title scene

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EPISODE 94

percy reassures vex beneath the sun tree

You’ve found yourself at the base of the Sun Tree. As you look up at it, at this point the clouds that kind of gathered yesterday have all subsided and you have the most beautiful clear blue sky ahead of you, the morning sun’s coming down. The tree is beautiful as you watch it slowly blossom now as the months have passed. You start seeing green in the boughs, the occasional pod that might eventually flower as the season allows it. It’s serene. And as occasionally a breeze blows through, you hear the various branches hit, and some of the leaves shake, and… it’s a beautiful sight.

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Art During the Production Stage in July 2014.

“These images are a huge metaphoric exploration about the light and the dark side of the Force, which I had long discussions with Rick about. The wide shot of the light glimmer just hitting the two of them– that’s the Force essentially making its decision.” – Jenkins

The Art of the Force Awakens

Did they just spoil Kylo Ren’s redemption with one quote?

anonymous asked:

Can you possibly write about what would have happened if Snow hadn't come in when she did? I'd die happy!!

omfg anon I WASN’T PLANNING ON WRITING THIS because flkjhlkj i have so many things i should be writing (and also i have work today that i’ve been putting off) but like… i get it cause that scene fucking ruined me too, so here you go, have some porn with feelings. aslkjhs.

the scene (kitchen table sex with no interruptions) – AO3
~1800, explicit, obvs

“To hell with the pancakes,” is a sentiment that Killian wholeheartedly agrees with. He much prefers the taste of her tongue and the smell of dried sweat and lingering morning sex on her skin to anything else right now. And, it seems, she has nothing on her mind now either, aside from consuming his groans of pleasure and sliding her deft, teasing fingers across the back of his neck, down his shoulders, his chest, his tense abdomen, all the way there, where he is alive and awake and quite ready for another go at it.

He loves kissing her, always has; she’s a hell of a kisser and she knows it. Though he may have a few more centuries of experience, she’s managed to master the art in her short decades on this earth. Push, pull. Tongue, teeth. Wet lips, plush and pliant, with a gentle ease even when forceful and wild. He could drown in her kisses, although he has, in fact, been resuscitated by them once before. (Whatever excuse she’d had about that “CPR” nonsense had been just that: nonsense. It was definitely the press of her lips that saved him, of that he is entirely certain.)

It’s the combination that does him in – her mouth on his and her hands massaging him through the jeans that he wished he hadn’t even bothered putting on this morning. He can’t stand it, is too revved up and desperate for her that he couldn’t care less about anything else.

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i love when people take batman too seriously and act like he’s the epitome of cool, the most serious and wise character, but in reality he has the personality of a teenage girl going through an emo phase

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STAR WARS APPRECIATION WEEK

day 5: most underrated moment

→ padmé’s ruminations (episode iii: revenge of the sith)

Feeling This
blink-182
Feeling This

“Look to the past and remember and smile
And maybe tonight i can breath for a while
I’m not in this scene i think i’m falling asleep
But then all that it means is i’ll always be dreaming of you

Fate fell short this time
Your smile fades in the summer
Place your hand in mine
I’ll leave when i wanna”

youtube

New video!  My segment for David Toons’ Starbomb animation collab, and the animation process!  Enjoy!

Family Photos (Supergirl ficlet)

Fandom: Supergirl

Characters: Alex Danvers, Kara Danvers

I just wanted a Danvers sisters scene after we find out about Jeremiah in 2x14. So I kind of wrote one?

Also on AO3

/ /

The locker room is quiet, only the faint sounds of agents talking in the hallway filtering through the heavy steel (and lead-lined) door.

Alex sits on the bench in front of her locker. Her tactical vest is on her shoulders but not done up, most of her gear spread out on the bench beside her. Methodically, she runs through her usual checks, making sure her everything is in working order. The alien gun, her favourite, sits in the closed locker on the top shelf.

She’d open the locker to grab it but that would mean having to look at the family photos taped to the inside of the locker door. 

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                                  random shadowhunters gifs ( 9 / ∞ )

Detail of one of the scenes on the side of the little golden shrine, found in the Tomb of Tutankhamun. The scene is described as follows in the book “The Small Golden Shrine from the Tomb of Tutankhamun” by Marianne Eaton-Krauss:

Ankhesenamun anoints Tutankhamun

Tutankhamun sits on a high-backed, armless chair with lion legs. A patterned cushion covers not only the seat, but the back of the chair as well. The design of the chair includes the “union of the Two Lands” motif in open-work between the legs above the strut. The king’s attitude, with his elbow resting on the chair back, is a mirror image of CR4. His feet, which are unshod, rest on a low footstool.

The king wears the same kilt, with the addition of a crimped sash and sporran, as in all the other panels on the shrine. His costume includes wristlets, armlets, a broad collar, and a shebyu-necklace. An unusual feature is the depiction of the rectangular clap at the nape of the neck, a detail sometimes included when the necklace is displayed but not usually shown when it is depicted worn. The blue crown with uraeus and streamers completes the king’s regalia. A vulture hovers protectively above and behind the king’s head. The shen-sign held in its talons is augmented by the addition of an ankh. In front of the king’s face is written:

“the Perfect God, Nebkheperure, Son of Re, Tutankhamun, Ruler of Upper Egyptian Heliopolis, give life like Re.”

Behind the throne one reads:

“all protection of life is around him like Re”

The queen stands before her husband and inclines towards him. With her far hand, she touches his far upper arm. In the other hand, she elevates above her shoulder a footed dish containing a garlanded ointment cone. Draped over the cone are two lotus blossoms: two more blossoms and three buds hand behind her hand, presumably to be understood as also held in it.

Ankhesenamun, like her husband, is barefoot. Her jewelry includes wristlets, a broad collar, and a stirrup earring with dangling pendants. She wears the Nubian wig with an elaborate uraeus diadem, as in CR 4, and with streamers. Her modius is adorned with a frieze of uraei with sun disks; a garlanded ointment cone sits at its centre, flanked by four feathers. Two vertical columns of hieroglyphs behind the queen identify her as:

“hereditary princess, great in favours, Mistress of Upper and Lower Egypt, possessor of charm, sweet of love, the great wife of the king, beloved of him, Lady of the Two Lands, Ankhesenamun, may she live forever and ever.”