well at least i think this is the scene they meant

Concerning Perceptor:

Okay, I’m just throwing this out here because Percy is only mentioned once in the whole issue and I want to put a crazy thought out there.

Despite his mention here, Perceptor is noticeably absent from any scene in this issue. The wording concerns me, as well. I know they’re just telling the story they were told by Getaway to tell, but he doesn’t look like he’s making this part up. I think he meant it.

Perceptor didn’t know about them kicking Rodimus and the others off before this. I don’t think everyone in the crew was told when it was going to happen because it was such short notice. Remember, Getaway had admitted that it was just really convenient timing that all the people they needed to get rid of just happened to be leaving during Dying of the Light. Those who were privy to what was happening in the crew took the opportunity, at least. Remember, Getaway was locked up until they freed him after Rodimus and the others left.

So I think they told Percy what happened after the fact. And I don’t think he was ready for it. Whether he wanted to admit it or not, he grew to CARE about Brainstorm over the time they spent on the Lost Light. Not just him, but for he rest of the crew. I think he, and some of the others, were having second guesses about leaving Rodimus and the crew behind. We already know Thunderclash did, and look what happened to him. Maybe he wasn’t the only one who spoke up. Maybe the others who did were dealt with, too.

I’m just a little concerned that we may HAVE seen Perceptor this issue. Right here:

Drafting: The Theory of Shitty First Drafts

Writing books often exhort you to “write a shitty first draft,” but I always resisted this advice. After all,

  1. I was already writing shitty drafts, even when I tried to write good ones. Why go out of my way to make them shittier?
  2. A shitty first draft just kicks the can down the road, doesn’t it? Sooner or later, I’d have to write a good draft—why put it off?
  3. If I wrote without judging what I wrote, how would I make any creative choices at all?
  4. That first draft inevitably obscured my original vision, so I wanted it to be at least slightly good.
  5. Writing something shitty meant I was shitty.

So for years, I kept writing careful, cramped, painstaking first drafts—when I managed to write at all. At last, writing became so joyless, so draining, so agonizing for me that I got desperate: I either needed to quit writing altogether or give the shitty-first-draft thing a try.

Turns out everything I believed about drafting was wrong.

For the last six months, I’ve written all my first drafts in full-on don’t-give-a-fuck mode. Here’s what I’ve learned so far:

“Shitty first draft” is a misnomer

A rough draft isn’t just a shitty story, any more than a painter’s preparatory sketch is just a shitty painting. Like a sketch, a draft is its own kind of thing: not a lesser version of the finished story, but a guide for making the finished story.

Once I started thinking of my rough drafts as preparatory sketches, I stopped fretting over how “bad” they were. Is a sketch “bad”? And actually, a rough draft can be beautiful the same way a sketch is beautiful: it has its own messy energy.

Don’t try to do everything at once

People who make complex things need to solve one kind of problem before they can solve others. A painter might need to work out where the big shapes go before they can paint the details. A writer might need to decide what two people are saying to each other before they can describe the light in the room or what those people are doing with their hands.

I’d always embraced this principle up to a point. In the early stages, I’d speculate and daydream and make messy notes. But that freedom would end as soon as I started drafting. When you write a scene, I thought, you have to start with the first word and write the rest in order. Then it dawned on me: nobody would ever see this! I could write the dialogue first and the action later; or the action first and the dialogue later; or some dialogue and action first and then interior monologue later; or I could write the whole thing like I was explaining the plot to my friend over the phone. The draft was just one very long, very detailed note to myself. Not a story, but a preparatory sketch for a story. Why not do it in whatever weird order made sense to me?

Get all your thoughts onto the page

Here’s how I used to write: I’d sit there staring at the screen and I’d think of something—then judge it, reject it, and reach for something else, which I’d most likely reject as well—all without ever fully knowing what those things were. And once you start rejecting thoughts, it’s hard to stop. If you don’t write down the first one, or the second, or the third, eventually your thought-generating mechanism jams up. You become convinced you have no thoughts at all.

When I compare my old drafts with my new ones, the old ones look coherent enough. They’re presentable as stories. But they suck as drafts, because I can’t see myself thinking in them. I have no idea what I wanted that story to be. These drafts are opaque and airless, inscrutable even to me, because a good 90% of what I was thinking while I wrote them never made it onto the page.

These days, most of my thoughts go onto the page, in one form or another. I don’t waste time figuring out how to say something, I just ask, “what are you trying to say here?” and write that down. Because this isn’t a story, it’s a plan for a story, so I just need the words to be clear, not beautiful. The drafts I write now are full of placeholders and weird meta notes, but when I read them, I can see where my mind is going. I can see what I’m trying to do. Consequently, I no longer feel like my drafts obscure my original vision. In fact, their whole purpose is to describe that vision.

Drafts are memos to future-you

To draft effectively, you need a personal drafting style or “language” to communicate with your future self (who is, of course, the author of your second draft). This language needs to record your ideas quickly so it can keep up with the pace of your imagination, but it needs to do so in a form that will make sense to you later. That’s why everyone’s drafts look different: your drafting style has to fit the way your mind works.

I’m still working mine out. Honestly, it might take a while. But recently, I started writing in fragments. That’s just how my mind works: I get pieces of sentences before I understand how to fit them together. Wrestling with syntax was slowing me down, so now I just generate the pieces and save their logical relationships for later. Drafting effectively means learning these things about yourself. And to do that, you can’t get all judgmental. You can’t fret over how you should be writing, you just gotta get it done.

Messy drafts are easier to revise

I find that drafting quickly and messily keeps the story from prematurely “hardening” into a mute, opaque object I’m afraid to change. I no longer do that thing, for instance, where I endlessly polish the first few paragraphs of a draft without moving on. Because how do you polish a bunch of fragments taped together with dashes? A draft that looks patently “unfinished” stays malleable, makes me want to dig my hands in and move stuff around.

You already have ideas

Sitting down to write a story, I used to feel this awful responsibility to create something good. Now I treat drafting simply as documenting ideas I already have—not as creation at all, but as observation and description. I don’t wait around for good words or good ideas. I just skim off whatever’s floating on the surface and write it down. It’s that which allows other, potentially better ideas to surface.

As a younger writer, my misery and frustration perpetuated themselves: suppressing so many thoughts made my writing cramped and inhibited, which convinced me I had no ideas, which made me even more afraid to write lest I discover how empty inside I really was. That was my fear, I guess: if I looked squarely at my innocent, unvetted, unvarnished ideas, I’d see how bad they truly were, and then I’d have to—what, pack up and go home? Never write again? I don’t know. But when I stopped rejecting ideas and started dumping them onto the page, the worst didn’t happen. In fact, it was a huge relief.


Next post: the practice of shitty first drafts

Ask me a question or send me feedback!

Harry Potter being raised right, by Sirius Black who just ‘fuck rules, Moony, I’m not letting my Godson live in hell’ because he managed to transform into his animagi form and escape the scene of the crime before he got caught, and took Harry before Dumbledore said anything. Him technically being an Honorary Potter, still gives Harry the protection from Voldemort, while at 12 Grimmauld Place.

Him carrying a baby Harry, who just started speaking, his first words being, ‘Dada’, which makes him start to cry and ‘no, Harry, he’s not here. It’s only Padfoot and Moony now.’ And Harry giggling, because he’s only an infant, and is innocent like that.

Harry being sent to Neville Longbottom’s grandmother’s place during full moons so Padfoot can take care of Moony.

Harry when he’s 2, and can only call them ‘MoonMoon, and Pa'foo’ and laughing when they play Hide And Seek, and Moony just found Padfoot and Harry sleeping on the couch, Padfoot protectively draping his paw around Harry, in his animagi form, and Harry clutching onto the fur happily as he sleeps.

Moony and Padfoot buying a toy broomstick for Harry when he’s 4, and he learns to fly before he can walk, but, 'Its only two feet about the ground, Moony, relax.’

Harry finding the portrait of the Black Family tree, and seeing Padfoot blasted off of it. Harry getting angry, and drawing Padfoot back onto the portrait, with 'Padfoot’, with his crayons, and putting 'Moony’ next to it, and later covering all the other people in his black coloured crayon. 'I’m covering them up.’

Moony and Padfoot telling Harry the truth about his parents when he’s 7, because 'He’s old enough, Padfoot, and he needs to know what really happened. We’d be no better than those Dursleys if we didn’t.’

Harry understanding completely, crying a bit, in the middle of the night, but making sure no one heard him. The next day, Harry asks about his parents, and what they were like.

