vs-train

anonymous asked:

Now I'm a new follower so if you've answered an ask like this before I apologize, but why do you ship Kachako?

I ACTUALLY HAVE NOT ANSWERED AN ASK LIKE THIS BEFORE SO NO WORRIES

i actually haven’t posted why i enjoy Kacchako so much, tho i have spoken with a few friends about it. but OH MAN…. oh gosh where do i even start jkslg;ha;lghkal;ghskal

ok so. a big part of it comes from their relationship in canon. both characters have a large amount of respect for each other. they’ve only interacted a few times (including in the omake), but each time is fairly insightful to the characters, and particularly when said characters comment about each other to other characters.

but it’s also how their relationship has a lot of potential in the narrative to drive both character’s development further really interesting directions.

to start, their fight. their fight at the Sports Festival was the first time Bakugou ever actually noticed Uraraka. before she was just sorta that unnamed girl who hung around Izuku. 

Uraraka had noticed Bakugou before, but mostly she just wanted to stay out of his way (like with her line after the class president vote when Bakugou asks who voted for Deku, “I hope he doesn’t find out it was me…”)

but oh man. their fight. their fight is AMAZING on so many levels. it’s not just about Uraraka and Bakugou battling each other, there are many, many layers to it.

for example, the reason why Uraraka is fighting so hard in the first place. she wants to support her parents. her family grew up poor, and the whole reason she’s at UA, trying to become a hero, is because she wants to help support her parents financially. this fight is her proving just how far she’s willing to go in order to fulfill that goal.

she’s willing to go toe-to-toe against Bakugou, who never goes easy on anyone, in order to prove what she’s made of. hell, she even thanks Bakugou for not going easy on her.

and it’s not just that. right before this fight, she realized that she was riding on Izuku’s success without improving herself all that much. she thought she was being friendly, but she realized that she really was just hoping that Izuku would get her through the day again.

she feels shame for it. when Iida said that he wants to prove himself against Izuku, she feels shameful of her own actions.

so she decided to change. she decided to put her all into fighting Bakugou, proving that she can make it to the finals just like Deku. that she can do it by herself. she wanted to prove it to everyone. she wanted to prove it to herself that she could do it.

this fight gave Uraraka so much character development. before this fight, she was still sorta… there. we didn’t have much character motivation, and she was mostly just the happy, bubbly Love Interest/main female character. we heard that she was poor, but this fight put that motivation to the forefront of her character and proved just how much potential she has to grow and develop.

and on Bakugou’s end, it’s really interesting. right from the get-go he warns her that if she’s gonna forfeit she needs to do it now, because he won’t go easy on her. and through out the fight he proves just that–however, despite the pummeling Bakugou gave her over and over again, she continued to come back for more.

she refused to give up. nothing he did could put her down for long. she always got back up on her feet and kept running in for an attack. 

Aizawa says it here clearly: by refusing to go easy on her, he’s acknowledging her strength. he’s showing her respect as an opponent. she’s not just a fragile little girl being beaten up by the Big Bad Blasty-guy, they’re equals on the battleground, and Bakugou refuses to let his guard down around her because they’ve both made it this far.

Bakugou lost against Izuku in the first Heroes vs. Villains training arc, and it was largely because he underestimated Izuku, and overestimated himself. Bakugou learned his lesson, and is refusing to do the same thing here. 

Uraraka went through the same things he did at UA. she was there during his fight it Izuku, she was there when the villains invaded, she made it through the Sports Festival and met him as an opponent. clearly, she’s not someone to treat lightly.

what’s particularly interesting tho, is that at the end of the fight, Bakugou looks EXTREMELY EXCITED to keep fighting her. 

Uraraka landed her final attack, which failed (because Bakugou used his largest blast to blow it away–you can see his hands shaking afterwards). Bakugou is ready to keep going, and rushes at her, with this huge, excited grin on his face, and says her name for the first time.

she surprised him. she impressed him. she shocked him.

Bakugou doesn’t remember people’s names. he can’t be bothered. he calls everyone by degrading nicknames, like Drooly, or Soy-Sauce Face, Raccoon Eyes, Deku, etc. The only characters he calls by name are All Might, Kirishima, and Uraraka.

All Might, because he’s the person Bakugou looks up to the most.

Kirishima is interesting. Bakugou has known Kirishima fairly well since at least the USJ incident. he kept calling him Hair-for-Brains until the cavalry battle at the Sports Festival, which is the first time he calls Kirishima by his name.

