wanted to do something much better

anonymous asked:

Orig anon here. I'm a reader of fanfiction, not a writer. Interesting that everyone assumed as much tho. Every1 thinks I have an ego but are you sure that's 100% true. I must be a jealous writer wanting to compete and not someone who genuinely likes other writers better. 🐸☕️

It’s just how you came off, of course no one is 100% sure of that.
Did I…did I do something to you? You seem to be awfully upset with me for some reason and idk why??
Why don’t you message me off anon and we can talk? Without me having to post everything we are saying for everyone to read it.
It’s great that you have found some awesome writers in the fandom, I don’t expect everyone to have me as a favorite. I’d like to even have a chat about our fav writers for MM! I’m all for sharing some fics.
I don’t want to seem like I’m acting up for attention. I’d even be willing to talk to you and maybe explain some things that are going on in my life rn? If you care to talk, that is.
I hope to hear from you. I’ll be waiting if you do ever decide to message me…

Get to know me

tagged by @hjertetssunnegalskap thank you so much!

Tag 15 of your followers that you would like to get to know better:

I tag: @like-literally-lucifer @againstmychest @cinderellasfakesmile @damnwitches @deepinskam @jonasvsquez @meemipappa @reedusadixon @snailor @shining-like-the-morningstar @bluebibee @boyysucc @forgivemyawkwardness @megs-damned-soul @yahsucker

absolutely no need to do this if you don’t want to<3

Name: elli

Nickname: well technically elli is my nickname but i use it as my first name. some of my friends call me elps (don’t ask).

Gender: female

Star sign: cancer

Height: something like 168cm i think?

Sexual orientation: bi

Hogwarts house: i guess slytherin? i’ve done a bunch of those sorting tests and i almost always get slytherin but sometimes ravenclaw

Fav colour: blue

Fav animal: i don’t really have one. i like all animals.

Average hours of sleep: usually 6-7 hours but on weekends and holidays 8-10 hours

Cat or dog person: both (but i have a dog so)

Favorite fictional person: oh god i mean there are so many. but i guess i’ll have to say holden caulfield because he’s the embodiment of my teen angst and really the first fictional character i was truly able to relate to. yes, i’m one of those the catcher in the rye hipsters i’m sorry i can’t help it.

#of blankets I sleep with: one. i don’t know why you would need more than that.

Fav singer/band: green day and twenty one pilots are my ultimate favourites 

Dream trip: shit i don’t know. i wanna go everywhere. new york? i love big cities so probably new york.

Dream job: i mean i love writing so my dream job would be an author. but that’s a bit absurd… but then again that wasn’t the question so fuck that

When was your blog created: i have absolutely no idea. A LONG TIME AGO.

current # of followers: not enough

What made you create a tumblr: i was a bored and lonely child

anonymous asked:

I feel so bad for Juno, he deserves so much better. I'm going to mail you a cute sim for him or something if this keeps up!!! -your local Juno enthusiast

FRIENDS its official we have a juno nonny!!!!!!!!! he really deserves so much better i feel bad for hurting him honestly. my plan for him originally wasn’t this sad but in game he turned out to be the saddest sim ever who gives a lot of hugs and i feel like that’s very him he just cares a lot about everybody but himself and he deserves the world :( u can mail me a cute sim for him i’ll happily throw them in 

anonymous asked:

I think my friend is depressed, he doesn't talk much and is sad all the time, he cuts himslef and says he wants to die, I don't know what to do because he is on theother side of the country and we don't see each other much but I have to do something, I don't want to loose him. What should I do?

I know firsthand how hard it is to know your friend is struggling and be so far away from them and powerless in being able to change them. The thing is though, that only they can help themselves and make the changes to get better. You can try to help, if he is willing. You may first start by asking, “what can i do to help you?” Your friend may not have an answer right away, and that’s okay, let him know he can answer at any time. 
Remember to take care of yourself and your mental health. If you are not stable, or feeling well, it can be even harder to support someone else- it may not feel like it is directly helping him, but it is. 
If he is feeling low, you could ask him which he would prefer, to vent or to be distracted. Sometimes we need to vent, but other times when we have spent so long in our own heads, we could really use a distraction- talk about mutual interests, show him funny youtube videos, whatever. 
You may also find these resources helpful:

Helping a friend

Take care,


i’m not necessarily religious, but i think sincerely that we as humans may genuinely need God, and i mean that in a literal sense - lest we worship earthly or petty mortal things. the morals that we derive from religion can serve us in the most divine ways, if we truly take them to heart and focus on the greater good instead of bettering oneself or one’s possessions in the short time that we are alive. when we worship possessions or other people, it causes so many problems to arise and creates such a harmful way of thinking in us that’s so detrimental and makes us fear death. focusing on transient things can make us lose sight of altruism and bettering the world around us, to the extent that we sabotage others for personal gain, even if only tacitly. i want to do more thinking about this, but i can see so much value in directing worship to something greater and more divine than us, instead of worshipping a person or material things. it seems like so many values we should work towards can be passed down to us from this method of thought.

Trying to figure out if you’re ace or aro can be so much harder than other sexualities because it’s like, trying to find the absence of something. Imagine you’re at a pond and you want to know if there are any turtles, or fish. Say you find a turtle and you’re like “great! Now I know there are turtles.” Or a fish, now you know for sure there are fish. Or you find both, and now you know for a fact there are both turtles and fish in the pond.

