tribe mas

anonymous asked:

Hey! So I know that you're from the Caribbean so I was wondering if you can post like a list of charities to donate to that go directly to Irma victims?

yeah sure of course. also, just an update, cdema is already in those islands helping out but hurricane jose seems to be following irma’s path so antigua and barbuda (and the others) are bracing for that again. since roughly 90% of barbuda was destroyed there’s a voluntary evac taking place where people are being ferried off the island. i believe they were considering bumping it up to mandatory but i’m not sure if they did last i checked. the island is under a state of emergency.

a lot of the charities i know of are local/ regional so that’s not going to be super helpful (sidenote: if you’re from the caribbean, find out where in your country is accepting donations) (t&t people: itnac and tribe mas camp are accepting non perishables, water, hygiene supplies, clothing and bedding)

for those of you outside the caribbean region here are some places you can donate to:

anyway, please donate if you can; the caribbean region is made of a bunch of third world countries and we don’t have the resources to get back on our feet in the event of huge disasters like this


Copper alloy hollow cast statue of the princess-priestess Takushit.

From  "Lacking its base into which it was set by means of two attachments, which are rectangular in cross-section, placed on the soles of the feet.

The statue was found in 1880, in Lower Egypt, on the hill of Kom-Toruga, near Lake Mariut, south of Alexandria. Late Period, end of 25th Dynasty, ca. 670 BC. It had ritual, votive, and funerary functions.

The statue is depicted striding soundly with its two feet; the left foot is forward in a walking stance, indicative of movement and energy. The left arm is bent under the chest and most likely held a hieratic scepter. The right arm, extended closely against the body, held the menit (musical instrument and necklace). The scepter and the menit make clear her priestly status and her high social position and were the symbol par excellence of priests from the higher social classes. The long, diaphanous robe, which is decorated all over with incised patterns that were filled with precious metal wires (technique of damasking), accentuates the beautifully shaped, sensuous body. The decoration is divided into fine horizontal bands, which alternate with four thinner strips at the midsection, the pelvis, the thighs, and the knees. The first band, which covers the torso, is wider. The bands are decorated with representations of divinities from the Northeastern area of the Nile Delta (the homeland of Takushit), while the strips are filled with hieroglyphs that communicate prayers to the said divinities.

Her name means “the Ethiopian” and possibly refers to a family connection to or a marriage with an Ethiopian. According to the inscriptions that the statue bears, her father was Akan II, the Great Chief of the Libyan tribe Ma, and her office was of priestess “waab” (pure-chaste priestess), which according to the religious hierarchy was the lowest priestly title.

The use of the statue was ceremonial while the priestess was alive, and was part of the ritual equipment of the sanctuary, in which there was a priestess. After her death, it was used for votive and funerary ends and it decorated her tomb, which, according to the custom of the time, is located within the sanctuary precinct.“  via: