well really always looks good

9

Pre-ruffle, mid-ruffle, and post-ruffle Tenth Doctor Hair

David Tennant from the podcast commentary for Tooth and Claw (from the hair-messing-up scene above):

“I love the way Euros [Lyn, director] uses all these shots here to show the ideas all colliding at once

…and I love messing with my hair in moments like this, because it gives Steve, who does my make-up, a nightmare in continuity terms.

I like to keep him on his toes.”

David Tennant Appreciation Week 2016 (theme: smile - because it makes me)

Sword Oratoria

So awhile back I picked up the first volume of the Danmachi spinoff LN in a buy two get one free sale thinking that it was a manga. I was initially disappointed because I didn’t really want a LN at the time, but since I bought it I figured I might as well go ahead and read it. 

I have to say, I was pleasantly surprised. It’s certainly not the pinnacle of fantasy writing, but I was engaged in the story and wanted to know what was going to happen next. I appreciate that in the spinoff it focuses on Aiz and her familia doing badass things in the dungeon rather than Bell being a newb and getting stronger. Aiz is already basically a god among men, and it lets the story go somewhere different than the original. 

While the writing is for the most part fairly simple (though I suspect this is partly because of it being translated and also that LNs are typically aimed at a younger audience and tend to not use a lot of advanced Kanji, which probably translates to the somewhat punctual and simple sentences that LN translations seem to have) the author has a real knack for describing large scale tactical battles. Sure Aiz is pretty OP and well wreck things, but in the really lower levels of the dungeon if they don’t work together and have a strong battle plan they’re just gonna die. 

I also appreciate that in the LN the world is fleshed out a lot more. World building is one of my favorite things in a show or book, and the Danmachi anime didn’t go into too much depth about the various things. The LN goes into much much more depth about how all the systems work, the various familia, cool little things about the world and so on. Also the dungeon is just fucking cool. Each floor can be completely unique, with almost no restrictions placed on what it has to look like or be which leaves the author with incredible freedom to dream up the wildest floors they possibly want. 

I wasn’t really expecting to enjoy this book very much, but it’s a solid fun read. Something like a 6-7/10 if I’m going to give it numbers. If you liked Danmachi at all, or sort of liked it but wanted a different view of the world this is a nice book to pick up. Only the first volume has been officially translated, but they seem to be coming out with new official translations every couple months. I’m sure there are fan translations floating around too, but I haven’t looked for them. 

So ya, fun book. There is an anime adaption scheduled sometime this year too. I think next season, but maybe the one after. That should be fun. 

Watch on fuckmybiaslist.tumblr.com

I would like to thank the camera people involved with the Perfect Boys 2015 Bangtan Bomb for some lovely views of Jin’s wonderful dancing

So I’ve seen people bring up the issue that weaves of the Power would be expensive to render in a live action adaptation, but I have a different concern: what the hell do Aes Sedai look like? They’re so distinctive that if you know what you’re looking for you can pick out an Aes Sedai at a glance, but there’s nothing really that concretely different.

To be honest, I’ve always imagined it looking like…well, really good but very obvious CGI. Like the Aes Sedai’s face is rendered in finer detail than the rest of the world, her features moving more smoothly, almost like she exists at a higher framerate. 

But if they actually implemented that in the show, it would look hilariously awful and I really really hope they don’t try it.