twin core

SJM Greek Gods

Feyre is Persephone
Rhysand is Hades
WE KNOW THIS

Mor is Aphrodite
Azriel is Hephaestus
THE CONNECTION BETWEEN BEAUTY AND CREATIVITY
Mor loves fiercely. Azriel is a spy for Rhys - he’s creative enough there, not to mention his true thoughts for Mor

Cassian is Ares
Nesta is Hera
THE ONE WHO IS OUT FOR REVENGE AND THE ONE WHO FIGHTS THE BLOODY WAR

Lucien is Apollo
Elain is Artemis
A MATCH OF DAY AND NIGHT. TWINS OF THE SAME CORE

Tamlin is Demeter
PISSED OFF MOTHER WHO DOESNT WANT THE GIRL HANGING WITH A GUY WHO WILL HAVE HER LIKE A FEAST

Tarquin is Poseidon
THE DESTROYER GOD WITH BLOOD RUBIES

Amren is Athena
SHE IS WISE - AND INCREDIBLY GIFTED. SHE MAY HAVE SPRUNG FROM THE HEAD OF A VALG AFTER ALL

Hybern is Zeus
ALL POWERFUL SHITHEAD WHO THINKS HE’S ALL THAT

Ianthe is Hecate
GODDESS OF WITCHCRAFT AND TRICKERY - A BASIC BITCH

Suriel is Iris
DEITY OF MESSAGES (AND PROBABLY GOSSIP TOO)

Amarantha is/was Gaia THE OLD ONE OBSESSED WITH WORMS IN THE EARTH

The dark soft languages are being silenced:
Mothertongue Mothertongue Mothertongue
falling one by one back into the moon.

Languages of marshes,
language of the roots of rushes tangled
together in the ooze,
marrow cells twinning themselves
inside the warm core of the bone:
pathways of hidden light in the body fade and wink out.

The sibilants and gutturals,
the cave languages, the half-light
forming at the back of the throat,
the mouth’s damp velvet moulding
the lost syllable for ‘I’ that did not mean separate,
all are becoming sounds no longer
heard because no longer spoken,
and everything that could once be said in them has
ceased to exist.

The languages of the dying suns
are themselves dying,
but even the word for this has been forgotten.
The mouth against skin, vivid and fading,
can no longer speak both cherishing and farewell.
It is now only a mouth, only skin.
There is no more longing.

Translation was never possible.
Instead there was always only
conquest, the influx
of the language of hard nouns,
the language of metal,
the language of either/or,
the one language that has eaten all others.

— Margaret Atwood, Marsh Languages

We all know that Harry Potters and Voldemorts wand cores are twins, they are made of two phoenix feathers taken from the same bird. And that bird is Fawkes, Dumbledors own pet. We also know that Fawkes is the only phoenix ever known to donate two feathers for making wands. This could be a coincidence, but what if it’s not? 

First, one of the wands chooses Voldemort. The other one, more than 70 years later, chooses Harry. Why so? The reason may be obvious; beacuse a part of Voldemorts soul is inside of Harry and the wand must have recognized that, beacuse it’s twin had choosen Voldemort before. 

And don’t forget this was Albus Dumbledores own pet’s two feathers. Why did it donate two feathers? Did it donate two at the same time or first only one, wich came to Voldemort? Then Voldemort tried to kill Harry and failed and from that night Harry needed protection. Maybe Dumbledore made Fawkes donate one more feather and gave it to Ollivander, hoping that it would choose Harry and by that give him protection? After all Harry would have died without it.

Fawkes is the only known phoenix to ever donate two feathers. It was Dumbledores phoenix, his little pet. And it saved Harry life more than once. 

I don’t think it was a coincidence. Dumbledore is a smart guy.

Date - Pt. 2

Because I’m a sap and always give into my friend’s wishes. Haha. Here’s a sweet and smutty part two to my original drabble Date. Enjoy, loves.

@blacksteel-art @kuddle-cakes @dreaming-of-the-midnight-sun @kags09 @heimlichernerd @inunanna @adorableears7


It was closing in on midnight and the only illumination came from the glow of the television as some B-movie depicted scenes of terrible acting and fake gore on low volume. A pizza box with a slice or two left inside and empty beer bottles littered the coffee table before a couch in which Inuyasha sat with his feet kicked up on said coffee table with Kagome’s head in his lap. Claw tipped fingers lazy stroked through her soft hair while his other hand rested gently on her hip. Both were silent as they watched the movie play out, content, peaceful, feeling no need to break the comfortable atmosphere with needless chatter.

