this weekend was very disappointing. because of the poor organization in the toronto revellers mass camp, my friend and i didn’t get to play mass. we paid the full amount of our costumes and didn’t receive them. later we learned that the costumes were being made in trinidad and something had gone wrong with the shipment to toronto. i was so excited to play mass and didnt even get to do it. jamaal magloire, the owner of toronto revellers, put us in a vip bus with rocsi diaz of 106 and park and machel montano. rocsi’s voice is way less annoying in person than it sounds on tv. i guess that was cool. and we got to be on the dj truck with infinity sound crew. i had a bit of fun of course just because i love dancing. but i missed out on the experience of playing mass. one of the marshalls told us that we would be able to get our money back and that we might get free costumes next year. all we needed to do was go to the office and let them know the situation. unfortunately, no one was at the office today and i don’t know when we’d be able to go back. it’s really inconvenient because the office is in scarborough and we live in brampton. a lot of my family members didn’t want me to go to caribana. and i feel like their ill wishes came true. i think i would have had more fun if i was wearing a costume. *sighs* i guess i shouldn’t dwell on it though.
John Cho had concerns about 'Star Trek''s Sulu gay revelation
TORONTO - “Star Trek Beyond” cast member John Cho says he had a few concerns about the film boldly going where none in the franchise has gone before — revealing that his character, Hikaru Sulu, is gay.
Cho learned about the revelation in pre-production from director Justin Lin, who told him it was cast member/co-writer Simon Pegg’s idea.
While Cho felt they “were saying something beautiful and positive,” he was concerned about the feelings of openly gay actor George Takei, who played Sulu in the original “Star Trek” series.
“My concern was actually that he would feel like we were violating his personal life or usurping his personal life, because his character is straight but he’s gay,” says Cho. “I was concerned that he might feel like we were lifting from his personal life.”
In a recent Facebook posting, Takei said while he is “delighted that the ‘Star Trek’ franchise has addressed this issue, which is truly one of diversity,” he feels it was “less than necessary to tinker with an existing character.”
Cho says he was also concerned about “how Asians would view” the decision and worried that the franchise “might be accidentally implying that sexual orientation was a choice.”
“Because it’s the same genetic person but in an alternate timeline, and (Sulu) has different sexual orientations in both, (I) thought that we might be saying the wrong thing about sexual orientation.”
But in the end, Cho felt they executed the revelation correctly, with “a blink-and-you-miss-it kind of moment” in which Sulu embraces his same-sex partner, with whom he has a child.
“It doesn’t feel like a bombshell at all, which is I think hopefully where we’re going as a planet and as a species,” he says
“I think if we had made a thing out of it in the way it was filmed, that in 10 years we’d look back and it would feel anachronistic and out of time.
"Now, the movie can age well and hopefully 10 years from now, this sort of thing is common in film and in society.”
A followup to 2013’s “Star Trek Into Darkness,” “Star Trek Beyond” finds the USS Enterprise under attack by a new enemy, played by Idris Elba. The ensuing battle splits up the crew, who are also played by Chris Pine, Zachary Quinto, Zoe Saldana, Karl Urban, Sofia Boutella and the late Anton Yelchin.
The film pays tribute to both Yelchin, who died last month in a freak accident involving his Jeep, and Leonard Nimoy, the original Spock who died in February 2015.
Cho says watching the film brought on “a mixed bag” of emotions.
“The tribute to Leonard, which is beautiful, was already in the script and we’d filmed that. And Leonard’s passing in general was more logical — he had lived a life and he was older, obviously, and had lived a very full life. So mourning him was different than mourning Anton, which is less logical and more bizarre.
"On the one hand it was tough to watch him and it was beautiful to watch our boy.”
Part of the film was shot in Vancouver, and Cho took advantage of the landscape.
“I did the bike around the island there,” he says. “Nobody told me how long that would be. It was longer than I had anticipated. I was solo, too. I took some breaks, I’m not going to lie.”