what compelled me to make this

anonymous asked:

YOU KNOW WHAT I MEAN DEMON. THE POWER OF SHRIMP CHRIST COMPELS YOU. MAY YOU BE BLESSED WITH THE POWER OF THE SHRIMP SIDE. :sprays shrimp like a weed killer: BEGONE DEMONS

Haha! You’re so funny!

You know what I think you need? A nice comfy mask! They are so much fun and it will make you so so happy! Happier than you’re ever been! 

So happy, you’ll never want to take it off! So you’ll never leave! haha Like me!

Is it ever explained why Rey is paid in food? 

I actually think its one of the more compelling pieces of world building in TFA– not that it ever really goes anywhere, but it was a decent explanation for me why Rey couldn’t leave– she doesn’t have any money. That’s enough to keep her stranded. 

But like, how does the Scavenger Outpost operation work? Is Unkar Plutt independently doing this, or is Jakku essentially a huge company town for some junk trade magnate? If Rey managed to hoard enough food, could she take her speeder to Max von Sydow’s village and try to make a living there and get Real Money? Or is it just another outpost of Big Junk Traders, and there’s nowhere to run? What’s Max von Sydow doing there, anyhow?

These are questions that I didn’t really need answers for in TFA but they would be nice to have. It’s more compelling to me than TLJ’s awkward retocn of making her a slave, which just….doesn’t really work

(I can live with her being some form of indentured servant but you’d have to explain how that shit works and why she doesnt seem to think that of herself)

2

dan howell’s profile: good content

How to be good at interviews:

I’m having next Wednesday my first professional interview (eeeeek) so I decided to share the research I’m doing. I googled all of this and chose the information I found most important, and organized it. I truly hope it’s helpful for someone out there :)

PLAN AND PRACTICE:

  • always do your homework: learn about the organization, its ideas and story 
  • don’t necessarily memorize responses, but try to have a planned general strategy for answering common interview questions
  • practice in front of the mirror
  • be ready to briefly describe related experience
  • compare your qualifications to what the organization wants from you

COMMON INTERVIEW QUESTIONS:

  1. What’s your biggest weakness? Think of a genuine issue you have as well as ways you have managed to work with/around it.
  2. What’s your biggest strengths?” Stand out from the crowd and don’t be afraid to speak about your strengths in an authentic and compelling way. See if your strengths align with the company’s needs.
  3. Why do you want this job?”/ “Why should we hire you?” Stay focused on why your background makes you an ideal candidate and tell them how you are going to contribute to that department and that company. 
  4. Tell me about yourself.” Don’t tell them your life story, instead discuss what your interests are relating to the job and why your background makes you a great candidate.
  5. Why did you leave your last job/position/school?” Do not go into details about your dissatisfaction, tell them that while you valued the experience and education you received, you felt that the time had come to seek outo a new opportunity, expand your skills and knowledge, and to find a company with wich you could grow. Try to put a positive spin on things. Be honest if you were fired but don’t trash your previous boss.
  6. Where do you see yourself in five years?”  Be honest about what your greater aspirations are.

And much much much more (from your behaviour to work experiences, education, interests and motivation or problems and challeges you’ve faced previously), I would encourage you to try to write down some topics for each questions that work for you. Being prepared is everything.

THE DAY OF THE INTERVIEW:

  • sleep and eat well so you look rested and healthy on the big day
  • give yourself time to calm down/meditate/relax
  • don’t noodle around on your phone or electronic device while waiting - it may communicate boredom and frivolousness, maybe stick your notebook/notes

What to wear: normally it’s best to dress neutral, professionally/formal, not overly fashionable or trendy, and brightly colored clothing is bad. Make sure your clothes are neat and wrinkle free, and make sure your image is very clean and neat.

What to bring: if revelant, extra copies of your resume on quality paper, a notepad or professional binder and pen, information you might need to complete an application.