Harry getting small things that belonged to Lily, that Moony and Padfoot got from the house, and kept for him, including a picture of James and Lily’s first kiss, and many small muggle items she had from when she was small. He also got a sweater that belonged to James, which was from his Quidditch Practicing days.

Moony and Padfoot teaching Harry small jinxes and counter Jinxes when he’s 8, and Harry sneakily using a jinx on Padfoot because it was a prank war, and every prank war means at least one man having pink hair.

Harry when he’s nine, and being prepped on everything to do with Hogwarts, and how to get away from trouble, and which teachers to avoid or go to in the school, if Harry can’t contact Moony or Padfoot.

Harry being 10, and waking up in the middle of the night, to see Moony and Padfoot sleeping together on the couch, Moony putting his head on Padfoot’s lap, while his hand is in Moon’s hair, as he was playing with his hair before he fell asleep. Harry giggling, because 'Moony and Padfoot are in loveeee~’ yet neither of them deny it.

Harry getting his letter to Hogwarts as soon as he turns 11, and Moony and Padfoot’s throw a small party to celebrate, inviting Neville as well.

The three of them going to Diagon Alley, and many people greeting Harry, and Padfoot boasting about it, while Moony laughs.

Harry getting to meet many kids who might meet him at Hogwarts, including Ddaco Malfoy, and Padfoot growling when he sees Lucius, and says 'they’re a bad sort, Harry, keep away from them,’ but he didn’t listen, and being the small outgoing kid he was, he went to say 'Hi! Are you going to Hogwarts too?’ And Draco, actually being surprised and smiling awkwardly because his father was talking to the shopkeeper, at the corner of the room, so he didn’t know what to say, and he nods. Padfoot smiling because Harry looks happy, and Moony thinks that maybe Draco might be different.

Harry promising to send them letters every single day, by owl, while he hugs them goodbye, and runs towards the Hogwarts Express, waving at them until they are no longer visible.

Harry keeping his promise and telling Moony and Padfoot all about Hermione Jean Granger, and Ronald 'Ron’ Weasley, who are his new best friends, and Draco Malfoy 'who is an absolute git sometimes, but can actually be a sweetheart.’ and how Hermione and Ron managed to help him battle a troll in the girls bathroom, as well as meet Fluffy, the three headed dog, and how they played a game of wizard chess, and defeated Lord Voldemort, who was stuck on Professor Quirrell’s head, and how, when he saw the Mirror of Erised, he saw Padfoot, Moony, Lily, and James, (Or mum and dad) standing next to him, while they sat in the house. Oh and 'I’m seeker for the Gryffindors! Just like dad!’

Harry receiving a howler the next day, which was the day before Ron received it, and hearing Moony scream himself raw, 'YOU WERE TAUGHT BETTER THAN TO FIGHT WITH SEVERUS— “Moony, it’s Snivellus, Harry meant no harm, I’m sure of it.” — AND HAD ABSOLUTELY NO RIGHT TO DISOBEY ORDERS. PADFOOT, DO YOU HAVE ANYTHING TO SAY? “I’m proud of you, Harry, keep up the good work. Tell Snivellus that if he irritates you any longer, he’s gonna have to speak to me.” PADFOO-’ And the Howler ends, bursting into flames, while Ron is laughing, and Hermione smiles, while Draco hollers a “congrats Potter!” and I AM SORRY FOR TAKING UP YOUR TIME BUT I VERY WELL NEED THIS IN MY LIFE, AND SO DO YOU.

anonymous asked:

Can you list the Ron moments that the movie missed our changed?... or maybe give a link to a post which already has the list.

Okay, this is going to be done from memory so bear with me. 

Philosopher’s Stone

  • Ron offering to share his food with Harry from the moment they meet.
  • Ron teaching Harry how to play wizard’s chess (this is kind of in the film but not explicitly so I thought I’d include it.)
  • Staying over Christmas with Harry and trying to cheer him up after the mirror incidents (I think they did film a part of this but it was a deleted scene for some reason ??? why ???)
  • RON BEING THE CALM ONE DURING THE DEVIL’S SNARE SCENE NOT HERMIONE (’But there’s no wood!’ ‘Are you a witch or not?’)

Chamber of Secrets

  • Constantly defending Harry from Draco
  • The scene where Draco calls Hermione a mudblood and it was actually Ron who new what the term meant and explained it, not Hermione
  • Visiting Hermione in the hospital wing after she turns herself into a cat and bringing her all her homework that she missed
  • Ron going into a freaking forest full of spiders and tackling his biggest fear. Even though he was shaking the entire time and is so terrified he can’t even speak by the end of it and actually /throws up/ afterwards, he still went and did it because it needed to be done and he wasn’t about to let Harry go alone. (Okay so this was in the films but I really don’t think they actually captured the gravity of it, instead choosing to turn Ron into comic relief… Again.)
  • Being the one to go to the hospital wing so that Hermione will have someone with her so she’s not alone and to explain what happened when she wakes up

Prisoner of Azkaban

  • Actually being really concerned about Scabbers’ health and buying the rat tonic for him
  • Actual background to the Crooksanks v Scabbers business instead of just villainising Ron for the sake of making Hermione seem better
  • When he was literally woken up by Sirius holding a knife over his bed, who, as far as anyone knew then, was a mass murderer??? Why isn’t this talked about more ??
  • ‘YOU ASKED A QUESTION AND SHE KNOWS THE ANSWER, WHY ASK IF YOU DON’T WANT TO BE TOLD?’ 
  • Noticing Hermione’s weird af schedule and being the only one to aCTUALLY CARE about where she was going and what she was doing
  • Literally fucking pushing Harry out of the way when they see Sirius in dog form (who they think is The Grim) and consequently getting a broken leg + dragged by his arm into the Whomping Willow
  • Awkwardly patting Hermione on the head after she apologises, instead of that weird hug thing they share in the films
  • Taking on Buckbeak’s appeal and dedicating so much time and effort into his case. Call this boy lazy or apathetic again I dare you.
  • Standing up on a BROKEN LEG to tell Sirius, who, again, was thought to be a MASS MURDERER, that ‘If you want to kill Harry you’ll have to kill us too!’ whilst Hermione stood frozen in the corner
  • Making peace with Crookshanks at the end of the book by holding Pigwidgeon up for him to check that he isn’t evil (I love Ron so much)

Goblet of Fire

  • ‘We’ll pick you up on Sunday if you can come, and we’ll still pick you up on Sunday if you can’t’ (or something like that) when talking about the quidditch world cup
  • The background and reasoning behind the big fight with Harry (+the later argument they had where Harry threw the badge @ his head.)
  • The actual insecurity Ron suffered because of the dress robes, not just the comic relief side of it.
  • Helping Harry practice for the second and third tasks practically 24/7 (including letting Harry practice stunning on him!!! #dedication)
  • Getting Krum to sign his autograph + basically all of hIS HUGE CRUSH ON KRUM JFC
  • Just generally being there for Harry after Cedric even when Harry pushes him away

Order of the Phoenix

  • Again, just generally being there for Harry even when Harry is being an ass to him (+ the part where Ron desperately wants to tell him what’s going on but Hermione + all the adults insists that they can’t)
  • RON WEASLEY BECOMING A MOTHERFUCKING PREFECT
  • The year of quidditch which, although being an essential part of the book with the whole Umbridge arc, is not even MENTIONED in the film. Literally, it’s one of the only films that doesn’t feature quidditch yet it’s the book where I’d consider quidditch to be the most important.
  • Anyway, yes, quidditch. Ron getting a new broom and sneaking out to practice so he can try out for the team
  • HERMIONE KISSING HIM ON THE CHEEK FOR LUCK. I SCREAM.
  • Ron making it on the team and having very very very little confidence so he’s… quite terrible the first few matches.
  • The awful ‘Weasley is Our King’ song that Malfoy made and the Slytherins take to singing at. Every. Single. Match.
  • Ron gaining his confidence and destroying the other team at quidditch, during which, neither Harry or Hermione were actually there to witness it. And Ron is so happy and proud but when Harry and Hermione start talking about Grawp, instead of being petty and angry at them, he listens intently and tries to help
  • Always backing up Harry when Hermione is being slightly insufferable towards him and not really understanding of his needs. (e.g when she’s pressuring him to do better at occlumency and Ron tells her to back off)
  • The whole arc where Arthur gets injured and all the Weasleys are sat around the kitchen at Grimmauld place waiting for news + the parts in St Mungos (this was in the film a little but they really didn’t go into the effect it had on the Weasleys. Especially Ron and Ginny)
  • The miraculous plan they all come up with to get Harry into Umbridge’s office (which, admittedly, backfires, but hey. At least they tries) during which Ron plays a pivotal role, not just a struggling character in the background
  • Everything to do with the ministry tbh ??? From battling death eaters to the spell that makes him delirious to the brain almost suffocating him
  • Staying in the hospital wing with Hermione for the rest of the year and the scars all down his arms from where the brain attacked him

