After living in Sydney, San Francisco, London and Luxembourg, Kathryn Smith and Ike Udechuku moved to Brussels and created Ampersand House, a home-gallery where public and private meld together. The neoclassical house (where they really live) is located in the vibrant Saint Gilles district, and the interiors are in constantly changing as containers of art and design, vintage and contemporary furniture, objects and prototypes. Almost everything is on sale and used by the owners in everyday life as well as by visitors and collectors who can experience these design pieces in situ. Often, they invite gallerists and artists who present artworks and rare and unique furniture in their home. Kathryn and Ike still works in law and finance, but they now mostly operate as design advisors: they supports clients in purchasing art and design pieces and help them to create their own eclectic style.
Source: Ampersand House- Elle Decor Italia. Ph Mark Seelen
Philadelphia, Pennsylvania, March 9, 1879
During the Regency, Victorian and Edwardian eras it was considered a very big slight if a recognized artist’s paintings were “skied” (placed above the line of vision) or “floored” (placed below the line of vision) in a gallery exhibit. While usually there was a practical reason for skying a painting, it was also a common way for the committee to show favoritism.
One man, in 1910, who had seen his painting placed in a favorable spot and was content, returned the next day - varnishing day - and found it skyed in another room. He left in a huff and came back with a fishing pole and attempted to knock the painting down and destroy it. When security kicked him out, he came back in disguise and shot the painting four times.
Here are a couple illustrations showing what flooring and skying looked like:
Flooring could be much worse if the room or the painting were smaller, with people having to bend and crane to view. Here’s a modern example of “floored” paintings: