very hand some

The Wedding 

dedicated to freak-is-the-new-princess

hp edits ↯:

a hook-nosed man was shouting at a cowering woman, while a small dark-haired boy cried in a corner…

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SUPERNATURAL GRAPHICS CHALLENGE | Season 5
↳ DAY 4: Lucifer

You people misunderstand me. You call me “Satan” and “Devil” but…do you know my crime? I loved God too much. And for that he betrayed me – punished me. Just as he’s punished you. After all, how could God stand ideally by while that man broke into your home and butchered your family in their beds? There are only two rational answers, Nick – either, he’s sadistic…or he simply doesn’t care.

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Layover (Detail crops)

I’ve never spent so much time on research and prelim sketches/studies on a single piece. Despite all the prep, I still managed to be super uncomfortable throughout the whole process and that resulted in a very intuitive hand and maybe some poor decisions. But a little discomfort is good and I’m pretty happy with the result.

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I love this bean to death but I had to draw so many hands I feel like screaming. 

Design by @caezsucksdangs 

The sheer amount of YOI content on my dash just won me over and I ended up binge-watching the whole thing. And then it put me in the mood for drawing, which I haven’t done in a really long time, so…have some sketchy, sneezy Victor :)

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And trust me, you’re not gonna like what I say.

Alright LISTEN UP!!!!!

To every vocal fan of The Loud House here screaming bloody murder about the various happenings in the past week or two (however the hell long it’s been), calm your collective shit. That goes for both sides. Neither one’s the victim in this. You all need to take a big step back, and literally relax for a bit.

Now overall, I’d say the fandom is pretty damn cool given all the various content you guys pump out regularly (seriously, you people could reach Touhou levels of content if ya tried). Unfortunately, like all fandoms, there seems to be some discourse amongst two sides (you guys know which ones). Some things have happened, and now one side’s “triggered” (no, offended. Triggered works like ptsd for war vets, not this), the other side’s fighting back, and I’m sitting here just wanting to enjoy the show (and “whatever” the fans create) at it’s fullest. Do I feel bad for those who are feeling attacked? To a degree, yes, but it does “not” justify all the retaliation from both sides. Consider me neutral on all counts.

Thing is, compared to the vast amount of poison I’ve seen from dozens of other fandoms, The Loud House fandom is not even a fraction of what’s out there across the internet. What one side is complaining about has been a thing done on the Internet for as long as I can remember, and most of the other side know this for a fact. Even I’ve grown to accept that long ago. In fact, the best thing “to do” is to accept it for what it is and “MOVE ON”. Trust me, it’ll be a lot better for ya in the long run. It also helps to be civil and mature about it.

Still here? Good.

The point is, this is how the Internet works. It’s not a safe zone to cry foul about (ffs, Tumblr is a 17+ site/app for a bloody reason). Anything goes, and we go on our merry way.It’s happened for years across “EVERY” fandom, and a vast majority of fans know this. And do you wanna know what the funny thing is? Both sides here have one thing in common:

YOU ALL LIKE THE LOUD HOUSE AND EXPRESS IT IN WHATEVER WAY YOU WISH!!! The sooner you learn and understand that, the sooner you guys can put aside your differences and put an end to this pointless feud (yes, it is pointless, don’t act like it isn’t). THIS WHOLE MESS, WHAT’S BEEN HAPPENING RECENTLY, is not the end of the friggen world. Got it?

As long as you guys know that, then you all can come to terms with each other. Okay? Okay.

TL;DR: The fandom’s fighting, they need to chill, squash the beef, accept each other for liking the show however they want, and move on as a fandom.

So I saw this text post and then my hand slipped

mylittlechimera  asked:

Do you have any headcanons about Nick helping out the Railroad? He seems to know Deacon and who he is working for.

This is a really good one AND a really tough one. I do believe that Nick knows about the Railroad, and on some levels might even help the Railroad BUT I’m conflicted on what he thinks of the Railroad and just how much he’d help them.

I’m sure he’s totally gung-ho about getting synths away from the Institute and somewhere safe, but I have to think that the fact the Railroad routinely wipes Gen 3 synth’s memories for “their own safety” would be really upsetting to him.

His memories define him (as much as they define anyone). Nick’s character arc is about him struggling with human Nick’s memories inside of him, and through your time with him and his personal quest, he comes to understand that the memories he’s formed on his own as a Gen 2 prototype are just as important and valid. That he is his own person. Combined with the fact that we learn in Far Harbor that Nick had multiple personalities installed in his body during his time there, I have to think the memory wipes would upset him on a very personal level.

Having said that: I like to think that any of the Gen 3s that Patriot sends towards Diamond City are either intercepted by Old Man Stockton or Nick. Nick and Stockton have no less than three escape routes planned through Diamond City.

Old Man Stockton has kept synths at Nick’s offices. Ellie’s met most of them. 

After the Institute goes down, Nick reaches out to his network of clients, people who’ve always told him “if you ever need anything Nick, you just let us know”, to hide a synth with them for a few days while the Railroad sorts out their safehouses. Nick never tells the hosts that his “friend” is a synth, he’ll usually just tell them that his “friend” has some people looking for him and could they lay low. He’s never had one person refuse to hide someone for him.

Nick has been known to walk through town with a new synth in Wastelander clothes, disguised as a client who’s travelled very far to retain his services, and he’s just showing them around town. In actuality he’s trying to help synths acclimate.

Nick, by virtue of him having a Gen 2 body, is literally a familiar face to the Gen 3 synths. It’s very comforting for them. Nick is warm and protective, and although he doesn’t remember anything about the Institute, he knows what it is to be terrified and alone in a brand new world. He offers them information and insights into living in the Commonwealth.

He coaches them on Commonwealth history, verbal queues, slang, how to dress, how to defend themselves - all the things he had to learn the hard way.

He hopes if he can help ease them into things, they can have their wits about them enough that they can refuse the memory wipe.

Nick and Glory have spoken a few times. They don’t see eye-to-eye about the correct methods to use, but they do agree that the Institute has to be stopped and that they deserve respect.

If anything, I think Nick would work with the Railroad because there’s no other options for synths out in the Commonwealth. He may cringe or grind his teeth every time one is handed off to Amari, he may have even argued with Deacon or Desdemona about it more than once, but this is the best option he has.

He hopes that with the Institute gone, and the Sole Survivor working with the Railroad, that the Commonwealth will change and he won’t have to watch synths erase their memories in order to stay safe.

• TODD BROTZMAN

static climbs inside my mind
all these lines they blur into one
higher road they turn and wind
all this time my back’s to the sun

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Frank “Doc” Dufresne Stimboard/Moodboard/Aesthetics

Credits: 1 2 3 4 5 6 7 8 9

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👀👀 sekai i see you

An art request that I finally got around to finishing! (Sorry I cant draw hands very well ugh.)

Some more autistic art, this time featuring ‘raptor hands’. 

[Image description: The picture is a mixed-media drawing of a white autistic person with short brown hair and blue eyes. 

They are wearing red earrings and a red jumper with a black button up shirt underneath. Around their neck is a cheweable stim necklace. Their hands are half raised close to their chest in a ‘raptor-like’ pose. 

Behind their head is the rainbow neurodiversity symbol drawn and coloured in pen. Between the two loops are the words ‘raptor hands’. 

At the bottom of the picture, within a red ribbon banner are the words ‘loud hands’, framed by two small neurodiversity symbols.]