talk with (half)fake emotion than real ones.

I think that Furuta, the nearly 6 year old child wants to destroy the toxic terrible “family” that used and abused him, and create in its place a 101 Dalmations style family, with him and Rize as Pongo and Perdita. A big loving, new Washuu family. This part of Furuta doesn’t care about ghouls or humans or Kaneki Ken or Eto Yoshimura or any of that at all.

But Furuta is also an adult, and became one probably much too quickly, if he knew what awaited Rize and helped her escape because if it. And the Adult Furuta knows he can’t have any of that. That Rize forgot about him and doesn’t love him back and that he burned that bridge by dropping those beams. His children with her are going to be via Kanou. Anything new will be born from death and fire and war. Adult Furuta has plans. Adult Furuta wants.…something… out of all of this. Some grand finale.

Part of Furuta is still that child - still wants Rize to come back to him and love him and play with him (and maybe kill him). Wants a big happy Disney ending for them. But he also knows he can never really have that. He’s known that he could never have that, because of how he was born. That’s the irony of that line, about the life he has and how he might as well. Because he was born to NEVER get what he wanted, ever. (And yet - and yet he fights back - viciously and endlessly and savagely, despite being born only to serve.) Because he has grown up now, and he’s done terrible things, and he knows that that happiness is impossible. But he’s also 6 years old and desperate and lonely.

I personally have thought for a long time that Rize is being set up as the one who will kill Furuta. I just hope (though I don’t necessarily expect) that they will get a chance to talk before it happens, or when he’s dying, or something. A chance for him to thank her for finally killing him, after all this time. A chance for him to say sorry, or not to - to say he’s glad he did it if it ended there, with him dying in her arms.

I still don’t think Furuta thinks any way about women, in general, though I understand why people see this pattern. It’s certainly a power structure highlighted by his character, either way. I think he probably has a good deal of the background misogyny of the culture and of the Washuu clan in his upbringing, but he also has a deep seeded hatred for everything about that upbringing. His understanding of things is so twisted and bent around this terrible place he was raised in, and the world he was forced to live in, that its honestly a miracle he’s still fighting for something different.

But Furuta sees every structure as a farce, as a mask, as a tool, rather than a truth. And he plays with these tropes of misogyny and discards them just as quickly. He’s making himself out to be a villain, to be crude, to be cruel. And it’s no excuse for his actions - for the very real fate Rize suffered at his hands. But he deals with Matsumae as a failed knight and a hypocrite, not as a woman. He plays with misogyny and its masks and its power system when he’s mock-flirting with Eto, but the next second he throws it away. He has no regard for masculinity or its virtues. Its a game to him. And that is a nasty and dangerous way to look at a very serious thing. Which is a great metaphor for Furuta who sees farce in everything. And is setting up a grand theater with all of Tokyo as its stage, possibly to write his own death into the final act.

“When I unveil this, won’t you come play with me?” He knows what Kaneki wants. He knows who Kaneki will save. He knows who Kaneki will kill. He still wants to die, and he seems to like the idea of dying to make things better, in a sense. And still, he’s speaking like a child. Come play, Kaneki. 

“Doesn’t it make you want to die?
If you die, you can get cured you know. (This is true.)



So if you were planning on giving me something.
In this year, I want four times more of that love or hate.



PS: (Laugh, it’s fun!)” [x]

The Signs in a Dumb Teen Movie

Aries: the jock who makes always has his letterman jacket on and bullying the nerd

Taurus: the one who reads all the time and eats lunch in the library that everyone goes to for advice

Gemini: the one who throws the huge parties and his friends with everyone but secretly hates them all

Cancer: the shy poor girl that the popular dude ends up falling in love with

Leo: the girl who’s always doing her makeup in the mirror and has a cheerleading outfit on

Virgo: the girl secretly in love with the popular dude but is his best friend and never tells him

Libra: the popular rich dude that everyone wants

Scorpio: the outcast who everyone thinks is secretly hot

Sagittarius: the class clown who does dumb things and is always drunk

Capricorn: the really smart one who does the popular kids homework

Aquarius: the super rich one who everyone thinks is a dumb rich girl but really has more to her

Pisces: the one the outcast is in love with and she’s in love with him bit they are too shy to say so

anonymous asked:

Hi! Do you know any fics like LeeBlack's "When a Born Wolf Howls" series where Stiles has contacts with the not-so-legal side of BH or where he knows how to pick locks, hot wire a car or stuff like that? Not a criminal or mafia AU, more like canon Stiles with a little extra. Thanks :)

So, I went with morally ambigous!Stiles. - Anastasia

Originally posted by unable2find

A Sliver of Sunlight by LeeBlack

(17/17 I 37,331 I Mature I Steter)

The last thing that Stiles expected to see after coming into his room was Peter Hale, back from the dead and apparently sane. Well, relatively sane, all things considered.

And with everything that had happened in Beacon Hills recently, was it really so impossible to believe that, without the Alpha power trip, Peter was the sort of person who couldn’t be trusted but was too interesting to be ignored?

***


Law and Disorderly Conduct by Delightful_I_Am

(1/1 I 2,514 I Teen I Sterek)

“Are you sure this is legal?”

Stiles looked up at Scott in disbelief, a diamond pick between his teeth and his torsion wrench still wedged tight in the lock in front of him. He flicked his eyes back and forth from Scott to the lock a few times before raising an eyebrow at his friend.

“Scotty, bud, pal, my dude. I am literally in the middle of breaking into a lawyer’s office as we speak. In what universe is that not illegal?”

Science, Bitches! by eeyore9990

(1/1 I 2,688 I Explicit I Sterek)

Stiles is aware that it’s wrong. He’s a rational, intellectual person who really does understand that some things are right and some are… not. He just can’t really be bothered to care.

OR

How to get a werewolf boyfriend in three easy steps.

Take a bite out of life by Nival_Vixen

(1/1 I 3,274 I Mature I Sterek)

Stiles gets infected by vampire blood. According to a really old Russian text, he could become a blood-sucking monster like Bram Stoker’s Dracula, an incubus-like blood-sucker who needs blood and sex to survive, or he could literally drain people’s souls.

The hour of truth is approaching, as is the full moon. As such, Derek’s the only one available to be stuck on Stiles-sitting duty, and is the only one there when Stiles finds out exactly what new piece he’s becoming on the chessboard.

For Us by day

(1/1 I 7,328 I Explicit I Sterek)

“Parole.” Stiles nods, standing up and stretching once again, revealing a naked and tattooed strip of skin above his belt. “I lied and I haven’t been traveling. I’ve actually been in lock up for five years on charges of attempted manslaughter, harboring a fugitive, and a few other broken laws.”

Scott laughs loudly before he catches onto the tense atmosphere in the room. “You can’t be serious.”

“Well, shit, Scott. I can’t undo the past, so I guess I am.” Stiles shrugs. “Listen to my heartbeat, young werewolves, you will find that I do not misguide you. Officer Hale here took it upon himself to become my new parole officer. How sweet is he?”

Stiles falls off the grid for 8 years. When Derek finally meets him again, it’s as a detective and main suspect in a murder investigation.

The War is Won (Surrender, Love) by Ceris_Malfoy

(1/1 I 8,122 I Teen I Stiles/Deucalion I Girl!Stiles)

It is in the dark of the night, when her brain won’t shut off and she is pacing, relentless with the need to do something, that she realizes that saying no was probably a very, very good thing. She is dangerous enough without adding ‘werewolf’ into that category.

It doesn’t stop her from thinking about it though, nor from dreaming.

This Could Be So Dirty That it Just Ain’t Right by taylorpotato

(1/1 I 10,380 I Explicit I Steter)

Ever since Stiles presented as an Omega, he hasn’t been feeling the same urges as his peers. When he’s around an Alpha that’s not Scott (who is pretty much his brother at this point), his first reaction is to shrink away, not try to press closer. Until he meets Peter Hale. Who acts like the most annoying, entitled kind of Alpha on the planet. Except he’s not one. He’s an Omega. Of course, Stiles would turn out to be every type of gay possible.

The Dragon’s Wolf by DenaCeleste

(1/1 I 14,767 I Explicit I Steter)

Stiles is a vengeful dragon, and Peter is his mate. Stiles just has to convince Peter of that while they deal with the attempted murder of the Hale pack.

“Where–what the hell are you?!” His mate didn’t back away, instead he held his ground with claws bared, and his eyes flared a bright yellow. “Where is my pack?”

Stiles snuffed at him and tucked his tail around his hindclaws. Wolf. Well, that explained the odd smelling humans. He leaned forward, just a bit, and flicked his tongue out at the man, who lashed out with his sharp-tipped fingers. Pleased with his headstrong mate, he trilled again before shifting to his bipedal form with a suddenness that made the other man jerk back into a defensive stance.

“I’m a dragon, just in case the wings and scales didn’t give it away. I’d breathe fire too, but I think that would be just a bit insensitive, all things considered.” Stiles quirked a brow. “What is your name, wolf?”

“Peter Hale. Where is my family?” He darted at Stiles and grasped his throat.

it feels better biting down by Aminias (SeeingRed)

(6/15 I 17,026 I Mature I Steter)

Sometimes we forget that not every villain is a coupon waiting to be redeemed. Good thing Peter has always been a smart shopper.

Hey There, Stranger by annie_reckson

(6/7 I 23,062 I Explicit I Sciles)

Scott’s been going to a specific spot on the beach for a few years now and now that he’s on summer break from college, he’s looking forward to spending most of his summer months there.

He’s not sure whether he should be excited or terrified when he gets much more than he could have ever expected.

ce qu'elle a dit by dogearedpage

(14/? I 44,281 I Explicit I Steter I Girl!Stiles)

“The last thing Stiles thought she wanted to hear was Derek Hale telling her she smelled ‘weird’. Except, a few moments later, he outclassed himself and turned Stiles’ entire world on its head by telling her something even worse.

“She didn’t smell ‘weird’. She smelled pregnant.”

Sometimes Peter looks at Stiles like he yearns to sink his fangs into her all over again. She thinks he’ll devour her if she isn’t careful.

Stiles is rarely careful.

2

I’m so happy with the way Nancy turned out. The response to her is really satisfying. A lot of times, there’s a lot of damsel and victim roles around. It was nice for me to get to play a girl who finds her strength, who is really courageous and does cool things. I was really happy with that. I hope that I brought that to life in some way. Nancy is all badass. I always love to give credit to the Duffers for giving the backbone to that character. — Natalia Dyer for LADYGUNN Magazine

5

alexis ryder: 12/?

okay so im stubborn so im going to reply to touch adverse mika anon
basically they said “since mika has been abused for so long, do you think he’d be jumpy when it comes to people touching him?”
and basically the short answer is: he doesnt like being touched by people he doesnt know, but he is extremly touch starved, and REALLY craves affection, but after years of emotional abuse he feels like he cant have it and shoves people away
so my first example is with krul. remember that time mika came storming into her throne room and jumped her? and afterword, she hugged him, and he sat there for a few seconds, before shoving her off 

because he basically just attacked her and he felt gross and like he hurt her, even if krul immediatly tells him its alright, he still hates what he did and feels like because of this he isnt deserving of affection even if he wants it so badly 

another time we see mika do something similar is with yoichi, where yoichi grabs him, and it does startle him, but after yoichi calls him “Mika-kun” mika pauses for several seconds before shoving him off.

 because mika has only ever been called kun by ferid, who really only did it in the back-handed way ferid does most things, but also because he realized that yoichi wasnt grabbing him out of anger but in a protective way, and it sent mika reeling because no one touches him who doesnt want to hurt him or whom he didnt just hurt, so he doesnt know how to process it. of course he shoves him off, but it just goes to show how much mika may crave to be just, held i guess? which goes into my next point. what is the FIRST THING mika does when he gets ahold of yuu for the first time?

so yea. while mika may be adverse to people touching him outright, he just craves it but at the same time despises it. its a confusing relationship, but when it comes to behaviors and feelings as a result of abuse, what doesnt feel confusing?

Shadowhunters already killed Saphael, they are on their way to kill Jaia and I’m still waiting for an intimate Malec scene.

I want good things in this show, damnit

Touch (Bucket List!AU)

Part 1: Aura

Standing before the closed wooden door, hand poised to knock, he hesitates. This whole situation is making him want to rip his hair out. Could he rip his hair out? Is that a thing he could do? He’d never tried it… Would it grow back or would he just be stuck with patches missing?

Keep reading

I bet you Simon is that person who does stupid things in class but really he’s only trying to get Baz to notice him like why won’t he take his eyes off of his book? maybe if I fall off my chair? yeah doesn’t hurt to try… oh but it will ugh the things I do for this boy