IMPORTANT TIPS:

  • make eye contact
  • show courtesy to everyone during the interview, this means everyone from the reception staff to the interviewer herself
  • smile
  • have good posture
  • avoid fidgeting too much or playing with your hair/touching face
  • have a good handshake
  • don’t cross your arms over your chest
  • walk, act, talk with confidence
  • be comfortable and relaxed
  • choose the words you say
  • don’t place stuff on their desk
  • manage your reactions - facial and body expressions give clues on how you feel: project a positive image
  • show interest and enthusiasm
  • show warmth and personality - being personable is about getting the interviewer’s emotional side to like you and believe in you
  • don’t lie to make it seem like you know something you don’t. You probably won’t fool your interviewer, and admitting to not know something is much more impressive than lying
  • be honest
  • keep things simple and short, talk in 30-90 second chunks. Any less and you’re likely to seem unqualified; any more and your interviewer is likely to lose interest in what you’re saying

THINK OF QUESTIONS TO ASK: participating actively during the interview gives a good impression of your level of interest in the job. Most of times it is more adequeate to ask in the end of the interview.  But I feel like you really need to make sure your questions are adequate. Examples:

  • “What types of training opportunities do you offer?”
  • “What are the chances for professional growth in this job opportunity?”
  • “Is there anything else I can provide you with that would be helpful?”
  • ALWAYS ask the “ When can I expect to hear back from you about the position?” question if  the interviewer does not tell you

Good questions are open-ended, and thus cannot be answered with a “yes” or “no.” Better questions are behavioral: they ask how things are done or have happened in the past, because current and past behavior is the best predictor of future behavior.

AFTER THE INTERVIEW:

  • shake hands with the interviewer - try to invest some feeling into the handshake and pleasantries, even if you think you bombed the interview
  • hold your head high and keep your cool
  • your emotions are probably teetering at the highest of highs or the lowest of lows, but try to stay measured
  • project a cool confidence, not cockiness, and walk out of the interview with your head held high

SOMETHING TO ALWAYS KEEP IN MIND:

  • when you know in your heart and your gut that you bring to the table something just as valuable as a paycheck and maybe much more – your tremendous experience, intellect and instinct – you’ll carry yourself differently. You won’t trip over your words in an effort to please His Majesty or Her Highness, because you’ll see yourself and the interviewer as equals on a level playing field. 
  • you are valuable and unique. You have something very special in you and you deserve to be given a chance. good luck!
The 3 Elements of a FLAWED Character

You know that moment when you find an old notebook, and you start reading the story you were writing years ago, and after about one page…  

And then after a few more paragraphs … 

This has happened to me several times. On every occasion I want to curl up in a small box and wait until everyone forgets I was ever a writer. And every time, no matter which old story it is, what sends me crawling into that box is the same thing: the main character. Even after I had learned to incorporate empathetic qualities into my heroes (as listed in the last post), my protagonists were still deeply annoying – if not more unbearable than before. 

Why? What made them this way? They had winningly empathetic traits! Were they terrible people still? No, and that was the problem. They were perfect. Smart. Noble. Brave. They had dazzling martial arts skills. They loved people and people loved them. They were Chosen in some way and destined for greatness. Angst-plagued though, of course. They were tragic little heroes, misunderstood and abused, driven by the desire to vanquish all who caused them suffering.  

I could’ve composed a Gaston-like song enumerating their virtues and sorrows. 

And the only thing that would’ve made them more punchable is if they did use antlers in all of their decorating.

Characters can’t be completely likable. Yes, they must possess strengths that win the reader’s empathy, but without an equal amount of flaws … they can’t function. If they’re not flawed, they shouldn’t be the main character. Story is about someone changing, for better or worse. Under the surface, all good stories are about this process of human growth or decline. So if a hero is perfect from the beginning, there’s nowhere they need to go. And consequently, there’s no reason for a reader to follow. 

