Tuesday’s forge welded fire pokers class went really well! Each of the students put their own #twist on the handle design! #blacksmithpuns #blacksmithing #blacksmith #fire #firetools #bottleopener #metalwork #handmade #classes #teacher #teachersofinstagram #picoftheday
From the author of 2005’s Viridarium Umbris comes The Green Mysteries, the product of twenty-five years of experiential research on the spiritual and occult properties of plants. Being a compendium of trees and herbs from countless spiritual traditions, this exhaustive Herbal of esoteric botany examines in detail the folklore, magical uses and spiritual essences of the vegetal kingdom. While presenting the material through both magical and mythopoetic narrative, the stance of the book is also grounded firmly in supportive disciplines such as botany, chemistry, and anthropology, and also includes up-to-date phylogenetic and pharmacological findings. The text focuses especially upon the Doctrine of Plant Essence, and how those powers are utilized in the active practice of magic and sorcery.
Interspersed with encyclopedic plant entries are short narratives addressing such concepts as the Witches’ Flying Oinment, intoxicating incense, the herbal dimsension of Alchemy, and the ‘Green Saints’ such as Al-Khidir, the medieval Wildman, and the forest-dwelling Nymphs who nourished the Greek gods. More than a mere collation of previously existing works on plants, much of the material is drawn directly from the author’s private field notes, diaries, and manuals of magical operation from 1991-2016, presented in an engaging narrative style.
Among the Twenty-Seven essays included within are ‘Devils in the Basilica,’ 'The Meaning of Viriditas’, and 'The Rhabdomantic Art.’ Also present is a special inclusion of a text entitled The Dream-Book of Sylvanus.
I pre-ordered a copy of this truly amazing tome. This is gonna be great!
Witches ladders (also known as witch’s ladders) are a type of knot magic that can be used for a wide variety of purposes. They are commonly made by braiding or knotting cords together while incorporating other materials that represent the intention of the creator. Witches ladders can be easily customized for every practitioner and used for nearly any purpose, making them a very versatile and convenient talisman to create. Witches ladders can be used for purposes like attracting or manifesting things, creating a more positive environment, warding off negative entities or energies, protecting yourself or others, or banishing certain behaviors or individuals, just to name a few.
To make a basic witches ladder, you will need:
- Several cords of equal length in colors of your choice
- Whatever materials you choose to weave into the cords (such as feathers, bones, herbs, hair, flowers, seashells, ribbons, beads, hag stones, sticks, crystals, keys, charms, etc.)
Optional but helpful:
- A ruler
Some other ideas: You can incorporate pieces of paper with sigils drawn on them, drawstring bags filled with herbs or crystals, or personal symbolic items that have been made from clay or another material. If you are making a witches ladder for an individual, you may wish to include a taglock (a personal item that is strongly associated with the target) to further bond the person to the talisman. Taglocks may include hair, jewelry, etc. Depending on your practice, you may wish to incorporate numerology into your witches ladder by using a specific number of knots, number of cords, or number of items used.
For my witches ladder, I used thick dark green yarn, twine, seashells, goose feathers, ribbon, a pine cone, and a sand dollar. I chose to arrange my goose feathers with the smallest ones at the top and the largest ones at the bottom. I also decided to make a double witches ladder purely for aesthetic reasons, but you can stick to one or make as many as you want.
Creating the witches ladder
1. Start by gathering your materials and getting your cords ready to knot or braid. It may help to tie the cords together on one end and tape the knotted end to a table or another surface. I found that doing so helps to prevent the cords from getting tangled in the process and it helps maintain a nice tension while braiding.
2.As you braid or knot your cords, begin adding your chosen materials. You may wish to recite something or chant as you are doing this, but it is not necessary. Depending on how many items you are using, you may wish to space them out evenly. For this, a ruler may come in handy. In my own experience,I have found that certain materials such as feathers, herbs, flowers, and certain bones can be difficult to braid around. It may be helpful to braid the cords first and then insert your objects into the braid later on.
3. Continue braiding or knotting until you have made your witches ladder as long as you would like it. To finish your witches ladder, you may choose to simply tie off the cords, or you may choose to add something extra to the end.I chose to add a pine cone and ribbon to one of my witches ladders, and a sand dollar to the other.Finish off your witches ladder however you see fit.
4. Hang your witches ladder. You may wish to hang it near a doorway in your home, near your bed, or even outside. The best location for your talisman will depend on both it’s intended purpose and your personal preference. If you have cats or other mischievous pets, it may be a good idea to hang your witches ladder up high or out of their reach.
Hayao Miyazaki’s Nausicaä of the Valley of the Wind was first released on March 11, 1984.
After the heavily re-written and edited 1985 release of this film in the United States and Europe (as “Warriors of the Wind”), which substantially changed the movie in addition to cutting nearly 25 minutes of footage, Hayao Miyazaki was hesitant to release any of his films outside of Japan. Miyazaki demanded that any new licencor for his films be contractually bound to do no edits whatsoever aside from a straight translation and dub. Disney (who bought the rights to all of Miyazaki’s films except The Castle of Cagliostro (1979)) has honored this stipulation. (x)
Sleep is waking, waking sleep we ride the broom across the deep, fair is foul and foul is fair by bee and cat, by hound and hare, the living die and the dying live we turn the shears and the sieve, light is darkness, darkness light to farers through the mystic night, up is down and down is up to seekers of the cauldron-cup, lords are churls and churls are lords we leap across the bridge of swords, birth is death and death is birth we tread the paths beneath the earth, Bride is Hag and Hag is Bride Between the times we rage and ride, day is night and night is day for farers on the witching way.
Text and image by Nigel Jackson, from Call of the Horned Piper.
Soil wasn’t draining, so I figured I’d be brave and repot this mandrake. O.o
About 10 months old… The root is a foot long, if straightened, and nearing two inches at its widest. It definitely surprised me, being quite larger than even two year-old roots I’ve had. The same one that began flowering at 7 months when none of the older ones ever have lol.
1 Large Bottle of Red Wine 3 Oranges 3 Tablespoons Whole Cloves Ground Nutmeg 3 Cinnamon Sticks 1 Cup Brandy 1 Cup Apple Cider
Pour wine into a non-metallic and heat proof container. Wash oranges and cut into thin slices, then add them to the wine. Stud the remaining orange with cloves, marking out good-fortune rune/sigils, and then add them to the wine. Dust the top of the wine with ground nutmeg and then add the remaining ingredients. Warm slowly and do not boil. Serve on Yule, or a windy night after the winter sabbats.
The nature of the witch is eternally bound to the other, we realise that no archetypal self identifies the witch; the witch transgresses the limits that define the self, making this transgression the liturgy by which he or she gains access to the world of spirits. At the same time, by becoming other the witch transcends the very concept of other, becoming something completely different, permeating all the worlds apprehended by men. By overcoming the duality between self and other we become the eternal one. This one is the center of our being, our spirit and the axis mundi.
Francis Ashwood, The Liturgy of Taboo; Serpent Songs: An Anthology of Traditional Craft