Bakugou first met Uraraka at the Sports Festival, and fought her for half an hour, at best. at the beginning, he calls her Round-Face. however, in that time, she impressed him so much that he started calling her by her name mid-fight.

when Bakugou starts calling people by their names, he doesn’t go back from that. he keeps calling them by their names. it’s his personal form of respect, that’s very subtle and understated. 

what’s also really interesting about their fight is Bakugou’s reaction after Uraraka falls. 

he looks shocked, in a way that we haven’t ever seen before. she impressed him so much, but then she falls and he realizes that she has a limit. someone he admires and wants to fight, actually has a limit.

it’s similar to his shock when All Might’s true form is revealed for the first time.

and after it’s over, Bakugou actually confronts Izuku about Uraraka. he berates Izuku for giving Uraraka that dangerous, self-destructive plan. in other words: in a very backhanded way, he’s saying he cares for Uraraka’s safety and well being.

he’s reprimanding Izuku for giving her a dangerous plan. Bakugou knows Izuku has a notebook full of notes on heroes and the other kids. Izuku mentioned it to Bakugou in their first fight. it would be a no-brainer to figure out that Izuku must’ve come up with a plan for Uraraka. and Bakugou is right, Izuku was willing to let Uraraka use his notes.

except that Uraraka refused to use them.

Izuku tells Bakugou point-blank that all that Uraraka did on the battlefield was her own plan. he had nothing to do with it. It was all Uraraka.

when Kaminari starts nagging on Bakugou for hurting a “harmless little girl” like Uraraka, Bakugou mutters to himself that there isn’t anything fragile about her. 

this is the first time Bakugou has ever actually praised or defended anyone. he’s always been very much about himself. in the beginning of the manga, he would go on and on and on about how great he was, and how everyone else (in his own class) were all losers, and this attitude is still fairly prevalent. 

he couldn’t even be bothered to remember his own classmate’s quirks. he’s gotten better about being egotistic since his fight with Izuku (and from watching everyone else in the class–he even admits that he didn’t think he could beat Todoroki at one point), but only just.

but he remembered her name. he defended her against Kaminari’s words. he respected her as an equal and as an opponent. later on, during his fight with Todoroki, he even berates Todoroki for holding back against him, and the manga hovers over Uraraka for a second.

Bakugou says only those who try their damnedest to win are allowed to stand before him. he’s referring back to Uraraka. again, in a roundabout sort of way, he’s showing her a lot of respect and praise.

coming from someone like Bakugou, who’s had so many issues with self confidence, ego, and refusing to even acknowledge those around him, that is a lot.

this fight was amazing for both characters, because it gave them BOTH amazing character development. this fight showed just how far Uraraka was willing to go, just how strong her determination is, in fulfilling her goal. this fight was also the first time we’ve see Bakugou develop away from the ‘angry-rival.’ this is the first time we saw him compliment and respect someone else.

this fight is the catalyst for so many amazing things, and the development doesn’t stop there.

after the Sports Festival, when the kids are trying to figure out where they want to intern, Uraraka decides to go with Gunhead. largely because of her fight with Bakugou.

she realized that, while she wants to be a disaster relief hero, knowing how to fight in close combat is an invaluable skill that she should learn, and it’ll be a huge advantage to her. it was thanks to her fight with Bakugou that helped her come to this conclusion, and allowed her to improve herself more.

and to move on a bit, lets look at the Omake chapter [which you can find a translation for here]

oh man. this omake. THIS OMAKE.

Uraraka isn’t afraid of Bakugou anymore. not since their fight, in fact. she’s confident enough around him to willing to confront him face-to-face, about his issues with Izuku.

she sees through his act. she says that Bakugou was so cool during their fight, but when it comes to Izuku, Bakugou tries to push him away, as if he’s scared. and he is. he’s scared of Izuku’s progress. it terrifies him. but he’s in denial about it.

Uraraka confronts him about this, sees right fucking through Bakugou’s denial, fear, and pride, and tells him straight up that she thinks he should try to be friends with Izuku again. no other character has done this before. only Uraraka has been able to see through Bakugou so clearly.