Half Blood Prince

  • When Hermione is talking about why girls find Harry attractive and Ron is all like ‘Look at me Hermione! I’m tall too! I have scars too!” 
  • Backing up Harry when he answers Snape’s question about inferi compared to ghosts (”Well what Harry said was the most useful! If I’m going to face an inferi I’m going to be looking for if it’s transparent not asking ‘excuse me are you the imprint of a departed soul?’” or something similar. Get wrecked Snape.)
  • All of the quidditch moments in this book are golden.
  • That moment where Hermione super awkwardly asks Ron to Slughorn’s party and Harry is just in the background like,,, what an interesting plant
  • Ginny antagonising Ron about never having kissed anyone and the subsequent Lavender disaster that followed
  • Everything to do with Lavender tbh. Like, their whole relationship, not just the comic version in the movies
  • Ron’s getting poisoned actually being a really serious thing and all his family showing up at the hospital wing
  • Pretending to be asleep when Lavender comes to visit (Ron Weasley how dare you, your mother raised you better than this)
  • Okay, I really want to make a separate post about this but the whole Luna/Ron friendship in this one is gold
  • I feel like we as a fandom collectively forget this one but Ron and the rest of the DA fighting the death eaters with felix felicis whilst Harry is up the astronomy tower with Dumbledore
  • Holding Hermione at Dumbledore’s funeral ???? Honestly that’s all I need in life
  • RON ‘WE’RE WITH YOU WHATEVER HAPPENS’ WEASLEY VOWING TO ALWAYS BE AT HARRY’S SIDE INSTEAD OF SITTING IN THE BACKGROUND LIKE A STALE POTATO WHILST HARRY AND HERMIONE PLAN

Deathly Hallows

  • Giving Harry the how to charm witches book and actively trying to start a relationship with Hermione
  • Comforting Hermione when she’s upset and not being awkward about it !!!! Character development (I’m seeing a parallel to the head pat in PoA, anyone else?)
  • Standing up to the Minister of Magic at the age of seventeen like. Honestly Ron Weasley is such a badass I love him
  • Literally giving up a life of comfort and security to go and live as a fugitive in order to help Harry
  • Pushing Hermione the fuck out of the way when they’re found by Death Eaters near Charlesbury !!! Like, this boy is so brave and self-sacrificing I’m going to cry
  • Falling asleep holding hands with Hermione @ Grimmauld place
  • The severity of his splinching after the ministry debacle
  • The very real concern for his sister and Harry + Hermione’s apparent apathy that triggers the fight between him and Harry, not some motive entirely brought about by jealousy as the movies suggest
  • Okay, not Ron, but the movies really didn’t capture just how unable Harry and Hermione became without him. They didn’t talk to each other, they didn’t communicate in any way for like 95% of his absence. They were literally unable to function without him I’m so sad.
  • Saving Harry’s life and, importantly, the conversation they had afterwards where Harry reassured him that his insecurities were unfounded. And the hug. Where was my hug,Yates? Where was it?
  • Ron once again assuming his role as the heart of the trio; making Harry laugh, keeping the spirits up, getting them to function again.
  • Malfoy Manor. Just. Malfoy Manor. “NO YOU CAN HAVE ME, TAKE ME!” “HERMIONE! HERMIONE!” Literally being so distressed and worried for Hermione that he OFFERED UP HIS OWN LIFE FOR HERS AND LOST THE ABILITY TO THINK RATIONALLY. CAn we just. 
  • Even despite the mental anguish he’s going through, Ron still manages to come up with a solution for where Dobby should take them
  • Again, despite everything that’s happening around him, Ron does a near perfect imitation of Wormtail’s voice
  • Disarming Bellatrix fucking Lestrange
  • Managing to successfully apparate for the first time ever in a very high pressure situation in order to get Hermione to safety
  • Taking his shoes and socks off to lay on Dobby’s grave
  • Going back to Hogwarts and the reunion with the rest of his family; including Percy, which I really missed from the books
  • Literally like everything that happened during the battle of Hogwarts but especially:
  • “We’ve forgotten someone!” “Who?” “The house elves!” Like, guys, this is such a significant moment for his character and I understand completely why Hermione chooses this moment to kiss him 
  • How wrecked he was after Fred’s death. Like, in the books Ron is actually there to witness it. He sees his brother die. I am Not okay.
  • Hermione having to physically restrain him because he wants to go and get revenge for Fred
  • Ron punching Draco in his slimy little face “And that’s the second time we’ve saved your life tonight you two-faced bastard!”
  • Offering to be the one to go to the shrieking shack ?? ALone ?? He says something like ‘Harry you can’t go un case they see you, wait here with Hermione, and I’ll take the cloak and-” when they all know it could be a suicide mission. I’m.
  • BREAKING VOLDEMORT’S SILENCING SPELL
  • I’m sorry let me just re-iterate: RONALD WEASLEY BROKE A SILENCING SPELL MADE BY ONE OF THE MOST POWERFUL WIZARDS TO EVER EXIST
  • Taking out Fenrir Greyback with Neville
  • Being the first to reach Harry after he defeated Voldemort, along with Hermione
  • Just the part where the trio go to Dumbledore’s office because I just. That’s such a nice and well rounded ending I’m going to cry
  • In the epilogue, practically everything about Ron is great but especially: “Don’t worry, it’s me, I’m famous”

In Conclusion

  • I love Ron Weasley so much
  • The films do not do him justice

- Admin Kat

(Feel free to reblog this with anything I’ve missed!)

ineptshieldmaid  asked:

Sam I have an important Chicago question: just north of the DuSable bridge there is a statue of what looks like Abe Lincoln excitedly taking a man in a knitted sweater on a first date. I only saw it from a bus, so didn't get either a photo or an explanation. Can you explain this phenomenon? Are Abe and Sweater Man happy???

*head in hands* FUCKING SEWARD JOHNSON

You have triggered the rage within me, so now you will ALL be treated to an outside-the-readmore screed about SEWARD GODDAMN JOHNSON. 

I don’t normally attack artists because a) it scares my friends who are artists (I love you all, you are beautiful, don’t be afraid) and b) honestly most artists don’t deserve the level of vitriol I’m about to employ. I want you all to remember that the seething hatred I feel for Seward Johnson is driven in large part by class consciousness. 

But not entirely. So let’s begin. 

First what you have to know is that Seward Johnson is a “sculptor”. If you google “seward johnson sculpture” you’ll get an idea of his work, most of which is terrible. I feel okay calling his work terrible because he is also the scion of the family that founded SC Johnson Johnson & Johnson (my bad), so he has all the money he needs and could step back, do his art for funsies, and let people with actual talent or two original thoughts in their heads exhibit their art, but he doesn’t, he forces his terrible art on all of us. 

The reason I harbor such animosity towards Seward Johnson is that he has been exhibiting on Pioneer Plaza (that area north of the DuSable Bridge) for almost a decade now, and when I worked in the north loop I had to walk past his art every day. It was bad enough when the sculpture was American Gothic, rendered without talent or meaning into three dimensions and provided with luggage. 

How very fucking dare you, you talentless hack

These things are sculpted out of what amounts basically to styrofoam painted in rubberized/weatherized paint, so they are fragile, and tourists were constantly climbing on Farmer’s shoes and falling into them when they found out it wasn’t the cheap but supple fiberglass you would expect of a tacky monstrosity more suited to a roadside motel than the business district of a major metropolitan city. (I would imagine this is why Abraham Lincoln And The Mayonnaise Sandwich has a little fence around it.) 

But American Gothic Motel Attraction was mostly just annoying because it was meaningless, derivative, and CONSTANTLY covered in gawkers getting in everyone’s way. 

Additionally, Seward Johnson’s sculptures on the Plaza are very popular photo spots for tourists, who carry lots of cash and are constantly distracted, which means beginning with The Assault On American Gothic it became a very popular spot for pickpockets. Which means members of our staff, who had nothing to do with this mess, got pickpocketed as collateral damage about once a week during the exhibition of…. 

Forever Marilyn.

SEWARD JOHNSON GO FUCK YOURSELF

This is a very famous image of Marilyn Monroe which is horrifying for the following reasons that Seward Johnson appears not to have understood nor cared about:

a) The day this was shot, on an open set with people leering at her all day, her husband, professional athlete and dirtbag Joe DiMaggio, found out about the filming. Rather than comfort his wife, who had been through some shit already that day, he became angry she’d been showing her panties in public and beat her so badly the neighbors called the police on him. Joe DiMaggio also go fuck yourself. 

b) IT’S IN A MOVIE INFAMOUSLY SET IN NEW YORK. To quote a local newspaper, “Did Chicago lose a bet?”

c) Yes, you can look up and see her panties. While this is juvenile, it’s not nearly as juvenile as the literally thousand of photographs I angrily photobombed of some douchebro from Fuckville Middle America in a backwards baseball cap standing between her legs with his face tilted upwards and his tongue out. 

Oh and btw before it was unveiled it looked like this: 

For literal days, before it was installed, she had a bag over her head. (For more on this, though the pictures are now missing, you can read my reaction post here.)

In any just world, there would be a trap door between her legs and everyone who tried to do the upskirt shot would fall into a pit where they would be forced to give five dollars to women’s shelters before they were allowed to leave. THAT would have been interesting art. 

Sidebar, both as contrast and because I love it: Marilyn left a few years ago and was briefly replaced by a refreshing and beautiful piece called The Watch, by Hebru Brantley. The Watch was playful and interesting and didn’t have a single upskirt. Hebru Brantley is a wonderful artist in his own right, but he was also a welcome breath of fresh air after Johnson’s mediocre tribute to sexual assault. 

The Watch was a temporary installation, however, and eventually along came Abraham Lincoln Approves Of White Men

It is an unfortunate coincidence that Confused Closeted Republican there is wearing khakis and a white shirt, the new uniform of the alt right, and it’s also coincidence that this is facing Trump Tower, but it’s not exactly helping Seward Johnson’s cause that he chose the blandest outfit possible for Paean To Confused White Bread. The sculpture is meant to be Lincoln, the darling of Illinois, welcoming a visitor to our fair city, but it sure does look like fresh meat is about to get a free trip to Boys Town with the Sixteenth President of the United States. 

This is what I mean when I say Seward Johnson lacks not only skill but also understanding: he clearly didn’t know that Lincoln’s sexuality is under enough debate to have its own wikipedia page, and he either didn’t know or didn’t care that Marilyn Monroe was nearly killed by her husband for shooting that scene. All he cares about is image and he’s bad at reproducing image. That is not a well-executed rendering of how human beings are, and dynamically speaking it’s boring. If he were good at visuals or if he had something meaningful to say I would be less angry, but he is mediocre at best and the statements his sculptures make are banal pap if they make any at all. 

But he is rich, and I guess either he likes Chicago or he’s got blackmail on Sam Zell, owner of Pioneer Plaza, so he gets to spatter his hideous, meaningless masturbation in my city. And lest you think Seward Johnson got here on his own merits, Forever Marilyn, now on tour from coast to coast, is owned by The Sculpture Foundation, which is heavily subsidized by Seward Johnson. He basically founded a nonprofit to ensure his work gets toured around and publicized and to ensure that if no museum wants it, it has a place to go to die (Palm Springs, CA). 

In short, I hope Abe and Sweater Man are happy, because at least then something good has come out of Seward Johnson’s astounding mediocrity. That said, if you are passing his latest work, spit on it for me. As performance art.

You know what, the ‘suddenly, there’s 5 more Winter Soldiers’ subplot

has gotten a lot of flack, and I don’t disagree that it could and should have been handled a lot better, but even as it is, I really really like what it says, or rather, confirms about Bucky.

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Yuri!!! On Stage Event Report!

So today (4/29/2017) I went to the Yuri on Ice Yuri on Stage event. To clarify though, I was not at the actual Tokyo event, rather a live viewing at a local movie theater. Which of course does alter the experience but it’s the next best thing. At first I thought the theater was only doing the afternoon session, but very last minute I ended up being able to attend both!

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Is Kara in love with Mon-El?

So, I’ve been thinking about this a lot and I’ve come to the conclusion that she is not. And it’s not just wishful thinking and/or because I can’t stand him. There are actual clues in canon that show that Kara is not in love with her boyfriend. Here’s why:

Exhibit A

The way Kara acts around her love interests. She gets flustered, blushes a lot, acts awkward around them. 

around James:

around Adam:

around Mon-El: error 404 example not found. I can’t recall a single Karamel scene where Kara acts like this.

Bonus: around Lena:

Exhibit B

The trope that a love interest watches and looks at their crush dreamily as they leave.

James:

I know that Mon-El looked at Kara like this at least once too, but I’m really not in the mood to gif him so I’m gonna skip that since that’s not the point of this post. The point is to show that Kara is not in love with Mon-El, not vice versa.

But another person also looked at her like this, and even received this look from Kara herself in the latest Supergirl episode…

Exhibit C

These are actual quotes that Kara said about/to Mon-El:

  • “You are so selfish!”
  • “You are still the same macho egotistical Daxamite!”
  • “It’s not just the jealousy. It’s the patronizing ego thing.”
  • “Well, the first bit about your infuriating male ego, that part I meant.”
  • “More like you’re an arrogant dude-bro.”
  • “I can handle Mxyzptlk, but it’s Mon-El who’s infuriating.”

She’s never said things like these to James, and definitely not as excessively as she’s complaining about Mon-El. On the contrary, she said “You make me better.”

Another bonus; things she said about/to Lena:

  • “Kara Danvers believes in you.”
  • “I believe in her.”
  • “You are too good and too smart to follow in her path.”
  • “Now you have someone that will stand up for you, always.”

Exhibit D

This is Kara’s reaction when Mon-El first tells her about his feelings for her:

Exhibit E

This is Kara’s reaction when Mon-El says “I love you” for the first time:

In conclusion: I honestly don’t believe for a second that Kara has feelings for Mon-El. The most logical explanation is that she felt obligated to give Mon-El a chance because that’s what everyone told her to do or that she felt lonely and Mon-El knew what it’s like to lose a planet.
We know how Kara behaves around the person she’s crushing on. There are patterns. And we can’t see any of these patterns when Kara is around Mon-El. Besides the occasional kiss and “I’m happy” she doesn’t show any signs of having feelings for him. They haven’t even gone on any dates, not counting the one she took him on to “save” Lena.

Meanwhile @ CatCo:

Makes you think, doesn’t it?

Feel free to comment and/or add more.

post-emoji movie Trauma

WARNING: the following text contains spoilers and can be considered disturbing to some readers. especially my brain, because it’s leaking out my ears after typing this.

This is the first movie ever I’ve gone to see on opening night. And let me just say that, for the record, I’m glad I went to watch with friends. Without them, I would have most likely calmly exited the room, climbed up to the roof, and dived straight off.

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Let's talk Lance

OK so I wanted to write this because I love how Lance has been written so far, and I feel like a lot of the fandom have sort of missed the important themes of Lance’s character development. Warning, MASSIVE wall of text incoming, so I’ve put the bulk of this under the cut. 

After watching and rewatching season 3, I’m convinced that Lance’s character arc has been handled very carefully and deliberately. I’ve seen a lot of people hoping for a big epic Lance moment where he becomes a badass in his own right and finally fits in etc. But in my opinion, that doesn’t fit Lance at all.

So far, there hasn’t been a direct focus on character growth for him, at least, not in an obvious ‘this episode is about Lance’ way. There were points in the season, such as the interactions with Allura in which he actually had a serious conversation with her, that show he has grown from the wannabe casanova he was in the earlier seasons, but no episode dedicated to his insecurities within the team and him overcoming those issues and finding his role.

That doesn’t mean his issues have been forgotten (see him believing he should step down from the team twice in s3), nor have they been ignored.

Keep reading

trans!peter parker

hello i have seen homecoming three times now and i’m obsessed and in love with everything about the movie and the trans!peter headcanon

The first thing i heard about trans!peter was a post talking about how being bullied for being a nerd in school really isnt a common thing anymore, at least in america, and, if anything, in my experience, it tends to be the smartest kids that are actually the most popular. And the post raised the question: So what if peter is actually bullied because he’s trans? And that makes so much sense. And being a trans boy in high school myself and absolutely on board with the headcanon i thought i’d join in and add some things. Some of these other people may have talked about also.

