tv captures


Soppy: A Love Story

SOPPY is Philippa Rice’s collection of comics and illustrations based on real-life moments with her boyfriend. From grocery shopping to silly arguments and snuggling in front of the television, SOPPY captures the universal experience of sharing a life together, and celebrates the beauty of finding romance all around us.

most lgbt movies you see recommended are rated r, sexually explicit, etc etc. while that’s honestly great to see and something i’m personally okay with, it leaves kids and people who DON’T want to see sex alienated.

*Please note that I have not seen all or most of these movies. I will be updating this list as I find more/watch unrated ones that can be placed here. Let me know if I missed any!

Last Updated: 5/4/17

thus, here’s a list of lgbt movies that aren’t rated r:

  • The Pearl of Africa, TV-14: “In this intimate documentary, Ugandan transgender woman Cleopatra Kambugu struggles and prevails as she lives in an actively transphobic environment.”
  • Jenny’s Wedding, PG-13: “When Jenny plans to marry her girlfriend, she decides it’s time that her family, who doesn’t know she’s a lesbian, finally learns the truth.”
  • The Out List, TV-PG: “Activists, entertainers, athletes and politicians are among those profiled in this thought-provoking portrait of notable LGBT personalities.”
  • Growing Up Coy, TV-PG: “Filmmakers follow a Colorado family’s highly public battle for the rights of their transgender daughter, Coy, in a landmark civil rights case.”
  • My Transgender Kid, TV-14: “Two British families discuss the challenges they face raising children who identify as a gender different from the one they were assigned at birth.”
  • Gayby Baby, PG: “This documentary follows four youngsters as they navigate the challenges of their preteen years, including society’s bias against their gay parents.”
  • Margarita with a Straw, TV-14: “An Indian woman with cerebral palsy decides to study in New York, where she becomes involved in a life-changing affair with a blind female activist.”
  • Who’s Gonna Love Me Now?, TV-14: “A gay London man faces a positive HIV diagnosis and a decision on whether to stay with loving friends or return to his estranged parents in Israel.”
  • Game Face, TV-14: “This documentary follows the struggle of transgender MMA fighter Fallon Fox and gay basketball player Terrence Clemens for acceptance by their sports.”
  • Kumu Hina, TV-14: “This year captures a year in the life of native Hawaiian transgender teacher Hina Wong-Kalu, who embodies mahu, a sacred spirit both male and female.”
  • Big Eden, PG-13: “Henry Hart returns to Big Eden and winds up confronting his unrequited passion for his high school best friend and his feelings about being gay.”
  • Rent, PG-13: “This is the film version of the Pulitzer and Tony Award winning musical about Bohemians in the East Village of New York City struggling with life, love and AIDS, and the impacts they have on America.”
  • D.E.B.S., PG-13: “Plaid-skirted schoolgirls are groomed by a secret government agency to become the newest members of the elite national-defense group, D.E.B.S.”
  • I Am Not Your Negro, PG-13: “The late black and gay writer James Baldwin is given new voice in I Am Not Your Negro. Director Raoul Peck offers viewers the opportunity to spend 90 minutes with Baldwin’s words — his interviews, manuscripts, and influences — which offer his honest and illuminating insights on race in America.”
  • I Can’t Think Straight, PG-13: “A 2008 romance film adapted from a same name novel about a London-based Jordanian of Palestinian descent, Tala, who is preparing for an elaborate wedding. A turn of events causes her to have an affair and subsequently fall in love with another woman, Leyla, a British Indian.”
  • The World Unseen, PG-13: “A drama centered on two women who engage in a dangerous relationship during South Africa’s apartheid era.”
  • Caramel, PG: “A romantic comedy centered on the daily lives of five Lebanese women living in Beirut.”
  • You Are Not Alone, UR: “Two precocious boys explore their sexuality at boarding school.”
  • Bend it like Beckham, PG-13: “The daughter of orthodox Sikh rebels against her parents’ traditionalism and joins a football team.”
  • Camp, PG-13: “After a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by staging an altogether new production.”
  • Chutney Popcorn, PG-13: “Reena is a young Indian American lesbian who lives and works in New York. Her sister Sarita, who is happily married, discovers that she is infertile. Reena offers to be a surrogate mother for her sister’s baby, hoping to improve her relationship with their mother, who disapproves of Reena’s sexual orientation. Reena has second thoughts when her girlfriend Lisa feels left out.”
  • The Family Stone, PG-13: “An uptight, conservative businesswoman accompanies her boyfriend to his eccentric and outgoing family’s annual Christmas celebration and finds that she’s a fish out of water in their free-spirited way of life.”
  • Saved!, PG-13: “When a girl attending a Christian high school becomes pregnant, she finds herself ostracized and demonized, as all of her former friends turn on her.”
  • To Wong Foo Thanks for Everything, Julie Newmar, PG-13: “Three drag queens travel cross-country until their car breaks down, leaving them stranded in a small town.”
  • Victor Victoria, PG: “A struggling female soprano finds work playing a male female impersonator, but it complicates her personal life.”
  • Far From Heaven, PG-13: “In 1950s Connecticut, a housewife faces a marital crisis and mounting racial tensions in the outside world.”
  • Philadelphia, PG-13: “When a man with HIV is fired by his law firm because of his condition, he hires a homophobic small time lawyer as the only willing advocate for a wrongful dismissal suit.”
  • Beautiful Daughters, TV-14: “In February, 2004, with the help of Eve Ensler and Jane Fonda, a group of transgender women put on the first all-transgender production of “The Vagina Monologues”, including a new monologue written by Ensler from their own experiences.”
  • Zorro: The Gay Blade, PG: “In 1840’s Mexico, wealthy landowner Don Diego Vega learns of his late father’s secret as Zorro, the masked folk hero, and Vega adopts his new persona. But when Vega is incapacitated by an injury, he asks Ramon, his very gay, long-lost twin brother (now calling himself ‘Bunny’), to replace him as the caped hero, who makes some drastic changes to his Zorro persona.”
  • We Think the World of You, PG: “An aimless young man, Johnny, is sent prison. He entrusts his beloved dog, Evie, to the care of his former lover and best friend, Frank. When he gets out of prison, he has to face difficulties at home. Added to this, is the fact that he may have to give up Evie to Frank.”
  • EDIT: Nina’s Heavenly Delights, PG-13: “A feisty young woman returns to Glasgow to run her deceased father’s curry house.”
  • EDIT: The Color Purple, PG-13: “A black Southern woman struggles to find her identity after suffering abuse from her father and others over four decades.”

I did a movie poster-ish thing!

At first I thought that Darkiplier and Wilford would be great partners in crime - and I still stand by this idea. But if we think about it, Googleplier would fit there as well!

It makes sense. Wilford as their leader because of his unique abilities (being able to kill people on live TV without getting captured, killing Santa Clause, somehow come out of death and being not killed while facing Teddy) and sometimes with pretty good ideas. Darkiplier as the one who manipulates people to do what they want and then Google who does the same thing but with electronics instead of people. And besides, he can help Dark with calming down Wilford while having way too crazy ideas.

And I extremely liked the part when Wilford pointed his gun at camera.

Post Samurai Jack XCIX

Some fans: *Upset that Jashi happened.*

Other fans: *Whooping for joy because Jashi happened

Me:*Fist bumps Jashi shippers and pats the Antis on the back.* *Watches preview for Episode 9.* Wait. Where’s Ashi?!


I felt like there was a severe lack of Um Jammer Lammy GIFs out there, so I made some using PlayStation TV + Elgato Game Capture HD + Movie Maker + Photoshop! Enjoy and remember to NEVER USE JOE CHIN’S CHAINS FOR THEM!!!!!!!!!!!!!!!!!!!!!!!!!!!!!


“Having nothing to lose leaves men at their most dangerous”

Skam s4 e6

I’ve been looking through the season 4 tags and while I’ve seen some really great analysis about the episodes there’s one that’s really bugging me, the one where people are complaining about how this season is not focusing enough on Sana. I find this very inaccurate because we are seeing things through the eyes of Sana and because Sana is they type of person who is loyal and cares about her friends and other people instead of being self involved (like most teenagers), people think that this means that this season isn’t about Sana. What people fail to realize is that people are different in real life than what we see on TV shows. This is the most realistic interpretation I’ve ever seen on TV of what a person with Sana’s personality and background is going through. We see how much she cares without actually showing it and I’ve rarely seen this on TV, the way its captured on screen is the true meaning of showing us instead of telling us and that to me is peak TV, I doubt any other show has come close to ever showing this level of emotion without having the actors spelling it out for the audience. 

What Sana is going through and the way she is dealing with it by lashing out and distancing herself is very realistic. Also notice how she doesn’t really say anything hurtful because this is the least acerbic I’ve ever seen her, she could have said way worse things to the girl squad and really hurt them, we all know how witty and smart she is, especially with insults, but she throws a generalized term about Russ partying and walks away without calling out Vilde infront of the other girls. Totally loved how she shoulder checked her though and how Eva noticed it because she looked at Vilde then at Sana leaving. 

People who are mad at Noora, I get it I was mad too but then I rewatched season 4 again and I know she’s pissed at Sana because she felt like Sana was always there for her, especially in s2 when she helped her out with William, so she felt betrayed that Sana out of the rest of the girls would keep something like that from her, she doesn’t know that Sana wanted to tell her as soon as she found out and Noora is hurting so she’s lashing out. This is what happens in real life. Plus she didn’t know Sana likes Yousef, she would never do something like that to her friend no matter how hurt she was. Also wtf Yousef? He knows how Sana feels about him, how could he go make out with her best friend? 

Another thing I’ve come across in the s4 tag after this last clip, people think Isak is hurt because Sana told him he’s alone? Hello? Have we all been watching the same show or? Do people have amnesia? Even told him that he feels alone and that people are alone and Isak instantly knew something was wrong and went to Even and helped him out. Isak is not hurt, he knows something is wrong with Sana and that she’s hurting. Can we give Isak some credit here? He’s not dumb and I’m sure he will help Sana out, probably with the help of Even too because Even knows what Sana is going through now to some extent.

That’s just my 2 cents on what’s going on so far, I just love this show so much and I don’t like reading negative reviews, especially when they are so off base, but hey to each their own.

This is possibly my favourite scene between Red & Liz. Look at how the camera angle captures the intimacy between them both. Whether they captured them this way for a specific reason, or to try and give a glimpse of possible romantic chemistry between them both, it’s absolutely beautiful. Look at how Raymond is focused directly on her face, not inching his eyes away from her closed ones. His hand on the back of her neck, a simple yet intimate gesture that somehow relaxes Elizabeth. Watch how her body unconsciously leans into Raymond. How their faces almost touch and how the angle of the camera makes it look like their mouths touch. To me, this scene was more intense than any sex scene I’ve witnessed on TV. It captured the essence of their relationship, making the viewers view a different side to them both. I just absolutely love it.

Let’s analyse : That’s Not How the Story Goes

As the Hideous Hiatus looms above us, let’s take a look at the parting song of A Series of Unfortunate Events.

It is now well known that this story tends to expose the “behind the scenes”, hence theatricality being a core aspect of the whole series, especially through the character of Olaf. He may be a very bad actor but he still is an actor. The TV show really captures and enhances this feature, take for example the song It’s the Count or all for Olaf’s disguises.
The links with drama and theater are numerous : Beatrice is said to have been an actress, Lemony a theater critic and at the end of the show, a long zooming in shot really emphasized the appearance of Lemony and Olaf on the photo of the drama club.
This theatrical feature resonates with the choice to end the season on a song : it is like the whole cast is back on the stage to perform the finale, as if they were addressing a moral just like in plays or operas. The chorus really has this “moral” feature : That’s not how the story goes,  which is enhanced by the change at the end That’s just how the story goes. The fact that they sing it together makes it very communicative, like a melody you would repeat after them. And this purpose is well achieved since a lot of people probably still have this song stuck in their heads.

The lyrics themselves follow the theatrical logic as illustrated by this central line : The curtain rings down on the stage.
Indeed, the play, or rather this act, is over. The symbolism of the curtain ringing down is conveyed through the eye closing at the end of each episode. Here again, the link between eye and theater is very strong. The viewer really is put in the position of the spectator. Lemony’s and Olaf’s asides follow this idea too.

And indeed this song is primarly addressed to the viewer. The construction of the lyrics involves the viewer : You may think that the Baudelaires ought to prevail etc.

All the propositions involving the viewer are made on the same principle : the happy ending the viewer would like for the characters VS the reality of the bad ending :

You may think that three children would live pleasant lives but that’s not how the story goes.

The conjunction “but”, which is everywhere in the song, always is the word of rupture and an open door for tragedy. If we make a parallel with drama, a tragedy, particularly the ones ancient Greeks wrote, is a play where the audience is aware since the beginning that the story will not go well and that everything is already written. As I mentionned in my previous post, since Lemony tells us this story, it has already reached its conclusion when we hear it. The idea of the story following its way without anything that can be done to stop it is transparent with the chorus :

That’s not how the story goes

The story cannot move away from its path no matter how much the characters and the viewer would like it.

The entire song is a very good summary of the show’s themes : Sorrows and woes / Gloom and despair. But also humor thanks to Mr. Poe. The chorus’s shift from That’s not how the story goes to That’s just how the story goes conveys the whole symbolization of the show through the ending song. It is also interesting to see that unfortunate events not only happen to the good characters but also to the villains, think about Dr. Orwell’s fate.

The looming presence of tragic and inevitable fate is underlined by the symbolism of the place where they are : the Austere Academy, which is shaped just like a graveyard but is also revealed to be the place where Olaf and Lemony studied together so in a way, where it all begun.

This song is a moment of suspension which summarizes all the characters and their role. What they sing is strongly linked to who they are.
Lemony starts the song because he is our guide. His towering posture mirrors his role as narrator : a narrator lays out a story in front of your eyes. Since he also is a character, he is affected by the tragic tone of the whole song :
I once loved a girl and she thought well of me, we thought we’d be happy together but now I’m alone as you can well see and she’s cold in her grave forever.
His intervention is constructed in the same manner as the ones concerning the Baudelaires : two propositions cut down by the “but”. Even our narrator has a unfortunate backstory which is the motive for his story telling in the first place.

The Baudelaire children have a very specific way of singing. They have a rather neutral face and this echoes the fact that they endure the events without a real possibility of fighting back. They look resigned in front of all the bad things that keep happening to them. Their position is similar to tragic heroes harassed by Fate. They were named Baudelaire after the French poet Charles Baudelaire, a major representative of the « poètes maudits » (cursed poets), appeared in the 19th century. A poète maudit usually feels resent towards society because it doesn’t accept him for who he is, which leads to a tragic life. The theme of sorrows and woes is linked to this aesthetic. As if they were led by their name, the Baudelaires cannot escape their tragic fate.

Poe’s appearance in the song also mirrors his role. He is the bearer of ill news, his name being linked to the raven : “I’m sad to say I have bad news for you, the curtain rings down on the stage.”
This line is a reference to his first appearance but also indicates to the viewer the bad news of them : season one ends now.
As a character, Poe always listens to the song of despair and stays perfectly oblivious to it. He listens to this song on the radio and just sings along, like an outsider, much like in the actual story. He is not mainly concerned by it. Poe is a comic character and he is here to counterbalanced the tragic with humor : But to me there’s nothing but gloom and despair !
It allows the viewer to be relieved of the tragic tension.

Finally, Olaf’s depiction in the song is quite paradoxical. He appears in a dressing-room which is literally the place where an actor goes from themselves to a character and vice versa. Thus, Olaf is « in-between » : the large shot allows you to see his wigs and costumes around him.

At this moment, he is not playing a character, not even his Count Olaf character. Olaf is aware of the eyes of other characters constantly being on him when we see him on screen so he plays his “Count Olaf” part. But here, we see him in a slightly different position, it is as if he was almost vulnerable. This song made Olaf’s personnality even more interesting. Since he is « himself », he reveals yet another side of his psyche. In the second shot in which we see him, we actually see his reflection in the mirror.