But like, if you don’t find any turtles it might be that there are no turtles or maybe you’re just really shitty at looking for turtles and maybe you THINK you saw a turtle over there or maybe it was just a stick. Maybe there are only a few turtles. Maybe you need to do something special to find the turtles. Maybe a bunch of these rocks are actually turtles but you couldn’t tell them apart. Maybe there are no turtles. You have no idea. Meanwhile some people are saying “Oh there have to be turtles! You’ll find them eventually ;)” or “How many turtles have you found in your pond?” or “Try planting some vegetables at the shore to attract the turtles.” Or “Oh no! What disaster happened to your pond that there are no turtles?” And you’re just standing there wet with an empty net and a tired expression.

But whatever because whether there are turtles or fish or not your pond’s ecology works just fine without them because that’s what eco-communities do they form a system around what they have. You aren’t missing anything if you don’t have turtles you just have a pond system without turtles. If someone tried to change you by pouring a bunch of turtles into your pond it would probably fuck something up.

So you don’t have to be entirely sure. You don’t have to search every inch of the damn pond before you can decide there are probably no turtles. If you want to take the aro or ace label because you think it fits go for it. And if you do find your turtles you can rename the pond. That’s fine.

While rehearsing at SNL, I often wonder, “WWID?” or “What would I do?” because the answer isn’t always clear. I want to do things “the right way” and make everybody happy, but when I do, I usually fail. I’ve generally done better when I tried to ignore how I think something “ought” to be done and just listened to the bizarre little worm that lives in the apple of my heart. Be still and listen to the worm—unless it’s telling you to do something illegal.
—  Kate McKinnon, occasional lifeguide
Ways Witchcraft Has Affected My Life

🗝My pleasure reading is now academic reading. After starting to lose the skill I once had, my reading comprehension has gone way up.

🗝 I get more done and finished more projects because the first step of something can be a spell. Spells are fun to do so I’m less likely to put it off. Once I’ve taken the first step, I have the motivation and momentum to see the rest of it through, something I used to struggle with.

🗝 I feel as if I have much more agency in my life. I can protect myself from toxic people and actively pull myself out of toxic mindsets much more easily than before.

🗝 Articulating what I want in spells has helped me better understand what I want out of life or what I should be truly focusing on.

🗝I’m much, MUCH better at cooking. I can feed myself on more than just ramen and toast, which makes me healthier and happier.

🗝I have more motivation to give back to the community, through charity or service work, or just being more mindful about the environment and supporting local businesses.

🗝I have a much deeper understanding of history and cultures outside of my own.

🗝 I used to be a slob, but now I regularly clean my room and keep my space tidy because I recognize that a messy room affects me negatively and hurts my magic. Also, my room always smells excellent.

🗝 Whenever I work with deities I practice ritual self hygiene. So the little things I used to ignore before bed don’t get ignored as much.

🗝I have a much deeper appreciation for the little things in life, happy coincidences, tiny blessings. I notice them much more and am thankful.

🗝 I have met so many amazing people and have formed wonderful friendships around the craft.

In the end, when people debate if magic is real or not, who cares? It’s undeniably producing real results.

I needed to make something about ep12!!! this is just a doodle ‘cuz I have so many wips now thanks to YOI

I want to say thanks to Kubo and Sayo senseis for making an amazing story about love (loving yourself, loving what you do and loving someone else). I’m going to miss this anime so much! the fandom is so caring and sweet~

I think all the characters of YOI are so relatable aaaahh I love all of them, i cryyyy, YOI makes me want to be a better person and at the things I do~

now, let’s wait for the second season faithfuly like Hachiko the dog!

[Revised 2/17] Books for Witches, Diviners and Spellcasters

Hi, everyone. A while back (a long time ago, actually), I started an annotated bibliography on books about witchcraft and magick, and I’ve updated it once (last November). 

Since then, I’d been keeping a list of things I need to add to it, but didn’t get around to actually reworking and updating the list a second time until today. Largely because I can’t really go outside much today because of the smog. But anyways, here it is. I’ve also included divination-related books in this version, whereas previously they were separate.

I hope you find something on here that suits your fancy! Happy reading! Also, yes, I do want to do more book reviews on this blog, so if you’d like a longer review of one of the books listed below, let me know and I can write one.

For Absolute Beginners

Encyclopedia of Witchcraft, by Judika Illes. Even better than the Weiser Field Guide to Witches - this book is huge and chock-full of information. It’ll explain in easy-to-understand language how the concept has developed throughout time, why witches do what they do, and different types of witches.

The Weiser Field Guide to Witches, by Judika Illes. This gives an excellent look at the historical lore concerning witches, from the perspective of a witch herself. It’s kind of tongue-in-cheek, but it does have some information that won’t be found elsewhere.

The Modern Guide to Witchcraft, by Skye Alexander. Great book for those who’re really absolute beginners and are wondering what witchcraft is all about. Skye takes a very postmodern, utilitarian, and unfailingly honest approach, and it’s geared towards those of almost any belief system.

Grimoire for the Apprentice Wizard, by Oberon Zell-Ravenheart. Attractively packaged and readible for almost all ages, this is a great (mostly) non-denominational look at the foundations of magical practice. It’s extremely detailed. Some of it only applies to Zell’s own tradition, but it’s quite useful, anyways.

Basic Techniques

Protection and Reversal Magick, by Jason Miller. This gets a little woo-woo at times, but he gives good advice on how to avoid serious problems that can come up as you begin to practice. Take with a grain of salt, though - some of this has the potential to make you feel paranoid.

City Magick, by Christopher Penczak. If you’re at all interested in tech witchery, or just want to practice magick within an urban setting, do check this out. It is by far the best look at the subject I’ve seen, and his discussion of urban tutelary spirits is worth the price alone.

Power Spellcraft for Life, by Arin Murphy-Hiscock. Nicely done, quite secular book providing basic beginner information regarding writing original spells and workings. It does fall prey to the trap of just listing correspondences with little information at times, but also contains a great deal of detail about ritual timing, raising power, and other topics essential for the beginner.

Sorcerer’s Secrets, by Jason Miller. This is a decent volume that describes a lot of techniques you don’t usually see in books, such as gesture and gaze-based magick. Be warned that Miller writes extensively about manipulative techniques, but it’s useful theory regardless of how you put it into practice.

Witch’s Bag of Tricks, by Melanie Marquis. This is not recommended for beginners, because the whole point of this book is to help existing practitioners refine and improve their already-established techniques. It’s got some novel ideas in it, and I like the author’s approach to symbolism in spellcasting.

Direct Magick (Energy Work)

The Un-Spell Book, by Mya Om. This non-denominational guide to working with magical forces is filled with useful exercises that go beyond the author’s previous work. I recommend reading this after reading Energy Essentials.

Instant Magick, by Christopher Penczak. Excellent beginner’s guide for those who don’t have access to a lot of fancy tools or prefer to work without them. This book won’t instantly teach you magick, but it will help even a seasoned practitioner find quicker, less-complicated ways of achieving results.

Energy Essentials for Witches and Spellcasters, by Mya Om. Though I balk at the use of the term “energy” to describe magical forces, this book is worth a look. It’s a bit like a workbook, with various exercises. Expect a lot of pseudoscience, though, and there are many religious references, but the techniques are solid.

Hedgewitchery and Astral Travel

Ecstatic Witchcraft, by Gede Parma. This is actually probably my favorite book on this subject, even though hedgeriding is only a part of what the book discusses. The only bad thing I can really say about this book is that it’s really not recommended for beginners, and it’s helpful to have the basics of visualization already mastered (for example) before doing the exercises Parma recommends.

By Land, Sky and Sea, by Gede Parma. This book goes into even greater details regarding different ways of conceptualizing the cosmology of hedgeriding, and I find it a very refreshing book that appreciatively draws from a number of different perspectives while grounding itself, so to speak, with the overarching metaphor of land, sky, and sea as the three worlds.

The Temple of Shamanic Witchcraft, by Christopher Penczak. Penczak is usually a pretty mixed bag, and this book is no exception. It gives a lot of good practical information and a very in-depth exploration of the three worlds (a useful concept), but it’s primarily framed by Wicca, so it might not resonate with those of other faiths and particularly those who aren’t pagan at all.

Ascension Magick, by Christopher Penczak. There’s a chapter or two in this that address alternate ways of conceptualizing the architecture of reality, and it’s pretty helpful for a hedgerider. Beyond that, this book is mostly about ceremonial magick, but it’s a (mostly) good book. Certain parts (such as the bit about UFOs) are a little off, in my opinion.

The Shamanic Witch, by Gail Wood. This book is really best suited for someone who practices Wicca and, besides the background info and cosmological descriptions, is really only useful in the context of that tradition. If you’re Wiccan or willing to pick around a lot of Wiccan-talk, though, this is a good foundation.

Witches, Werewolves and Fairies, by Claude Lecouteux. It can be hard to find scholarly works on these phenomena that are affordable, but here’s one I personally enjoyed. It details many accounts of journeying experienced by both pagans and Christians in earlier times, and gives a good description of the concept of the astral double, the architecture of the soul, and other topics throughout history.

Betwixt and Between, by Storm Faerywolf. This book is mostly a guide to the Feri tradition of witchcraft, but while I myself don’t practice that, those who do seem to know a lot about hedgeriding! The book has several chapters on the subject and is highly recommended for this reason.

The Psychic Energy Codex, by Michelle Belanger. A lot of people have strong opinions about this author, but this is book actually provides a lot of good information about so-called “energy work” which can be a step in the right direction for those wanting to ride the hedge.

Psychic Dreamwalking, by Michelle Belanger. In this book, Belanger discusses, essentially, how to use your non-waking life as a vehicle to for journeying, and while I myself don’t usually dreamwalk, much of what she says applies to hedgeriding in other states, too.

Hedge Riding and Hedge Witchcraft, by Harmonia Saille. I only mention these two in order to say that they’re best avoided. Saille tries to give a comprehensive look at the phenomenon, but it’s poorly-written and overly New Age. The negative reviews of them on Amazon really cover the problems with these book in more detail than I ever could.

Magical Writing, Words, and Symbols

Dictionary of Ancient Magic Words and Spells, by Claude Lecouteux. Mostly a historical text, this book isn’t exactly practical or terribly useful. It is, nevertheless, incredibly interesting. It’s a bit difficult to navigate, but worth a glance.

Composing Magick, by Elizabeth Barrette. A very general, but well-done, look at writing in a magical context. Some of the ritual templates are slightly specific to religious witchcraft traditions, but most information is widely applicable.

Crafting Magick with Pen and Ink, by Susan Pesnecker. Focuses both on the physical act of writing as a magical act, and the mental state associated with it. Highly recommended

The Modern Witchcraft Grimoire, by Skye Alexander. This book is for those who want to create their own grimoire. It gives fairly good advice for doing so, as well as providing hints and tricks for spellcasting and useful correspondences.

General Concepts

Planetary Magick, by Melita Denning and Osborne Phillips. If you want to work with the planets at all, particularly in a highly ritualized context, I recommend this book. It’s large, comprehensive and gives a good foundation beyond what you find in general astrology books.

Practical Planetary Magick, by Sorita d’Este and David Rankine. Shorter than I would have liked, but a useful reference to have on your shelf, with excellent tables and appendices in the back. The meditations are also quite useful.

Practical Elemental Magick, by Sorita d’Este and David Rankine. Should be read alongside the other book by this pair. Comprehensive guide to working with the elements in a ritualized fashion. Not as accessible to newbies as Lipp’s book, but good for seasoned practitioners.

The Way of Four, by Deborah Lipp. Though mostly geared towards Wiccans, I found this author’s in-depth treatment of the four elements highly fascinating. I will note that it’s probably best to get the print version of this book, as it contains exercises and quizzes.

Ingredients and Correspondences

The Herbal Alchemist’s Handbook, by Karen Harrison. I cannot praise this book enough for its concise and well-formulated approach to astrology, herbs, and magick as a whole.

The Weiser Concise Guide to Herbal Magick, by Judith Hawkins-Tillirson. This is excellent for anyone who’s interested in any kind of magick. Yes, the focus is generally herbs, but there’s a lot to be learned here about Kabbalah and other correspondence systems, as well.

Mixing Essential Oils for Magic, by Sandra Kynes. Fills a very difficult gap in published knowledge regarding the use of essential oils by discussing, in great detail, how scents interact with each other and how to create a formula that’s not only palatable, but evocative.

Dunwich’s Guide to Gemstone Sorcery, by Gerina Dunwich. Given the New Age fascination with all things shiny, it was quite a chore to sort through the myriad crystal books to find something with good information. While far from perfect and not exactly devoid of fluff, this book does give a level of detail about the lore surrounding gemstones not seen in many other texts.

Real Alchemy, by Robert Allen Bartlett. Excellent book, lots of history and detail. There’s a strong focus on tradition within the text, yet the author is quite accommodating of his audience and describes alternate methods that work better in a modern context.

Spagyrics, by Manfred M. Junius. With a highly-developed academic tone and attention to detail, this book is a meaty look at traditional alchemy. I recommend this more for intermediate practitioners due to the sheer density of information.


The Goodly Spellbook, by Dixie Deerman and Steve Rasmussen. The title sounds horribly fluffy, but this is a hidden gem. It explains obscure concepts like alternative alphabets and potential uses of musical notes, as well as plant lore and other bits and pieces. Definitely worth checking out. It’s way more than just “a book of spells.”

Encyclopedia of 5,000 Spells, by Judika Illes. The title sounds trite to some, but it delivers. This book has spells from almost every culture and spiritual philosophy, as well as a very detailed formulary. I read it when I’m bored sometimes, too, just because I always learn some tidbit from it.

Book of Spells, by Nicola Pulford. In most editions, this book is absolutely gorgeous and describes spellcasting traditions from a variety of perspectives and traditions. Recommended for those who already understand the basics, as this book jumps straight into spellcasting and gives only a small amount of information about how things work.

Ceremonial Magick

Modern Magick, by Donald Michael Kraig. I received this as a gift several years ago. It is essentially a workbook meant to be completed slowly, step by step, and while the format will not appeal to everyone, it’s a good easy-to-read introduction to ceremonial magick.

Familiar Spirits, by Donald Tyson. Though geared towards ceremonialists, any practitioner can likely learn a thing or two from Tyson’s interesting stroll through the whys and wherefores of spirit work and thoughtform creation. This is by far the best book I’ve seen on the topic of familiar spirits.

Secrets of High Magick, by Francis Melville. The most recent edition of this (the one I own) is lavishly-illustrated and full of rudimentary, yet useful information. He stresses the basics of ceremonial practice, and his writing style is very accessible. Highly recommended for absolute beginners.

My Life With The Spirits, by Lon Milo DuQuette. This is a memoir of a ceremonial magician, but it gives a good look at the magickal mindset in a highly developed form from someone who’s experienced quite a lot. I have major issues with DuQuette’s approach to Qabalah, but his memoirs are worth a read.

Chaos Magick

Liber Null and Psychonaut, by Peter Carroll. Classic book of chaos magick. I consider it required reading for almost anyone interested in the occult. Even if you have no love for chaos magick, do give it a read, just to understand how influential Carroll is, and why.

Hands-On Chaos Magic, by Andrieh Vitimus. Knowing some of the people involved in the creation of this book, I’m a bit biased towards it. That said, even if I didn’t know them, I would still recommend it. It’s especially interesting to read alongside Liber Null and Psychonautin order to see how the chaos “current” has developed over the years.

Pop Culture Magic 2.0 by Taylor Ellwood. There aren’t a lot of books on using pop culture symbolism in magick, but this one is nearly perfect. The author writes in a highly erudite, literate fashion, while still being accessible to newbies. Many useful resources cited, as well, so prepare to branch off a bit while reading it.


