tutorialing

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I made a thing! I was thinking about this for a few days - because I realized that when I was young, I was also frustrated about being given the same advice over and over - without really knowing what it meant!!

Here’s 5 techniques which I have done before which have helped me grow as an artist, which are good for 5-minute warmups or just straight up challenges for your sketchbook! 

Obviously, these are not the ONLY techniques - they’re just the ones I find most fun! And maybe they’re not the most ‘correct’ ones out there, but it’s better than another comic about practicing more, right? 

Good luck to everyone on their drawings!

anonymous asked:

how do you make ur art look like its glowing?? it's gorgeous!!

I’ll give you a weird secret.  After you put the glowing object on a dark background, surround the white parts with a halo of highly saturated color.  Observe:

It doesn’t have to be that blatant- smaller outlines of color, blended properly with the background, can make an equally effective glow-y look :)

The lip sync tutorial they DON’T give you

I mentioned on twitter that I wanted to do a lip sync tutorial and immediately got some people who were interested so I put one together real quick!

I’m going to use a bit of unfinished lip sync from my taz animated part as reference. They’re just gifs so no sound, but you should still be able to tell that he’s saying “I’d say a solid B… Solid B minus.”

Anyone who’s looked up how to do lip sync has seen phoneme charts. Phonemes are just the shape your mouth makes when you make certain sounds.

When you do lip sync, you want some kind of reference to make sure it’s right

What’s easiest is to say it yourself and pay attention to the shapes your mouth is making. Since you’re going frame by frame, your audio is slow enough that you can make each shape slowly and distinctly and you can get each individual phoneme down in the animation.

Don’t do this.^

An easy way to tell if you’re animating lip sync wrong is if you run out of frames to make each shape. You don’t need them! Making each shape is unnatural. People talk quickly and the mouth doesn’t have the time to get into each shape. They blend together, sometimes to the point where the shape doesn’t change at all!

Not only does the 2nd gif take less frames and energy to make, it’s more relaxed, it looks less distracting, and his lips are much easier to read!

These are reference charts to show the differences more clearly

This is the difference between getting swallowed up in every last detail and paying attention to reality.

What matters more than hitting every syllable is making it look natural and flow with the acting. That’s why anime mouth flaps can work so well. A strong pose through the whole body matters more than one mouth shape.

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before Yuuri moved to St Peters, this sorta thing probably happened a lot (it turned into a game of who calls first) 

twitter: @kurageclear

Quick CLIP STUDIO PAINT trick

If you’re like me, then you guys love shading your sketches or lineart. Like this:

But if you erase a bit and shade more with black on low opacity it’ll look all wonky so you use the color picker. Or hell you scan or take a photo of a drawing you made on paper. But then this happens if you wanna put color under it!

Oh no! Now I have to set it to multiply to color it in! And then I can’t color in the lineart! :(

Fret not, my dear friends! I found the solution! Go to [Edit] > [Convert brightness to opacity]

And suddenly you have this:

This way you don’t need to set the lineart to multiply and can color it in! It also works perfectly, if you use this nifty little trick on traditional drawings that you scanned.

I hope this helped you guys, because I sure as hell didn’t know about this until yesterday! ♥

instagram

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use the paint bucket tool to make the background #000 black

draw the appropriate sigil using a brush that has some grain to it. here are my settings.

remember, you want it to look amateurishly assembled as though it were done in a hurry during cloud cover of a full moon using improvised materials.

activate the sigil using a luminosity layer and light color of your choosing. im partial to red. play with the layer opacity until its as ominous as you prefer

use the move tool to retrieve donald from the sigil

hope this helps!

thegrimwulf  asked:

Hey! I love your art style and was wondering if you had any tips for drawing braids? Any techniques you found useful?

Hello!  And thank you very much!

There may be easier ways of building braids than what I do, but this is just my process for drawing them, so take it with a grain of salt.

I’ll start with a line for whatever direction I want the braid to go in, if I don’t do a line and I have any kind of motion to the hair, boy do I mess it up lol

Next I’ll do wide half triangles, the line being my center, the right side or the left side always dropped lower than the other. If both sides meet in the center at the same level it’s not going to look very braid-like or have the illusion of being tangled with itself.

Afterwards you can remove the middle line if you want to take it further and connect each one with an alternating pattern like this one, giving it more of a braided look in the center.

Once the center is solid, you can add all the details you want in any style you like, curving inwards towards the center. I tend to like the more stained glass-ish appearance for hair so I’ll do very choppy, squared off lines to detail.

This works for whatever position you want to put the braid into using the wide triangles to build it up. It works for tightly woven or loose and messy braids depending on how wide/long you make the original half triangles.

I hope this helps!