Olaf sings to his reflection which symbolises the way he sees himself. The staging on these shots is very reminescent of a theatrical soliloquy, the villain pondering on himself. (I am strongly thinking of Richard III’s soliloquies here).

Pay attention to the lyrics he sings : he is the one to first introduce the chorus and all its tragic impact. Now you may think that they chose these words for him because after all he is the villain and responsible for all the sorrows and woes the Baudelaires have gone through and will encounter. It is of course the first meaning. But if you listen closely to the way he sings, you hear a very melancholic voice. And the sentence the world is a pair of ill-fitting pants and other dire hideous clothes highlights a particularly salty vision of life. This casts a very different light on this character : he also is a tragic character. The climax of this idea is reached with this line : Some people laugh I suppose.
If there is a character who could laugh because of the mess he makes, it’s him. But here he clearly states that he is not part of “some people”. If he cannot laugh, it means he leans towards tragedy. It is not rare that the characters who make you laugh - in ASOUE, Olaf being so theatrical - are actually the most tragic ones. Olaf has a tragic side because he never gets want his wants, his plans to steal the Baudelaires’ fortune always fail. Beyond that, he has an entire backstory full of unfortunate events. The book readers may remember a very particular scene towards the end of the series where the Baudelaires understand all the tragedy behind Olaf. If you cannot wait for season two, you might want to read the whole book series to know more ! It is a clever thing that they already introduce this side of Olaf early on in the TV adaptation.

Overall, this song delivers a bittersweet ending, especially because of the  melancholic melody highlighted by the humming and whistling at the end. The all tone may be very tragic but hope shines too :
“Some people smile at the end of the day !”, Lemony sings.

And if “there’s no happy ending not here and not now, there may be later.

Don’t be shy and come ask me if you have questions !

Last night as I watched the final dance number one last time before bed I had a sudden realization about myself and my connection to this show and this fandom. The lyrics speaking to me in a way that seemed to sum up my experience here. I was actually already planning on making a post sharing it but after the news today that Emma Swan’s story is really, and truly coming to an end (on screen at least) I feel the need to share even more. 

I was in Afghanistan when OUAT started airing and so much of what the show means to me is tied-up in what my life became post-deployment and post-Army.  I binged the first episodes in a tiny plywood room off a jump drive my sister had sent me full of downloaded TV. It captured me from the beginning and never let me go. It was with me on my travels as I scribbled down fanfic in notebooks or caught a showing of “Tallahassee” in Egypt on a night when I felt terribly alone. It stirred my imagination and my passion for it had me creating a blog and jumping into online fandom–a new and exhilarating experience for me. 

In many ways OUAT was an escape, something to disappear into because I hated so many things about myself and my own life. I was depressed, lost, unhealthy and unable to truly see it let alone handle it. I got on Tumblr and here I lived instead of the real world because I couldn’t be in the real world anymore. Here I found friends and a community and learned a lot about mental health and things began to get better. I can’t tell you how desperately I needed OUAT and this fandom and how much my life has improved because of them. 

The friends I have made here have been life changing on a variety of levels. I have learned from you, laughed with you, cried with you, and flailed with you. I have shared parts of myself I can’t with others and gotten love and acceptance back. Through you I have been inspired to be better and I have found the strength and courage to follow a dream. The connection I feel with all of you is powerful and I know it will extend beyond the finale. I will be 80 years old sitting in my rocking chair and someone will offer me pancakes and I will giggle because this show, this ship, and this fandom will always be a part of me.

I’m not going anywhere. I will be here for the finale, for the release of the S6 DVDs, for the fanfic, for the fanart, for all the amazing CSBB fic that is being written, and all the fanfic yet to be imagined. I will be here for anything Colin does and probably most of the cast too. I will be here to comment on your ts posts, to flail with you in new fandoms (even if I don’t join them), and gush over the good old days. I will be here because this is my community and this is where I belong. 

started off today throwing my olde sheets in the wash, showered, gave jennie her meds, called the volunteer ppl ive been procrastinating about for months, and now im settling in to one of my new ghost story podcasts while i work on some art due asap