Triumph of the Moon, by Ronald Hutton. An inside no-holds-barred look at the history of Wicca and Modern paganism. Highly recommended. This is sort of the book that fluffbunnies don’t want you to read.

Book of Lies: The Disinformation Guide to Magick and the Occult, by Richard Metzger. Lots of facts and history of magick in the context of Postmodernity. This is different from the Crowley text of the same name, which I wouldn’t recommend unless you want to focus on his tradition.

The Place of Enchantment, by Alex Owen. This is a purely historical text that documents the occult revival within the context of Modernity. I remember it being very good, but please realize I haven’t really picked it up much since graduating, and it might just have served my mindset at the time.


The Book of Thoth, by Aleister Crowley. Make sure you actually own (or have access to pictures of) the Thoth deck before you dive into this. By far one of the best books on Tarot ever published. The prose is often dense and purple, but in this one book, Crowley teaches so much about Tarot and it’s connection to the Western Mystery Tradition. I can’t really say much more - it must be experienced.

The Pictorial Key to the Tarot, by Arthur Edward Waite. I recommend this book because it is a classic and was introductory for many older readers. It will teach you to read and gives insight into the methodology behind the Waite-Smith deck specifically, particularly his use of what are essentially parables and why he does this. Do not expect too much esoteric information, but read it anyways.

Seventy-Eight Degrees of Wisdom, by Rachel Pollack. This is the epitome of a good modern Tarot book and is really one of the first ones I’d recommend for someone looking for an accessible book on Tarot in a modern context. Very dense in information and history, yet altogether worth it. You’ll want highlighters nearby for this one!

Tarot for a New Generation, by Janina Renée. This is essentially a book for children and teenagers, but I do recommend it for them, specifically, because it is well-written, easy to understand, and helpful to absolute beginners.

Secrets of the Waite-Smith Tarot, by Marcus Katz and Tali Goodwin. This book focuses just on the history, symbolism, and creative process of the Waite-Smith deck. It gives you an inside line on just what Pixie Smith was thinking when painting specific scenes, and is a great look at her life’s work, as well.

The Tarot: History, Symbolism, and Divination, by Robert M. Place. This book will not teach you to read Tarot, but does give an actual, accurate portrait of the history of the phenomena, which is incredibly important and useful. Know your history.

Understanding Aleister Crowley’s Thoth Tarot, by Lon Milo DuQuette. I hesitate to recommend DuQuette due to issues I have with his approach to Qabalah, but many people ask me for a beginner book for the Thoth Tarot specifically, and this is the closest I’ve come to finding one. I recommend reading this alongside, and not instead of, Crowley’s Book of Thoth.

The Back in Time Tarot, by Janet Boyer. This is more for the intermediate reader, and the entire book details a single, extremely useful technique for familiarizing yourself with the cards, namely by framing past events in terms of how they might appear in a spread.


The Essential Lenormand, by Rana George. This was not the first Lenormand book I picked up, but it was the most influential and intense. Ms. George writes in a personable, touching fashion and brings the concepts of the system home by relating them to life experiences in a way rarely seen. She is one of those authors I literally go all “fangirl” over.

Learning Lenormand, by Marcus Katz and Tali Goodwin. This is one of the better beginner books on Lenormand. I’m not going to lie - it isn’t as good as Rana George’s, but it definitely is worth reading if you’re completely new to the system. It’s very accessible, where some of the books I’ll be listing later in this can seem intimidating, or so I’ve been told.

Lenormand: Thirty-Six Cards, by Andy Boroveshengra. This book is intense, but in a different way than Ms. George’s. Expect to be inundated with information and techniques. Another one of those where you really need to take notes or highlight while reading, and read it multiple times.

Secrets of the Lenormand Oracle, by Sylvie Steinbach. This book is organized in a novel and useful fashion by topic, and gives specific techniques for readings on love, money, spirituality, and other topics. Highly recommended, and I tend to use it as a reference book nowadays, looking things up as needed.

The Complete Lenormand Oracle Handbook, by Caitlyn Matthews. Not for the beginner, nor the faint at heart, this one details a lot of what, to me, seem to be more advanced approaches and techniques. I use this book a lot, and I think anyone else will enjoy it, too. Good information on the connection between Lenormand and traditional playing cards, too.

Cartomancy with Lenormand and the Tarot, by Patrick Dunn. This is more of a special topic book, and best read after you’ve got some familiarity with both Tarot and Lenormand. It’s all about using them in tandem and the synergy between them.


The Luminaries, by Liz Greene. I could really recommend anything by this author, but she’s written so much, and this book is a particularly important one. It focuses entirely on the Sun and Moon in astrology, and gives a good look at why the luminaries need to have a special place in your understanding.

The Weiser Concise Guide to Practical Astrology, by Priscilla Costello. This is focused, as you might expect, on actual interpretation of charts and less on theory, but it gives a good background on that, too. Was quite helpful in my attempts to interpret @xepsurah‘s unusual natal chart.

The Complete Book of Astrology, by Kris Brandt Riske. Very beginner, and very light on intellect, heavy on intuition. A great introduction, but I would not suggest it as the only book you read if you’re really interested in the subject.


