unlikely lines


   ↳ Leonard Snart, aka Old School White Knight™
   ↳ “Gideon, bone me.”
   ↳ Rip Hunter and his 6-year-old child who hates nature
   ↳ The Look™
   ↳ Partners who get high together stay together (or is he just making sure Mick doesn’t kill himself?)
   ↳ *disappointed 7-year-old voice* “Let’s go!”


Right. Maybe the last ones, but then again, maybe not. A different leather jacket, also profile. (x)

anonymous asked:

All the poses I use look stiff, bland and common, how do I make proper poses?

Imagine the human body as blocks, your torso is really just a flexible rectangular prism, but to keep it simple let’s just look at it as a rectangle. Boring poses probably have the “rectangle” looking flat and 2 dimensional, we don’t want that. We want it to look 3D. Stretch them, make the top and bottom lines slanted!

When you want to draw, I think that it’s really really important to know how to draw shapes and 3d prisms because that is what a body is. They are meant to be 3D. 

Notice how the shoulders are SLANTED (top and bottom line of ‘rectangle’). They are not straight lines, unlike the boring pose in the first image.

When you build your pose and body, I recommend starting with drawing a slanted line at the top and bottom, then you can make up a pose that works well. Hope this short explanation is enough to help!


There’s plenty to be said about each type of fountain pen nib you can easily find for sale, this post is just a nibble of what’s to come! 

Standard nibs are the most common, with the most straightforward design. The nib tapers down to a point, which has a small bead of tipping material welded on the underside that contacts the paper. The bead itself serves the dual purposes of providing longevity to the nib (it’s an alloy much more resistant to wear than steel) and also providing a uniform line no matter which way the nib is traveling. The end result is a pen with a reliable line width, the thickness of which is indicated by a grade of extra-fine, fine, medium and broad. This grading system is more of a courtesy than a science - widths are relative but not exact! You’ll find that Japanese pens have a finer grind than most western institutions, for example, so their fine might be more similar to a western extra-fine. If you’re interested in getting into fountain pens but don’t want to gamble on something exotic, this is generally the best nib to start!

When choosing a size, bear in mind that the finer a nib is, the more scratchy it tends to be on paper, while broader nibs tend to be smoother due to the larger surface area!

Nearly every fountain pen manufacturer out there produces pens with these nibs. Some like Pilot also offer the occasional extra-extra-fine and double broad, though you might have to dig deep to get your hands on one.

Stub nibs are like a standard nib that’s had its tip snipped off, leaving a broad, flat edge. Your downstrokes are as thick as that edge, while strokes to the sides remain quite fine. It’s a popular choice for calligraphy due to the character of these lines in cursive, but I’ve also found it spectacular for sketching! Conscious use of thick and thin strokes allow for much more depth than a standard nib, but just drawing without paying mind to it yields some gorgeously unpredictable and organic results.

You’ll almost always see stub nibs labeled by their widths in millimeters - from 0.8mm all the way up to 1.9mm. Most manufacturers offer 0.8mm or 1.1mm stubs on their flagship pens, but you may have to look to the likes of Lamy for stumpier ones, or Pilot for their absurd but amazing Parallel series, which are highly atypical but extremely fun and cap out at a whopping 6mm.

Brush pens are pretty self-explanatory! It’s a fountain pen with a bristly tip that tapers to a point, rather than a metal nib. When filled, the brush’s tip is constantly saturated with ink via the feed, so you can just keep trucking with your strokes instead of having to dip it over and over like a chump. Take it as you will, but brush pens do not typically feed particularly quickly. If you sketch with fast, long strokes like me, you’ll be left with some really dry, sad lines. On the plus side, however, you can get some great dry brush effects, giving you a range of textures and midtones that you won’t be able to get in any other kinda fountain pen. Given its soft and flexible tip, it has the broadest range of line variation and the most control over it on the fly.

There’s not a whole lot of nuance to brush pens, the market’s kinda cornered by two or three companies and there are really only two kinds of bristle material available: synthetic and weasel. Synthetic brushes are petroleum-based (plastic) and are eager to snap back into their original position, while natural hair is softer and more relaxed. The big players in brush pens are currently Kuretake and Platinum, though Pentel has a very popular entry-level in its Pocket Brush pen. 

Fude nibs are a personal favorite of mine - they’re kinda like stubs but perpendicular. It’s got a big ol’ ski-jump of a tip that can make some very broad cross strokes when pressed flat to the paper, and the downstrokes are thin. These pens are a bit harder to come by in the west, as they’re designed for more eastern calligraphy, but they still make for spectacular sketches! It takes a bit of getting used to, but you can get way more variation, with more control, than a stub with one of these. It also happens to look more brush-like with its organic transitions and sometimes-uneven ink distribution. If you want more acute control over your line width than a stub but can’t stand the speed of brush pens, a fude nib is a great middle ground!

If you’d like to get your hands on a reliable fude-nibbed pen, Sailor’s De Mannen series is easy to get a hold of, and I know Hero has a few on the market as well. My favorite company for fude pens, however, would be Duke! Their 209 can be gotten for around ten bucks and is a spectacularly solid pen for the price, oftentimes you can even get it bundled with BOTH a fude and standard nib. There’s also the Duke 551, labeled sometimes as the Compound Art Fountain Pen, and it’s head and shoulders above anything else on the market. Seriously, go take a look at that thing, it’s ridiculous.

Last but not least, flex nibs are pretty similar to a standard nib, but with the added ability to splay their tines and spring back to where they were before. This extra spring and flexibility means two things: a bit more bounce in day-to-day writing and some pretty respectable line variation. Unlike stubs and fude nibs, which rely on stroke direction for line variation, a flex pen gets thicker lines from added pressure while writing or drawing. The amount of pressure it takes is pretty considerable, though, so you can easily and comfortably use it as a daily writer.

Pens with flexible nibs were fairly common back in the day, so it’s a common sight in vintage fountain pens, but production of them has fallen out of favor in recent decades. Right now Noodler’s is the only reasonable peddler of new, affordable flex pens with their Ahab, Creaper, Konrad and Neponset series, so give them a look if you’re up for something that carries itself like a standard but offers some pretty juicy lines under pressure. Many fountain pens with gold nibs also have a notable degree of springiness/flex to them, most famously the Pilot Falcon, though they weren’t necessarily designed to be mashed into the paper like Noodler’s fare. Gold nibs, however, are a good subject for another post, so stay tuned.


Don’t let this post fool you - there are many more types of nibs out there, these are just some of the most accessible, both in terms of learning curve and finding in an online store. If you’d like to know more about any of these, or if you feel like I excluded a notable variety, send me a message!

Day 2 of sleeping in the closet. I’ve dragged a mattress in here and made it cozier. Time to try and sleep…

Originally posted by elizaryce

The Walk

“His hair has gone grey. He passes every day.
They say he walks the length of the city…

He is working through the unimaginable.”

- Hamilton, Quiet Uptown

It’s fall and the leaves are dying. They brush against the polished shine of his shoes, fragile beneath his feet – brittle. He feels brittle, too. Dry and used and wasting away.

Graves’ knee plaques him. They tell him it won’t ever fully heal. He grips the walking cane a little tighter. His wand is in its center, unrecognizable. An anchor meant to help him feel less crippled. Regal and ornate like every other part of his well designed mask. A symbol of power and wealth. Like his opulent coat and his freshly pressed suits and the shoes he still shines even though he has no job to wear them to. 

Armor that has no use.

Every morning, he goes about dressing himself as if nothing happened; too afraid to stop. And every evening, he winds up here – in Central Park.

He feels thin, like water spread across a wide floor, ever spreading further and further apart from itself.

His knee gives. He grits his teeth, his breath a great and angry plume in front of his face. He breathes and the feeling passes.

He watches a group of children chase each other, hears their laughter and feels a pang for the life he’s missed.

The wind bites deeper than his coat can stand and he remembers a time he didn’t used to feel so cold so easily. He stumbles, teeth already bared to curse. He seethes. His knee pops cruelly. He dips. No one notices, no one notices

– And then there is a hand at his elbow, not holding him up but rather entwining with his until he is elbow to elbow with a familiar blue coat. Scarred hands and pleasant eyes, happy to see him. Smiling. Wrinkles from his laugh lines – so unlike his own. 

Graves’ wrinkles don’t seem to go away, lately.

“I can’t believe you started without me! I almost missed out on the best park of the walk!” Newt says cheerfully, cheeks rosy from running and from the chill.

Graves scoffs and tries to remember how his lonely evening walks had somehow become a tradition he shared with the wispy Magizoologist. A ritual that had somehow bloomed seemingly from nothing. One day, Newt was just there – and had been ever since.

“You hardly missed anything, Scamander. You accomplished in mere seconds what took me minutes to do. You could go walk it again and catch up with me without missing a beat.”

Newt falls into step with him, unhurried. Content to meander not because Graves cannot move faster, but because he genuinely seems to enjoy slowing down this aspect of his day. To breathe.

Newt tucks his chin and smiles as though he knows something Graves does not.

“It’s not the park I was afraid I’d miss,” Newt says, friendly, and begins to chatter as he always does. And calmly, Graves listens. Queenie and Tina had warned him once to be patient with the man. Something about him being a bit of an odd duck – just as quick to withdraw as he was to speak his mind. But Graves found that Newt had no trouble holding up a conversation. He spoke of his creatures quite liberally now that Graves had no power to reprimand him. He spoke of his book and his plans and his many adventures.

And despite himself, Graves finds it calming just to listen. Occasionally he engages. He asks about what creatures he has or how Newt came to acquire them; but generally he just listens, swept up in the robust passion of Newt’s words that made his own life feel thin and grey by comparison. Sometimes he just closes his eyes and lets Newt lead him - lost in the soft wonder of his voice.

He can’t help but be in awe of the sheer force of nature that is one Newton Artemis Fido Scamander.

The hand at his elbow grips him a little tighter, as though anticipating something exciting as they crest the same hill they always climb to catch the sunset they always watch. The trek leaves Graves aching and unable to catch his breath. His hand trembles fiercely on the grip of his cane, but he does not ever mention it and neither does Newt. Instead, Graves takes a deep, steadying breath and looks out at the view before them – caught as he is always caught by the sheer magnificence of oranges and purples and pinks against the dimming New York sky. He feels a little bit of the weight on his bones leave him, his body oddly light, and sighs.

“This was what I was afraid I’d miss,” Newt says softly.

“That’s the great thing about sunsets, Newt. They come back,” Graves says dryly, eyes sliding from his favorite view in the city to his companion to wryly tease him – and falls still. Newt is looking at him, smiling a little smile, and suddenly everything feels important. 

It’s then that Graves realizes that Newt had never been watching the sunset. Not this evening or the evening prior or the evening before that. He blinks, at a loss. He blames the cold on his rising flush and coughs to hide his stammer.

“An old man staring at the sky. Hardly a novel view.”

He refuses to look at the man even when Newt’s grip gets a little tighter.

“A brave man choosing to see it once again,” Newt says, certain. “I think there’s more beauty in that than in a sunset that will come regardless.”

When Graves returns to the park the next day, it’s not for the sunset.

Full disclosure: I write this as someone who, up until last year, looked at the spinoffs and brushed them off as ‘silly’ or ‘not worth my time’ and just laughed at them without ever giving them a shot(save for GX). My general reaction to seeing that there was another series was ‘another one? really?’

So, with that cleared up,

Why you should totally give the Yu-Gi-Oh! spinoffs a chance.

So, you’ve seen the original series(which I shall refer to as DM(Duel Monsters) from here on out) and maybe you’re kinda curious about the other series, or you want to know what the buzz is about and if they’re really that good. But, which should you check out, there are 5 of them after all.

All of them, you should give them all a shot.

Le’s go down the list, stating with GX.

Yu-Gi-Oh! GX

This is the one that’s the ‘high school au’ one.

This is your protagonist for 4 seasons(180 episodes)

His name is Judai Yuki. Probably the most normal and realistic looking of the ones on this list. I mean, brown hair and eyes, that’s pretty uncommon for a protagonist in this kind of anime.

He’s the protagonist a lot of people seem to refer to as the ‘annoying hyper one’. I blame the 4Kids dub* for this. Because, watching that, you wouldn’t believe he’s 15. Yeah you heard me. 15. A year younger than Yugi. He is most definitely not the ‘annoying and hyper’ one. 

He’s the only protagonist to have a confirmed end-game love interest(as in, he canonically ends up with someone), and they’re not female.

The show allows him to make mistakes and face the consequences of his actions, and they aren’t always pretty.

*I will probably recommend you watch the subs for all these. Because honestly, after DM (and ymmv on what you thought of that dub) I feel like 4K just treated the spinoffs as a joke. They butchered the hell out of them and you lose a lot. Unless you want to watch the dub and laugh at it.

If you’re fresh off DM, or hold that one dear and aren’t sure if you want to let go of the characters you love yet(and you don’t need to let go, you can love all of them), this might be a good place to start, because cameos.

Yup, see GX is set in the same universe/timeline as DM, just about ~7(10 in the dub) years later, so we get a few cameo appearances from past characters.

Pegasus appears in 3 of the 4 seasons, Yugi appears in the first and last episodes, Kaiba gets a few brief shots and Yugi’s Grandfather even gets an appearance dung the second season as a helper to the protags(which gives us a number of nods back to DM and Battle City in particular.

The foreshadowing in this series is, amazing, and the sort of thing you don’t catch till you rewatch it.

It is slow to get started admittedly, unless you like slice of life, then you’ll enjoy the early portions of season 1, because it has a lot of slice of life type episodes/episodes to establish the characters and the world before the plot kicks in.

If you can hang around until season 3 it will be worth your time. I promise. I can’t even compare it to anything in DM because, cripes it’s worse than season 4(the Doma arc) with how dark it gets. Season 3 is basically the embodiment of the ‘Break the Cutie’ trope. With ‘cutie’ being, that one up there.

Also, the character development in this series is phenomenal! Probably the best out of all the series.

So if you like DM and the characters and you’re not quite ready to say goodbye, this is a good place to start.

*I have a bit of a personal bias b/c this one is my favourite.

Yu-Gi-Oh! 5D’s.

aka the card games on motorcycles one.

Yes, it’s a silly idea. But they pull it off enough well enough that you can look past it.

So, your protagonist for this 152 episode series.

Yusei Fudo. He is the oldest protagonist at 18.

Do not be fooled by that serious face, he is a massive sweetheart and very nice.

If you like action this is one you’ll like. If you enjoyed Kaiba you’ll probably enjoy Jack Atlas (the rival/Kaiba expy for this series). This one also has more of the ‘ancient magic from thousands of years ago’ that DM had. Except from Egypt, it’s from Peru, and involves the Nazca lines.

Unlike GX,which starts out slow and is very slice of lifey, this one just, drops you head first into the story, action right off the bat. You need to watch a few episodes to adjust to the vast difference between this one and the previous two.

You may have heard of the 10th anniversary movie Bonds Beyond Time, a crossover between DM, GX and 5D’s. Yes, that means that this too exists in the same time line as DM. Just, a few decades or so after GX (though it’s not clear how many). There’s no character cameos, but you do get a few nods back to DM, including a mention about Kaiba Corp as well as the brief appearance of an old duelling platform from season 1 DM.

This is also the first one to introduce a new summoning method(that isn’t Fusion or Ritual), called Synchro summoning.

The first season(up to episode 64, the end of the Dark Signers arc) is worth checking out at minimum and you can totally stop right there and not really lose anything.

The second season is, kinda clumsily handled. There was a massive controversy with one of the actresses and she was replaced and a massive chunk of the script rewritten due to said controversy and, it shows. Season 2 has more of the ‘slice of life’ episodes. And it has some fun mini arcs interspersed with the plot(like watching Jack fight the literal devil, and a wild west themed mini arc).

Again, I recommend the subs. The dub is, eh. The second season is just, bad because there are literally chunks of episodes, in the middle of arcs, undubbed. And the last chunk of the series isn’t dubbed, it ends something like halfway through the final arc. So subbed is the only way to see it through till the end.

So 5D’s is worth checking out for sure, or at least the first season and BBT.

Yu-Gi-Oh! ZeXal

This one seems to be a bit of a blacksheep in the YGO, it seems to be the one to get a lot of flack. :/

Anyways, our protagonist for this one. It is 146 episodes.

Yuma Tsukumo. Sweet cinnamon roll that must be protected at all costs.

Yes, he has weird hair, but so does everyone in this series so you’ll adjust(and some are even odder that his). Also please note he s 13, making him the youngest protag. So keep that in mind when judging his actions.

If you like DM, this is also a good one to check out for sure because of all of the parallels between them.

From the relationship between Yum and Astral and Yugi and Atem(amnesiac spirit tied to an artefact and host that is helping them recover their memories…), to ‘former bully turned best friend of the protagonist’, to something that happens at the very end of the series. It’s like a great bit DM reference, with season 2 being a massive GX reference.

It also has great themes on friendship, forgiveness, family, as well as never giving up and giving it your all. Yuma’s ‘kattobingu’ is silly but wonderful. Yuma is a ball of sunshine and happiness that eclipses everyone else on this list.

It’s plot is also an interesting thing, going from a seemingly clear cut, black and white situation where you go ‘they’re good and they’re bad’ to a very grey and muddied one where it’s really hard to tell who’s right and who’s wrong in the conflict and asking the question ‘is this really right?’

While there are no past character cameos, we DO get an episode with monster cameos from DM and GX(including BWED and Dark Magician, and Neos and Rainbow Dragon). If this is in the same universe or a different one from the previous three is unclear. Knowledge of them is not needed to watch and enjoy this one.

Like 5D’s, which introduces Riding Duels and Synchro Summoning, Zexal introduces us to Xyz Summoning and D-Gazers(the duels are projected into VR space that only those wearing a D-Gazer can see/interact with, and the trouble as a phone/communication device of sorts). It catches you up fairly fast on what both of these are.

Much like GX though, it starts off semi slice of life-y with plot, and then the next season hits and it goes dark. Really, really dark.

But it’s great.

Also, it has arguably one of the greatest villains in Yu-Gi-Oh!. Vector. Just, just Vector.

Think like Yami Bakura, if he were actually competent and thought his plans through and knew what he was doing. And more of a twisted, manipulative person. He’s a ‘love to hate him’ character because he is so good at what he does and fun to watch, but at the same time, the things he does are just awful.

And this one has some pretty good foreshadowing too-there s a line in the, second episode that suddenly makes sense when you get to season 2 and more is revealed.

So if you love DM this one is definitely worth checking out.

This one isn’t missing any episodes from the dub.

Yu-Gi-Oh! Arc V

This one is a bit longer than Zexal at 148 episodes long

This is Yuya Sakaki. You’ve probably heard people call him ‘tomato child’. Yeah, the hair is why. Also he is 14.

Again, like Zexal everyone has crazy hair, so he isn’t too unusual in terms of colour(I mean his best friend has pink hair).

This one is a bit different.

See, while you could watch any of the previous three in any order without having seen any of the others and they would still make sense, this one makes frequent references to GX, 5D’s and Zexal as well as using their summoning methods(Fusion, Synchro and Xyz). You don’t *need* to watch the previous ones to watch this and understand it, however you will get the tiny references faster if you do(which adds to the fun).

It is definitely a fun one to watch, taking all the liveliness that is duelling and doing something with it. Action Duels. So no more just, standing there shouting at one another. Now it’s running around, riding the monsters and shouting at each other.

So if you liked the action from DM, you’ll enjoy this.

And much like Zexal and 5D’s, this one introduces Pendulum Summoning as its new summoning method, while utilizing all the previous summoning methods.

One thing people like to point out is its deconstruction of many past YGO tropes(esp the ‘we duelled so we’re friends’ trope.) and it does, frequently. Also I think it’s the first one to feature a tournament arc, where the tournament doesn’t get finished. And female characters that DO shit and get shit done. And a lot of them too.

And yes this is the one with the guy and his lookalikes. Don’t worry, it’s not as confusing as it seems. If you can keep straight and past and present selves in DM, counterparts is a non issue(especially since they are introduced gradually so you get to know them).

The plot is kinda slow to get going, as it bounces between two main characters for the first while, yet still keeps from being boring, but once it hits, it HITS. Like, by episode 7 you know something is up and this is going to be more than just ‘duelling for fun’ and a rivalry between schools, and it goes from there. And then, for lack of a better descriptor, ‘shit gets real’ once you reach the 30′s.

And it’s all down hill from there.

*This one is my other favourite.


This is the newest one, hot off the presses (and only 6 episodes long at the time of writing)

Meet Yusaku Fujiki, 16 years old.

A bit of a loner, withdrawn and more or less friendless(a first in YGO). He’s also blunt and speaks his mind, even to the point of rudeness, even if unintentionally(he doesn’t know how to socialize all that well). He’s also a hacker.

But he has an alter ego, the vigilante duelist Playmaker. Did I mention he gets a transformation sequence?

Cause he does. The magical boy/magical girl jokes write themselves honestly.

(gifs by kaiba-cave – the gifs did not show up in the gif search unfortunately)

VRAINS introduces us to a new kind of dueling, VR dueling, where one logs onto the Link VRAINS (which stands for Link Virtual Reality Artificial Intelligence Network System) server to duel in the online world under an avatar(that usually looks/sounds different from their real world self). It also introduces Link Summoning to the game.

If you thought the Virtual Reality arcs in DM were something, VRAINS takes it up a level(also if you are at all familiar with the mobile game Duel Links, then the rules of the Speed Duels that are used in VRAINS should be familiar to you). I

All we know about the plot at the moment is that the world of Link VRAINS is under attack from a group of hackers called the Knights of Hanoi who seek to destroy it.

I’ve head comparisons made to .hack and SAO, but as I’venev seen eithe can’t vouch for them.

Also, if you like consistent animation quality, GX is the way to go, with Zexal and Arc V following close(VRAINS is looking pretty good to but only time will tell). No where near as many wonky episodes like DM had(Doma arc and Memory World Arc come to mind). Sure they have their off episodes in terms of animation(what doesn’t?) but not to the degree that DM had.

GX is fairly solid in terms of animation, especially in season 4 where it shoots up, a lot. While Zexal and Arc V are just, stunningly animated, and very bright and colourful (so when the animation dips for an episode or two you can tell).

5D’s has some good and some bad.

And the character designs, the character designs are fucking great ok? For all of them.

Where to watch!

Of course, the most important thing, after picking which one sounds interesting to you, is were to watch it.

I highly, highly recommend the subs over the dub(though you can watch the dub if you want, just take it with a grain of salt at times)

Of course, supporting the official release is best idea. Gx, 5D’s, Arc V and VRAINS all have official subs on Crunchyroll for your viewing pleasure, with VRAINS being simulcast! This means subs come up the same day the new episode comes out(every Wednesday). This is the first time it’s ever been done for Yu-Gi-Oh!

Ideally, this would be the way to go. However, CR does not have subs for Zexal(it does have the dub though so, maybe one day), and VRAINS is region locked in certain places(like Canada) meaning you will have to seek fansubs elsewhere. Gogoanime is my recommendation. Torrenting/downloading is the next best option.

If you want decent Gx fansubs, I recommend these ones.

All in all, they are all good, for various different reasons and definitely worth checking out, especially if you were/are a fan of the original. Or if you watched any of them dubbed and want to check out the uncut/unedited original versions, which are worth it.

Don’t just pass them over because ‘oh they’re spinoffs, they can’t be that good’. Actually, they can and are.


waverly earp in season one → purgatory

Sakura's Love

You know I’ve noticed that alot of people believe that sakura’s feelings for Sasuke is very shallow just because kishimonto never gave a definite reason for her love. They like to believe that she only loved Sasuke for his looks.
Honestly did these people read the same manga as I did?
Like seriously it’s been shown many times that sakura truly loved Sasuke. But I guess that just because she never had a reason than her feelings are shallow. If sakura loved Sasuke for his looks than she would never have went through that much amount of pain by loving him. She almost kills herself to protect him from Gaara. She tries, but fails, to kill him so he won’t fall further in darkness, she saves him countless times and worries and cries the most for him. Kakashi himself said that sakura stopped wanted to make Sasuke hers, she wanted to save him and make him happy. She suffered so much by loving him. But I guess even after all those moments people still think her feelings are based on his looks. Kishimonto stated that ’ you don’t a reason to love someone, only a reason to hate someone’
In his manga, only hinata was given a reason for her love. And somehow that makes her love more pure?
Like he never gave any other canon couples a reason behind their love and people don’t question them. Like where’s shikamaru’s reason for loving temari and vice versa?
Where’s ino’s reason for loving sai and same for Obito?
It’s obvious Obito loved rin what where’s the reason behind it?
Honestly not even Naruto was given a proper reason for loving Hinata. Sure throughout the manga you can see that he grew to care for her, but why does he love her? Iam pretty sure that was never stated. All the NH fans claim that Naruto already loved Hinata but could never realize it till in the Last movie ( pretty stupid ideology) like where’s naruto’s reason? And don’t say ’ because she was always by his side’ cause I’m pretty sure you ment IRUKA was always by his side. Kishimonto never gave Naruto a reason for loving Hinata so iam safe to assume he only loved cause she has big boobs right? Of course not. Naruto is not that shallow. So why can’t the same ideology apply to sakura?.
Like does she need a proper reason to love Sasuke? Her feelings has matured SO much. From liking him for how cool he was and being his fangirl to loving him even though it’s killing her. For loving him even though you are aware of his flaws and mistakes. For loving him despite that. For loving him even though it’s so hard. Many times it’s been stated that sakura’s feelings are pure. Like alot of people like shikatema, even though their was never a reason, we all like to believe that they came to love each other after spending so much time together and by getting to know each other. Kishimonto never stated that but it’s still true.why? Because we can read between the lines unlike some people. So why can’t sakura love Sasuke for the same way? Why can’t you people understand that sakura started falling for sasuke after spending more time with him and getting to know the real him. She sees all his flaws. She knows he’s imperfect but still loves him with his flaws. That shows maturety people. And I like to also state that sasusaku voice actors claim that sakura’s feelings for Sasuke grew more stronger when he left. ’ absence makes the heart grow fonder’ was their reply. But honestly explaining to people like you as to why sakura loves sasuke is like explaining to a blind man what the colour Blue​ looks like.
But I suppose that there was never a reason stated for her feelings so she only loved him for his looks. I guess Naruto and shikamaru only lived their respective partners cause their hot.

to all lgbt+ people:

never forget how incredible and amazing you are! you are so so valid in your identity and i love you so so much! you are a wonderful welcome member of the lgbt+ community which means you are loved and good and beautiful and terrific and more! 

gonna be honest here: it’s okay not to be out, regardless of your reasons. it might be unsafe or daunting or you might just not want to come out. you might be out to some people but not all, you might not be out to anyone. no matter why or with whom, you are not required to come out to anyone and no matter what, you are still valid in your identity

give yourself a hug for me too (since i can’t, or don’t if you don’t like hugs) because i am so so proud of you for being here and so so proud of you for being you and being who you are!

you are such a lovely and treasured and valued and valid and important person and i mean it, from the bottom of my heart. unlike the next line, this is no joke.

up. look up. you’ve just been rickrolled.

In Defense of Titanic’s Ending

“At the end of Titanic when Rose dies and reunites with Jack in the afterlife, how is it cool that she’s making out with a 19 year old homeless dude that she knew for a few days back when she was a teenager, rather than the father of her children?”

A friend of mine asked the above question and I agreed to answer it to the best of my abilities. That said, a fair response deserves a fair question, and the above question is not so. I can’t begin to answer the question by referencing Jack as a “teenage homeless dude,” for he is not that in both (what I’ll call), the “external-movie” and “internal-movie.”

The “external-movie” shall encompass all components that went into making the actual film. So I’m speaking about primarily, the screenplay, but also the conventions that influence the way movies are made. The “internal-movie” shall be seen as the fictional world in which the characters live.

To call Jack a “19-year-old homeless dude” that Rose knew for a “few days” is to negate his characterological purpose in its entirety, and in so, the purpose of Titanic’s emotional plot lines. Unlike most films, Titanic consists of two emotional plot lines: Rose’s love affair with Jack, and her self-actualization towards living a meaningful life.

Jack is a literary device to aid her in that journey, and in some ways resembles the manic-pixie boy archetype. Thus, if his presence in Rose’s afterlife is going to be questioned, it must be questioned taking into account his actual purpose, both within the fictional world of the movie, and outside it. However, once his true “internal” and “external” functions are acknowledged as so, the question itself, is no longer logically necessary to ask.


External-Movie Reasoning
What does this mean? Well let’s start with the external-movie. Now, a ‘passable’ screenplay follows Hollywood conventions, and this affects Jack and Rose (and Calvert) in two ways:

Movies are stories. Stories do not include every detail in a protagonist’s life. Instead, the stories told in movies focus on a particular aspect of the protagonist’s life. In Titanic, Rose’s ‘story’ is more abstract when it centers on her romantic relationship with Jack and how his love for her transcends his own life to give meaning to hers.

Since that is the focus of the emotional plot, the screenplay does not spend time describing Rose’s subsequent years of marriage to a man under the name of, Calvert. Consequently, it appropriately avoids wrapping up “Jack and Rose’s” story with a man that the audience has never even met. Imagine instead of Jack welcoming Rose into the afterlife, an unfamiliar face greeted our protagonist. The ending would have never passed screen tests.

The second point in defense of Jack and Rose’s ‘afterlife reunion’ from an external-movie perspective looks at the movie paradigm. The movie paradigm, or “three-act structure,” states that if a character’s lowest moment is on pg. 90 in the screenplay, then he/she will get their happy ending and vice-versa. Well, it’s safe to say Titanic puts all of its characters through a perilous hell, including Jack and Rose throughout the second act. Jack’s death occurs at the “pg. 90 moment” for Rose’s story line, and so according to screenplay law, she deserves a happy ending within that story line.

Again, going back to the above, real-life would argue for the case of Calvert, a life-after-love perspective. But that’s not the story “Titanic” is telling. 

To repeat myself, the story “Titanic” is telling, is Jack’s transcendent love for Rose and how it helped create a new life for her. So what sort of endings can be drawn up from that, given that Jack is now dead? An ending that not only depicts how dramatically Jack’s love transformed her life (as seen in her bedside photos), but that is also proportionally equal to the “adversity” they faced earlier in the film. With both Jack and Rose spending the second act fighting for their lives, it only makes ‘screenplay sense’ that in the third act, their love is no longer in threat of sinking ships, and class boundaries. Thus, an ending depicting a ‘Titanic heaven reunion’ directly parallels the film’s rising action of a sinking ship tearing its characters a part.

From the “powers that be” that dictate Hollywood film conventions, it makes the most “external-movie” sense for Jack to welcome Rose into the afterlife.


Internal-Movie Reasoning
I’ll preface this part with, I believe the external-movie’s ‘needs’ often trump the internal-movie’s realities. In so, the above segment carries more weight because, “That’s Hollywood, baby.” Additionally, this part naturally lacks information outside of the context of the film’s story, so I cannot speak on behalf of Calvert, or Rose’s marriage and life spent with him. However, we can take a look at why Jack makes the cut for Rose’s afterlife, given the information the film gives us.

Although their actual time spent together was brief, Jack’s impact on Rose had life-long effects because he unconditionally loved her when no one else did, and that love consisted of a natural bond inexplicable by the likes of me, or anyone….because love.

Their relationship launches from a unique situation, which entails Jack saving her life. Prior to Jack, Rose felt so insignificant to those around her it led her to attempt suicide. Therefore, Jack became the first person in her world to care, to see her, and to advocate for her. For a 17-year-old aristocrat in 1912 with no say in her future, Jack promised a future, one with choices, and we have to assume that that was heavily intoxicating and alluring for an impressionable Rose. Anyone who has ever fallen in love can speak to its exhilarating ways. Jack and Rose’s love was merely set against extremes.

When was the last time you attempted suicide, were talked out of it, nearly died going back over the rail, bonded with a complete stranger, fell in love for the first time, lost your virginity, made a conscious choice to leave your family and life behind, fought for your survival on the FREAKING Titanic, had your first love die so that you could live, and then enter New York City with nothing of your own accept the chance of a new start? Phew. It’s exhausting even saying it, I can’t imagine living that over the course of a few days. The point is, none of us can. So if empathizing with Rose on this is actually outside of your scope, I don’t blame you. But it must be noted, this incredibly, rare and unique chunk of time in her life irrefutably influenced her life moving forward.

Jack’s death, as well as the sinking were traumatic events that Rose had to endure. Trauma effects people in different ways, but for Rose, she chose to honor Jack’s life by carrying on his legacy. In Jack’s final plea to Rose, he tells her she is going to have a life beyond the Titanic and beyond him, that she is going to marry and have kids with another man. He does this because he fears if he doesn’t make this clear, she would succumb to her own death beside him. This is depicted clearly when after Rose learns of Jack’s death, she briefly rests her head beside him in surrender. Her eyes only snap open once she remembers that he made her promise she would go on without him. Rose’s trauma then becomes a driving force in her life to honor a man who saved her in more ways than one. 

She does presumably find happiness in a relationship with Calvert. Does her relationship with her husband differ from that of Jack’s? Yes. To compare the two would be a mistake. I believe that every single person has a side of him/herself that is unlocked through another person, that different people allow us to express different parts of ourselves. Rose’s husband may have unlocked Rose’s caregiving side, her practical side. Jack unlocked the passionate side of Rose, but primarily, he tapped directly into her soul. If you think that soulmates exist, Jack was her soulmate.


A Final Word
If you only believe in pragmatic love or if you feel incapable of suspending your disbelief, then I’m going to go out on a limb and suggest you don’t bother watching “Titanic,” other romance films, or maybe films in general. All movies ask us to suspend our disbelief in one way or another. Some do it through unlikely chance encounters. As unlikely as it was for the real Titanic to sink, it did. If Jack and Rose’s love did not transcend the living world in Titanic heaven (how epic), would their storyline have carried its own weight against the actual story of an unsinkable ship sinking, taking 1500 lives with it? 

I have a theory that we are only capable of taking away from movies, what beliefs and values already reside within us, that we ‘project’ on screen what we want to see. So I ask you, what do you want to see?

Ephemeral [1]

(adj.) - lasting a very short time; short lived 

Member: Namjoon 

Genre: Angst, some sort au that is tbd, romance(?) 

Words: 1.5k 

Summary: There is a man in your dreams. You don’t know what he looks like or what his name is - you only know the sound of his voice. His voice. His voice follows you where ever you go. These dreams are your only source to see him, yet these dreams feel so real. 

A/N: Hi everyone! Here is my new series, Ephemeral. I know I’ve kinda left things on a bad note with Fernweh as I took it down, but hopefully you will enjoy this series. I feel much better now and I have a good feeling about this story. I hope you guys enjoy Xx 

[ two ] [ three ] [ four ] [five] [ six ]

Originally posted by nelliel66

“Don’t be afraid Y/N—“

Keep reading

Reminisce | 3

Park Jimin
“I found myself falling more in love with you as I grew older.”
You and Jimin were childhood best friends until you had to move away. As years passed and you both aged, the separation between your friendship deepen and you never heard from him again. More than a decade passed and you suddenly stumble upon the man who you never stopped thinking about.
Word Count: 4,210
Italics = flashback
(Y/F/N) = Your Full Name

Prologue | 12 | 3 4

I will be updating less frequently bc school is starting again and I know i will not have time to update )): im sorry, but i am tremendously happy for all the love and support for my stories so far

Originally posted by theseoks

“Why don’t you come back to my place? It’s late and I don’t think you have the keys to your own house. My apartment is only a city over.” The bright digital numbers read 2:08 AM. Jimin’s hands were shoved into his pockets as you both waited for a taxi to drive by.

You sighed, your breath visible in front of you. He was right. You had no way to get into your dad’s house and you were unsure if he was even home. If he was, you didn’t have the heart to wake him up. “You don’t mind?”

“As long as you don’t mind spending another couple of hours with me.” Jimin chuckled and hoisted your suitcases into the arriving vehicle. He followed you into the car and you rested your head against the window. 

You felt something brush against your right hand. You didn’t check what it was because you knew what it was. Jimin’s hand slyly rested under yours and he loosely intertwined your fingers. You blushed and thanked the darkness for concealing the red mess on your cheeks.

Jimin dragged you into the elevator and pulled you to his door when you arrived at his floor. The building was tall and fancy, like one of those hotels your family and Jimin’s family used to stay in on vacations.

“I want to share a room with (Y/N)!” Jimin was nine and you were seven at the time. He was beginning to show signs of growth while you were still very much a child.

Both of your families had planned a trip to Hawaii and stayed at one of those big, expensive hotels with two pools and an ocean view. The carpet was patterned and soft underneath your toes. The beds were big and their sheets smelled like coconut. 

“(Y/N) is a girl and you are a boy, Jimin. A girl needs her own personal space.” Jimin’s father slid the key card into the door of his room. Jimin pouted and wouldn’t let go of your small hand.

He viciously pulled you into the room and helped you up on one of the gigantic mattresses. “Do you want to share a room with me?” He asked you quietly. 

You giggled and hugged him tightly. “Mhm.” You nodded excitedly. You liked being with Jimin. He was your close friend and he made you really happy. At seven, you were unsure what these feelings really meant. You only knew that you wanted him to stay with you.

“Okay, then we will. We can have this bed to ourselves.” He pulled away from the hug and tucked you into the soft covers. He joined you soon after you were set. “Does your mommy give you a kiss goodnight?” 

You nodded and smiled. “Does yours?” He nodded as well. “How about I give you a kiss goodnight and you give me one? I think my mommy is still downstairs and your daddy went to the bathroom.” 

“That sounds good.” Jimin laid down next to you and kissed you on the cheek. “Goodnight, (Y/N).” 

You giggled once more and kissed his cheek. “Goodnight, Jimin.” 

Jimin’s apartment was majority empty. If you didn’t know he lived here, you would’ve thought no one lived here at all. His furniture was simple and tidy. The smell of the apartment was his though. It smelled like Jimin’s musky cologne. He tossed his luggage into his room. 

There was only one bedroom and one bathroom. It was comfortable, for him at least. There was no way a group of 3 could live cozy in the small area. 

“I can sleep on the couch. My sheets are washed, so they’re clean. I haven’t touched the bathroom since I left, so it’s clean as well. Make yourself at home, I guess.” He fluffed out the pillows on the small sofa.

“It’s okay. I can sleep on the couch. It’s your house, Jimin. You should be sleeping in your own bed.” You laughed. His eyebrow went up and you knew what he was thinking. Whenever you slept over at his house, you absolutely refused to sleep on the couch. You always slept with Jimin in his bed. 

“You? On the couch? Are you sure?” 

“Positive.” Awkward tension filled the air and you locked yourself in his bathroom to escape it.

The couch was immensely uncomfortable. Without the lights on, his living room was pitch black. You couldn’t adjust your eyes on any source of light. Checking the time, you groaned at the sight of 3:44 AM. Jimin had gone to sleep about 15 minutes ago. It was a long night, so he must’ve fallen asleep. 

You folded the blankets neatly on the sofa and re-positioned the pillows to their previous display. You carefully walked towards his room, trying very hard not to make a sound. His door was open and you saw his breathing figure cuddled up in his white sheets.

His room had no mark of his own. It was like any other room. His bottles of cologne scattered his desk, along with some other products. You tiptoed over to the other edge of his bed. Slowly lifting up the covers, you slid into his warmth. You were tense, afraid that he would wake up. 

After a few seconds of reassurance, you relaxed and closed your eyes. His mattress shaped your body line well, unlike the couch, and you were so ready to drift into your dreams. The entire day was a tiring mess and you were incredibly exhausted.

Suddenly, the bed shifted and Jimin’s body was pressed against your back. His heat engulfed your chilled body and his arm lazily wrapped around your waist. His forehead rested against the back of your shoulder. 

“Took you long enough.” He mumbled. 

You turned around to face him. His eyelids were over his eyes, but his lips were curved up into a smirk. “Were you expecting me or something?”

“Yeah. (Y/F/N) doesn’t settle for the couch.” 

“Did I wake you?” You whispered. Jimin’s eyes slowly fluttered open. You panicked and quickly shut yours. You had to act like you weren’t just admiring his cute sleeping face.

Keep reading

Bowling date

Characters: Jeongguk & You 

Genre: fluff fluff fluff (i was supposed to write something else but watching his vlive distracted me and apparently i haven’t written fluff with him before)

Words: 2422

Summary: Jungkook is trying to be cool but fails (because he’s too cute for his own good) featuring you trying to impress him with you non-existing bowling skills.

Originally posted by jjks

Keep reading