we're all stories in the end

  • Pete: Hi
  • Brendon: it was the summer of 2001, and Joe meets Patrick and he's like "yo, I know about music." then Patrick's like "yo I know more about music!" "that's impossible. so you wanna start a band?" and Patrick's like, "yeah that's cool." and then, he's like "yo this is a book store not a music store." and then they met at Patrick's house. so Patrick's wearing shorts, socks, and a hat. Patrick is playing drums for some fuckin' reason and then Pete's there for some reason. and they start playing music together and they're like "oh, let's play some covers from some other bands." it was like Green Day, and fuckin' Misfits, and fuckin' Ramones. Pete said to Joe, "yo, that's dope, but we need a fuckin' drummer." because Patrick's playing drums and he's a singer. Patrick's like "yo, I got a soul voice," and they're like "wait how do you have a soul voice?" and he's like "yo, watch this: YEEEEEEeeeeeeEEEEEEeeeeeeeeEEEeeeeeeAAAAAAAAaaaaAAaahhh!" and they're like, "oh my god, that sounds like soul!" so they put it in a song, and it was like, "WHERE IS YOUR BOY TONIIIIIIIiiiiiIIIIIIIIIiiiIIIIIIIGHT?!" and they're like "yo that's fuckin perfect, this is Fall Out Boy." and they made records like Evening Out With Your Ex-Girlfriend. Evening Out With Your Ex-Girlfriend, everybody loves it. "it's called Evening Out With Your Girlfriend." with your ex-girlfriend. it's called evening out with your Ex-girlfriend. it's called eating out your girlfriend, and it's real and it doesn't matter. and Pete talked to Patrick and Joe and he's like "you what the fuuuuuuuuuuuuuck. yo, this is gonna be fuckin' doooooooooope!" so they made a record and it was called Take this to Your Grave. they made it without a drummer, and they had like 3—4 drummers come in. The four drummers they had come in were like Josh Freese, Neil Pert, the dude from Toto, the fourth one was like the guy from Papa Roach or something, and they're like "you, we need Andy Hurley. Andy Hurley. Take This to Your Grave. Fuckin' record it." and he did, and he killed it, and he was like "bigidalililililillillilila, PSHHH!" killin' the skin, tapping the skins, tapping the rim, playin' the shit, killing these bitches, rapping it out. you're getting a fucking tattoo right now?! what the fuck is going on?! We should get signed to Fueled By Ramen, 'cause thee guys know what the fuck is going on. and they were like "yo, if you can make our scene any bigger than it is, which is not fuckin' hard, we will sign you guys." and Pete was like "yo, we got this record that's fuckin' dooooooope, dude, it's called Take This to Your Grave, it's called From Under the Cork Tree it's gonna be fucking huge." and then Patrick's like "I gotta keep it real, I gotta keep it artistic, these are three songs that are gonna make the album and it's called-BURP-Thnks Fr th Mmrs, 20 Dollar Nose Bleed, and Sugar, Were Goin' Down. and they made this record that was fuckin' dope, and it fucking hit on the charts like one two three, three two one, three four five six seven eight nine ten. ten to one. From Under the Cork Tree sold like four million records. ten million records. fifteen million records. and Brendon Urie had nothing to do with the entire record. and Patrick was like "that's gooooOOOOoooooOOOOOOOOd." Pete was like, "yo, fuck you I can do whatever I want." and Joe was like, "yeah it's cool man whatever I don't give a shit." and then Andy was like "eh, cool." and Pete was like "Make up is fuckin' great for a guy. because it makes a guy look beautiful, which a lot of times, a guy is not beautiful. and I wanna change that. I wanna make sure everyone thinks that guys are beautiful." I'm good so far yeah. yeah I do. SHUT THE FUCK. oh fuck, alright alright. Pete was like "oh my god, I'm so embarrassed about this dick pic." and then I saw the dick pic and was like "ah it's not bad." it's not a bad dick. let's be real. we made Rollins Stones one issue before Fall Out Boy. and Fall Out Boy made the issue right after us and they were so pissed they were like "yo, fuck you guys!" they're like "yo! Panic! has the fuckin' cover for Rolling Stones, yo, fuck these dudes, we're gonna fucking go miles above. we're gonna hit every fuckin' continent there is known to man." but they didn't because they missed a second of time. apparently they were like "oh shit, we got every continent." and they didn't actually hit it. dude, and Pete was like, "WHAT THE FUCK?! 'oh you didn't fuckin' make the continent' it's like FUCK YOU!" so From Under the Cork Tree happens, we fuckin' have three-four years of awesomeness. like, people are coming in themselves 'cause it's so big. Alright so Fall Out Boy was like-- so Patrick's like "yo, we are going to name these records from under the Cork tree and from Innity-- from infinity on high." Pete was like "yo folie à deux means the theatric of two." "The madness of two." oh sorry I'm sorry. follow boy was like "yo we got to take a break." Meaning Pete was like "yo we got to take a break bro." and Patrick's like "I need time for my music. UHUhUhUHuhUUUh." and joes like "yo I need time to find the fucking art dude I got to find some fucking me-- metal" and andys like "i'm just gonna play with some fucking metal bands." and they're like "all right this breaks been like three years long two years long three years long 3 1/2? we gotta fucking come back man we gotta come back strong." you took my beer away what the fuck? "no you poured it all over yourself." "yeah you poured it on yourself man here." "we got to make this shit legit it's gonna be fucking dope it's going to go fucking sky high. we're going to make a fucking record that sails the skies. we're going to call this record save rock 'n' roll." so they made alone together light 'em up alone together Phoenix. and everybody's like "what the fuck? you're working with this guy who fuckin' recorded Avril Lavigne and P!nk." is this pu-- what the fuck is this on my shirt, did I puke on myself? oh god. Pete was like "yo were gonna end up on a tour with Panic! At The Disco and twenty pilots. and that's all and that's all that matters. and that's just how the fuckin' story goes."
7

Galaxy Print Doctor Who Saree | “We’re all stories in the end, just make it a good one.”


I painted a galaxy print saree for my graduation, and because i’m a massive nerd, it has a Gallifreyan palla with my favourite 11th Doctor quote “We’re all stories in the end, just make it a good one”. There might be a TARDIS or two floating around the time vortex as well. 

@doctorwho 

Can we like, fucking give Moffat a sliver of credit for changing his priorities and he and his team recognizing the show’s diversity problem and presumably having to fight the traditionally pretty conservative BBC for this? I get the anxiety she might die, I do, especially after the bloodbath of last year. It’s in no way unjustified, though I might point out that Moffat is basically infamous for not permanently killing characters to the point where it is a common criticism

But what it looks like, from here, is an excuse for damning Moffat for failures yet revealed and therefore denying how bloody amazing and important an ~intellectual working class black lesbian companion~ is. Like, this site has been dreaming of that for ages, I can easily prove that. But they never expected ~Steven Moffat~ to do it, and it breaks their narrative that he’s the worst and so they can’t give him credit for doing something ~amazing~. 

So I get the anxiety. But what I don’t get is acting like the fact that its even a possibility it could end badly some how erases or negates how gigantic a step this is for the BBC’s flagship genre show. In line, frankly, with the first two openly lesbian characters on the show (Vastra and Jenny), a companion more or less explicitly interested in women (Clara), the first instance of a gender-changing regeneration (Missy) as well as race-changing (Mels to River). Like, consider where Moffat is leaving the show, and tell me that he’s contributed nothing positive in comparison to St Russell.

i’ve just realised the absolute brilliance of what ends up happening to the doctor’s memories of clara: in the era where it was declared ‘we’re all stories in the end’, the doctor’s punishment for trying to erase clara’s story from her head is that he gets to know the plot but not the story

plots are just a cold, emotionless summary of what happens in any given story, the story is the who (heh), what, where, how and why of it happening, the emotional heart of it for the doctor is scooped right out, leaving only the summary of events 

this is also probably a factor in why he decides to get photographs of bill’s mother for her bc he empathises with bill not having a story of her and wants to help her fill in that gap

I think what disturbs me the most about tumblr’s ‘Moffat is awful’ mob mentality is that people are still bending over backwards to say he’s bad, when he’s dramatically grown and improved and Doctor Who is very progressive now - people don’t seem to believe that people can grow and change, and that’s actually a really dangerous mentality to have in general.

Me as a parent
  • kid: mom tell me a story
  • me: it was the summer of 2001, and Joe meets Patrick and he's like "yo, I know about music." then Patrick's like "yo I know more about music!" "that's impossible. so you wanna start a band?" and Patrick's like, "yeah that's cool." and then, he's like "yo this is a book store not a music store." and then they met at Patrick's house. so Patrick's wearing shorts, socks, and a hat. Patrick is playing drums for some fuckin' reason and then Pete's there for some reason. and they start playing music together and they're like "oh, let's play some covers from some other bands." it was like Green Day, and fuckin' Misfits, and fuckin' Ramones. Pete said to Joe, "yo, that's dope, but we need a fuckin' drummer." because Patrick's playing drums and he's a singer. Patrick's like "yo, I got a soul voice," and they're like "wait how do you have a soul voice?" and he's like "yo, watch this: YEEEEEEeeeeeeEEEEEEeeeeeeeeEEEeeeeeeAAAAAAAAaaaaAAaahhh!" and they're like, "oh my god, that sounds like soul!" so they put it in a song, and it was like, "WHERE IS YOUR BOY TONIIIIIIIiiiiiIIIIIIIIIiiiIIIIIIIGHT?!" and they're like "yo that's fuckin perfect, this is Fall Out Boy." and they made records like Evening Out With Your Ex-Girlfriend. Evening Out With Your Ex-Girlfriend, everybody loves it. "it's called Evening Out With Your Girlfriend." with your ex-girlfriend. it's called evening out with your Ex-girlfriend. it's called eating out your girlfriend, and it's real and it doesn't matter. and Pete talked to Patrick and Joe and he's like "you what the fuuuuuuuuuuuuuck. yo, this is gonna be fuckin' doooooooooope!" so they made a record and it was called Take this to Your Grave. they made it without a drummer, and they had like 3—4 drummers come in. The four drummers they had come in were like Josh Freese, Neil Pert, the dude from Toto, the fourth one was like the guy from Papa Roach or something, and they're like "you, we need Andy Hurley. Andy Hurley. Take This to Your Grave. Fuckin' record it." and he did, and he killed it, and he was like "bigidalililililillillilila, PSHHH!" killin' the skin, tapping the skins, tapping the rim, playin' the shit, killing these bitches, rapping it out. you're getting a fucking tattoo right now?! what the fuck is going on?! We should get signed to Fueled By Ramen, 'cause thee guys know what the fuck is going on. and they were like "yo, if you can make our scene any bigger than it is, which is not fuckin' hard, we will sign you guys." and Pete was like "yo, we got this record that's fuckin' dooooooope, dude, it's called Take This to Your Grave, it's called From Under the Cork Tree it's gonna be fucking huge." and then Patrick's like "I gotta keep it real, I gotta keep it artistic, these are three songs that are gonna make the album and it's called-BURP-Thnks Fr th Mmrs, 20 Dollar Nose Bleed, and Sugar, Were Goin' Down. and they made this record that was fuckin' dope, and it fucking hit on the charts like one two three, three two one, three four five six seven eight nine ten. ten to one. From Under the Cork Tree sold like four million records. ten million records. fifteen million records. and Brendon Urie had nothing to do with the entire record. and Patrick was like "that's gooooOOOOoooooOOOOOOOOd." Pete was like, "yo, fuck you I can do whatever I want." and Joe was like, "yeah it's cool man whatever I don't give a shit." and then Andy was like "eh, cool." and Pete was like "Make up is fuckin' great for a guy. because it makes a guy look beautiful, which a lot of times, a guy is not beautiful. and I wanna change that. I wanna make sure everyone thinks that guys are beautiful." I'm good so far yeah. yeah I do. SHUT THE FUCK. oh fuck, alright alright. Pete was like "oh my god, I'm so embarrassed about this dick pic." and then I saw the dick pic and was like "ah it's not bad." it's not a bad dick. let's be real. we made Rollins Stones one issue before Fall Out Boy. and Fall Out Boy made the issue right after us and they were so pissed they were like "yo, fuck you guys!" they're like "yo! Panic! has the fuckin' cover for Rolling Stones, yo, fuck these dudes, we're gonna fucking go miles above. we're gonna hit every fuckin' continent there is known to man." but they didn't because they missed a second of time. apparently they were like "oh shit, we got every continent." and they didn't actually hit it. dude, and Pete was like, "WHAT THE FUCK?! 'oh you didn't fuckin' make the continent' it's like FUCK YOU!" so From Under the Cork Tree happens, we fuckin' have three-four years of awesomeness. like, people are coming in themselves 'cause it's so big. Alright so Fall Out Boy was like-- so Patrick's like "yo, we are going to name these records from under the Cork tree and from Innity-- from infinity on high." Pete was like "yo folie à deux means the theatric of two." "The madness of two." oh sorry I'm sorry. follow boy was like "yo we got to take a break." Meaning Pete was like "yo we got to take a break bro." and Patrick's like "I need time for my music. UHUhUhUHuhUUUh." and joes like "yo I need time to find the fucking art dude I got to find some fucking me-- metal" and andys like "i'm just gonna play with some fucking metal bands." and they're like "all right this breaks been like three years long two years long three years long 3 1/2? we gotta fucking come back man we gotta come back strong." you took my beer away what the fuck? "no you poured it all over yourself." "yeah you poured it on yourself man here." "we got to make this shit legit it's gonna be fucking dope it's going to go fucking sky high. we're going to make a fucking record that sails the skies. we're going to call this record save rock 'n' roll." so they made alone together light 'em up alone together Phoenix. and everybody's like "what the fuck? you're working with this guy who fuckin' recorded Avril Lavigne and P!nk." is this pu-- what the fuck is this on my shirt, did I puke on myself? oh god. Pete was like "yo were gonna end up on a tour with Panic! At The Disco and twenty pilots. and that's all and that's all that matters. and that's just how the fuckin' story goes."