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The dark soft languages are being silenced:
Mothertongue Mothertongue Mothertongue
falling one by one back into the moon.
Language of marshes,
language of the roots of rushes tangled
together in the ooze,
marrow cells twinning themselves
inside the warm core of the bone:
pathways of hidden light in the body fade and wink out.

The sibilants and gutturals,
the cave language, the half-light
forming at the back of the throat,
the mouths damp velvet moulding
the lost syllable for “I” that did not mean separate,
all are becoming sounds no longer
heard because no longer spoken,
and everything that could once be said in them has
    ceased to exist.

Margaret Atwood, from “Marsh Languages,” Morning in the Burned House (Houghton Mifflin, 1995)

semi-slaughtomatic  asked:

So I saw that gifset of Kripke's commentary on that season 3 episode (I'm a newbie watcher but I started the new season and and slowly working my way through!) and I guess I'm a little confused? Kripke is basically saying "yeah Dean really wants that apple pie life" and when I've been going through and reading people's meta, I've seen a lot of people's opinion (especially season 6 metas) that kind of disagree and that Dean really doesn't want that suburban life. Any opinions? Thanks much :-)

Heya! <3 (I really hope I’m reading this right and you’ve watched at least season 6 because I’m spoiling big things up to the end of season 6 in this reply so maybe just bookmark this otherwise… hahaha)

https://elizabethrobertajones.tumblr.com/post/162713109665/sensitivehandsomeactionman-eric-kripke-on

Oh! Yeah, I reblogged this with the sense of irony about what Kripke was saying in place that you get from being a long-time watcher or deeply embedded in the meta community :P (I should have a /irony tag I use for the benefit of people knowing I’m thinking deep dark shade at whatever I’m reblogging but you know not in a mean way just in a this goes way deeper than what it looks like to me but maybe I just don’t feel like commenting right now :P)

I can’t remember if I have a Dean x Lisa tag that’s actually well-kept except for cute gifsets but 3x02 and 3x10 probably have a fair amount of discussion about it if you want to dig deeper… But I have literally just watched Dean’s conversation with Rufus in 3x15 which reminds me that this was a season-long arc, and 3x10 was a weird little part of it… 3x02 sets up that Dean has a sort of wistfulness for what he COULD have had, and 3x10 and 3x12 (and all these are Gamble-related episodes) have stuff about Dean yearning - this bit and the conversation with Victor where he makes it blatantly obvious that even with Sam he has a sense that he might want more from life and he is not currently getting it - Victor’s comparison of ex-wives and empty apartments is paralleled to Dean’s feelings. And in 3x15 Rufus warns him that this is what he has to look forward to becoming if he survives. (In 12x14 we had a parallel where Ketch buys his way in the door the same way Dean buys his way in the door with Rufus & scotch, but it was subverted in so many ways, it just seemed like the BMoL had sketchy intel you might be able to buy Dean this way.)

Anyway, by the end of the season the message is quite clear that Dean sort of years for it but can’t have it and in many ways has chosen this life of saving people over it. Though he’s dying for Sam, and never un-wishes that or can even think of it, from about the midpoint of the season he wants to find a way to break the deal but I think a lot of that is driven by not wanting to be a demon rather than wanting to grow old, since becoming a demon will pretty quickly undo all the good work Dean did saving people, he’d have to assume. 3x09 gives him any motivation to fight rather than cheerfully stroll off to Hell because Sam’s alive and that’s all that matters, you know?

I think in the context of season 3 the Lisa stuff was pretty interesting because I think Dean can have a contradictory yearning but Lisa is a ghost of an idea, literally where she fizzles out of the dream in the same way ghosts disappear, and to feel wedded to the hunter lifestyle and in many ways he’s been rejecting it from the start… In 1x08 (Bugs) especially he’s making a point about beeing skeeved out by suburbia and the idea of living SUCH a normal life. In 2x20 we see him as a civilian and he enjoys it for a day or two to hang out with Mary and Sam and Jess, and I’ve written a LOT on the over-lap of Carmen in that episode and Lisa in 6x01 since they’re connected by djinn dreams and I feel like the message is his year with Lisa was emotionally/functionally practically the same to Dean as if he’d been strung up in a warehouse the whole time. (That’s something in my 6x01 tag or 2x20 depending which you feel like scrolling through :P Sorry, I’m kind of in advanced brain bleeh from sitting in a noisy room so you can get surface brain rambling to answer this but no research or links in this state >.>) 

Anyway in 2x20 he unequivocally rejects the civilian life because people died without him doing his job, even though he called Carmen “the One” and everything else seemed fixable or exciting to him, including his relationship with Sam. It was after discovering he’d “un-wished” all their work as hunters he angrily appealed to John about why it was his job, before stomping off to find and kill the djinn, and un-make his wish, assuming at this point it was a wish and not a dream. (I still call it a wish-verse sometimes because of how DEAN analysed it and I find it FASCINATING to look at that way when it comes to these decisions, while I’d just call it the djinn dream when looking at it from another angle). 

I suppose Lisa comes not long after but he goes to see her as part of a farewell tour revisiting the best hookup of his life, and ends up smacked with the potential he’s mission out on of raising a kid and all that - a long-term investment he can’t get involved in for one year (do you feel the knife turning :P) because that’s not fair on them and offers them no long-term stability. He CAN’T make a home when he has a 1 year demon deal weighing on him, so the episode is just there to psychologically torture him. I think he never dreamed of suburbia before Lisa in 3x02 but by 3x10 we can see he took some unexpected emotionally scarring just from being told he CAN’T have something. Because posing the question opens up “what if”s (this incidentally is my entire rationale when you boil it down for why the male siren proves Dean’s bi :P). Dean had a moment to seriously imagine a NICE life where he would be with Lisa and have Ben as a son and it’s impossible for he can even start to have it. And in 3x15 Rufus confirms that even if Dean survives (or comes back from Hell as it turns out), being a crotchety old hunter who only opens his door to people if they show up with nice Scotch is about as much as he can hope to look forward to.

I think that’s a bad message too but it gels more with Dean’s outlook and experiences and I think helps him shut away the feelings he could ever have had more or that he was being unfairly denied, in a combination of personal choices to hunt/seeing the benefits of doing it over a normal life, and pessimism about his lifespan or what they can reasonably expect from their lives. In 5x18 he tells Lisa that when he thinks of himself being happy it’s with her, because of the scarring I mentioned that 3x02 specifically denies him this endgame and leaves an impression of it in his psyche as the Thing Dean Can’t Have, but DOES turn into a nice thought to hold onto as a what if. And Sam tells him to go for it and he does, and by the end of season 6 it’s a “never mention this again or I’ll kill you” situation and Dean doesn’t think about endgame out loud for like 5 more years until season 10, and the question is slooowly reintroduced through hesitant confessions and car conversations and meeting a pair of married hunters at a bar one day, to finally get the idea that while Dean’s unequivocally written off suburbia, wife & kids, there’s other things he could get out of life to make him happy and feel less like Victor or Rufus, dark mirrors of his present and future, like the ghosts of endgame visiting a long-term-relationship Scrooge :P 

But yeah Kripke saying that Dean secretly has a romantic soft spot for the normal life and fluffy romance, personified in this case by Lisa, is really because he’s talking compare and contrast to Sam. He says Sam isn’t interested in Bela that way really, he’s just horny and they know no women really so… that happened. (I side-eye but whatever, different discussion :P) and that’s in contrast to Sam’s supposed sweet and nerdy surface layer, while Dean’s got the macho horndog outer layer so Kripke’s explaining in 1 go performing!Dean (and Sam) and that Sam n Dean are yin and yang to each other (which, again, in Baby, we have that great shot of them in red and blue contrasting colours, sleeping top & tail in the Impala from above that demonstrates this… Can’t tell if you’ve seen season 11 actually or joined in season 12 (oops apologies for those spoilers too, I tried to keep them super vague and if you’ve seen season 12 you sort of know where it led to >.>) but this is what it looked like:

Originally posted by pagingdoctorsaxxy

from a meta POV it’s absolutely one of my favourite shots of Sam and Dean in the entire show. Anyway it’s visually demonstrating the same thing Kripke is saying in that commentary. Sam presents one way so they write Dean presenting in the absolute opposite way, and then choose to subvert both presented faces with an image each to absolutely destroy that image and show something deep underneath. From the way he was talking it sounded like they thought the Bela thing first so the Lisa thing might literally just have been a part of it because it was amusing to them to do that with Sam, and the rule is absolutely probably 1st thing in their character bible to always make Sam and Dean at odds with each other even if it’s in some innocent visual/character demonstration.

(This is why I hate Buckleming writing btw - they’ve been increasingly writing Sam and Dean as an utterly unified unit who think and breathe on the same wavelength and it drives me nuts because that is not their dynamic at all no matter how fan favourite “winsync” is (which is of course a totally different thing to do with them working well together meta-textually as actors and in the text as kids raised closely together, and who also have worked together for most of/their entire adult lives so of course they naturally move and talk together sometimes - I can be in sync with my twin and we have core personality overlap but we’re also utterly different people in extremely obvious ways e.g. quiet vs chatty - guess which :P)… In Buckleming’s hands it just means they can use Sam and Dean to alternately deliver exposition in lengthy talking scenes as if they’re one character, and that exposition to Mick in 12x17 when he “Hello boys” them in the Bunker was one of their worst incidents so far >.>)

Anyway, I don’t think that makes the Lisa thing insincere especially as it sounds like 3x10 more than 3x02 actually cemented her as Dean’s imaginary choice of perfect dream girl to fill the space Carmen the El Sol ad lady previously held, when it came to the writing. 3x02 stand alone is good to torment Dean as a “Hahahaha you will never have this” but 3x10 builds on it and shows them being intuitive to the character and things that make sense to write him… And I think from the very start they were aware of the contradiction and that Dean might sort of have a soft spot/dream of the normal apple pie life but that he was also at the same time profoundly aware of all the ways in which he hadn’t chosen it, it wasn’t his life, and there were abundant reasons he wasn’t having it and even in the same core places this dream resides, didn’t want it. If you go deep in my 3x02/2x20/6x01 Lisa x Dean metas (again, sorry, I’ll add tags to this post at least :P) you’ll probably find the post I made collecting my rewatch notes as I discovered this subtextual story through the season, realised where it all came from later, and by the end of the season realised that they knew and had talked themselves out of it being something Dean could have because the subtext took the same route as the actual Dean and Lisa arc in season 6, probably because Gamble helped craft the entire thing in season 3 and then brought Lisa back for season 6 and had a whole season to play the entire thing over again. So I feel like that suggests Dean talked himself out of it too with Rufus and Victor’s help, and fundamentally never changed track even with season 5 & 6′s Lisa stuff, because that closed the book on it so hard we have this parallel to Dean and Rufus in 12x14 and the idea he can have something more with a hunter maybe or ~someone in the life~ is now the subtext under that in the same way Kripke talked about him having this squishy interior to do with Lisa back in season 3.

Who wants to talk to me about the stargentski twins?

Stallison twin AUs are everything to me! Rather they’re separated at birth, or both secretly Argents, or both secretly Stilinskis, I’m always a slut for Allison and Stiles as twins stories!

I’m not sure if I would rather have both raised by Chris and Victoria, or the Sheriff and Claudia. I love the AU idea of the Argents bringing both up as Hunters, but at the same time I also love the idea of Ali growing up in Beacon Hills as Lydia’s best friend, and little baby Scott’s first crush!

IN LOVE with the idea of both Lydia and Scott, as their best friends, being able to sleep over every year to celebrate the twin’s birthday!

Scallison/Stydia/Sciles/Allydia feels MUST be allllll over the place! 8) 

no offence but i think cooper never saw audrey in her red heels at all, he only ever saw her at home in the great northern where she wore her saddle shoes

it’s quiet, after

[CONTAINS SPOILERS FOR CRITICAL ROLE EPISODE 102 ]

The hall is familiar now, when Vax steps into it, and he’s unsure if the fact reassures him or not.

(It should disconcert him – it should terrify him, the way it did when he came here first via Vasselheim, dripping something else’s blood and offering the whole of him to a house not yet his.)

(They say you get used to anything, with time – especially if you want to.)

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I feel like it comes across Audrey Horne is my favourite character because she isn’t. Laura palmer is, she’s the show for me. At twin peak’s core its always been about Laura palmer even 25 years later. She’s the one. She’s the heart of the show. Audrey Horne is what makes twin peaks so dreamy, Audrey was the one to go and risk her life to find out who killed Laura. She put herself in real danger where she was fearing for her life, to find out her abusive father was involved and left to make things right before she got blown up (in a coma now I think????) WHERE IS SHE????

anonymous asked:

You said you're doing requests for our favorite ghostly couple? How about Vivi taking care of Lewis when he's sick? That'd be so cute. C:

5

A Inside Look at Wand Cores

Requested by: @kiwi-ghost

There are many different factors that attribute to crafting wands and choosing the materials to do so. Different countries have varying methods and laws pertaining to procuring said materials.

Wand Components:

All Wands must contain a minimum of one Wood and one Core. However, with in very rare occurrences they can have a dual-core or a blended core in their wand. Although, it is ill advised to have more than two cores as that can cause fatal backfires. While its not possible to blend the wood of the Wand, you may have a Wand Handle of one wood and a Body Wood of another. Normally in these cases, the Handle represents the Heart of the Witch or Wizard. The Body of the wand generally represents the Witch or Wizards outward appearance.

Characteristics of Wand Core Materials:

The core of a wand is a magical substance placed within the length of wood. They are usually bits of hair/feather extracted from some sort of Magical Being or Creature. The materials used for wand cores can vary widely, though certain wand-makers may prefer to use certain materials; for example, Garrick Ollivander discovered and pioneered the use of phoenix feathers, dragon heartstrings, and unicorn tail hairs, whereas his father used lesser substances such as Kelpie hair and Kneazle whisker.

The core type is known to influence the “personality” of the wand produced with it. For example, the wand-maker Garrick Ollivander will not use Veela hair for cores because he believes they make for “temperamental” wands. Thestral hair wands are also an interesting core, in that it cannot simply be “mastered” by winning them; Thestral tail hair is a powerful and tricky substance that can only be mastered by a witch or wizard capable of facing death.

The wand always chooses the wizard or witch and not the other way around. This is a question that many who study wands called wandlore cannot understand or explain. It would seem that wands have in some sense of the word—a mind of their own. The Wand will never surrender itself to another easily either - something many in wandlore understand to some extent.

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Core Materials:

Dragon Heartstring - Powerful with a lot of magical “heft”, easy to learn spells though can easily be committed to another owner. It is not the core you want for subtlety, but for sheer power it is definitely the best. Although it is the most common core among Dark Wizards, Dark Wizards are most certainly not their most common users.

Phoenix Feather - Very versatile. Learns most varied magic, hard to be chosen. Its main strength lies in Defense Against the Dark Arts, although its adaptability can wrench it to hexes and jinxes if need be. As with the dragon heartstring core, the phoenix core is common amongst Light Wizards, but its users are not necessarily Light Wizards.

Unicorn Tail Hair - Consistent magic, bonds strongly to first user.  A more subtle wand, but it is quite compatible with Charms and Transfiguration. It is also hands-down the best core for healing, as it picks up some of the healing capabilities of unicorn blood. Unicorn hair also has a reputation of picking gentler or more cerebral users.

Acromantula Web - Using a wand with this core has been illegal in Britain since 1782, after it was discovered that the wielder of this type of wand has particular ability with Dark magics, especially the Imperius curse. There are certain diplomatic exceptions, as it is a traditional core for Asian wands, but even those are temporary, and many wizard diplomats on long-term assignments find themselves compelled to procure replacement wands for their stay.

Augurey Tail Feather - Augureys, or Irish phoenixes, were once associated with powerful Dark wands, as their cries were thought to signify an upcoming death. However, they were in reality never a strong Dark core, and were more accurately a powerful core for Divinations. Misunderstood students may find themselves bonded to an augurey wand, although these wands are altogether quite rare.

Basilisk Horn/Skin - These wands are incredibly rare, as the beasts are rare to begin with and hard to kill. Due to the rarity, they often are passed down from generation to generation, so basilisk-core wands are either the heirloom of Slytherin-type Pureblood families or reforged wands from family cores. The occasional new basilisk wand will almost always bond to a Parselmouth or budding Dark Wizard. Very little good comes out of wielders of basilisk wands.