Bakugou, presented with this tho, of course yells, goes into fighting stance, and challenges her to a fight (which she responds to immediately with her own battle cry and fighting stance, lmao). and then after Midnight makes them sit down again, Bakugou is back in denial.

however, he keeps calling her by her name. he’s calling her ‘Useless Uraraka’ in his head, but he’s still calling her by her name, which just continues to show his own respect for her, even as he’s pissed and angry.

this omake is fantastic because it gives us a hint into the characters and their relationships. Uraraka has clearly notices the issues between Izuku and Bakugou, and tried to mend them in her own way. Izuku is her friend, and Bakugou respected her as an equal in their fight, and she wants them to be friends again. and she even notices that Bakugou fears Izuku on some level, which is a fantastic bit of introspection from her end.

and later on, she continues to show that she understands Bakugou well. in fact, she’s one of the few people who understands him the best.

she says right here that Bakugou would probably view being rescued as a disgrace. and considering the last time he got rescued, she’s right. the only reason the rescue mission worked out in the end is because Kirishima was there.

with Kacchako, there’s just so much room for development. even now, each characters have been pushed further into growing thanks to each other’s actions, and they’ve both shown a remarkable amount of respect and understanding towards each other. 

there’s just so much self growth and positivity that could be had with this ship, and i would love to see more of these two interact in canon. if i had to choose a ship that i’d love to see in canon, it would definitely be this, because i think there’s a lot of opportunities for development and growth and for new and interesting places for the narrative to go.

particularly concerning Izuku. Uraraka saw through Bakugou and realized that he fears Izuku. i would love to see her try to become the common ground between them. she, along with Kirishima, could be the bridges that allow those two to mend their relationship in the long run.

again, there’s just so much potential for this ship, both for the characters, their growth, and the narrative.

AHH ANYWAY THIS GOT REALLY LONG BUT i hope that all makes sense!!!

related posts: [a meta about the omake] [a meta about Bakugou and Uraraka’s fight]

Hyper Projection Engeki Haikyuu - Karasuno, Revival!

Karasuno vs Nekoma Training Camp
“Why me?!”

Please do not repost

Battle Training

So here comes the final additional episode for the SnK 3ds game

To be honest I dun know what to say about this episode, in short, it is a Eruri novel written by Connie

  • Official synopsis of this episode is =>[Battle Training] Levi vs Erwin! What happens to these 2 big idols of all new joiners!?
  • The truth is, Erwin and Levi did not really fight against each other. Everything was CONNIE’S IMAGINATION
  • I completely do not know what happens to Connie but the only thing I can say is, Connie is a Eruri Shipper
  • Can you believe the Eruri picture above is something imagined by Connie?
  • According to Connie(’s imagination):
    • Erwin has sea blue and Levi has dark black eyes (Its difficult to explain,the words Connie used are typical fujoshi descriptions which you definitely encountered 100 times in Ao3)
    • Erwin is very good at using 3d maneuver gear and Erwin is almost as strong as Levi 
    • Erwin and Levi flirt with/ appraise each other
    • To Erwin, Levi is a person who he feels completely safe to give him(Levi) his(Erwin) back (“ 背中を任せられる”)
    • I dun know how to describe, visually ” 背中を任せられる” means a trustful relationship like below 
Why Spider-Man is my favorite MCU movie

SPOILERS (I’m on mobile and I don’t know how to do the “after the cut” thing. Sorry.)
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- This is exactly what high school sophomores are like, oh my goodness
- Michelle flipping him off for fun at the dance
- Michelle trying to get in some light protesting at one of the embassies before the tournament
- Michelle reading On Human Bondage instead of like interacting with other humans (am I remembering that correctly???) (UPDATE: I did not remember correctly. It appears to be Inhuman Bondage by David Brion Davis.)
- Michelle is MJ
- This is exactly what high school is like
- The giant stupid hall pass
- The bad school announcement video broadcasts with awkward script reading and also Comic Sans
- Okay, the diversity of that school was amazing.
- “We don’t want a student to die at a decathlon meet … again” (as a debate coach myself, I’m thinking the coach probably strangled a kid with his own bare hands after a long tournament, but that’s just my interpretation)
- Every. last. teacher.
- The chemistry teacher has ONE LINE and ITS A BAD CHEMISTRY PUN
- No wait, come back
- Michelle sketching people suffering
- All of Peter’s nerd shirts
- Webbing came from shooters, not out of his skin
- NANCY
- Ned is the man in the chair
- Spider-Man has at least THREE people who know his secret
- HAPPY is so grumpy and proud of himself for working hard
- Happy never responds to Peter but keeps Tony up to date on everything
- Pedro is such a bad dad joke
- Villain is a Hufflepuff
- The villain R&D guy was adorable because he was so excited about his technology
- ALIEN TECHNOLOGY
- YouTubing how to tie ties
- Aunt May
- WHAT THE F
- I think he lurbs you
- “You might wonder why you’ve waited so long for something so disappointing” (I laughed so loudly I think my sister wanted to disown me.)
- Peter leaving notes for the cops
- Tony has an invisible jet
- Interrogation mode voice (lay off the Batman, Stark, yikes)
- PEPPERONY HOLY CRAP DID NOT SEE THAT COMING aaaaaaAAAAhhhhhHhhhhhHhhh
- this was a test, right? Yep, you passed.
- I’ve been carrying this everywhere since 2008
- When the door opened at Liz’s house. DID NOT SEE THAT COMING. Audible gasps from the audience.
- Using a TI-83 to hack his way out of a top secret containment facility
- Spider-Man vs. The Suburbs lol
- Training montage: 37 minutes passed
- Easter Eggs: Cap’s NEW shield??? Thor’s magic belt thing? Coach WILSON knows Captain America? ????
- Basically all of it

Dreamworks Movies

Aries: Rise of the Guardians

Taurus: Shrek

Gemini: Turbo

Cancer: The Croods

Leo: MegaMind

Virgo: Madagascar

Libra: Flushed Away

Scorpio: The Road to El Dorado

Sagittarius: Over the Hedge

Capricorn: Kung Fu Panda

Aquarius: Monsters vs. Aliens

Pisces: How to Train Your Dragon

MIKASA VS ANNIE TRAINING FIGHT

Yup, this is how the fight went. Im 99.9% sure. At this point Isayama should just hire me as an editor.
Truly, my greatest contribution to the fandom.
Maybe ill draw something with annie as 18 and mikasa as vegeta or goku later, who knows
IT HAS BEEN DONE {X}

Sanvers Minific Roundup (ft. nb!Kara, Sanvers college AU, and Wonder Woman)

Alex comes home from a conference in a pantsuit and glasses (spoiler: Maggie approves) – https://queercapwriting.tumblr.com/post/161590068419/prompt-if-youd-like-alex-comes-back-from-a

Kara comes out to Maggie as nonbinary – https://queercapwriting.tumblr.com/post/161589180944/hi-ive-been-struggling-with-my-nb-identity-for-a

Kara and Diana (Wonder Woman) swap notes on adjusting to new societies over a massive ice cream sundae – https://queercapwriting.tumblr.com/post/161510185919/a-kryptonian-and-an-amazonian-kara-and-diana-and

Pre-Sanvers Alex is drunk and fed up with Maggie’s flirting despite insisting that they’re just friends – https://queercapwriting.tumblr.com/post/161407234304/i-really-want-an-angsty-fic-where-alex-gets-fed-up

Maggie meets Eliza missing scene – https://queercapwriting.tumblr.com/post/161493428984/hey-mom-could-you-write-the-missing-scene-where

Alex copes with depression in a dangerous way and her family is there for her – https://queercapwriting.tumblr.com/post/161406198304/can-we-have-some-angst-with-bad-coping-mechanisms

Alex and Maggie are totally married (without actually being married), and Adrian constantly teases them for it – https://queercapwriting.tumblr.com/post/161492377339/would-you-do-sanvers-being-totally-married-even

High School AU where Alex isn’t out yet and Maggie is there for her – https://queercapwriting.tumblr.com/post/161388814339/hsau-maybe-something-where-alex-has-to-go-to

Maggie jokingly scolds Alex, and Alex Likes It, so they experiment with BDSM – https://queercapwriting.tumblr.com/post/161223084534/fic-requet-maggie-jokingly-scolding-alex-during

Kara and Alex drunkenly argue about whose abs are better: Maggie and Darla are shooketh – https://queercapwriting.tumblr.com/post/161221802639/imagine-kara-and-alex-both-drunk-at-the-alien-bar

Alex vs. Maggie in DEO training – https://queercapwriting.tumblr.com/post/161220947454/there-needs-to-be-a-fic-or-a-scene-where-alex-runs

Alex meets the (very intimidated, very star-struck) S.T.A.R. Labs team – https://queercapwriting.tumblr.com/post/161082792119/ive-been-thinking-if-alex-finally-was

Maggie makes Alex scream during sex in the DEO (ft. everyone overhearing) – https://queercapwriting.tumblr.com/post/161059691029/me-again-this-is-a-promp-if-youd-like-maggie

Sara Lance comforts a sad Kara – https://queercapwriting.tumblr.com/post/161491984704/would-you-ever-consider-a-sara-x-kara-hurtcomfort

Nb!Alex in college (first date with Maggie) – https://queercapwriting.tumblr.com/post/161489398329/could-you-write-more-nb-alex-at-college

Maggie comforts Kara when she’s experiencing sensory overload – https://queercapwriting.tumblr.com/post/161487128274/how-about-kara-having-a-sensory-overload-for-some

