Is there any purer depression-kino than Neon Genesis Evangelion? Something about the way a perfectly compelling narrative with a rich ensemble cast completely breaks down into utter abstraction, rampant psychosis and a search for personal meaning makes for the comfiest viewing when you’re down.
Let Me Muse A Bit About The Reason People Keep Arguing And Flaming Each Other Over Tohru Adachi's Alignment In P4U2
First of all, I don’t trust the trailer. I don’t trust it because it sends a very mixed message, and whenever Persona Trailers do that, they are usually stuffed with red herrings. PQ’s trailers did that, and P4U’s trailers did that, and I doubt P4U2 is an exception.