Giovanni Paolo Pannini, Gallery of Views of Ancient and Modern Rome, 1758, Musée du Louvre, Paris

In the Gallery of Views of Ancient Rome and its pendant Gallery of Views of Modern Rome, Pannini offers the viewer two imaginary museums assembling in one case the most glorious ruins of ancient Rome, and in the other the masterpieces of modern Rome. The art of ancient Rome is shown as a boundless source of inspiration and innovation for modern artists.

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Giovanni Paolo Pannini - Interior of the Santa Maria Maggiore in Rome, 1750s, The Hermitage, St. Petersburg

The painting belongs to a series, painted around 1730, depicting the interior of the great churches in Rome. The painting rperesenting the interior of St Peter’s is also in The Hermitage, while those depicting the San Giovanni in Laterano and San Giovanni fuori le Mura are in the Pushkin Museum, Moscow.

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Giovanni Paolo Pannini  - Architectural Capriccio, 1730

This architectural capriccio depicts Roman ruins and the statue of Marcus Aurelius on horseback with a soldier returning, other soldiers and figures nearby. An array of ruins from the Roman Forum (including the Temple of Minerva Medica in the left background) are superimposed with other identifiable structures, such as Trajan’s column and an Egyptian obelisk, and certain elements, such as the marble relief lower left and the statues of Marcus Aurelius and the Farnese Hercules, reappear in numerous compositions by the artist.

Pannini specialised in painting vedute, many of which were imaginary (capricci), and he differed from contemporary painters such as Bellotto and Vanvitelli, whose accurately described views contrast with his picturesque approach to topography. This extraordinary view is a fine and characteristic example of the type of picture for which Pannini became famous. The painting is signed and dated lower centre.

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Lo Splendore di Venezia. Canaletto, Bellotto, Guardi e i vedutisti dell’Ottocento a Brescia

Lo Splendore di Venezia. Canaletto, Bellotto, Guardi e i vedutisti dell’Ottocento a Brescia

100 capolavori raccontano l’incanto della città che ha rappresentato, più di ogni altra, un mito intramontabile nell’immaginario collettivo Palazzo Martinengo a Brescia conferma e rafforza la propria presenza all’interno del panorama artistico italiano con una nuova esposizione dedicata agli incanti di Venezia, la città che nei secoli ha affascinato generazioni di artisti. Non si è ancora spenta…

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Giovanni Paolo Pannini


Capriccios by Giovanni Paolo Pannini

Giovanni Paolo Panini or Pannini (17 June 1691 – 21 October 1765) was a painter and architect, who worked in Rome and is mainly known as one of the vedutisti (“view painters”). As a painter, Panini is best known for his vistas of Rome, in which he took a particular interest in the city’s antiquities. Among his most famous works are his view of the interior of the Pantheon  and his vedute—paintings of picture galleries containing views of Rome. Most of his works, specially those of ruins, have a fanciful and unreal embellishment characteristic of capriccio themes. Panini also painted portraits, including one of Pope Benedict XIV.

[Portrait of Panini by Louis Gabriel Blanchet]