░ ☽ ● ┈  I need a plot where best friends start messing around with magic thinking it’s all just fun and games but little do they know they are actually descendants of Salem witches and have incredible power that they have no understanding of. Things start going haywire but they’re in too deep and now have people after them trying to kill them because omg they have no clue how powerful they are and their bloodlines were supposed to have been wiped out years ago.

2

westratenick: Two days til the end of #TurnAMC and I am raising a glass to the great @heatherglind! Our Anna Strong and my good friend made life in Virginia just the best. Craig and Barry couldn’t have found a more interesting, complicated, brilliant actor to tell Anna’s story. Here’s to you, @heathergibs! #StrongTownsend

So the creators made Joseph so that we would hate him and ourselves for dating him. Which is bullshit. I didn’t like him bring married from the start, but this is a dating game and he’s a datable character. The only way you’re gonna find out anything about the character is to date him. You can’t hang out with him as friends. They’re trying to make us feel bad for a situation we have no real authority in. In trying to make us hate Joseph they also completely ignored issues of compulsory heterosexuality and what it does to all involved.

Look I love the game. The art is beautiful, the humor is perfect for the game, and the characters and wonderful and endearing. But word to the wise: if you’re going to create a character just for people to hate don’t do it in a dating game and don’t do it in a situation where you don’t seem to clearly understand all the factors of oppression going on.

Long story short the more you try to make me hate Joseph the more I’m gonna come up with alternate endings where he works through his internalized homophobia and becomes happy and Mary becomes happy with herself without Joseph.

The cult ending being a hastily removed scene or upcoming Halloween DLC makes a lot of sense.

So after learning how the code triggers in the game, I looked at the level18 file again and I agree that it seems like the story text can’t be triggered in game.

There’s no event triggers or the “START” command that triggers all of the other scenes.  Though… it definitely threw me off at first that there are sprites that you can rip from the game files so I’m definitely buying into the thought it’s meant to be DLC, or that the devs decided to try to remove the story by deleting chunks of content right before release.

You became so good at lying you couldn’t even tell where your stories ended and reality began. So why am I even surprised you could shatter me this way? I’m such a hopeless romantic, I only ever saw you as perfection. I spun your darkness into beautiful poetry, but all my sweet words were wasted on you.
—  K.N.B.
  • What she says: I'm fine.
  • What she means: It's the summer of 2001. Joe meets Patrick and he's like, "Yo. I know about music." And Patrick's like, "Yo. I know more about music." "That's impossible. D'you wanna start a band?" And Patrick's like, "... Yeah, that's cool." and then he's like, "Yo, this is a book store, it's not a music store!" And then, they met at Patrick's house. So Patrick's wearing shorts, and socks, and a hat. Patrick is playing drums for some fuckin' reason. They start playin' music together. They're like "Oh, let's play some fuckin' covers from some other bands." It was like Green Day... and fuckin' Misfits... and fuckin' Ramones... Pete said to Joe, "Yo, we gotta change this shit up." "Yo. We played all these bands, let's play shit from Fall Out Boy." And so Pete and Patrick are like "Yo, that's dope. But we need a fuckin' drummer!" Because Patrick's playin' drums and he's a singer! And Patrick's like, "Yo, I got a soul voice." And they're like, "Wait, how do you have a soul voice?" And he's like, "Yo, watch this: YEeeEeeEeeEeeEeeEeeEeeEeeEeeEeeEeeEaAAAAHHH!" And they're like, "Oh my god, that sounds like soul!" So they put it in a song, and it was like, "WHERE IS YOUR BOY TONIIIIIIIIING?!" And then they're like, "Yo, that's fuckin' perfect. This is Fall Out Boy." And they made records like Evening Out with Your Ex-Girlfriend. Evening Out with Your Ex-Girlfriend, everybody loves it... with your ex-girlfriend. It's called Evening Out With Your Ex-Girlfriend. It's called Eating Out Your Girlfriend, and it's real and it doesn't matter. And Pete talked to Patrick and Joe and he was like "Yo, what the FUUUCK! Yo. this is gonna be fuckin' dooooope!" So they made a record, and it was called Take This to Your Grave. They made it without a drummer! And they had like three, four drummers come in. The four drummers they had come in were like, Josh Freese... Neil Peart, the dude from Toto... The fourth one was like the guy from like Papa Roach or something. And they're like, "Yo, we need Andy Hurly. Andy Hurley. Take This to Your Grave. Fuckin' record it." And he did it, and he killed it, and he was like bigadigalulululululuPSSHHH! Killin' the skins! Tappin' the skins, tappin' the rim. Playin' the shit. Killin' these bitches. Wrappin' it out. (You're getting a fucking tattoo right now! What the fuck is going on?!) "We should get signed to Fueled by Ramen. 'Cause these guys know wha the fuck is goin' on." They were like, "Yo. If you can make our scene any bigger than it is, which is not fuckin' hard. We will sign you guys." he was like, "Yo! We got this record that's fuckin' dope, dude! It's called Take This to your Grave. And it's called From Under the Cork Tree, and it's gonna be fucking huge. And then Patrick's like, "I gotta keep it real, I gotta keep it artistic, these are three songs that are gonna make the album, it's called - **burp** - it's called Thanks for the Memories, Twenty Dollar Nose Bleed, and Sugar We're Goin' Down. And they made this record that was fucking dope and it fucking hit on the charts, like one, two, three! Three two one! Three four five six seven eight nine teeen! Ten to one! From Under the Cork Tree sold like four million records... ten million records.! ...fifteen million records! And Brendon Urie had nothing to do with the entire record! And Patrick is like, "That's GOooOooOooOooOooOooOd!" pete was like, "Yo, FUCK YOU! I can do whatever I want!" Joe was like, "...yeah, it's cool man, whatever. I don't give a shit." And then Andy was like, "...eh...cool." And Pete was like, "Makeup is fuckin' great for a guy. Because, it makes a guy look beautiful. Which a lotta times, a guy is not beautiful. And I wanna change that. I wanna make sure that everybody thinks that guys are beautiful." **cut to Brendon spitting for 30 seconds** (shutthefuck - oh, fuck... alright, alright.) Pete was like, "Oh my god, I'm so embarrassed about this dick pic!" And then I saw the dick pic and I was like, "Eh, it's not bad." It's not a bad dick. Let's be real. We made Rolling Stone one issue before Fall Out Boy. And Fall Out Boy made the issue right after us. They were so pissed! They were like, "Yo, fuck you guys!" They're like, "YO! Panic has the fucking cover of Rolling Stone? Yo, FUCK these dude! We're gonna go fucking miles above! We're gonna hit every fuckin' continent there is known to man!" But they didn't! Because they missed a second of time. Apparently. They were like, "Oh, shit, we got every continent!" But they didn't actually hit it. Dude, Pete was like, "what the FUCK?!" Oh, you didn't make the continent.. It's like fuck you! So, From Under the Cork Tree happens, we fuckin' have three, four years of awesomenes.s... Like, people are cumming on themselves, 'cause it's so big. **people talking in the background, Brendon spills/pours beer on himself** Alright. So Fall out Boy was like, so Patrick's like, "Yo, we're gonna name this record from uru - From Under the Cork Tree and from inity-isf - **laugh** From Infinity on High. Pete was like, "Yo. Folie a Deux means the theatric of two." Oh, sorry. I'm sorry. Fall Out Boy was like, "Yo, we gotta take a break." Meaning, Pete was like, "Yo. We gotta take a break, bruh." And Patrick's like, "I need time for my music. OOHH!" And Joe's like, "Yo. I need to find the fuckin' art, dude. I gotta find some fuckin' meau-metal." And Andy's like, "I'm just gonna play with some fuckin' metal bands." And they're like, "Alright. This break's been like three years long. Two years long. Three years long." Three and a half...? "We gotta fuckin' come back, man. We gotta come back strong." (You took my beer away! What the fuck? **someone in the back: You poured it all over yourself! You poured it on yourself, man.**) "We gotta make this shit legit, it's gonna be fuckin' dope. It's gonna go fuckin' sky high. We're gonna make a fuckin' record that sails the skies. We're gonna call this record... Save Rock and Roll." So they made Alone Together, Light 'Em Up, Alone Together, Phoenix. And everybody's like, "What the fuck? You're workin' with this guy who fuckin' recorded Avril Lavigne and Pink..." (There's p - what the fuck is on my shirt, did I puke on myself? **people in the background telling him he poured beer on himself** oh, god...) Pete was like, "Yo, we're gonna end up on a tour with Panci! At the Disco and Twenty Pilots." And that's all. That's all that matters. And that's just how the fuckin' story goes.

nooneeverlookedforagirl  asked:

Do you think we're going to have an apocalyptic ending where it's humanity vs the Others? Or do you favor the GRRM-pacifist theory where a peace between the Others and humanity can (again?) be achieved?

The former. That’s what all the setup for endgame is pointing at: Old Nan’s story about the Long Night and the Last Hero, the Azor Ahai legend and (as we saw in WOIAF) its variants the world over, Bran’s dream about the heart of winter, Jon’s dream about fighting off the Others with Lightbringer, Dany’s dream about melting an army of ice at the Trident, the very existence of her dragons, etc. “Old powers waken. Shadows stir. An age of wonder and terror is upon us, an age for gods and heroes.” 

I think the theory that humanity and the Others need to make peace misunderstands…pretty much the entire story, to be honest. GRRM hasn’t written a story in which humanity is prejudiced against the Others and needs to learn a lesson. He’s written a story in which humanity has forgotten about the Others and needs to be reminded who the true enemy is. One of the central themes of the story is that the War of Five Kings is weakening Westeros to the point where its residents won’t be able to stand against said true enemy. This is especially true when it comes to the wildlings v. the Watch; they’re the ones who need to find a path to peace, precisely because the army of the dead is on its way and they need to stand together against it. The Others, by contrast, are presented from GRRM’s pitch letter forward as nightmares, winter embodied, “there to give the heroes something to fight.” As I’ve said before: the author wants Westeros to be more paranoid about the Others, not less, and he wants there to be more watchers on the Wall, not fewer. Quoth GRRM:

And it is important that the individual books refer to the civil wars, but the series title reminds us constantly that the real issue lies in the North beyond the Wall. Stannis becomes one of the few characters fully to understand that, which is why in spite of everything he is a righteous man, and not just a version of Henry VII, Tiberius or Louis XI.

And Stannis makes precisely the argument I’m making:

“When the cold winds rise, we shall live or die together. It is time we made alliance against our common foe.”

3

“I’ll protect you from now on. I’ll make it so that nobody will ever be able to touch you again.”

jensenisdeansnumberonefan  asked:

What do you think Dean's story will be next season, if Jack is going to be All About Sam, and I'm not talking about Dean and Cas! What about Dean's own story that relates to himself only? I'm worried that we're going back to s6-8 when Dean's only purpose was to mourn or worry about Cas and react to whatever was going on with Sam.

Well, seasons 6-12 have been all about Dean, ok ok, there have been Sam moments, but basically it’s been all about Dean and even seasons 1-5 which were supposed to be about Sam ended up also about Dean because, lets face it, he’s awesome, Jensen is awesome at getting us really emotionally invested in him and the character was made so interesting and layered that they took him and made him THE protagonist of the show…

So imo it is time for a bit of Sam time! 

Season 7 was ALL about Dean!! As @postmodernmulticoloredcloak says, the whole Leviathan arc was basically a big allegory for Dean’s feelings, in the same way as I keep banging on about Amara being in s11… these seasons are like one big long 8x08 cartoon world style look inside Dean’s head!

So yeah in s13 I expect Dean’s story to centre around his mourning/pining for Cas and reacting / helping Sam alongside HIS personal endgame arc which is all about Jack, teaching him that he doesn’t have to do as Lucifer planned, that he can make his own choices etc, while Dean can focus himself on what he learned in his own character arc of s12. 

I’m sure Dean will also keep his story going and develop it, 12x22 was a catalyst for the deconstruction of Performing!Dean, but we are yet to see it really happen blatantly, so we will get lots of this, but it will be more snippets alongside the main plot arc rather than the mytharc itself.

Like, I really really want to see a hot waitress hit on Dean while he’s in the middle of pining for Cas and for him to outright ignore or reject her, its the next logical step from all the others up to 12x18… little things like this and maybe delving into more detail about who he REALLY is, like a whole season of 12x11 subtext coming out in the text…

Personally I like the idea that Dean takes a little bit of a backseat from the mytharc for a while as we watch Sam come into his own and face his character arc, meanwhile Cas’s has been bubbling away alongside Dean’s for a while and will continue to do so in season 13. 

Dean’s story will still keep continuing, we will see the further deconstruction of performing!dean, the facade coming down, see more of what really makes Dean tick when he’s not repressing it, see him trying to find a way to win Mary and Cas back, help Sam with Jack, save the world… it’s just that the mytharc I imagine won’t be centered around him for once, which I think is fantastic for what it enables us to see around Sam and Cas but also allowing Dean time to process his character development from last season rather than get sidetracked by having to deal with the big bad again, its perfect all round! 

Originally posted by littlehobbit13

Oops
  • Teacher: *giving a lesson to the class*
  • Me: Okay, time to pay attention
  • My Brain: It's the summer of 2001. Joe meets Patrick and he's like, "Yo. I know about music." And Patrick's like, "Yo. I know more about music." "That's impossible. D'you wanna start a band?" And Patrick's like, "... Yeah, that's cool." and then he's like, "Yo, this is a book store, it's not a music store!" And then, they met at Patrick's house. So Patrick's wearing shorts, and socks, and a hat. Patrick is playing drums for some fuckin' reason. They start playin' music together. They're like "Oh, let's play some fuckin' covers from some other bands." It was like Green Day... and fuckin' Misfits... and fuckin' Ramones... Pete said to Joe, "Yo, we gotta change this shit up." "Yo. We played all these bands, let's play shit from Fall Out Boy." And so Pete and Patrick are like "Yo, that's dope. But we need a fuckin' drummer!" Because Patrick's playin' drums and he's a singer! And Patrick's like, "Yo, I got a soul voice." And they're like, "Wait, how do you have a soul voice?" And he's like, "Yo, watch this: YEeeEeeEeeEeeEeeEeeEeeEeeEeeEeeEeeEaAAAAHHH!" And they're like, "Oh my god, that sounds like soul!" So they put it in a song, and it was like, "WHERE IS YOUR BOY TONIIIIIIIIING?!" And then they're like, "Yo, that's fuckin' perfect. This is Fall Out Boy." And they made records like Evening Out with Your Ex-Girlfriend. Evening Out with Your Ex-Girlfriend, everybody loves it... with your ex-girlfriend. It's called Evening Out With Your Ex-Girlfriend. It's called Eating Out Your Girlfriend, and it's real and it doesn't matter. And Pete talked to Patrick and Joe and he was like "Yo, what the FUUUCK! Yo. this is gonna be fuckin' dooooope!" So they made a record, and it was called Take This to Your Grave. They made it without a drummer! And they had like three, four drummers come in. The four drummers they had come in were like, Josh Freese... Neil Peart, the dude from Toto... The fourth one was like the guy from like Papa Roach or something. And they're like, "Yo, we need Andy Hurly. Andy Hurley. Take This to Your Grave. Fuckin' record it." And he did it, and he killed it, and he was like bigadigalulululululuPSSHHH! Killin' the skins! Tappin' the skins, tappin' the rim. Playin' the shit. Killin' these bitches. Wrappin' it out. (You're getting a fucking tattoo right now! What the fuck is going on?!) "We should get signed to Fueled by Ramen. 'Cause these guys know wha the fuck is goin' on." They were like, "Yo. If you can make our scene any bigger than it is, which is not fuckin' hard. We will sign you guys." he was like, "Yo! We got this record that's fuckin' dope, dude! It's called Take This to your Grave. And it's called From Under the Cork Tree, and it's gonna be fucking huge. And then Patrick's like, "I gotta keep it real, I gotta keep it artistic, these are three songs that are gonna make the album, it's called - **burp** - it's called Thanks for the Memories, Twenty Dollar Nose Bleed, and Sugar We're Goin' Down. And they made this record that was fucking dope and it fucking hit on the charts, like one, two, three! Three two one! Three four five six seven eight nine teeen! Ten to one! From Under the Cork Tree sold like four million records... ten million records.! ...fifteen million records! And Brendon Urie had nothing to do with the entire record! And Patrick is like, "That's GOooOooOooOooOooOooOd!" pete was like, "Yo, FUCK YOU! I can do whatever I want!" Joe was like, "...yeah, it's cool man, whatever. I don't give a shit." And then Andy was like, "...eh...cool." And Pete was like, "Makeup is fuckin' great for a guy. Because, it makes a guy look beautiful. Which a lotta times, a guy is not beautiful. And I wanna change that. I wanna make sure that everybody thinks that guys are beautiful." **cut to Brendon spitting for 30 seconds** (shutthefuck - oh, fuck... alright, alright.) Pete was like, "Oh my god, I'm so embarrassed about this dick pic!" And then I saw the dick pic and I was like, "Eh, it's not bad." It's not a bad dick. Let's be real. We made Rolling Stone one issue before Fall Out Boy. And Fall Out Boy made the issue right after us. They were so pissed! They were like, "Yo, fuck you guys!" They're like, "YO! Panic has the fucking cover of Rolling Stone? Yo, FUCK these dude! We're gonna go fucking miles above! We're gonna hit every fuckin' continent there is known to man!" But they didn't! Because they missed a second of time. Apparently. They were like, "Oh, shit, we got every continent!" But they didn't actually hit it. Dude, Pete was like, "what the FUCK?!" Oh, you didn't make the continent.. It's like fuck you! So, From Under the Cork Tree happens, we fuckin' have three, four years of awesomenes.s... Like, people are cumming on themselves, 'cause it's so big. **people talking in the background, Brendon spills/pours beer on himself** Alright. So Fall out Boy was like, so Patrick's like, "Yo, we're gonna name this record from uru - From Under the Cork Tree and from inity-isf - **laugh** From Infinity on High. Pete was like, "Yo. Folie a Deux means the theatric of two." Oh, sorry. I'm sorry. Fall Out Boy was like, "Yo, we gotta take a break." Meaning, Pete was like, "Yo. We gotta take a break, bruh." And Patrick's like, "I need time for my music. OOHH!" And Joe's like, "Yo. I need to find the fuckin' art, dude. I gotta find some fuckin' meau-metal." And Andy's like, "I'm just gonna play with some fuckin' metal bands." And they're like, "Alright. This break's been like three years long. Two years long. Three years long." Three and a half...? "We gotta fuckin' come back, man. We gotta come back strong." (You took my beer away! What the fuck? **someone in the back: You poured it all over yourself! You poured it on yourself, man.**) "We gotta make this shit legit, it's gonna be fuckin' dope. It's gonna go fuckin' sky high. We're gonna make a fuckin' record that sails the skies. We're gonna call this record... Save Rock and Roll." So they made Alone Together, Light 'Em Up, Alone Together, Phoenix. And everybody's like, "What the fuck? You're workin' with this guy who fuckin' recorded Avril Lavigne and Pink..." (There's p - what the fuck is on my shirt, did I puke on myself? **people in the background telling him he poured beer on himself** oh, god...) Pete was like, "Yo, we're gonna end up on a tour with Panci! At the Disco and Twenty Pilots." And that's all. That's all that matters. And that's just how the fuckin' story goes.
2

got the arrange soundtrack for this game and doodled these while i listened and cried……..

guess this is also a good time to mention i’ve been translating all the scenes involving these two because i want to share this ship with everyone so badly. warning: it’s FUCKING SAD and they don’t get to be together in the end but it’s a really good story so pls check it out if you’re interested…!