Billywig Stingers - Are not common in Britain, but are occasionally imported from Australia, the native habitat of the Billywig. Billywig wands bond almost exclusively to light-hearted pranksters, and are extremely capricious- at one moment it will produce the strongest Cheering Charm in the school, but another time it will object to being used as a potion stirrer and siphon up hours of work without so much as a by-your-leave.

Chimera Scale Fragment - Although chimera scales are magically powerful, they are extremely rare in modern wandcraft. This is not out of any concern for safety, as they are generally considered no more stubborn than hippogriff feathers, and are more stable than Erumpent hide. The fact of the matter is that there are more recorded basilisk slayings in the past fifty years than there are chimera slayings in all of recorded history. This one slaying occurred in Greece over two millenia ago, so what scales were harvested at that time have been degraded, broken, and dispersed.

Today, they are only found as parts of heirloom cores, and even then, all such cores are a more common core (often dragon heartstring) with a tiny fragment of scale embedded. Chimera wands are most common in Greece and the Balkans, although as they were circulated through the Mediterranean and former Roman Empire they are found throughout Europe. These wands are prized for their raw power, although they are difficult to control.

Demiguise Hair - Is long considered to not have enough ‘oomph’ to make a proper wand, but with the advent of multiple cores they have gained favor for their strength in Transfiguration and the subtle arts. When combined with a stronger wand core they make potent wands, however, on their own they can be rather one-dimensional and difficult to use for anything but Transfiguration.

Doxy Wings - Like the creatures they come from, can be unmanageable and mean-spirited. They are second only to basilisk wands in their abilities with the Dark Arts, and as such these wands remain one of the most rarest cores.

Erumpent Hide - There is a very good reason this is an exotic- Erumpent hide wands are extremely dangerous, and don’t take well to high levels of magic or sharp impacts. They may add a ‘punch’ to spells when combined with a gentler core, but most wandmakers refuse to work with it completely due to the danger it poses to the maker and wielder.

Fairy Wings - This core makes for a light, airy wand, and is the absolute best for Charms. They also signify a connection to the mystic, so these wands, despite their relative rarity, are used by nearly half of known witches and wizards with the Sight. Despite their astounding strength in Charms, they are merely average in Defense Against the Dark Arts and Transfiguration, and will often fail at hexes altogether.

Fwooper Feather - These wands are said to be a mark of ill omen for the wizards they bond to, as, like the birds they come from, they are rumored to slowly drive their wielder mad. Despite their poor reputation, they do well with Charms and Care of Magical Creatures. However, they have a near-inability to cast Quietus. They are commonly combined with another feather core, such as the phoenix for health or the hippogriff for stability.

Hippogriff Feather - Hippogriffs are noble animals with a reputation for not taking a slight. These wands require constant respect, and if the wielder does not give it, they can watch its formerly stable and versatile magic backfire on it. It is not the strongest core, but it is one of the most adaptable, and are very rare overall.

Horned Serpent Horn - Exceptionally powerful. Sensitive to Parseltongue. Can warn its owner of danger by emitting a low musical tone. *Twin cores working together against a common enemy increase each other’s power tenfold.*

Kneazle Whisker - Not very powerful.

Kelpie Hair - Easily obtainable, frequently used in the past.Are incredibly tempermental cores, explaining their rarity. They were once common in Celtic wandmaking, however, the import of demiguise hairs has resulted in them falling out of favor. They have similar qualities to demiguise hair, and are powerful Transfiguration cores when they don’t backfire spectacularly.

Rougarou Hair - Rumoured to have an affinity for Dark magic, although suitable for use by non-Dark wizards and witches as well.

Thestral Tail Hair - Not easily seen.

Thunderbird Tail Feather - Extremely powerful, difficult to master, particularly prized by Transfigurers.

Veela Hair - Temperamental like creatures they come from, and are considered too volatile for a decent wand core in many circles. However, some wizards, particularly those with Veela blood, enjoy the boost it gives to outdoorsy magics, divinations, and Charms.

White River Monster Spine - Produces spells of force and elegance.

Other Core Materials:

• Bowtruckle Bark

• Coral

• Crup Tail

• Dittany Stalk

• Jackalope Antlers

• Snally Gaster Heartstring

• Wampus Cat Hair

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