The inclination to follow a story is begun with interest in the premise, of course – but it is locked in when empathy occurs, when we begin to care – the moment the reader transposes their own external and internal lives onto a character’s life. A process which starts when a reader recognizes a shared something between themselves and the hero. Sometimes, this is a goal or strength or situation. And sometimes, it’s a flaw. We meet a character that is weak in the same way we are, and a strong internal connection is born between the reader’s life and the life on the page. On a deep level we’re thinking “This person is like me. What happens to them? How do they deal with it?” And because of this connection based on what is lacking in our lives, we want to live the story, see how it ends, and find out how the main character – who is just like us – reached that ending. Because it’s our lives we’re reading about, and if we play it out in advance, maybe we can reach a positive ending too. 

So! In what way should a main character be FLAWED? 

1) Weak in a way that only hurts themselves. 

Let’s call these MIND.

2) Flawed in a way that hurts others. 

Let’s call these MORAL.

The most realistic – and most compelling – characters have both types.  

And if a character has these flaws, the story must be steering them towards what they NEED to overcome them. The main character needs to learn something, a truth, a new way to live. This is the theme of the story. Theme is a statement the story seeks to prove, to the main character and the reader, about how to live a better life. It’s the solution to whatever moral and mental conundrum they’re facing. So … 

3) The SOLUTION to their moral and mental weaknesses. 

How does that work? To illustrate, let’s look at Stitch and Alexander Hamilton. (What a combination.) 

STITCH

Moral: He’s destructive. Violent. Rude. Vindictive.  Manipulative. Enjoys the suffering of his enemies.

 And in general, pushes everyone and everything away.  

Mind: Despite his violent ways, he yearns to belong, and senses that he can’t.

He believes he’s alone, he’s unlovable, he’s monstrous, he’s never had a family and never will – he’s lost, like the Ugly Duckling. He’s missing a family he’s never had.  

Solution: He just needs to start treating people like family to be accepted into one. 

HAMILTON

Moral: He’s selfish. (“Be careful with that one love, he will do what it takes to survive.”) He’s arrogant. He’s self-centered. (Think of the entirety of Burn.) And in his obsessive journey to succeed, he pushes everyone out of his path.  

Mind: He has a fixation on death, on time running out, which drives his manic desire to achieve. (“I imagine death so much it feels more like a memory.) He’s insecure. ("Graduate in two and join the revolution. He looked at me like I was stupid. I’m not stupid.”) 

Solution: Who Lives, Who Dies, Who Tells Your Story? Eliza tells his story. Hamilton’s goal throughout the story is a legacy; he strives to achieve this immortality in any way possible, even if it means neglecting his loved ones, or even ruining their lives. He needs to learn that his loved ones are enough. Eliza is enough. And through her, he will live on. 

What would have happened if they weren’t flawed? The stories would have been boring. What would have happened if their flaws had been treated like attributes that didn’t have to change? The stories would have ceased to be. Progress couldn’t happen, because by accepting the status quo of their mental and moral states, we’re refusing the call to adventure outright. They’d just exist in the same state they were in the setup, stagnant, somewhat lifeless. Flawed characters must motor towards that NEED, or solution, that will save their lives. 

(I realize this “need” element is rather vague, so it’ll get its own post.)  

But in conclusion, this balance of strengths and flaws – and how this fictional person deals with the adventure they’re thrown into – is what makes a main character compelling, empathetic, and real. 

So when I unearth a notebook years in the future, containing one of stories I’m writing now, maybe the main character won’t make me feel like this:

Maybe it’ll even be like this: 

And best of all, maybe one of those characters will make a reader somewhere feel understood and helped and not alone. Wow. That would be amazing.

Well, there’s my writing motivation for today. I’m going to go make my main character more of a lovable jerk.

How To Work With Hounds

Originally posted by kimiko24

Misconceptions 

1) HOUNDS ARE NOT STUPID

2) YOU ARE NOT THEIR “MASTER

3) THEY HAVE FEELINGS

4) THEY ARE NOT PETS DAMN IT

Types of Hounds

  • Hellhounds: A demonic hound; ‘darker arts’; very good for beginners; can shift to a more human form (may or may not depending on their personal preference); Many varieties (Cerberus, Orthrus, Icarus, Rogue, Etc)
  • Heavenhounds: Angelic Hounds; ‘lighter arts’; has wings; can shift into a humanoid form if desired; takes on different types of dogs; can be good for beginners
  • Cu Sidhe (Irish)  / Cu Sith (Scottish): Faery Hounds; normally green, brown, or white; Appears normally as either an Irish Wolfhound, a Wolf, or a Greyhound; Beginners be cautious but not like, paranoid
  • Cwn Annwn: The Hounds of The Celtic God Arawn ; Grey; DO NOT CONTACT UNLESS YOU WORK WITH ARAWN / WANT TO WORK WITH HIM
  • Grim: Hounds of Death; Guardians; ‘darker arts’; Very Territorial; Intermediate
  • Black Shuck: The Black Dogs of Folklore; Super Sweet; So Nice; Good for Beginners
  • Gwyllgi: Welsh; ‘Dark Arts’; 50/50 shot; Caution; Intermediate+; Appear as a black dog or a mastiff
  • Barghest: Large Dog; Sharp claws, Toxic Teeth; Actually Really Nice; ‘Dark arts’; Intermediate
  • Madrai Dryads: Hounds who live in trees; My personal discovery; Brown with green eyes; leave trails of dirt where they walk; info post soon; sweet but shy; beginner friendly
  • Werewolves: Humanoid Shifters; Shift either at will or with the moon phases/extreme anger; man buns for dayyyyyyyyyyyyyyys; beginner friendly sometimes, use caution
  • Familiars: Spirits of animals passed on; very chill; I would recommend these for anyone. {I have a wolf I got from a shop and she is the sweetest thing ever <3 )
  • Celestial Hounds: The Hounds of The Stars; Very spacey; They glow; harder to contact

How To Bond

  • Spend time with them and their vessel
  • Talk to them
  • Do fun things with them
  • Draw them
  • Give Them Food
  • Cuddle
  • Etc

Things That Help (No Seriously, I Wish I Would Have Been Told This Stuff)

1) Get A Damn Pendulum, this is the easiest way to communicate with any spirit, is user friendly, and very inconspicuous

2) Be patient. Do not fucking get mad when they mess up, explain why thats not ok or how it should be done

3) Set house rules, but don’t be a dictator about it

4) Develop a Mom™ Voice (I mean this in a gender neutral way, but you know that voice that your mom used that made you feel compelled to do what she asked or tell her what she wanted to know? Yeah, develop one of those. Its helped me so many times its not even funny. (it actually is kinda funny tbh)

5) Vessels aren’t supposed to be an uncomfortable trap for your companion, its supposed to make it easier to feel them and connect with them. Ask to make sure their binding (if they have one) doesn’t hurt them. If it does contact the shop you got them from, break the binding you did, or have someone else (like me) break the binding and redo it. (IF YOU GOT THEM FROM A SHOP PLEASE CONTACT THAT SHOP FIRST, I don’t like stepping on other peoples work unless they refuse to help, EVERY SHOP SHOULD / WILL WANT TO KNOW IF THEIR BINDING IS INFLICTING PAIN.) 

We spend so much of our 20’s looking for the one. We are stuck at that age where half of our friends are engaged or married, some with children; the other half is drunk off their ass 90% of the time and never made it past their second semester of college. We find this compelling need to compare ourselves to everyone around us, “oh at least I’m doing better than her,” and “fuck. She’s about to be a doctor and I am not sure what I want to be.” We have to swipe left endlessly looking for what we want.

I’ll tell you what you want, it’s to be happy.

Happy is not the same for you as it is for the girl who sat next to you every day during 3rd period.

And for me? Happy is making sure I get to see the world while I’m young, experiencing different parts of our country before I pick and place and settle down. If I’m going to dig my roots so far into the nutrient rich ground I want to make DAMN sure it’s the right kinda soil to make me grow. At some point I woke up and realized I’m living life for myself and not others. I welcome their criticism but learned to filter out when it was helpful versus unnecessary. There’s nothing wrong with getting on a plane to anywhere or long road trips or moving around to figure yourself out. Cause let me tell you, I was looking for the one, and I found her. It’s me. I’m the one. But when I find someone else who can be my plus one to everything I’ve already given myself, I’ll be ready because I won’t expect them to give me all the love in the world. To always pick me up when I fall. I will not rely heavily on them because i know I’ve already done it for myself and deeply rooted myself in those capabilities. Whoever comes along will hopefully have done that for themselves and instead of 2 trees in a yard we can create a jungle that radiates so much life everything comes to live within us. You see I was born a queen with a throne, now I’m learning to make an empire.

And for you? I hope you find whatever your happiness is to be able to do the same. To be a source of life.

Hey I know this isn’t what this blog usually posts but I have a very compelling reason. If you are in Canada and are willing to sell me your (out of stock) ‘16 Machine Girl tour sweater, please send this blog a PM. I can’t find one secondhand and I truly, truly, want it.

Thanks for bearing with me! I’m posting two extra illustrations today to make up for this disruption. I love you all and think of you fondly when I see my stack of Tumblr notifications.

Loki’s Future

some random thoughts/meta after watching Ragnarok (a good ass film™️)

- After watching Ragnarok, I was struck by how similar in appearance Loki is to Hela. Same slim face and build, same pale skin, and even the same black hair. They both prefer blades to fight with and magic to communicate with. Hell, their wardrobe color schemes even match. This raised some questions for me when I was watching the film; why this deliberate choice, and how much does Loki’s appearance have an effect on how Odin treats him, in this film and others? Thor is Hela’s sister, yet we’ve seen that Odin treats Thor very, very differently to Hela and later Loki. Does Loki with his black hair and magic just remind Odin too much of his own shitty decisions? It would explain a lot about why he acts like such a dick to Loki, even when Loki was a child and not killing anyone (as far as we know haha, that kid coulda done anything)

- But there’s gotta be more to it than that. The similarities in appearance may well be Taika’s nod to the original Norse myths, but it occurred to me that it’s way too obvious a similarity, and could be pointing to something a little more complex. In the original myths, Hela is actually Loki’s daughter. Coincidence? I think not! Add this to the fact that in the mythology Loki also has a son, a gigantic wolf called Fenrir, who we also see in Ragnarok, I think there’s plenty of evidence pointing to the fact that Loki has some greater importance and connection to Asgard, running deeper than him simply being a Jotun war prize. For me it’s just too much of a coincidence that Hela and Loki are a) strongly connected in the source material b) have strongly similar appearances, fighting styles and love for chaos (to a certain extent, their characters are similar) and c) are both ‘children’ of Odin. On one of Loki’s bad days, you could call them twins. Why though? It’s been reeeeally bugging me, but I just can’t work out a direct connection, or reason as to why Hela’s character had to be built to resemble Loki.

- One answer to this is a theory I read that Loki is in fact Hela’s son. (Yeah, I know, that sounds deranged when you think about it.) The timelines align such that Hela could very easily have invaded Jotunheim with Odin before Loki’s birth. There she could have had, through some means or other, a child with Laufey, and then later abandoned it due to ‘weakness’. So… a hybrid. Loki even has black hair when he’s in his Jotun form, and that’s really fucking unusual - no other frost giant is even similar - he LOOKS like a hybrid of Hela and Laufey. Although there’s a few things off about this theory, and the MCU will probably never confirm or go into enough detail about it, AND it also makes Loki Thor’s nephew (!!!wtf!) AND Odin would have also have to have known about it the whole time (albeit explaining his behaviour), it does give reason and a cause to the weird connection and similarities between the two.

- Loki and the Tesseract. Ooooooooohhh my god. So we basically KNOW that he has it, as although we don’t see him take it in Ragnarok, it’s strongly implied, and he also is literally holding it in the leaked trailer for Infinity War. (I appreciate that some ppl don’t want to watch the leaked trailer, but it confirms he has it) Why is this important? The Tesseract is an Infinity Stone. It has power Loki knows how to use, and he’s one of the few that do. What’s Infinity War about? Infinity Stones, and Thanos. The same Thanos who’s on the hunt for Loki AND the Tesseract. I honestly don’t think Loki’s taken it for some world domination shit this time round, I think he’s taken it for power and leverage. He’s acting intelligently and planning far ahead. This is given extra gravity when you remember that Loki is the only one in the Infinity War lineup who has met and knows Thanos, and that honestly did not go well for Loki at all.

- (On a side note, I just want to talk about Loki and Thanos; it’s been theorised/discussed for ages that Thanos met Loki in the void after his fall from Asgard in Thor 1, and gave him a deal: the mission of capturing Earth, finding the Tesseract, and the tools to do so. Now, Loki’s not really one to make deals unless he can subvert them, and so the whole way through Avengers his motives for attack to me seemed uncharacteristically illogical, although I can understand his primal emotional reasons for wanting to rule. But we also saw him looking very, very ill at the beginning of that film and in the Thor 1 credits scene, and being in obvious pain - he looked like a damn meth addict. Some fans have also noted that his eyes look blue during some scenes in Avengers, like he’s being mind controlled. I completely agree with this theory: that Thanos, recognising Loki’s power, tortured him, (with heat and fire, because how else do you torture a Jotun? It explains his appearance and injuries) and mind controlled him to enact the events of Avengers. And everything that happens thereafter in the MCU makes soooo much more sense when you think about it from the torture perspective. It explains a lot about the ‘big picture’ behind all of Loki’s decisions since. He has angered the most powerful man in the universe twice: failing in giving Thanos the Tesseract, AND remaining alive.

- Which brings me back to my point - Loki is the only one who has any possible comprehension of what’s coming, so taking the Tesseract easily interprets as him acting impulsively for reasons of his own safety, and possibly the safety of those around him (he takes it after his ‘redemption’ arc). I think he still has some kind of connection or knowledge of Thanos’ presence, maybe from torture, and he can sense when shit is about to go down - and we see the beginning of it going down at the end of Ragnarok. He’s also keeping his possession of it a secret, and for obvious reasons. Knowing he’d just taken the same item that he screwed everything up for last time would completely ruin his new trust-bond ‘redemption’ arc with Thor (I kinda hate using the word redemption tho - it’s obvious from Dark World that that’s not what Loki wants or really cares about) so, he’s going to use it in some kind of bamboozle, dodgy deal, Loki-esque interaction in the future .

- I really really reeaallllyy hope they don’t just turn Loki ‘back’ into a villain in IW. It would be an insult his character and the character work Taika’s done in Ragnarok. At this point it’s weak, cheap and easy character development and a trope that’s extremely overplayed. However, HOWEVER. It would equally break my heart to see him fall completely into the other side - the role of martyrdom, righteousness and self-sacrifice in IW. We already have dozens of characters who do that, and what makes Loki more loved than all of them is that he can do both - when and how he acts is fascinating to watch. He’s every inch a chaotic neutral, and I hope so much that Marvel keeps it like that. He survives because he has no morals, likes to play both sides and he’s smart about it. It makes him compelling, godamnit.

- With Tom’s movie contract and the amount of times they’ve ‘killed’ him off already, it’s looking likely he’ll survive Infinity War. (Not looking so good for Thor though 😭IW is seriously gonna kill me too)

- Some more mythology stuff… Although in the MCU Loki’s plot usefulness is as more of a ‘bad guy’ and not he’s not a central enough character to justify such an in depth plotline, there are plenty more things the myths can give him. For example, his own honest relationships, outside of Asgard’s influence. Loki has most likely experienced a much wider range of people, creatures and places in the universe than average. He’s got lots of little secrets tucked away. For example, in mythology he has another son, called Jormungand, a giant serpent. Not likely J will ever make it to the screen though, sadly. I think that the serpent shapeshifting story in Ragnarok was perhaps a nod to that. So was Odin’s 6-legged horse Sleipnir, another of Loki’s sons.

Secondly, and of greater interest to me: in the myths, Loki has a wife called Sigyn, the goddess of intelligence. (I love her already…) with whom he has these strange animalistic (likely shapeshifting) children. Now, I know IW is really too late along his storyline to be introducing someone like Sigyn, let alone as a love interest, but god damn would it be awesome if they did. Maybe it’s just me, but I think it would be truly satisfying and also extremely entertaining to see Loki get himself a girl. Superhero movies are so often plagued by the oppressive American binary of good and evil, wherein the good guy always gets the girl, and the villain is always miserable. Seeing Loki, (a character who we know consciously does bad things and fits very well the evil stereotype, but does good things as well, and plays both sides entirely to his own benefit) get the typical stamp of a good guy would make for a more interesting, rule-breaking plot. Please, MCU, don’t let Loki fall into this binary! Let him be both! It’s what made him so extremely damn popular! that and the fact that he’s smart and funny and Tom is extremely fucking hot lol

- I also really wanna see a bit more of his magical abilities - in his villain role so far we’ve been shown he’s smarter than half the MCU, extremely skilled in in magic and combat with knives, he can teleport, he can create illusions, he can fuck with people’s heads and more. His Valkyrie knife standoff scene was interesting in Ragnarok - I’m 100% sure he deliberately lost to Valkyrie to gain access to her memories- but Thor mentioned something way more interesting: Loki is a shapeshifter. And a really good one; he’s basically in a constant shift from Jotun to Asgardian. But to animals? That’s really fucking cool, and the snake story shows how easily he can hide in plain sight. (Y’all can get the cat!Loki y’all have always wanted.) Idk I just really wanna see more of what he can do. I think further abilities/aspects of his fighting style and personality will be revealed in future though, because having the Tesseract and knowing Thanos makes him into a major plot point for IW.

- lastly can I just say I’m really digging the 80s/rock soundtrack aesthetic Marvel is pushing for

- and the c i n e m a t o g r a p h y!! Got damn.

- just protect him please for the love of all that is holy.

- That is all. Thanks for reading my ramblings. Xxxx.

10

Sketchy Behavior | Hellen Jo 

Never afraid to speak and/or draw her mind, Los Angeles based artist and illustrator, Hellen Jo and her characters can be described as rough, vulgar, tough, jaded, powerful, bratty and bad-ass - AKA her own brand of femininity. Known for her comic Jin & Jam, and her work as an illustrator and storyboard artist for shows such as Steven Universe and Regular Show, Hellen’s rebellious, and sometimes grotesque artwork and illustrations are redefining Asian American women and women of color in comics. In fact, that’s why Hellen Jo was a must-interviewee for our latest Sketchy Behavior where we talk to her about her love of comics and zines, her antiheroines, and redefining what Asian American women identity is or can be; and what her ultimate dream project realized would be.  

Keep reading

9

At last! A new drawing is complete! This one took forever and I’m not entirely sure what compelled me to make it, as I started it on a whim.

This is a follow up to the Megaman Smash idea I posted a long while ago, basically, a fan-game where you fight the third party characters (Roll taking the place of megaman to represent his own series as a stage) and Mario (because flagship Nintendo franchise, can’t forgo that) in place of the Robot Masters.

Coupled to that, my brain started to wonder about how it would be like if such a game had a “Powered Up” equivalent, and here we are, mock screens of such a thing.

I would really like to make this game a reality someday, I just need a capable team (specifically, a programmer and a composer, as I fulfill the role of the spriter) to do so, sadly.

Also, I guess these counts for that one request that asked for a drawing of sonic and megaman? I’m not sure, but hey, I hope you guys find this cute, now to see how long it takes me to complete another set of drawings, HO BOY.