try the trend


and this is the wonder that’s keeping the stars apart

  • MC: Jumin, can you not say savage it makes me uncomfortable.
  • Seven: But can I say it?
  • MC: No.
  • Jumin: Savage.

hux: the Resistance may try, but they’ll never get past Starkiller’s shield!  

officer: sir the Resistance is here



Are You Happy? photoshoot; requested by @sougoii

Hello Everyone!

Are you nervous about applying to zines? Are you worried about whether or not your content is good enough? Well don’t be! Lance believes in you and so do we!!

We can’t guarantee that all of you will get in, but that doesn’t mean you should be discouraged from trying! We’ve noticed a trend of people telling us they’re uncertain or scared in the tags and we want to let you know that there is no harm in trying! If you don’t get in, then you don’t get in, but at least you can’t say you regretted missing the chance!

With Love,

[art by @legendarydesvender]

sapphic relationship aesthetics
  • luna/ginny: running through a field of flowers, kissing under the moonlight, flying through the wind on a sunny day, odd looks, wearing beautiful dresses at a ball, cloud watching during the day and stargazing at night.
  • clarke/lexa: practicing combat together, holding each other on a balcony all night until sunrise, swearing oaths, a scribbled drawing of your loved one sleeping, feeling secure for the first time.
  • parvati/lavender: soft whispers in your ear, walking through a foreign city together, trying on new fashion trends, walking through the hallways like you own the place, doing each other's makeup at sleepovers.
  • narcissa/lily: braiding flowers into one another's hair, fiercely protecting what you're passionate about, walking through a forest together, going to an elegant party hand-in-hand.
  • harley/ivy: jumping out of moving cars, stopping at your home for only hours at a time (and watering the plants), seeking adventure, cuddling each other for hours on end, running through a wild storm, taking risks.
  • lena/kara: holding hands in a big city, finding excuses to go to each other's workplace, escaping paparazzi, flirting with each other in the middle of meetings, going to each other's homes to watch movies and eat food, supporting each other.
  • daphne/pansy: sitting at the edge of a cliff together, being completely independent from one another but secretly being so dependent, judging others together, giving each other sly smiles, unleashing hell on anybody who hurts the her.
  • alex/maggie: making each other coffee on sunday mornings, watching the sunrise together, working on cases together with ease, teasing each other, falling asleep on her chest, threatening anybody who might hurt her, wearing her shirt.
  • amberle/eretria: climbing to the top of the tallest tree in a forest, endlessly jabbing at each other, fleeting vulnerable moments, sacrifices, kissing with only candlelight.
  • hannah/susan: baking cookies together in a cozy house, going to the farmer's market together, wearing floral dresses and button-ups, braiding each other's hair, basking in the sunlight.
  • clary/izzy: encouraging each other to wear daring clothes, training together, undying support and devotion, walking through the hallways because you know you own the place, holding each other under silk sheets, sunlight streaming through stained glass windows.
  • angelina/alicia: doing pushups together, defending each other, kissing each other after a game won, swimming in a bright blue lake together and laughing, complimenting each other.

anonymous asked:

for the love of God i cannot write witty characters. all my dialogue comes off as SUPER cheesy. any advice?

Thanks for your question, darling!  That’s an issue I’m sure we’ve all faced, especially for those of us with different senses of humor (I’m much more a sarcastic/goofy person – not quite wit).  And what makes this worse: there really isn’t advice for us out there!  I always try to research other methods before answering these questions, but I just couldn’t find anything!

So obviously, I don’t have all the answers, but here are a few tips I’ve learned from experience:

  • Decide how they use their wit.  Every witty person does not use their wit in the same situations or for the same reasons.  For each “witty” character, ask yourself: do they use their wit for humor?  Do they use it as protection or a barrier between them and others?  Do they use it to ease social anxiety?  You should also decide if they’re extroverted or introverted – and therefore, do they make an effort to speak up and share their wit, or is it something that slips out?
  • Decide the tone of their wit.  This largely has to do with their personality, but also to do with the questions above.  Are they more sarcastic?  Flirtatious?  Argumentative?  Performative?  Is their tone comforting and open to interplay, or more private and final?  Are they mean-spirited, purposefully or accidentally?  How do others perceive their tone?

Once you’ve discerned what kind of wit your characters use, consider the following:

  • Witty people think quickly.  This doesn’t mean they jump on everything they hear with a quip – but speed is what sets conventionally “clever” people apart.  There are many of us who can think of hilarious, sharp things to say… hours after we’ve gone home.  This may be why you’re struggling.  It’s a lot of pressure to come up with quick, funny comments on the spot if that isn’t how you naturally work.  So try to work with your mind, at your speed.  If it takes you a couple hours to think of a response for your character, take a couple hours.  Type in the gist of what they’re saying and come back for it later.
  • Witty characters are a tool to be used sparingly.  A snarky/overeducated character can easily become annoying if they speak too much – and it’ll stall your writing, too.  So don’t try to make everything that comes out of their mouth a brilliant insight.  Let them speak normally (in their voice, of course), so that their shining moments don’t become glaring.
  • Learn from real-life examples.  My personal favorites: autobiographies of novelists, poets, and comedians.  Watching improv can also be a good resource; going out and meeting new people can expose you to new kinds of wit and humor.  Any method of getting into the mind of naturally witty people will be good research.
  • A witty character isn’t the key to your story.  Unless your plot literally revolves around the wit of a character, you don’t have to try to follow the trend of the funny, brilliant, philosophical/pop-culture-referencing protagonist (or comic relief character).  Every writer has their own strengths and weaknesses!  If it’s really causing you trouble and it’s not necessary to the plot, it may be better for your story to change the character.  There are plenty of other character traits – many of which are less overdone in modern literature, and that’s only a good thing.

That’s all I can really think of for you!  It’s really something to figure out on a scene-to-scene basis, and it varies between characters.  If you need help with certain scenes, feel free to message me and I’ll get back to you soon :)  Good luck!

If you need advice on general writing or fanfiction, you should maybe ask me!

this is going to be a sad poem. i know this as i write it, as the sadness seeps through my skin and onto the page until it is soaked. it is heavy with the sorrow of a million strangers. another sad poem.
poets know a thing or two about sadness. in seventh grade english class, my teacher gave us our poetry lesson on valentine’s day, said it wasn’t on purpose but that’s just how the lesson plans worked out. he told us that all the best poets were depressed and that most of them did not even want to be writers but just wanted to be free. he said, there’s nothing to write about if you’re happy. he said, but i’m not a poet.
everyone told me that poetry was another word for depression, that writing in my journal was crying in school bathrooms. poetry is for sad people because sadness seems to be the heaviest emotion, which is why it slumps your shoulders down and makes you sleep too much. you can feel the heavy when you hold any book filled with poems. feel the sadness between the pages.
words don’t always make me sad, though, not the sadness that all the writers write about. anger isn’t heavy enough. happiness isn’t heavy enough. maybe i’m just not heavy enough.
maybe i’m just a bad poet. maybe i’m not a sad enough poet. maybe i’ve been writing the wrong way for all these years and a teacher will come and fix me the way you correct a child that’s holding a pencil incorrectly. maybe.
i think this was a sad poem. maybe i’m on to something.
—  another sad poem

Please do not try to trend hate filled hashtags. This is the second “Supergirl” actor the fandom has upset. Post and tweet about what you love instead of what you hate. Say you love the Danvers sisters or “there can never be enough Sanvers”. Or “there’s Supergirl and her future mother-in-law” (Lillian). Just keep it civil. These are the actors. They all like each other. They all love the show.