Tea Leaf Reading for Beginners, by Caroline Dow. There are only a few books within Llewellyn’s immensely popular “For Beginners” series that I would recommend, and this is one of them. The symbol glossary (which makes up the bulk of the book) is the most useful part.

Tea Cup Reading, by Sasha Fenton. This book goes into some detail (quite a bit, actually) about the history of tea and coffee, and, better yet, how to prepare them in the traditional fashion! A lot of traditional lore is described, as well.

Scrying, etc.

Scrying for Beginners, by Donald Tyson. This is really a surprise find, as I don’t usually expect much from this series, by Tyson knows his history and goes far beyond simple exercises for scrying. He is a bit biased towards mirror and crystal-gazing techniques, but does discuss other methods.

Psychic Development for Beginners, by William Hewitt. Readable, and offers some very practical developmental exercises for those wishing to hone extrasensory abilities. Be prepared to sort through a lot of woo, though.

hi so if anyone in the minneapolis-saint paul area wants to help an autistic nonbinary person avoid homelessness please let me know. i’m going to need a place to stay in about a month.

even if it’s just a couch or a closet or something, it’s better than being out on the street.

i probably wouldn’t even be around most of the time, honestly. i mostly just need a safe place to sleep at night.

i’d be able to pay a small amount of rent if you needed—i have a (part-time) job but i don’t make much—and i could help out with things around the house if you wanted. i’d want to be productive and give something back in some way.

i don’t know what i’m going to do…

I was feeling a bit down .__. I wanted to draw Peridot wearing something cute with watermelons on it.. because in case you haven’t noticed, I like watermelons, a lot. so I did… do I feel better? it’s hard to tell, but I was definitely having fun while drawing this so, yay! (I think I might have had way too much fun… I even forgot that overshading is a thing) 

sorry I haven’t been productive, I have a lot on my mind right now.

Yuuri isn’t just a badass he’s also a good person. The reason he can come across ‘cold’ is because of his degree of self-loathing, which causes himself to sometimes not acknowledge how much people around him care about him (something he works on as the series goes on! this is a big part of his character arc). It’s got nothing to do with his view of other people’s value of individuals and how much he cares about them and everything to do with how he views himself. He has trouble forming connections with others because he views himself as someone people wouldn’t want to form connections with. This is not necessarily okay, but it’s literally a huge part of his character arc!! He becomes so much better about this as the series goes on, and it’s wonderful to see. 

Here’s the thing about Yuuri Katsuki. He’s a selfless person, to a fault. People completely misread the ‘I’ll let the whole world hate me’ scene. It’s not about selfish love. It’s not about possessive love. It’s about making a choice between caring about how people perceive you and not caring about how people perceive you. 

Yuuri thinks that if he goes out there and skates his best, people are going to hate him, see him as taking Victor from the world. He says so what, fuck that. It’s more important to me that I reach my goal. I’d rather me be hated than Victor be hated anyway. Hate me for taking Victor from the world, fine. I just want to skate. I’d rather skate and be hated than have you like me and give up on doing something I love. To help himself in that situation, to give himself confidence, he reminds himself that he is the only person who does know Victor’s love the way he does, which is absolutely true. He reminds himself of the love he has in his life. That it’s unique. That’s it’s special. 

‘Victor is the first thing I’ve ever wanted to hold onto.’

Victor is the first thing he’s ALLOWED himself to hold onto (and even then, he tries to let him go later on because he’s self-sacrificing). 

There’s nothing selfish about that– or possessive, or anything of the sort. It’s someone looking at adversity and going ‘my goal is more important to me than your perception of me’, and for someone as self-deprecating as Yuuri, someone who has struggled with forming emotional connections because they haven’t felt like people wanted to form emotional connections with them due to their own lack of self worth, this is a HUGE DEAL. It’s awesome.

Allowing Yuuri to in a sense, claim something as his, is actually a triumphant moment for him, because he rarely does this. It’s good and right. Yuuri is often selfless to a fault. When he says ‘I wish to eat pork cutlet bowls with you’ we applaud him. When Yuuri wants something and expresses it, we CHEER for him.

Yuuri spends the entire last third of the series trying to sacrifice Victor despite the fact that Victor, to the audience, CLEARLY wants to stay with him. But Yuuri, darling Yuuri, due to his own anxiety and self-worth issues, sees himself as holding Victor back. He ‘wants to stay in figure skating with Victor forever’, but he’s willing to give up everything he loves so Victor can be happy, no hesitations. He smiles, he doesn’t cry. Heck he’s willing to be called selfish without argument even though that’s obviously nonsense. He’s confident in this decision because it’s just what’s right to him. He’s wrong because it’s not what Victor wants, but never doubt that Yuuri is a good person, a selfless person, who would give up anything in an instant for someone he loves. 

Yuuri’s mental illness informs a lot of who he is, and it causes him to stumble and sometimes make it LOOK like he’s undervaluing people but he’s undervaluing himself, and he’s such a good person and he’s so filled with love. He’s loving and supporting and sometimes he just needs to find a way to express it and realize that it surrounds him and people love him in return, and the show is so much about that. Don’t underestimate how good a person Yuuri Katsuki is.

I don’t buy into the argument that people would laze around all day eating cheetos and playing video games if you gave them a guaranteed minimal income. I say this based on personal experience, because my familiy connections already pretty much guarantee that I’m never going to be homeless or starving short of a major catastrophe anyways. I was once unemployed but comfortable for the better part of a year and I can honestly say that what I wanted then, more than anything else, was something useful to do. I think that most people would feel that way.