Maggie bottoms hard for Alex (nuff said) – https://queercapwriting.tumblr.com/post/161486292849/i-feel-like-a-lot-of-your-sanvers-smut-recently

Post 2x09 Sanvers convo and comfort – https://queercapwriting.tumblr.com/post/161408793139/post-2x09-alex-tries-to-explain-not-only-to

Angsty smut after a rough day for both Alex and Maggie – https://queercapwriting.tumblr.com/post/161408134904/how-bout-some-angsty-smut-like-one-of-them-just

Maggie and M’gann’s relationship pre-Sanvers – https://queercapwriting.tumblr.com/post/161404278914/mgann-and-maggie-a-brief-history

Adrian brings home an asexual high school boy to meet ace!Alex and Maggie – https://queercapwriting.tumblr.com/post/161387959519/ace-visibility-we-need-more-representation

Nb!Alex at Hogwarts – https://queercapwriting.tumblr.com/post/161058503129/hey-cap-i-know-you-are-v-busy-and-all-so-dont

Bonus:

#SanversWeek is approaching so effing fast tho. Who’s excited?!?!? – https://queercapwriting.tumblr.com/post/161105833009/calling-all-sanvers-loving-creative-folk

Memories Are Being Recycled Using The AGRA Acronym

There is nothing new under the sun.”

A.G.R.A is an Acronym for:

A: A Study in Pink / A Scandal in Belgravia

G: Great Game

R: Reichenback Fall

A: A Scandal in Belgravia / A Study in Pink

TST gave us a new acronym order on screen during Mary’s flashback in Georgia: GARA.

Oh good. I love acronyms. All the best secret societies have them.”

G.A.R.A is an Acronym for:

G: Great Game

A: A Study in Pink

R: Reichenback Fall

A: A Scandal in Belgravia

How it Works: Callbacks/memories from these four episodes repeat continuously in a pattern starting with MHR and ending with TFP. It’s like a stream of consciousness on the screen.  

Is this merely a stream of consciousness abuse?”

MHR

A: Anderson wearing a similar sweater to John in ASIP

G: The pink phone from TGG

R: Sherlock faking his death

A: Sherlock winking

G: Sherlock’s return in Series 3 is a cliffhanger

TEH

R: Flashback to TRF, Richard Brook, Sherlock’s Grave

A: Mycroft saves Sherlock from being killed by a lead pipe vs Sherlock saving Irene from being killed with a sword

G: Trains Trains Trains. John on a train vs John on train tracks

A: Flashback to ASIP “You invaded Afghanistan!”

R: Reference to Moriarty and his network

A: “I am not gay” to Mrs. Hudson vs “I’m not actually gay” to Irene Adler

G: Sherlock disguised as a waiter vs. Sherlock disguised as a security guard

R: Moriarty’s fake kiss. Sherlock begins to explain the fall to John

A: 13 possibilities vs 13 rows in Bond Air plane. “I’m not lonely.” “How would you know…” vs (“Sex doesn’t alarm me.” “How would you know…”). Sherlock’s shadow on door when Mrs. Hudson sees him again for the first time also happens in ASIB

G: Bomb in train car vs bomb strapped to John in TGG

A: Anderson’s sweater similar to John’s in ASIP

R: Sherlock’s explanation of the fall to Anderson. We see Moriarty again.

A: 1:29 on the bomb

G: Bomb doesn’t go off just like the bomb in TGG doesn’t go off

R: John asks Sherlock if he will tell him how he survived the fall. “I asked you for one more miracle”

A: Sherlock putting on the deerstalker and walking out to meet the press

G: TEH has a cliffhanger (Cam watching the video at the end).

TSOT

A: Mrs. Hudson’s husband. “I’m a high functioning sociopath.” Harry’s alcoholism. Mike Stanford. “So hard not smoking.” Eyeball in cup of tea vs eyeballs in the microwave

R: “Tragic Loss. Sorry about that one.” Reference to Sherlock faking his death.

A: “I know Ash.” vs “I know human ash.” And his partner, John Hamish Watson.” Sherlock using sliding magnifying glass when cluing for looks (this is a callback to TGG as well)

G: The stag night is similar to Joe Harrison and Westie’s stag night at a bar. Alka-Seltzer fuzz is similar to the fuzz when Sherlock is testing blood from Janus Cars in lab. Also used in the show’s opening titles.

R: Courtroom for MP scene vs courtroom for Moriarty’s trial

A: “John Hamish Watson” “The Woman she knew.” Irene Adler. Vatican Cameos

G: “I have to delete something,” on the steps to Sholtos’ room vs “I’ve must have deleted it” in the beginning of TGG where Sherlock explains he only remembers information he finds relevant

HLV

R: CAM’s pressure points vs Moriarty saying “Everyone has their pressure points.” Same red writing is used on the hotel video for the jurors as on screen during CAM’s pressure point scenes

A: John dreaming (flashbacks) of the first time he met Sherlock in ASIP while in bed with Mary

G: John has started riding his bike, and goes to a crack house. Joe Harrison rides his bike and sells drugs.

A: “The Game is on!” Anderson looking for drugs in Baker Street

R: Sherlock is a celebrity in the newspapers

A: Janine in Sherlock’s bedroom vs. Irene in Sherlock’s bedroom. Sherlock trying to obtain Lady’s Smallwood’s letters about an affair from CAM’s safe vs Sherlock trying to get pictures of an affair from Irene’s safe. Fireplace parallels as well.

G: Sherlock telling John he’s put on weight since getting married vs Sherlock telling Molly she put on weight since dating Jim from IT.

R: Sherlock explaining to John about the keycard to get in CAM’s Tower vs. Sherlock explaining to John about Moriarty’s keycode to break into the Tower of London.

A: Sherlock falling backwards after being shot by Mary is similar to him falling backwards after being drugged by Irene

G: Louis Moffat playing young Sherlock Holmes. He was the voice of the kidnapped kid in TGG

A: Stairs from ASIP and the hallway where John shot the cabby and saved Sherlock’s life

R: Moriarty. “Off you pop”

A: “The Woman will cry.”

G: John hugs Mary vs John “hugging” Moriarty at the end of TGG

R: Tabloids. Janine in tabloids wearing the hat vs tabloid newspapers in TRF “Why is it always the hat, John.” Beehives vs The Bee Gees (Stayin’ Alive)

A: Red rose from Irene Adler in Sherlock’s hospital room. Lestrade saying he will take video of Sherlock in the hospital.

G: Sherlock vanishes through window vs Joe Harrison going through a window

A: The lie (Mary) hidden in plain sight

R: Mary faked her death vs Sherlock faking his death.

A: Christmas with the parents vs Christmas at Baker Street

G: “The Watsons are about to have a domestic” vs “Did you two have a little domestic?”

A: Irene’s theme is played so dramatically, it’s hard to ignore. Flashback to Christmas with the parents.

G: The AGRA memory stick vs the memory stick at the end of TGG. Mary’s past is similar to Westies (top secret spy)

A: Mary saying to John, “You don’t even know my name” vs John saying to Sherlock in ASIP “I don’t even know your name”

R: “Sodded lawn.” vs “Sod this”

A: “Low tar.” “Your loss would break my heart” vs “Caring is not an advantage. All hearts are broken in the end.”

G: “I’m not a hero.”

A: “Do your research, I’m a high-functioning sociopath.”

G: Red laser lights from snipers on Sherlock. Louis Moffat playing young Sherlock Holmes.

A: The plane on the tarmac vs Bond Air plane on the tarmac. “If you’re looking for baby names.”

R: Moriarty’s return. His face on TV screens vs his face on the TV in the cab

TAB

Opening Montage of TAB

A: Unzipping the body bag

G: Dressed up as a security guard

A: Riding crop, John meets Mycroft, “The Game is on!”

G: “Don’t make people into heroes, John.” Bomb strapped to John. “I’ll burn the heart out of you.”

A: Naked Irene Adler. “Are you wearing any pants?” “This is how I want you to remember me.”

R: Moriarty killing himself on the roof

A: Sherlock and John running through streets of London after the cab

R: John and Sherlock handcuffed. “We are going to need to coordinate.” Sherlock’s grave. “I asked you for one more miracle. Don’t be dead.” “I heard you.”

TAB Begins:

A: Recreation of John and Sherlock meeting for the first time in ASIP

G: Sherlock looking out the window, “The curtain rises…”

R: Emelia Ricoletti shooting herself in the mouth vs Moriarty shooting herself. Peter Ricoletti. “How could he survive…”

A: “Come when convenient…”

G: Sherlock doesn’t know how the solar system works

R: Diogenes Club

A: “I thought I looked rather enormous” vs “Putting on weight again?”

G: “You see but you don’t observe.” “Legwork”

R: Orange pips sent to Eustace in envelop vs Breadcrumbs sent to John in envelop. “Means death”

A: “A dead woman walking the earth” vs “you’re a dead man walking” (Jeff Hope)

G: “The Orange pips were a reminder.”

A:  Picture of Irene Adler. “You’re human.” vs “People want to know your human.”