  • “I am not a GIRL. IM A BOY. I mEAN IM A MAN.” peter gets very upset when donald glover’s character calls him a girl. his voice breaks and he gets visibly flustered.
  • Flash calls him “Penis Parker”. speaking from experience, high school bullies are not very creative with nicknames and will always go straight for the deepest insecurity they know. I personally think this is a dig at peter being trans.
  • Peter has proportionally quite small hands and feet. 
  • He enjoys playing with things like Legos and Star Wars action figures. possibly because he didn’t get to when he was little.
  • He has quite a high pitched voice which he has difficulty controlling the depth of.
  • May’s comment about his body changing and him not feeling like he can fit in at a classmate’s party makes much more sense if you think of peter as trans.
  • Ned asks Peter if the spider venom gave him the ability to lay eggs, which is a bizarre question to begin with, but even stranger if being asked of an amab person. but this likely doesn’t have any substance as it was obviously just meant to be a funny moment, which it was, i laughed out loud all three times i heard it.
  • Peter doesn’t have much in the way of sideburns.
  • He’s pretty short.
  • I personally never saw a spidey bulge. now it’s possible it was toned down or edited out but it was definitely visible on the last two versions of spiderman and i don’t know why this one would be any more edited than them.
  • He doesn’t know how to tie a tie. Now this seems unimportant at first, but i actually think it could mean a lot, so hear me out. Considering how many clubs and extra curriculars he’s in (robotics, marching band, decathlon, etc.) he should have been to many recitals, concerts, competitions, etc that would require him to wear a tie throughout his intermediate and high school years. It’s weird that neither him nor may would know how to tie one. unless- he’s never done it before because he’d always worn the traditionally feminine uniform or formal wear. 
  • Now, there’s those two shirtless scenes that some people have been using to discredit the headcanon where he’s clearly muscular and flat chested with no visible scars. Well, my doubtful friends, there’s the possibility of a keyhole surgery which leaves minimal scarring. Also, the spider venom increases muscle growth and metabolism, and also gives peter a mild healing factor. This could have caused any scars he had to heal and fade completely. 

now obviously i realize not all of this inherently means he’s trans. cis guys can be short or have small hands and feet or high pitched voices or rounder hairlines, especially when they’re only 15 years old and everyone is growing at a different rate. These things just flesh out the headcanon a bit more. 

tl;dr: Peter Parker is an endlessly adorable trans boy and the hero we all need.

on the new Iron Fist series

So after binge watching a ton of Marvel’s new Iron Fist series, I went onto tumblr, wondering what the fandom was up to now, what with all these new gifs and stuff to make. ‘Maybe I would find some fan art or something’ I thought innocently to myself,

BUT BOY WAS I WRONG

instead, I was greeted with SO MUCH DISCOURSE on how Iron Fist ‘needs a chinese-american actor’ or ‘has terrible dialogue and is slow’.

the best part is when I found out that some of y’all are trying to get this show boycotted like ‘????’

Now as a Chinese-speaking Asian female, living in Asia, with an Asian background and a good know-how of Chinese history, as well as a decent knowledge of comic books, (although I confess I got into the animated series first) I’m here to end the discussion before y’all get your full rage on and start fighting fans of the show like it’s Lord of the Flies up in here

So keep reading if you want to be educated or if you just want to fight me before you know what you’re even talking about

“THE SHOW INSULTS CHINESE CULTURE”

Uhhhh…no? I’ve seen a few episodes and I mean so far there isn’t really anything that screams ‘insult’ or even offensive in the slightest. Besides maybe the fact that they take the beliefs and twist them a little bit but honestly even that ain’t that bad as to what I’ve seen elsewhere.

I’ve read the boycott post and let me say that yea, they dressed him with an eye for Asian elements, but maybe that’s because it’s supposed to be resembling Asian clothing? I mean how is that offensive? Is it the part that it looks Asian? Or that you simply feel that white people that direct these shows should not be using Asian stuff for entertainment? Because I hate to break it to you but it’s still not offensive. Even the dragon tattoo is totally fine because it’s supposed to resemble Asian elements yea but also have y’all read the comics? Because he punched through a dragon and basically took it’s heart. So I mean a dragon tattoo kinda matches the theme.

I mean in the first episode they speak almost flawless Chinese for Pete’s sake! Hell, I was surprised that they even had it in them to have a non-Google translated line. Sure the accent was a little overdoing it cuz not even I have that thick a Chinese accent but I’ll excuse it since he was apparently learning and speaking 15 years. (I speak it maybe a few times a day for like the last 14 years or so only)

So no, the show doesn’t really insult Chinese culture, sure they might be ignorant, but you must understand that after generations of stereotypes and misconceptions that that can’t just go away with one show

“Danny Rand should be played by an Asian guy/be a Chinese-American”

I can’t even begin to tell you my frustration about this.

Y’all do know this show is based on the comics right?

You know, the one with the white guy.

I know Marvel is infamous for not including enough representation in their shows but seriously? This is like the Harry Potter thing all over again with Hermione being black, it’s not that we don’t want representation or anything, but it’s the fact that this hero that us comic fans have come to already love has been replaced. Or at least it feels like it. Like when a movie is made from a book and people go crazy because character XYZ suddenly has different traits or isn’t quite what was described as compared to the book.

Frankly, it sucks.

So even though yes, Marvel should have more Asians in their shows, don’t expect them to completely give the main character a makeover, even if the makeover was supposed to provide representation. And honestly? I don’t want them to change him because I really freaking love Iron Fist, just as he is.

“This show just villainizes Asians”

So you tell me that my race is being made villains because Marvel decided that most of their Asians on their shows are evil ninjas (aka the Hand) and at most there are like 3 sorta good Asians. Oh and I’m sorry, you want more Asian men that are good guys? You want a balance of Asian heroes?

Well I guess that would be kind of hard to fit into the story since, oh, I don’t know, everything happens in the USA?

If you want more Asian characters well then look no further because you do have them. Daisy Johnson from Agents of Shield? What about her extremely brave mom? Or maybe Colleen in Iron Fist? Everyone seems to be blatantly ignoring her badassery and only seeing the part where she’s a sorta love interest.

Facts are, there are Asian characters, you’re really just looking hard enough. I agree wholeheartedly when you say that more Asian men need to be in the Marvel universe that aren’t part of the bad guy team but you gotta say that they are still awesome.

Does anyone even remember the Japanese ninja yakuza guy from Daredevil? Dude got set on fire and STILL came back to kick ass. That’s a plus in my book because even though he’s considered bad, he’s been proven to be cunning, smart, and overall awesome.

“The show has terrible stunts/acting/dialogue/fight scenes”

From here on out it’s mostly just me trying to explain why the directors and writers of the show made decisions in the show to make it what it is, so let’s dive right into it.

  • STUNTS

Actually the stunts weren’t half-bad. If you’ve seen other shows or movies that are heavily reliant on stunts and action, and compare it to this show, they really aren’t that much different. Sure it might seem a little unbelievable sometimes like they’re breaking physics or something, but he already has a glowing fist. I think we’ve crossed the line of believable long ago.

  • ACTING

I have nothing to say about this except that go and take some acting or drama classes before coming and criticizing these awesome men and women who did indeed try their best

  • DIALOGUE

Now I get the dialogue might be a little weird at times and what not, but you must understand that this show was partially written with the Defenders series in mind. So almost everything that was said in the show is meant to lead to something more. Thus, you must take it as a bigger picture. Sorta like how everyone said that Fantastic Beast and Where to Find Them wasn’t as good as they thought it would be, that movie was also meant to lead on to a bigger story so you might want to excuse the weird speech and cryptic lines at times.

  • FIGHT SCENES & ACTION

Okay seriously people, please read the comics. Danny Rand is supposed to be an accidental hero, one that doesn’t want to fight unless he really has zero choice in the matter. So yea, the fight scenes won’t be that interesting, but only because the character in question is more interested in ending the fight than anything.

~

So there you have it, my whole slightly angry info-dump on Iron Fist and Marvel’s representation problem in general. If you want to correct me or scold me even then by all means message me or shoot me an ask. But just keep in mind that Marvel can’t make all your problems go away in one show, and please for the love of all that is good read the comics before coming to rant okay?

anonymous asked:

What do you think Shiro's backstory is? Do you think he has family back on earth, or is Keith all he has?

At this point, I’m pretty sure Shiro is estranged from his family. If he were just an orphan, then I think his official character bio would have said so–like it did for Keith. So I think there must’ve been a family at some point, but they seem to be out of the picture. There’s also a few things that I think indicates Shiro may have lost his dad. 

And we see this reflected in Sam. In a way, I think he definitely reminds Shiro of his father, or at least ended up being a kind of fatherly figure. When Shiro rescues Matt from the gladiator arena, the last thing he says is, “Take care of your father.” This message sounds deeply personal, like there’s a history there and maybe Shiro was unable to save his own dad at some point. 

This is taken a step further when Shiro decides they can’t afford to waste time looking for Sam and Matt. He’s only convinced when Pidge mentions they’re family, and Shiro just stops and says, “Commander Holt is your father?” before immediately agreeing. So as much as Shiro cares about Sam, he wasn’t willing to risk the mission until he found out that Pidge was trying to save her dad. I really do think that must’ve resonated with Shiro on some level, like he’s been in that position before 

Also, something about this last shot–look at Keith’s face here. He also looks visibly affected. And I mean, we know Keith would give just about anything to be able to find his dad, so I think Shiro also having some kind of troubled past involving his father is very likely. Shiro and Keith are present for this scene instead of Lance and Hunk for a reason. 

Of course, it could also be that maybe something happened and Shiro ended up parting with his dad on bad terms, and it’s something he really regrets. After all, when calming down Pidge, he tells her something her father said instead of giving advice from his own dad. I think that says Shiro was never really all that close with his own father or maybe he just grew up without one. 

And honestly the first red flag for me was how Shiro reacted to being held prisoner for a year. The Kerberos crew was announced dead, and any family he had would’ve been told that. They must’ve mourned him, held a funeral for him. His picture was all over the news alongside the headline Pilot error

And yet?? Shiro never expresses any desire to see his family again or return to Earth like the other paladins–despite the fact that he’s been gone the longest. On top of that, he never even once asks anyone for news on his family–you’d think he’d talk to Keith or Pidge at least. What person is declared dead for a year and then doesn’t think about how their loved ones must feel? Doesn’t want to go home to them and tell them not to worry, that they’re okay. 

Shiro’s behavior is bizarrely abnormal, there’s just no way to account for that kind of response unless Shiro was either already distant from his family or absolutely dreading going home–and this is also very possible, as Shiro’s changed, he’s not the person he was before. He has his trauma, his PTSD–he believes the galra have turned him into a monster. He has to go home and try to explain why he was gone so long and lost his crew and has only one arm and his hair’s gone white. So maybe Shiro’s just terrified because all sense of normalcy would be gone and there’s no sense trying to return to it. Shiro’s not like Lance, Hunk, or Pidge–he can’t just go back. But as understandable as that would be, I more so think that Shiro doesn’t have very much to return to in the first place.

So far, the closest thing Shiro really has to a home is Keith. When he crashes back to Earth, he never asks about his family or tries to at least visit his house before he leaves. But I think it says a lot that Shiro does end up back at Keith’s home. And Keith is the one who offered him his little shack as shelter, has a warm heart-to-heart where he welcomes him back. This is Shiro’s homecoming. And given that the shack has always been a symbol of home for Keith, we can infer that Shiro will always have a place there as well. 

I think it’s very telling that there’s an episode where everyone but Shiro and Keith express wanting to go home or find their families–Shiro never voices an opinion on the matter. He’s completely silent and only steps in to try to calm Keith down and settle things with Pidge. But I think we get even more insight to how Shiro feels from Stayin’ Alive in season 2. Everyone’s reminiscing about their fond memories, and they all look so happy. But then there’s Shiro, with his back turned away from everyone. He looks pretty deep in thought, like something’s really bothering him 

And when he does turn back to face the group, he says this:

You realize once we defeat Zarkon, the universe won’t need Voltron anymore.” Just as a refresher here, Shiro was basically the most excited about being a paladin–“Defenders of the universe huh? That’s got a nice ring to it.” Shiro found a purpose, and he took pride in it. He felt like, even as much as the galra have tormented him and tore him apart, he finally found a place where he belonged

And that’s why so much of his fear is wrapped up in this idea that he’s not worthy of the job–“Did you ever think a monster like you could be a Voltron paladin?” Fighting the good fight and saving lives meant something to Shiro. His connection with the Black lion and having a team were both very healing for him. He doesn’t want to lose that 

And it only gets worse because everyone else automatically has something planned, they all have something in mind after Voltron. And they all want to go home or return to their families, but Shiro says nothing. Because there is no after for him, nothing back on Earth waiting for him. After Pidge says, “I could search for my family,” Keith adds, “I guess I could look for mine.” But Shiro never says anything about his plans for the future. He doesn’t have any 

And Shiro looks pretty tense this whole time. When he talks about how if everything goes according to plan this will all be over–you really get the feeling he doesn’t want it to end. Like being a paladin is this amazing dream and he just doesn’t want to wake up. 

Even when Kuron believes he’s dying, the only significant memories that resurface are all to do with Team Voltron. Nothing related to his own background or family. And the fact that Keith welcoming him back is the first thing he sees says a lot–that’s home to him 

Transference (M) – Chapter 06

cr. [X]

Summary: After experiencing one of the worst days of your life, you face difficult truths about yourself while under Hoseok’s facilitation.

Pairing: Hoseok x Reader

Genre: Angst, Smut

Word Count: 13,167

Warning: Tantric!Hoseok, therapist/client relationship, sexual themes, BDSM, shibari, dom/sub roleplay, profanity.

A/N: This chapter is going to hurt.

Chapters: 01 | 02 | 03 | 04 | 05 | 06 | 07

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A Killer First Chapter

Anonymous asked:

Do you have any advise on how to open a story? I have all my characters and my plot and my conflict and everything but I don’t know how to start. How to keep a reader hooked and interested enough to keep going.

This is a little ironic, because I’m about to rewrite my opening three chapters for The Warlord’s Contact from scratch for about the tenth time. But practice does make perfect, and boy have I learned a lot through this process.

Sometimes you look at a story and you just know how it needs to open. It’s the most obvious choice in the world, and it’s clear why no other option would work.

Unfortunately, that’s not often the case. Usually, the beginning to your book will take preplanning and rewriting and replanning and bit more rewriting, and all the while you’ll never quite be sure you chose the best spot to open to, or the right characters to introduce, or the proper setting. 

Here are a few specific methods of thought for tackling your first chapter…

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let me help you fall in love with tanaka’s character (i’m gonna cut some parts from the first volume of the manga).

this is tanaka ryunosuke. he appears for the first time in the manga on vol 1 . he’s a second year and as you can see, he’s got that delinquent boy look going on. oh, and you’re gonna see that facial expression a lot, it’s his signature. it’s meant to intimidate people, but, no, just no, it’s hilarious af. 

guys, guys, guys, tanaka is a dork. we love dork characters, right?

he’s so simple minded. he’s just like bokuto. i’m dying.

whether you’ve watched the anime or you’re reading the manga, you probably know that the weird duo knocks off the vice principal wig, leading to daichi kicking them out of the gym. this scene is right before any of that happens. daichi is trying to talk to hinata and kageyama, but they’re just too absorbed in arguing that they do not hear him. tanaka is scolding them because daichi san is talking. he respects the third years a lot and wants the first years to respect them as well. we love respectful characters, right?

and here is the part where i start talking about how good of a senpai (and a person) tanaka is. this guy wakes up at 4 to let those two practice in the gym without daichi knowing (heh). this is obviously not the only time tanaka looks out for his kouhais. there are so many scenes in which you can see tanaka taking care of the kids. my favorite one? it’s probably the one from the OVA. if you still haven’t watched it, go watch it, because if you still think that tanaka’s nothing more than a funny gag, you’ll understand that you’re wrong. so wrong.

he is such a caring person. karasuno, his teammates mean so much to him. when hinata and kageyama don’t pass their exams, they need to re-do it, but in order to practice with the others in tokyo they need a ride. in the OVA you see tanaka asking his sister if she can do this favor for him, at first she tells him no because it’s an at least four hours drive, but then she sees her brother counting his savings. guys, guys, guys, here me out, tanaka’s willing to use his own money for hinata and kageyama. unfortunately he doesn’t have enough, but do you know what he does to provide a ride for them? he kneels in front of his sister and begs her. and he did not tell anyone how hard it was for him to provide a ride for hinata and kageyama. y’know, he deserves being called tanaka senpai by everyone everyday of his life, tanaka is the man

but this, this is probably what i like the most about him. this is just an example, okay? here we have tsukishima, telling them about kageyama’s nickname. tanaka has never liked people talking shit about others. look at his expression, he’s mad. he’s gonna scold tsukishima, but daichi stops him. this happens not a lot, but a shit amount of lots. tanaka is always ready to shut up people who belittle others. he steps up for kageyama, he is always there for hinata, he’s always ready to say “no, don’t say that you’re great” whenever someone is self depricating or he’s ready to fight whenever they talk shit of his friends. he’s such a good character, guys. 

(oh, and have i already told you how strong this person is? when oikawa’s targeting him he puts himself together. all by himself. most players wouldn’t be able to do that, they’d be so down because they’d made a lot of mistakes, but tanaka? not tanaka, bitch. tanaka is stronger than that. tanaka is better than that. tanaka slaps himself and receives that powerful serve.)

tanaka is in my top 5 favorite haikyuu characters and now you kinda know why. i think there’s so much more i need to say, but this post is getting too long. but please, give a little love to tanaka ryunosuke. call him tanaka senpai. he deserves it.

The Dragon & The Wolf

Dragonpit scene - I love how Jon always wants to be on the front row when Daenerys arrives. 

When he said to everyone he already bend the knee. Danys face— she knew what that line meant. And was conflicted about how to react to this. They already know they are falling hard. At least she does and things like these doesnt make it easier. 

Ok I feel myself coming into a rant here. Its just so beautiful to me how Jon is so different for her than any other man she has ever met. I am rewatching GOT and she has never been around any man like she has been with Jon. 

He intrigues her so much and I don’t think she ever had or felt that for anyone. Her feelings for other men were always clear for her. 

She loved Drogo but it was set up and she fell for him during their relationship. But I feel like that relationship formed who she is now and she didnt really knew who she was back there. She loved -spending time with- Daario but she was always in control with him.

Jon is a completely different story for her. And Emilia plays that so well. He brings out this really special vurnable side of Daenerys we have rarely seen.

And she fell for it, and fell for it hard. 

She was so desperate to save Drogo and her decisions didn’t make any sense and I like how she was the same when she heard of Jon & co being in trouble. She didnt listen but just thought with her heart.

– k I am gonna stop here. I am not even close to Boatsex talk and I am already rambling —

“No one is less happy about this than I am” “I know” Love. Loved. LOVE this. How she just understands him. 

They are both people who ask for respect and honesty. She always asks people to follow her and wants their word and he is a man of his word so its only natural she understands it. Its like the scene he told her he was gonna go to the wall as well. She hates that he is this way but she also respects it. (and finds it extremely attractive).

Also, subtle handtouching. Like you touched last week and now you just wanna get more huh? 

THAT SCENE IN THE CORNER OF DRAGONPIT. They were like 2 schoolkids being all secretly. 

And again, I love how Jon kinda drops a cheesy line there and at any other man she’d roll her eyes but with him it just makes her heart drop.

And him trying to make a joke there. Like here they are, her dragon just died, his plan is going to hell and they share this beautiful bittersweet moment. 

Her whole speech about having to trust him sooner was so heartbreaking cause maybe then her dragon would still be alive. (I am gonna cry when she’ll see Viserion for the first time) 

Dragonstone scene - can they buy a mansion there?

THIS. THIS. Haha Jon, I am so onto you. First the cave paintings and now -Notherners like people who arrive together-trick. Yeah you just want her on that boat huh?

I felt so bad for Jorah tho’. She completely ignored his plan. And she knew she did that. At the end of the scene she leanded to the table a little like trying to hold her posture but full aware that many people, including Jorah, knows about her affection to the King of hte North. 

I find Jon much harder to read. But I think it is beautiful to see how he didnt trust her at first and really does see her for who she is. Like he told her. And how he is so amazed by her. He is so starstruck. I never really liked Jon with Yigritt she was definitely his first love but Dany is something he really pines for. Yigritt was also wrong and impossible but it happened anyway. Here he knows there is much more at stake. But he can’t deny his feelings any longer. And thats why he showed up at her door.

Now about Boatsex, I would have loved for it to go differently - well actually not different just - longer. More build up. But I understand why it went the way it went. Jon knew what he wanted and I love how they let the moment last for a bit with him standing at her door, looking in her eyes, waiting for her approval and she knew what he meant by looking in his eyes and let him in. She bend the knee. 

I was dying for a kiss here. And a little sad it didnt happen - there will be a lot of fanfic request about the missing part between the door and the bed – hint hint. 

But its like we are still gonna get our first kiss in season 8-kinda.

It was so beautifully brought yet stil hot. Jon’s ass was a nice distraction ASS-well. 

And him taking over control was so hot, not only for me but I think Daenerys agrees. Their bodies looked so beautiful together. Fire and Ice. They were so full of need and it was all lust and passionate and then my favorite part came and Jon broke the moment and we had time to realize that this isn’t just two character hooking up. No, they are in love. 

And he was so amazed by her and her beauty and how pure she looked. You can really feel he looks at Daenerys here, not with all the titles but just her and she realized this and she looks so vurnable and just so beautiful to him.

You can really see her kinda scared about what this is she’s feeling and it all just because so overwhelming for them. UGH THIS SCENE.

HOW HE STROKES HER HAIR. SO BEAUTIFUL. 

And how she hold his face. 

And then he just looks at her, when he looks at her, its like the first time I see clearly through his feelings and he just lets his guard down. He loves her. There’s no way to run from his feelings. No more excuses of -the great war is coming-. He never really let his feelings for her take over. Never fully thought with his heart and here he does and he just let it take over.

I just—-

Ps: Tyrion watching was odd but it just represented the scene Bran was talking about how their love ruined all kingdoms and how Tyrion cant feel but sad and confused about what he should do about this and if it is the right thing.

I am not sure how I will make it until 2019 to wait for more and I am so curious to see where all this will go. I am really curious how they will act after this episode and they will probably learn about Jon’s family name soon enough with only 2 episodes in and I do feel this will cause a problem for them. Jon will be all - wtf and Daenerys will be distrustfull about her claim to the throne. But I can suspect moments of Jon being all noble and telling her, by episode 5 probably, that he doesnt want the title but he does want her. Oh and she is definetely pregnant. BRING ON THE ANGST. 

Cant wait for Arya’s reaction to Dany btw. 

– Now I am off to fanfiction land – 

Thank you for an amazing 7th shipping season.

+ bonus

Gif credit 

bad | 01

 He was the cliché bad boy. He was the guy you couldn’t stand. He was the handsome, hot kid who made girls go weak in the knees. He was a brat. You had never liked him one bit, but you had also never gotten involved with anything concerning him. Until one day, when you were in the wrong place, at the wrong time.

Originally posted by thesoshisone

MEMBER: jeon jungkook x reader

GENRE: romance, smutish, fluff

WORDS: 2 506

WARNINGS: badboy!jungkook, cussing, mature

01 | 02 | 03 | 04 | 05 | 06 | 07 | 08coming soon

A/N: if people like this, I’ll make another part. it won’t be a long series, though. this will probably be cliché af. but please, pretty pretty pretty please tell me what you think. THANKS.

Keep reading

random klance stuff (consider it a sequel of this post):

  • they have a very long, intense conversation about what life was like at the garrison. they talk about the subjects they disliked, the one they liked etc. at some point the convo takes a sudden turn and keith gets more personal as it continues. “i was always on my own i never tried to open myself up and i’m genuinely sorry for it. who knows maybe..maybe we could have been friends back there, maybe…maybe something more.” cue lance smiling because this boy
  • when they come back to earth i imagine keith sort of awkwardly standing to the side while the other paladins all approach their families until lance comes up to him like “keith we’re your family never forget that. by the way…. my family would love if you….spent some time with us….ya know ahahaha….because we’re friends!!!” and keith accepts gladly ofc. *at lance’s house* “aw is this the guy you had a crush on??”
  • sometimes they’ll try to prank each other but it’s pretty tame compared to actual pranks. lance, holding the space phone in his hands recording keith while he’s eating some food go: hey keith
    keith: lance…what are you doing?
    lance: HA YOU’RE ON SPACE CANDID CAMERA! SMILE! btw you’ve got some food goo on your cheek
    keith: *giggles uncontrollably*
  • a moment when one tells the other “thank you for believing in me” followed by one of those kisses where one is surprised at first, but slowly mets into it
  • lance rants with red (bc they become buds along the way) about keith sometimes although the conversation always ends on the soft side. “keith is cool but don’t tell him i said that” “lance i’m literally behind you i can hear what you’re saying” lance: *jumps*
  • they’re on a mission and have to sleep very close to each other and lance notices that keith talks in his sleep and lance teases him the next day because he mumbled something along the lines of “today’s the day of me and lance’s wedding” cue keith blushing furiously (he doesn’t deny it though)
  • keith makes lance comb his hair in the morning because he finds it extremely relaxing, and while he’s at it, he often tells him about his day or things from his childhood and lance is very pleased to hear his stories
  • after they start dating, keith puts a little picture of him and lance in the black lion, right next to the screen so that he can be reminded of something that’s very important to him everytime they go on missions
  • “lance is irreplaceable, end of the story”
  • lance asks keith if he got to say goodbye to red bc he’s the only one who can understand what it’s like to leave the lion you were bonded to and keith says “no, but i know she’s in good hands. no one could do better than you” while smiling softly at him
  • they confess their feelings at the same time, but both are ready to admit that they should have said it sooner
  • sometimes they’ll team up to do something goofy, like that one time they involved hunk in making “good luck pidge” videos
  • keith finds something to give to lance as a gift and to lance it’s like the most precious thing in the world “i know it’s nothing specia–” “are you kidding me? i’m keeping this forever!”
  • lance: *wakes up keith in the middle of the night* do you think a transformer could beat voltron? keith: go back to sleep babe
  • an incovenience: *happens* keith: the guy i like wouldn’t treat me like this lance: well the guy I LIKE wouldn’t treat me like this either! (they’re talking about each other)
  • you know where keith says there’s no time for this? this time he says it because they have to go on a mission and they can’t cuddle
  • they gotta do the “looking at each other from a distance sadly” at least once where both are about to say something but get interrupted with the classic “am i interrupting something” followed by a “ok i’ll leave you two alone” l: “were you going to say something?” k: “uhm well i…hope you have fun”
  • when! are! we! gonna! see! keith! blush!
  • i lowkey want a “do you trust me?” scene with them
  • lance: keith don’t do it
    keith: ok
    lance: oh my go— wait…babe
  • after they start dating keith would often cheer on lance when he’s about to do some of his sharpshooting tricks
  • keith and lance met at the garrison with the classic “books that fell off trope” and y’all can fight me on this
  • keith: we had another bonding moment! you cradled me in your arms!!
    lance: nope, don’t remember, didn’t happen :/
  • a diplomatic party where keith gets extremely distracted by lance throughout the whole thing and he actually confronts him about it. “dude what the hell has gotten into you today???” “sorry i was… i was looking only at one guy in the room the whole time.”
  • *team plays would you rather* keith: would you rather me kiss lance or have lance kiss me
    “keith that’s not…how the game works”
  • *discussing something* “yeah sure and i’m not cute” “but you are” “exactly“ “ok you got me”
  • lance would be super in love with keith especially during the very first days of dating when he can see him in the morning, hair all messy, and he would still think he’s the most beautiful boy he’s ever seen
  • *keiths voice*: if you remember the bonding moment clap your hands
  • they have a discussion where they decide not to talk to each other and use their friends as a way to communicate. “hey shiro CAN YOU PLEASE TELL LANCE to stop looking at me? his eyes are pretty and it’s distracting”
    “hey hunk TELL KEITH that i ABSOLUTELY do NOT feel the same. like at all.”
    hunk and shiro: we get it you like each other
  • keith asking lance on a date for the first time but trying to be subtle (he fails at it though) “so… y’know….i like spending time with you…a lot...we’ve gotten pretty close and you’ve basically stuck with me and saw me at my best and at my worst…i wouldn’t mind if we…did it more often?” “oh? sure? we can do something all together! there’s this planet with a beach th–”
    “no,no…i meant…just the two of us this time?”
    lance: *blushes* oh—-OH
  • they’d sure as hell acknowledge that they’re a power couple and would be proud of it
  • “hey beautiful” “uh?”
    “i was..talking to red, actually. but you’re beautiful too”
  • keith: I DON’T LIKE LANCE OK
    shiro: no one said anyth—
    keith: WE HAD A BONDING MOMENT I’M FINE
  • keith: *is telling a plan*
    lance: where you lead, i will follow you anywhere
    keith: aw thanks lance that’s so swee–
    lance: THAT YOU TELL ME TO IF YOU NEED YOU NEED ME TO BE WITH YOU I WILL FOLL—
    keith: are you….are you seriously…..
    lance: yep;)
    keith: i love u with all my heart

One of my least favorite things in the Prisoner of Azkaban film is the handling of the Scabbers-Crookshanks narrative, and more specifically how in the movies it’s a far more one-sided fight completely in favor of Hermione. In the movie we get one scene of Ron warning Hermione to keep her cat away from Scabbers—a Scabbers who is apparently not ill or who Ron isn’t bothering to medicate like in the books, and a Scabbers that Ron can apparently almost forget to bring to Hogwarts necessitating his mother to run after the train to give the rat to him.

Jump to Scabbers suddenly being missing, Ron accusing Crookshanks with no evidence and Hermione defending her cat. The two are angry, but there is no real emotion, no actual hurt behind the words. Crookshanks could have accidentally spilled Ron’s inkwell and he would sound just as angry.

Then not minutes later, they are in Hagrid’s Hut where their friend miraculously produces the rat—not without chiding Ron “you should take better care of your pets” which automatically frames the situation as Ron’s fault to the audience. To drive the point further home Hermione, rather than simply be relieved and happy for her friend that his pet was not actually eaten, immediately starts in with “I think you owe someone an apology”. Ron purposefully acts obtuse, and further removes himself from the audience’s sympathy by replying “Next time I see Crookshanks, I’ll let him know” allowing Hermione a self-righteous “I meant me!” as if this is the greatest affront of her life.

And none of this is how it is in the book. At all.

Firstly, Crookshanks makes multiple attempts on Scabbers’ life throughout the novel in front of the Trio. This is partly because Hermione continues to allow her cat near Scabbers despite Ron repeatedly telling her not to. Because he cares about Scabbers. Despite him being a hand-me-down and a bit dull, Scabbers is his pet and Ron cares about him. He gets him—likely expensive—tonic when Scabbers begins losing weight and fur, he takes to carrying him around to keep him safer from Crookshanks. Scabbers is his pet and we are shown that Ron would be very upset if he were to lose him.

This sets the stage for when he does, when Pettigrew as Scabbers fakes his death and frames Crookshanks. Keeping in mind Ron’s feelings about Scabbers this whole previous year, his resulting actions make perfect sense. He is incredibly upset with Hermione and confronts her, only for her to deny her cat had any involvement.

And yeah, maybe it seems like he’s being mean to Hermione by shutting her out—something that Harry also does during the Firebolt fight that is conveniently left out of the movie—but look at it from Ron’s point of view. Hermione’s pet was attempting to kill his pet all year. He repeatedly requested she keep her pet away from his, and Hermione largely did not respect that boundary. When confronted with pretty damning evidence considering the circumstances, Hermione still refused to admit any possible blame and defended her cat who almost certainly—again, considering the circumstances—ate his rat. And just a note, Harry is equally convinced Crookshanks did it, even if he’s not as emotionally charged in his conviction. Why shouldn’t Ron be angry with her? Why shouldn’t he want her to admit her cat’s fault? His friend refused to listen to him all year and is now seemingly disregarding his feelings because she’s too proud to admit she’s wrong.

But here’s the thing. Once Hermione comes to Harry and Ron with the news about Buckbeak losing his trial—something far more important—they make amends. In fact it is Ron who does the most. Just to refresh everyone’s memory:

“They can’t do this,” said Harry. “They can’t. Buckbeak isn’t dangerous.”

“Malfoy’s dad frightened the Committee into it,” said Hermione, wiping her eyes. “You know what he’s like. They’re a bunch of doddery old fools, and they were scared. There’ll be an appeal, though, there always is. Only I can’t see any hope…Nothing will have changed.”

“Yeah it will,” said Ron fiercely. “You won’t have to do all the work alone this time, Hermione. I’ll help.”

“Oh, Ron!”

Hermione flung her arms around Ron’s neck and broke down completely. Ron, looking quite terrified, patted her very awkwardly on the top of the head. Finally, Hermione drew away.

“Ron, I’m really, really sorry about Scabbers…,” she sobbed.

“Oh—well—he was old,” said Ron, looking thoroughly relieved that she had let go of him. “And he was a bit useless. You never know, Mum and Dad might get me an owl now.”

(Prizoner of Azkaban, pages 291-292, Scholastic Hardback Edition)

Harry barely says anything in this scene, and it is mostly Ron who extends the olive branch. This makes sense as the matter primarily concerns him and Hermione, but I just want to make it clear that Ron is not pressured into forgiving her, he is not grudging about it. In fact, he is already offering her his help before she even apologizes, and once she does he immediately tries to downplay his hurt feelings over Scabbers’ loss—mostly out of a fourteen year-old’s discomfort with crying and hugging from girls they may or may not have a developing crush on. He doesn’t gloat over the apology or being right, and he instantly drops any hostility.

This is chapter fifteen out of a twenty-two chapter book. Hermione and Ron are not feuding up until nearly the end of third year, as depicted in the movie. Hermione does in fact apologize about Scabbers while Ron is not an ass about it, and the narrative leaves them off on mostly even ground. The rest of the book consists of Ron working on the appeal for Hermione as she prepares for all her exams, worrying over her impossible schedule, her health, and so on. They barely even bicker that entire duration.

Ron is a great friend to Hermione. The movies just didn’t want to show that.