Sweets, food and eeveelutions for Valentine’s Day 2017! :3

The “inspiration” whatever came from the fact that my boyfriend and I won’t be celebrating Valentine’s Day this year because we’re both very busy at the moment and so we decided just to go…eat something together. And so, that’s it ahahah! Also, last year I couldn’t manage to draw anything valentines related and I wanted to fix that somehow :) why Sooo, here’s my little cards! ♡ ♡ ♡  No puns in them because I’m not clever enough to write them lol I’d problably go for “I choose you, Valentine!” or something like that…XD (quite common, yup).

If you want to use&send one of them to your lovely better half, just add your personal favourite poképun, if you’d like c:

Anyway, I had so much fun drawing this and I hope you like it! :D Which one do you like best?

Can we just stop and appreciate Damon and Jamie working on Gorillaz again as we speak? Because what they’re doing right now is a miracle. We were so close to not seeing Gorillaz ever again due to Damon and Jamie having creative differences. I know many of you are impatient for the new album – I get it, it’s been like 5 or 6 years– but I want you guys to understand that making music and art takes time. They’re doing their best to make this phase the best one out of the 3. So guys, please be patient. The longer we wait, the better the album will turn out. Phase 4 has pretty much started since October due to the release of the character books along with interviews, so we got something so far. But just remember to be patient. We’ll probably hear a demo sooner or later. Just wait a bit longer. :)

Things I want to tell everyone when I restart the game

I want to tell Zen that he is worth it and let no one tell him otherwise.

I want to tell Yoosung that immersing himself in games is unhealthy and won’t solve all his issues. His issues will continue to stay where they are unless HE does something to solve them.

I want to tell Jaehee that EVERYTHING will work out and her hard work isn’t for nothing. I would also tell her to do what she really wants to do because whatever she does, she’ll do it well.

I want to tell Jumin that he has to let go a bit more and try to understand everyone because even though they may not affect him, he has to understand that everyone feels differently. Even though he’s tried hard to suppress his feelings because of his family, releasing his feelings will make his life so much better.

I want to tell Seven that his past doesn’t mark who he is. He isn’t trapped, he needs to find someone that will help him out of his darkness. He needs to let it all out and RFA is there for him.

I want to tell V that 

The First Move

Requested by anon: Can I have something where a girl reader is over at stiles’ house sitting on his bed watching star wars with him? They both have HUGE crushes on each other and the reader knows but she’s waiting for stiles to make an move. Suddenly stiles starts playing with her hands. Can you add something in where she just starts rambling and he stops her by grabbing her face and saying “I’ve wanted to do this for so long” and kisses her? Thank you so much! I love your writing 😍    

A/N: Thanks for the request! I added a little at the beginning and changed the order at the end a bit so it would fit better into the story, I hope that’s okay. Enjoy! :)       

Pairing: Reader x Stiles

Requests are open!

„Oh come on, Stiles! I can’t see you sad like this!“, you exclaim desperately while you walk beside him towards your locker and look up at his distressed expression. It’s true: Your heart breaks at his sadness. You discovered that that’s an annoying side effect when you’re in love with someone. Stiles just shrugs and pulls up the straps of his backpack, not really encouraging you at all.

“I just can’t believe she’s dead. I mean, she has been a legend for me since I was a little kid”, he explains.

Obviously he’s talking about Carrie Fisher. He hasn’t been talking about anything else since it happened, although you’re really trying hard to cheer him up. You have tested pretty much every option you have and only one is left.

“You know what? Why don’t we just make a Star Wars marathon today?”, you suggest, leaning against your locker as he opens his own and hides his face in it. “I mean, it’s movie night anyway and honoring her in that way might make things a little easier.”

“I don’t know”, he mumbles. “What if it depresses me even more?”

“Well, you can’t stop watching Star Wars anyway and I think it’s worth a try. What do you say?”

He takes his time to grab his books and cram it in his bag while you wait for the answer hopefully. Finally he slams the door shut, looks at you and his brown eyes turn a little softer. “Why not? At mine at seven?”

“I’ll be there”, you promise, giving him a little smile.

He returns it, although it’s still somewhat lopsided, but you appreciate the effort. He quickly leans down to press a kiss onto your cheek before he turns around and walks towards the exit swiftly. The spot where his lips touched your skin seems to burn and you can’t suppress a longing sigh as you look after him.

In that moment someone clears her throat right next to you and you whirl around with a shriek. Your eyes fall on Lydia with her eyes raised and arms crossed.

“Damnit, Lydia! You scared me to death!”, you complain.

She just flips her long, strawberry blond hair over her shoulder. “Well, if loverboy wouldn’t take all your attention you might’ve noticed me standing there. Seriously: this is getting ridiculous! When will the two of you finally start making out instead of acting like four year-olds?”

You feel your cheeks heating up from something entirely else this time, although you know that she’s perfectly right. You know that he likes you back. You both have been pretty obvious about your feelings and it’s impossible to hide them anyway when you’re surrounded by werewolves. However, you really hate those kind of things.

“It’s not that easy”, you claim weakly. A sentence that will never convince a Lydia Martin.

“That’s nonsense and you know it. Every girl who is unhappily in love would punch you for that statement.”