R: Breaking glass vs. Moriarty breaking the glass at the Tower of London

A: Lestrade saying the body (Eustace) had a note vs. Jennifer Wilson having left behind a note. Sherlock rushing down a staircase.

G: “Putting on weight?” vs “How’s the diet going?”

R: Moriarty scene at Baker Street. Emelia Ricoletti vs Peter Ricoletti

A: “Dead is the new sexy” vs “Brainy is the new sexy”

G: “Putting on weight?

R: Ricoletti and Moriarty.

A: The deerstalker is introduced. “You’re Sherlock Holmes. Wear the damn hat!”

G: Spies

R: Ricoletti shooing herself. A substitute corpse. “You can’t kill an idea once it’s exist” vs “you can’t kill an idea, can you?” “Molly Hooper found a body for me when I…” The waterfall with Moriarty.

A: Sherlock looks out the window, exterior shot vs the same exterior shot at the end of ASIB

TST

G: Moriarty. Classified top secret with Mycroft.

A: “High functioning sociopath”

R: “I’m glad to be alive” vs “staying alive.” Moriarty’s revenge after dying on roof

A: Sherlock stabbing the mantel vs stabbing the mantel the first time him and John visit Baker Street

G: John blogging

R: “The spider makes his move” vs “Moriarty is a spider with a web, etc.”

A: “Come back, it’s the wrong thumb” vs Mrs. Hudson saying “Ugh, thumbs!”

G: “You see, Watson, but you don’t observe.” (Baby Rosie throwing the toy in Sherlock’s face)

A: The Six Thatchers case from John’s blog. Using magnifying glass. Dead body in car.

R: Moriarty flashes on screen. Black pearl vs Moriarty’s diamond in the Tower of London

A: “Then he becomes a pirate for some reason.” vs “But initially he wanted to be a pirate.”

G: Sherlock looking into his white microscope, testing blood vs testing blood in Carl Power’s case. Pets are so loyal. “A noose to hang my neck in” vs “Hanged, yes.” “Like hiding a tree in a forest.”

R: Mentions of Moriarty. Glass breaking.

A: “Tell her she’s a dead woman walking” vs “You’re a dead man walking” (Jeff Hope)

G: The memory stick

A: Ajay falls backwards as he is drinking and lands in his room, passed out vs Sherlock falling backwards and landing in his bed after being drugged

R: “Ammunition” vs John tells Mycroft he gave Moriarty ammunition

A: Mary drugs Sherlock vs Irene drugging Sherlock

G: Memory stick

R: A note to John

A: Plane vs Bond Air plane. “You’re at my mercy” vs “Beg for mercy”

G: The curtain rises (text to Mary)

R: Mary’s DVD’s vs “I’m a storyteller. It’s on DVD.” John’s note to Sherlock vs Sherlock’s note to John

A: 13 on the post-it note on the refrigerator vs. 13th row on Bond Air plane

G: Cliffhanger with John’s note and Mary saying “Go to hell, Sherlock.”

TLD

(The opening shot of a gun firing could fit in here as John’s gun from ASIP)

R: John’s therapy session with Eurus looks similar to his sessions with Ella in TRF

A: Faith with walking cane vs John with walking cane

G: Sherlock looking out of window onto the street vs Sherlock looking out the window watching John crossing the street

A: Flashback to John with his cane. The whole scene with Faith Smith. Walking around London, eating, Mycroft spying on them. “Amazing” Gun in handbag vs gun in drawer. Throwing the gun in the Thames. Serial killer. 

R: Talk of suicide. Sherlock on the ledge of a bridge vs Sherlock on the ledge of Bart’s Hospital

G: Sherlock shooting the wall

A: Sherlock in the boot of the car vs the dead guy in the boot of the car in ASIB

R: Mrs. Hudson’s having a slow-motion “earthquake” with the tea spilling vs the man at the Bank of London in TRF in slow-motion with his tea rumbling and spilling. Handcuffs vs Sherlock and John handcuffed. Therapy.

A: “I’m not your housekeeper!”

R: “You pretended to be dead for two years!”

A: “The game is on,” said Mrs. Hudson

R: “Thought this was some sort of trick…”

A: Hiding in plain sight. Texting Faith vs Texting Hope

R: Nurse Cornish is a big fan vs Kitty Riley being “a fan.” Both take place in and near the restroom

A: Wear the hat. The queen, her majesty.

R: Bliss vs Domestic bliss

A: The game is on.

R: Return to Bart’s Hospital

A: Morgue with dead woman vs Morgue with “Speckled Blonde” or Morgue scene with Irene’s fake dead body.

R: Culverton’s keys vs Moriarty’s keycode. They can both go anywhere they like.

A: Faith with walking cane. John leaves behind his walking cane as he did in ASIP. Mycroft sends car to pick up John. Mycroft looking for drugs vs Lestrade looking for drugs at Baker Street. John deduces there is a secret brother vs Sherlock deducing John’s sister

R: Mary’s DVD vs Moriarty’s DVD

A: John rushes to save Sherlock from killing himself

R: “Off you pop.” John uses a fire extinguisher to break down the door vs Moriarty using a fire extinguisher to break the glass at the Tower of London. “There must be something comforting about three” vs “Your three friends in the whole world will die.” Molly is the fourth.

A: Irene’s text message. Sherlock wearing the hat

R: The “Miss Me” in black light vs “Help Us” in black light. John in therapy. Eurus with gun on John =  Moriarty’s snipers on John

TFP

A: Eye opens vs. John’s eye opening in ASIP

G: TLD left us with a cliffhanger, and John in danger

A: Bond Air plane with sleeping/dead people and the same child actress.

R: Moriarty’s voice “Welcome to The Final Problem.”

A: “John might like to call his daughter vs Why would Jennifer Wilson still care about her daughter

G: The bomb at Baker Street

A: “The pirate.” vs “But initially he wanted to be a pirate.”

R: The guards and the security cameras. Sherrinford Prison = Pentonville Prison. Sherlock walks into Eurus’ cell while she plays the violin, her back is turned vs Moriarty walking into Baker Street as Sherlock plays the violin, his back is turned. Moriarty says Bach would be appalled vs Eurus saying “Not Bach, play you.”

A: Sherlock plays Irene’s theme. Vatican Cameos.

R: Moriarty with head phones and dancing vs the entire sequence of him at the Tower of London with the Crown Jewels. The guards escorting him. The security cameras are similar.

A: Christmas. Moriarty.

R: Five minutes between Sherlock and Moriarty. Moriarty in front of the glass cell vs Moriarty in front of the glass with the Crown Jewels. Sherlock and Moriarty shown next to each other in a cell in TRF.

A: Little girl on plane

R: Moriarty’s Final Problem

A: Little girl on the plane

G: Moriarty going “Choo Choo…” trains and more trains

A: The walls of the second room are red and gray, and similar to the walls where Jennifer Wilson was found dead.

R: Moriarty

A: Bond Air plane and little girl. John says Irene Adler loves Sherlock

G: Molly’s “I love you,” scene is set up like the scene in TGG with the painting and the Super Nova.

R: Moriarty. “Took her only five minutes to do this to us.”

A: Little Eurus in John’s sweater from ASIP

G: Little girl on the plane says, “You mean where the driver is?” vs John talking to the train guy in TGG: “What about the drivers?” “They’ve gotta live with it, haven’t they?”

R: Moriarty’s revenge

A: The plane!

R: Time to solve the final problem

A: Young Eurus wearing John’s sweater from ASIP

G: Shot of pool from the TGG

A: Young Eurus in John’s sweater from ASIP

R: Gravestones. Cemetery vs the cemetery at the end of TRF. Arresting Eurus vs arresting Moriarty.

A: John in shock blanket. Lestrade saying his line “He’s a good one.” Shot of Sherlock opening the body bag and John in bed from ASIP. “You know where to find me…” text.

G: Sherlock shooting the wall

A: Sherlock stabbing the mantel

The Lost Special: The pattern ends with Sherlock shooting the wall and stabbing the mantel. Mrs. Hudson told us what these two actions mean. The case is still unsolved and there are still unanswered questions.

9

Every DreamWorks ‘Art Of’ Book…Ever

The Art of DreamWorks Animation: Celebrating 20 Years of Art,

The Art of Prince of EgyptChicken Run: Hatching the Movie,

Shrek: From the Swamp to the ScreenSpirit: Stallion on the Cimarron,

The Art of Wallace & Gromit: The Curse of the Were-rabbit,

The Art of Bee Movie,   The Art of Kung Fu Panda,

The Art of Madagascar: Escape 2 AfricaThe Art of Monsters vs. Aliens

The Art of How to Train Your DragonThe Art of Shrek Forever After,

The Art of MegamindThe Art of Kung Fu Panda 2,

The Art of Puss in BootsThe Art of Madagascar 3,

The Art of Rise of the GuardiansThe Art of the Croods,

The Art of TurboThe Art of How to Train Your Dragon 2,

The Art of Mr. Peabody & ShermanThe Art of Penguins of Madagascar

and last but not least, The Art of Home