well this is a very serious show but sometimes things like this happen we don't know why

anonymous asked:

i know its nice being ship friendly and stuff but SOMEONE'S POINTING A GUN AT YOU, THEY HATE LEVIHAN AND THEY'RE GONNA KILL YOU IF YOU DON'T CONVINCE THEM OTHERWISE, YOU GOTTA DEFEND LEVIHAN WITH YOUR LIFE, WHAT'D YOU SAY? GO!

You know, that’s a really weird murderer. Anyway, THIS IS FUN! Honestly, i’d be dead already, because i don’t really care about convincing anyone when it comes to shipping. Before i start, i’m gonna state that ANYTHING I’LL SAY HERE IS BECAUSE I’M FIGHTING FOR MY LIFE, DON’T TAKE ANYTHING PERSONAL, GUYS. These will be pretty much the reasons why i ship them. The first part is a bunch of “objective” reasons (well as objective as it can get, because shipping can’t be a totally objective thing) and the other one is personal, so is up to you when to stop reading this. I apologize in advance for my English.

1)      Levi and Hanji are both really interesting and complex characters. He isn’t just a typical shonen badass guy and she’s not a typical crazy scientist. Levi is actually , from my pov, the most caring and selfless character of all SnK, he literally sacrifices himself over and over for the sake of others. Hanji isn’t just this sweet cheerful character, she has a mesmerizing willpower, nothing can stop her.

2)      They complement each other amazingly. They are both strong and smart, but in different ways. Any virtue that Levi doesn’t have, Hanji has it. Every flaw that Hanji has, Levi doesn’t. And they share two really important virtues, which are the foundation of any healthy relationship: they are both so loyal and passionate. They are literally willing to give up their lives for the people they love.

3)      THEIR INTERACTIONS ARE SO FUN TO READ/WATCH. You just know that, whenever they are together, something great is going to happen. There’s something refreshing about them, about their bickering, about the way they work together, about the way they care about each other so deeply.

4)      I think nobody can understand them more than each other. They have experienced similar things as soldiers, they have lost people they love countless times. I bet they could be sharing each other stories all night long, reminiscing all of those good times with Moblit, Erwin and their old squads.

5)      Okay, i won’t force my ship to anyone, but since i’m fighting for my life here, i’ll say i think there are actual canon hints for Levihan. Like the “Levi bathes Hanji” thing, the “we tell each other everything” thing (don’t u dare telling me Hanji clearly said they’re just friends, cuz isn’t that what every Levihan shipper has as a headcanon? The idea of them not admitting their true feelings and say “we’re just friends” ‘cause they’re both awkward dorks), their interaction in ACWNR, their interaction in Shingeki! Chuugakkou, and the “Levihan is similar to Eremika” thing. It’s up to you, random killer, to decide if that means romance or not.

6)      I hate to fangirl here, but HAVE U SEEN THEM? They are both beautiful and would have babies as beautiful and brilliant as them. What a blessing. I love drawing them so much because their character design is gorgeous. Levi with his cold colors and Hanji with the warm colors, they even complement each other in that aspect.

7)      The Levihan fandom is amazing. Besides the fact that there’s no drama and everyone is so kind, I’m pretty sure this is the ship with the funniest fan art. Even the most serious person would smirk even a little bit while scrolling through the Levihan tag. I mean, we’re all about the laughs. All of the other ships usually focus on the classic romantic stuff (i say “classic” , because from my pov there’s nothing more romantic than the OTP having fun ❤). With Levihan, you’ll get from the most intense fan art to the most ridiculous headcanon, it’s so much fun. Some Levihan artists are pretty well known among non Levihan shippers because of that same reason, like @alemanriq, @trash-god or @drinkyourfuckingmilk . I mean, really, if you’re feeling down and need to cheer up a bit, they’re the way to go.

One of the main arguments people have against Levihan is that they’re too different, so it wouldn’t work. They even go as far as saying that Levi doesn’t really care that much about Hanji. My first response is that both Hanji and Levi are highly misunderstood characters. We don’t have to let our personal experience makes us decide what is love and what isn’t. We all show our love in very different ways.

Now heres my second argument to that idea and this is gonna get personal. If you don’t wanna read about my life, skip this.

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anonymous asked:

pLEASE write out some arranged marriage au's for perc'ahlia. i BEG you

literally all you have to do is ask, so long as you don’t mind a summary of ideas rather than actual fics because…..i would die if i tried. but i have many ideas regarding these two and marriage, and quite a few are arranged marriages. let’s see….

You have your classic arranged marriage, based on a timeline where the de Rolo family is alive and Vax and Vex are far more controlled by their father’s wishes. I like to think of this one as the left overs idea, seeing as it’s founded on the principles of Frederick and Johanna having to arrange a marriage for their third child who will not go out courting, and Syldor having to make a match for Vex before he can feasibly find a future husband for Velora. The deal is struck after months of arguing, when Vex finally agrees to marry some little lordling from the north because, well, the rumors about him are that he can’t be bothered about a wife, so he ought not to mind one that spends more time in the woods than by his side, right? And she’s heard Whitestone is lovely if chilly and distant (thought, really, that’s a virtue when it comes to getting as far from Syngorn as possible, and she even gets to take Vax with her).
They meet as proper nobility and this would be the fic in which Percy politely offers to cut his finger on the sheets. Instead, they stay up most of the night with Percy carefully explaining Whitestone’s traditions and Vex explaining how rubbish some of that is, and the maid finds them asleep against each other in the morning, still propped up against the headboard in casual day clothes, a map and what looks like half a written and scribbled-over argument in parchment pieces strewn across the bed. She’ll have to be checking the linens later, then.

Then we have the canon-compliant arranged marriage that I have seen written in some form or another, where Vex was supposed to be married off to Percy, but then of course the Briarwoods happened and Byroden happened and it never got all worked out. This idea mostly involves me wanting to write Vax being an ass about it on principle and/or Cassandra casually mentioning Percy’s betrothed, which causes a whole slew of confusion and one ill-fated quest to make sure he isn’t still engaged (which of course he is) because Percy really does not want to be engaged to anyone but Vex (which of course he isn’t). The endgame of this whole comedy of errors being Vex holding the papers legally binding them hostage, while Percy tries to grab them back because “It ought to be our choice, I don’t want to push a deal on you that you had no say in.” “Oh, so you’re not interested in making deals you don’t know the full repercussions of now, hm?” “I’m not - It’s not the repercussions I’m working about, it’s - I’d rather make this deal with you - give me the damn papers, Vex!”

I also have this idea for something very Swan Princess-esque where Vex and Percy grew up knowing they were going to be married, but then i also have this love of doing things a little backwards. So Percy is the one who starts falling in love first - in tiny inches, with the way Vex stands straight and tall with her brother when they’ve gotten in trouble again, with her laugh when it’s soft and light and then also when it’s too loud and sudden and she sometimes looks as though it’s caught her by surprise. He falls in love with her messy braid and the feathers in it, her awful-sounding Abyssal and the way it makes their tutors cringe, her insistence on keeping both a pet bear and a table full of cosmetics, the both of which she learns to wield and treasure for how they keep her safe and happy.
Vex, on the other hand, feels only a grudging sort of friendship. Sure, Percy’s alright. He’s clever enough and polite and stopped trying to lock her and Vax out of his rooms years ago (for all the good it ever did him when Vax was more than happy to pick said locks). And Vex knows she’s going to marry him one day, and that will be fine, but she doesn’t expect him to have grown to tall over a year. She doesn’t expect him to have a jawline she can see her lips following or eyes that beg to go darker with passion, and she certainly doesn’t expect his familiar wry grin to punch the breath from her chest when it’s directed at her now. He shows her the siege arrows he’s made (”They’re much more powerful than the exploding ones, you see. You’ll have to test them, but I’ve also had an idea for something like a grappling arrow that I’d like to try if you’re willing to give me some input.”) and Vex remembers the things he’s made and done for her and all the times she never thanked him and he never seemed to mind, and oh. Well. There’s an idea. Perhaps he loves her, and Vex finds herself a little in love with the thought.

The last thought I’ve had is angst-ridden and only half-formed, but it begins with the Briarwoods deciding to marry off the surviving de Rolos instead of Percy escaping, and he gets shipped to Syngorn. Vex is determined to hate him, just like everything Syldor has ever brought into their lives, but he’s so damn fragile when he arrives, and Vex has never been able to walk away from broken things. He’s her husband, yes, but Vex does a lot more of being his only friend than being a wife, and Percy slowly opens up. The twins are not nearly as bad as he’d dreaded and it’s certainly better than staying trapped in his old home, shadowed by monsters and wraiths, or chained in the dungeon and left to Anna’s tender mercies. He behaves because of Cassandra, but she is also why he never can quite enjoy his new life. Vex catches him, eventually, in a moment where he seems to be truly happy for once - and a breath-taking sight that is, when he’s creating and thinking, beautifully vibrant and casually sharp-tongued - just before he catches himself out and remembers to be quietly miserable.
“Tell me what you’re thinking about when you do that,” Vex insists. “What is it that always makes you force yourself to look guilty for enjoying things.”
Percy tells her, in halting, almost forgotten and definitely avoidant sentences, about his home and the people who took it from him, about the sister he left behind and why he’s never on anything less than his best behavior. Because if word ever gets back that he isn’t, it will be on Cassandra’s head.
“Well,” Vex says, after she’s swallowed down the impulse to simply hold Percy as close and as tightly as she can. “Let’s go get Vax. If we have to go liberate our city, we’ll need him.”
“You don’t have to get involved,” Percy tries. “It’s my problem, not yours.”
“By law, it’s half mine,” Vex says, flippant in the way she knows gets across how serious she really is. “The problems and all. That’s marriage, darling.”
It’s the first time Percy says he loves her, so quietly any human wouldn’t have caught it, but luckily, Vex is half elf.

End of an era

Masterlist

Word Count: 1199

Rated: PG-13

“Please just go.”

“You can’t just walk away from this!”

“It just hurts.”

End of an Era Part 2


“What the fuck is this?” You ask Harry as you sit across form him on the couch.

“What is what?” He asks as he looks up from his phone.

“This.” You say as you hand him your phone. A few minutes ago Harry posted a picture on his instagram of Kendall Jenner on his lap. She has her hand around the back of his neck and his hand is placed on his thigh. He captioned the photo with “Here’s to a great night with a beautiful woman.”

“It’s just a picture.” Harry says passively before he hands you back the picture. 

“No it’s not just a picture.” You snap. You and Harry have been together for about three years and the diamond engagement ring on your left hand shows that you are serious. You are very serious.

“Yes (Y/N) it is just a picture.” Harry says without looking up, “I was just sharing a picture from last night.” 

“You told me you had a business dinner last night.” You say. You place your phone in your pocket and cross your arms over your chest.

“I had business drinks.” Harry sighs. He still doesn’t look up.

“Harry talk to me.” You plead.

“I am talking to you.” Harry says.

“No talk to me.” You plead once more. He then looks up to you and places his phone beside him. “You lied to me.”

“No I didn’t lie.” Harry states.

“Then why were you with Kendall last night if you told me that you were going to a business dinner?” You ask.

“I went out for business drinks and then I went out to dinner with some friends and Kendall happened to be there.” Harry groans. 

“Why are you all over each other?” You asks.

“Why are you being such a major bitch?” Harry snaps.

Harry!” You yell.

“Fine!” Harry sighs, “We were just hanging out and I someone snapped a picture and sent it to me.”

“Why did you say she is beautiful?” You ask. You don’t want to know the real answer to this question.

Harry sighs and says, “Because she is.”

That one hurts. That one hits you right in your heart. He shouldn’t be thinking like that. He should think that you are the only beautiful woman. Yeah, it sounds weird, but it is true. He should only have eyes for you.

“Harry…” You whisper.

“What?” He asks. He obviously knows what is wrong with that sentence, “She is beautiful. Everyone knows that. I can’t think someone is beautiful? I think you are beautiful.” 

“You sent out to the whole world that you think she is beautiful.” You say.

“Yeah I know.” He says.

“Well don’t you think that is weird?” You ask.

“Not really.” He says.

“You guys did date.” You say.

“Yeah I know.” He says. You walk away and he follows. “Where do you think you are going?” 

“I can’t even stand you anymore!” You yell at him.

“What the hell is that for?” Harry yells back.

“I don't know!” You say, “I’m just confused.”

“How are you confused?” Harry asks. You place your hands in front of you and you lean your body wight on the counter. He stands about five feet from the other side of the counter with his arms crossed over his chest. 

“I just don’t know how you go and hang out with her and then you come home and tell me you love me.” You say. You can’t quite look him in the eyes.

“How could you even question that?” Harry asks, he just looks hurt.

“Harry, she was sitting on your lap! You had your hands on her thigh!” You exclaim. 

“I don’t know what you want me to say!” Harry says, “I’m sorry.”

“Harry…” You whisper, “It just hurts.”

“I know, I know. I-” Harry begins before you cut him off.

“No you don’t know! Thats just it!” You yell, “You don’t understand that this isn’t the first time that I sat at home thinking that you were out at some business dinner, but I know that you are really out with some friends. It is a horrible feeling not knowing what the hell is going on. I love you so much, but sometimes I don’t know if you love me as much as I love you.”

“I was just out with some friends. I honestly would have been home with you!” Harry whines.

“You didn’t say anything about the I love you part.” You whisper.

“Because I-” Harry begins.

You cut him off with, “Because you couldn’t answer my question!”

“What is the question?” Harry asks.

“Do you love me?” You asks. You are honestly scared for the answer.

“Yes.” Harry says as he walks around the counter, “You are the only woman I love and the fact that you have to ask me scares me. If I didn’t love you then this wouldn’t be here.” Harry plays with the engagement ring on your finger.

“The why did you post that picture?” You ask. 

“I…” Harry drags off.

“You don’t know.” You say. “I think you should go.” You look at your ring. It is staring back at you, mocking you. You can’t even look at it anymore without feeling guilt and pain. 

“Please (Y/N).” Harry says, “You can’t just walk away from this.”

“I can’t do this anymore.” You say. You pull your hands out of his and take a step back. “It’s not just the picture. You are pulling away from me. You have been for months. I’m sick of crying. I’m sick of feeling alone.”

“Your not alone!” Harry exclaims.

“I am. You may not see it, but I am alone.” You say, “Your whole heart isn’t in this.”

“(Y/N) please!” Harry whispers. 

“I need to think.” You whisper and then you do it. You slowly pull off the one thing you hoped you would never take off. You place the ring in his hand and he stares down at it as if he had never seen anything like it. He is in awe, but not the good kind.

“(Y/N)…” Harry whispers as a tear runs down his cheek. Usually you would wipe the tear away yourself but you couldn’t bear to do it.

“I love you Harry.” You whisper as you fight tears, “Please just go.”

He grabs his coat and walks out. The ring is in his pocket. He doesn’t even out up a fight. It’s over just like that. He never fought for you, he never cared enough. You knew he loved you, but he loved you back then, not now.

anonymous asked:

please talk about why you're so sure that dnp are dating? i've been having some serious doubts lately. if you don't want to it's okay too dw also i have to say you're like my fav person in this fandom and i hope you're having a great day/night/week/month ily

eep! You’re so very nice. I hope you’re having a fantastic day/night/week/month/fuck’n decade as well. (even if recent events are making it harder) (take care of yourself you will make it through this)

Alright let’s approach this from the angle I like to call common sense, even though it can be super hard, I know, when we live in a culture that’s filled with heteronormativity and ~gay for pay~, and your gay otps are laughed off by the media, and queer people are forced to closet themselves to keep safe, and therefore a form of emotional manipulation happens where you’re forced to question even the things you can see before your very eyes, because you’re afraid people might ridicule you, write you off as delusional or naive:

Keep reading

anonymous asked:

if you don't mind me asking - what did you like/dislike about the raven king? there were some things i loved unreservedly and other things i downright hated so i have no idea how to feel about it! (this isn't a meta request btw, i know your ask is closed for those, i'm just curious because i've seen such mixed responses to this book and don't really know what to make of it myself. but feel free to ignore this if it'd take too long to answer; i know you're swamped with prompts!)

I think I can muster my energy to do this in DOT POINT FORM

(spoilers, obviously, so we’ll do it below a cut)

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anonymous asked:

Ooooh! Can we have a leverage OT3 daemon AU?

(I am bad at daemon names, for which I apologize. Except Hardison’s. I stand by Hardison’s.)

Everyone thinks Parker is severed at first.

That’s okay. Parker is used to that. She got called soulless before Pem even settled, and she knows he’s there. He was good at being sneaky before he ever settled into a ferret, and they could stretch their bond a long way before she decided she wanted to do it on purpose.

(The first time she jumped off a building with him at the top, they both screamed and it turned from terror to joy halfway down because their bond wasn’t snapping, it was stretching.)

Parker doesn’t like introducing people to Pem right away, and if they think he’s not there as a result, or think she’s wrong as a result, then they’re easily forgettable anyway.

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Stephen Amell on WWE Raw and the ridiculous conversation with my husband that followed as a result

Husband is headed to bed as I’m headed downstairs.

Husband: What are you doing?

Me: Going to watch more Arrow.

Husband: Thought you’d be going to bed.

Me: Well that’s just silly.

Husband: No blogging?

Me: Eh. 

Husband: Why not? Quiet night?

Me: Actually, yeah. Sort of. Not really. I don’t know. There was a thing. It wasn’t…I was out of my element…the thing happening tonight.

Husband: Were any of those words English?

Me: Stephen (I call him Stephen because in my mind we’re buds) was on WWE Raw tonight. My dash was filled with it. Since that was all that was going on I thought I’d catch up on my Arrow rewatch.

Husband: (excitedly) Wait. WHAT? What do you mean that’s all that was going on? Stephen Amell was on WWE RAW?

Me: (shrugs nonchalantly) Yeah.

Husband: (even more excited) HOW? With who?

Me: I don’t know.

Husband: Jennifer (yeah, he Jennifer’d me) I watch RAW. 

Me: (stare at him blankly) Yeah. I know.

Husband: (now he’s getting annoyed) So tell me what happened! 

Me: Have you met me? What in holy Zeus do I know about your wrestling show?

Husband: (rolls eyes) At least tell me how he ended up on the damn show!!

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Girl Meets She Don’t Like Me Review.

I want to start off by saying I really enjoyed this episode and I think it had everything. The subject matter was lighter than that of GLONY, but the (multiple) life lessons were still placed well within the episode, with the addition of seriously great Riley character growth and some of the best comedic moments we have seen this season and possibly on this series (with the exception of Eric Matthews centered episodes). The acting delivery was spot on by all actors, I enjoyed the direction choices and overall the dialogue was clean (with a few mishaps here and there). I’m going to do this review in a bullet point style format, because my thoughts are scattered and there are many of them. 

*The opening scene. First of all, as Riley said “it’s great to have you back, Maya.” Say what you want about her growth arc and that she didn’t lose part of herself during the triangle, but her one liners suffered substantially for me during that time. She’s back to being her quick witted, sarcastic, dubious self and unlike in Bear (where they had her doing more physical comedy, something I think she struggles with), Sabrina seriously shines with this form of comedy. 

“I don’t want to learn any new names, I’m still learning Zay…It is Zay, right?”

“We’ll get lice, that’s what we’ll get, my hairs too long for new friends.”

It was also really great to have the true Riley and Maya dichotemy back, with Riley’s head in the (relative) clouds and Maya being the realistic (and funny) counterpart. 

“Don’t you want to introduce someone into our wonderfully special friendship?”

“I wouldn’t force that on anybody!”

*As Riley approaches the girl who doesn’t like her, this is probably the scene where I felt like the dialogue got a little bumpy. Riley introduces herself and asks to be her friend- great. The girls response “Yeah, I don’t like her at all” to Maya was just…awkward to me. Wouldn’t it have hit home better if she were to look Riley in the eyes and say “No I don’t want to be your friend. I don’t like you.” A small change, but I feel like that direction/dialogue shift would have flowed a lot better in the moment. The rest of the scene however, with Rowan “rewinding” and trying again, is hilarious. 

*Here we are introduced to the first of multiple lessons. The surface lesson of it all is of course that some people just straight up aren’t going to like you. This is a hard reality for anyone. As the saying goes “you can be the juiciest peach in the world, but there’s still going to be someone out there who doesn’t like peaches”. It’s vastly different from Rileytown, because when there’s a bully in the picture, you easily don’t blame yourself. You can characterize that bully as the villain and yourself as the victim, therefore negotiating the idea that the bully is obviously wrong in their opinions of you. But when someone isn’t necessarily mean or hateful, they just don’t really like your vibe, that sometimes is an even harder reality to swallow. Especially someone like Riley who for the most part, is consistently around people who are constantly reassuring her and letting her know how wonderful and great her uniqueness and personality are. 

*Maya saying “You’re being ridiculous” and Riley responding “Oh gee, thanks you’ve fixed me forever” was an AWESOME line for me. It just basically symbolizes the entire show in one short swift moment of dialogue and breaks the fourth wall just enough so that the writers can say “Yeap, we see Rileys main character flaw, we know it annoys you but guess what, we’re sticking with it anyway!”

*Just a completely unimportant side note…Mayas outfit is so on point in this scene.*

*Just want to point out how great Corey Fogelmanis, Ceci Balagot and Rowan Blanchard are at physical comedy (just like Will Friedle). Honestly, I feel like this type of comedy is the hardest to pull off because it can fall flat so easily and come across and cory and awkward rather than actually funny. But in this episode we see how much it can shine. Farkle falling on Smackle, Smackle dragging Farkle across the school (with a GREAT direction decision to give us an arial view), Farkle fainting multiple times in class (with perfect timing), Riley cringing and crying in Mayas arms or her reversing backwards to try and “start the conversation over again”. And of course, what is probably the best moment of physical comedy perhaps in the entire show- Smackle teaching the class about their bodies. 

*The gym teacher is so underappriciated. His jokes got laughs but honestly so much of what he said slipped under the radar and was actually comedic gold. 

“All right you little creepy child adults”

“You’re all gonna pass. Cause if you don’t pass I gotta meet your parent’s. I don’t wanna meet your parents, I don’t wanna meet you!”

“He’s the only on in here who knows what he’s doing.”

I mean, just awesome.

*I’ve seen a lot of commentary on this episode but no one has pointed out the incredible  irony of Riley judging the gym teacher so harshly when she, at the exact same moment, is struggling over the fact that some random girl doesn’t like her. The teacher even says “why don’t you give me a chance”, just like Riley wants to be given a chance by the girl at the lockers, yet Riley fails to make that connection or to even realize she’s doing exactly the same thing she’s claiming to not understand. A great, subtle moment to show the importance of Rileys character finding growth here. 

*It was really nice to see some Topanga/Riley parallels in this episode. It really breaks the “Riley is Cory” stereotype that we see so often and reminds the audience that Riley is, in fact, a meshing of BOTH her parents, even though the writers don’t give us that much Topanga and Riley interaction (but we get a lot more in Monster, which I can’t wait to see). We even see Maya comfort Topanga in the same way she does Riley and see it work. I thought that was a really nice small touch yet again, highlighting their similarities. 

*Speaking of Topanga in this episode, that scene is GOLDEN. It is first and foremost, wonderful to see Danielle Fishel using her acting chops to her fullest ability and she absolutely delivers the dialogue to perfection. The first time I watched this scene I was laughing so hard I was almost crying. It reminds me of the complex Topanga we had in Boy Meets World, who was consistently funny but also the voice of reason. It also brought back serious BMW feels of “The Eskimo”, where Cory and Shawn have an assignment and Topanga has to do her best to stay out of it, sans Mr. Feenys request. 

*The second day of health class. Again, GREAT direction move to  have Riley and Maya enter the class with everyone standing there smiling, and then break away to reveal Cory. Worked so well, and even though you KNEW he was going to be there, it still landed impeccably and got great laughs. Then of course, we have Smackle teaching the class about their bodies, which I already touched on as one of the funniest highlights of this series to date. But I also want to point out the reaction shots. Notice everyone horrified BESIDES Lucas and Maya (hormonal telegrams, everyone!) And also HOW IMPORTANT REACTION SHOTS ARE TO THIS SHOW. They feed off of them more than almost any other show I have ever watched. They are imperative, they say so much without saying anything at all (and guess what, that is a sign of GOOD SCRIPT WRITING). 

*Topangas comment that “sometimes you are just a leaf blowing in the wind, and where you land is meant to teach something” should probably bring everyone back to Rileys strange obsession with the dying leaf from Ski Lodge. This entire episode is CHOCK FULL of foreshadowing (ill get to that at the end) but this is an interesting moment that should probably make a viewer raise their eyebrow as what Topanga says is almost identical to what Riley says to Lucas about the leaf a few episodes before. If Riley and Lucas are leaves blowing in the wind, and you are “meant to learn something even if you don’t like what’s happening to you” it begs the question, what is the Rucas relationship meant to teach the characters? What is it meant to teach the audience? I’d really like to expand on this point, but I don’t want to spoil the rest of the season. 

*The scene at Topanga’s. I can’t gloss over the direction decision to put Lucas not only in between both Riley and Maya, but to have him SIGNIFICANTLY closer to Maya, almost sitting on her, in the exact same way that Riley was sitting with Farkle in Bear, while she was a foot away from Lucas. Two different directors for these episodes (one of which I hated), so it’s very hard to believe that this is not one, but TWO instances of lazy direction notes, especially knowing how delicate the dichotomy between Rucaya is. 

*I think this scene was great because it blatantly showed that the Riley Committee has in fact, disbanded. Instead of tying to comfort her in an infantile kind of way (which yes, Maya kind of did but cuddling her and singing to her in the beginning but if you listen to what Maya says in her song, she calls Riley a nut job who has to get over it so…) and being realistic with her, telling her not to care so much what one person thinks and to move on and let go. I think that this shows how imperative disbanding this committee was in order to continue with Rileys growth, especially because we see that she really LEARNS her lesson in this episode, opposed to other times where it seems to have slipped through her fingers. 

*There was a lot of cute Smarkle in SDLM (Him falling and her dragging him, her calling him ‘Beloved’ and blowing him a kiss) but the scene in Topangas, for me personally, WAS NOT one of them. Smackle giggling at Lucas’ smile is one thing, but having Farkle do the same smile and having her react poorly too it, crosses the line for me. If their entire basis of the Lucadora dynamic is that she wants to make Farkle jealous, they basically just discredited that with this moment. If that were true, Smackles innate reaction to Farkle would still be one of adoration, as he’s still the one she supposedly really loves, right? And another poor direction choice to have hers straight up smack his face away and whisper to Lucas “he’s right here!”. I know that there is the autistic situation to deal with, and I am respectful of that, but I still think that this was unnecessary and basically just dug them into  a huge plot hole for later episodes. 

*Speaking of Lucas…what the actual fuck, dude. First of all, if you don’t want Smackle flirting with you, why are you turning to her in order to get a flirty reaction? One, that’s a crappy thing to do your “best friend” Farkle, her boyfriend, who is sitting right there. Secondly, it’s a crappy thing to do to your girlfriend, who is also sitting right there. 

*Speaking of Lucas and his girlfriend…very interesting (and nice) direction choice to have Lucas smile at Riley first, and have her NOT be affected by his gaze, as opposed to Smackle, who fawns all over him. Very different reaction by Riley then that of the pilot, where he does the same smile, and she absolutely drools over him…actually, she giggles almost identically to the way SMACKLE does in THIS scene. If people do not think that these things are significant, that character development and evolution is not apparent through the actions they take, then they’re crazy. TELEVISION IS A VISUAL MEDIUM, PEOPLE. 

*Speaking more about Rucas, still confusion on why the writers constantly write Lucas to not give an actual shit about Riley. Yes, the “anyone who knows you would like you” line was sweet, but unbelievably unhelpful and throughout the rest of the episode…where even is this guy? He has like, 5 lines at most this episode and does nothing to try and be there for her. I grow tired. 

*Can’t move past Cory drawing the human foot on the board. Really nothing else to say because that moment of comedic beauty speaks all for itself. 

*When the gym teacher returns, I think it’s great that they throw in a third and quick lesson about your body, taking health class to be more than something just played for laughs. That we all have one body, one mind, and it’s essential that we take care of it. We can control what happens to our bodies and minds (physically, spiritually and sexually) and we need to leave the rest up to the universe. Also, a nice subtle line about waiting until you are ready to have sex. Probably flew right over most of the younger viewers heads but, I’m glad they decided to put it in the dialogue, none the less. Also, side note, I think that adding the sweet moment between the gym teacher and Riley, where he calls her sunshine in an actual endearing way, and they come to an understanding, mixed with his surprising ability to actually teach difficult and delicate topics with finesse, was a nice touch to keep him from falling into the hardcore “stock character” category. 

*Again, reaction shot moments being crucial. As the gym teacher is talking about “things being out of your control” notice that the reaction shots go DIRECTLY to Farkle and Lucas (then to Riley and Maya). This is foreshadowing what is to come, how there are obstacles these characters will face, and the direct difference in how each person will choose to handle things (spot the difference). 

*Okay..the big scene with the balloons. If one or two were orange, I would let it slide. But every single damn balloon is orange…why Jacobs, why? I SEE YOU. We also once again in this scene, have Lucas NOT UNDERSTANDING HIS GIRLFRIEND and wondering why the hell they are standing there with balloons, not grasping the concept that Riley, the person he should “know better than anyone” has just learned an invaluable lesson about life and has grown and obviously wants to do something beautifully symbolic about it because thats who she is and anyone that has ever met her for 5 seconds would know that about her I mean GOD LUCAS GIVE ME A BREAK. 

*To add to that sentiment…who does actually understand what she’s doing? I’m not even going to let you guess on this one, guys. IT’S FARKLE. Big shocker at this point, I’m sure. 

Zay: “I’m not doing this: 

Farkle: “You don’t control that”

Riley: “We never let go of each other” :Riley gives balloon back to Zay: 

Farkle: “See?”

I mean, it makes me want to cry when people don’t understand how intentional this is on the writers part. Zay is Lucas’ best friend and Rileys girlfriend, Lucas could have delivered Farkles dialogue there. Maya is Riley’s best friends and close to Zay, she could have delivered it. But no, Farkle did. Please, please PLEASE take a step back and look at it from a contextual perspective. It’s not about ship goggles, it’s about the evolution of characters and their dynamics together, both subtle and blatant. This is what makes good TV, this is why you SHOULD want to watch this show. For moments like that, the moments that make you say “Wow they put so much in to every single moment they present to their audience”. 

*STEM Riley officially has returned by the end of this episode. The balloon scene was totally beautiful, but what really hit home and touches the audiences hearts is her last scene with the locker girl. 

“Yeah, I still don’t like you.”

“Well I like you.”

Confident, cool, collected, and completely at peace with the idea that someone doesn’t like her. Riley Matthews, accepting the fact that someone doesn’t enjoy who she is or want to be her friend. Riley Matthews, still being kind and understanding towards someone who has no interest in her. Riley Matthews walking away and letting it go. In some ways, this scene is one of the best growth moments she has had in the entire series. All her friends standing behind her, watching her become a better version of herself, her walking away with her head held high, the smile the girl gives after receiving Riley’s compliment. It was all just really moving and well placed. Jeff Menell, you really know what the hell you are doing. 

*Lastly. I just want to point out that this entire episode was foreshadowing the rest of the season. The entire concept of not being able to “control things that happen to you” and how you “the world is trying to teach you something when it puts you in situations where you don’t like what’s happening to you” and that “you learn things about yourselves when you are forced to deal with something extremely difficult that is out of control”. All of these moments are letting you know that there is a storm brewing and these characters have to brace themselves. It’s why this episode had to be written, it’s why Riley had to grow so much in 25 minutes. Because if she didn’t learn this lesson now, things would have been an even bigger mess in about 4 more episodes. It was a great stepping stone in whats to come. 

Overall, I rate this episode probably a 9.5. It really had just about everything. Subtext, multiple life lessons, foreshadowing, character development, consistent comedy. It would be harder to get much better than this for GMW.