“I know, okay? But…but we are friends and it could get really weird. And I’m a little old-fashioned when it comes to things like that. I want him to make the first move”, you admit.

Lydia observes you for a moment before she sighs, links her arm with yours and pulls you along. “I get that, but we are talking about Stiles here. It could take decades until he makes a move. He’s an idiot, especially concerning girls.”

“I’m really bad at this.”

“Then let’s hope that he surprises me for once.”

As you arrive at his house, Stiles greets you in a blue shirt and grey sweatpants.

“Hey! Do you feel a little better?”, you ask him after you hugged him tightly.

“A bit. I think this was a good idea”, he admits while he walks up to his room beside you. You grin.

“Of course it was. It was mine after all.”

As you enter his room, you notice that he already prepared everything. Star Wars episode four is in the player, a bowl with nachos stands on the nightstand and soft drinks lie in a box on the floor. For Stiles that’s pretty well-wrought.

“I suppose we will watch episode four, five and six?”, you ask him, snatching a nacho out of the bowl and throwing yourself onto the matrass.

“Obviously. Are you ready to honor her?”

“Absolutely!”, you exclaim and he dims the light and starts the movie.

Movie night is a thing the two of you do pretty regularly. However, today it feels a little different. You have no idea where it suddenly comes from, but there is a tension in the air as soon as he lies down next to you. You quickly grab a bottle of coke, just to have something to do. Does he feel it too? You secretly throw a look at his face but his eyes are fixed on the TV and his expression doesn’t tell you anything. Not very helpful. You gulp down a sigh and decide to simply concentrate on the movie.

At first you are both unusually quiet and just watch, but at some point in the movie you start to behave more normally and add your little comments here and there, make jokes and laugh together. You have both seen Star Wars so many times that you could speak along with the characters and watching it side by side is almost like a ritual. After you’re finished with the first one, Stiles already looks much better. He’s even able to smile at you and that’s all you wanted to achieve.

Somewhere along the second movie you become a little tired and snuggle deeper into the sheets, ending up closer to him than before. You are so close that you can smell his perfume and you immediately become a little nervous. At the same time you don’t want to move away from him because that would send the wrong message. You want something to happen. You are scared of it but you want it anyway. However, you are simply unable to do anything.

You feel Stiles body move now and then. He lifts his arm only to let it fall back onto the blanket. He clears his throat without saying anything. Your heart starts to pound a little faster and the tension returns with unexpected heaviness. All of that reaches its peak as he suddenly takes your hand in his.

You hold your breath for a second until you tell yourself to relax and act normal. It’s not the first time that he’s holding your hand, only the first time in this kind of context. For a moment it’s a little awkward, but then he starts to randomly play with your fingers and you realize that’s it’s really soothing. You like it.

You can hear Lydia’s voice in your head. “This is the moment. Just do it.” You tense up again immediately and instead of just turning around, realizing that he’s staring at you lovingly and kissing him, you start to ramble.

“You know, I really liked the new one but just watching the old ones really brings back that feeling of being a little child, that moment of nostalgia. You know what I mean? It’s really unfair to measure a movie’s quality like that but I just can’t help myself. I mean, when I watch all the new ones I will never have my dad beside me, laughing when I cover my eyes although it’s totally not spooky and that’s just something I’m missing and…”

You only see a flash of Stiles’ smile before he finally interrupts you by cupping your face and pressing his soft, warm lips onto yours. Your own lips respond immediately as if they only waited for this happen, which might be very true. Nevertheless, it’s better than you ever imagined it. Your brain stops to work and your emotions take control over your body. The butterflies flutter from your stomach to your head and you bury your fingers in his hair, pulling his face even closer while your press your body against his. You are feeling immensely drunk but without that stupid, bad feeling in your stomach. Drunk from pure happiness.

As you pull apart after an indefinable time you blink at him, confused and very pleased at the same time. His cheeks are reddened and he looks just as flustered as you feel.

“God, I’ve wanted to do this for so long”, he mumbles with a hoarse voice that gives you goosebumps.

You chuckle and lean your head against his shoulder. The movie is long forgotten, this very moment is so much more important than anything else.

“And I’ve waited so long for you to finally do it.”

I just finished @indigonite‘s piece for @pjocoloringbookproject 

When I first started posting on tumblr, Indigonite was one of the first Artists I really started following. From the very beginning of my time here it was and still is my dream to do an art trade with them. They have them most amazing line work and color, and their use of design is extraordinary.

I think something I wasn’t expecting about this project, about the coloringbook, was how much I’d learn from other artists. On working with this piece I was awed and stunned by Indigonite’s amazing skills on a whole new level. I saw all the areas of my own work I wanted to improve on, and explore farther. I saw everything I wanted to get better at and the more I colored the more inspired I became.

I hope you see this piece, and read what I have to say. You’ve changed me as an artist, and you have been inspiring me ever since I started here. You’re skill and hard work produce some of the most beautiful art and as I’ve watched you grow I’ve been so proud and awed by you as a fellow artist. You’re the most astounding and incredible person and I am so grateful that you post your work, and you gave us this beautiful piece to color.

Working this piece, immersing myself in the work of another, and having the opportunity to learn, seeing the time, energy, and hard work of the lines, and being so intimate with someone’s creative process is so beautiful.

Thank you for giving me the chance to learn from you. Thank you for being a part of this project, Thank you for being you. c: