tip to tip

anonymous asked:

Your Chlonette one-shot was amazing! How do manage to write action so well? I want to diversify the topics of the things I write, and action is one of the major topics I'm struggling with.

thank you!!! it was super fun to write, i’m a sucker for spy/assassin au’s! and let’s see, advice on writing action….

1) don’t go into explicit detail about the entire fight.

you’re not a hollywood stunt choreographer. it’s not necessary to tell us every single thing that happens in a fight. i’ve read fanfictions where fight scenes go on for literally thousands of words and you run the risk of boring your reader when things drag out that long. make sure you’re setting the scene. give us a description of where the fight is. give us smells, give us sights. describe weapons and bodies and how they move/throw punches. set that up early on so we have an idea of how this scene looks. 

and after that? pull back a little. let the reader fill in the blanks about how the fight is going down blow-by-blow. use that time to give a sense of the character’s emotions. what the character is thinking. maybe they’re strategizing in their head. maybe they’re worrying about another character. use your imagination and make it interesting!

2) shake it up!

make all of your scenes different! if you’re writing about a warrior who always fights with a sword, maybe have her lose her sword for one fight scene and make her fight hand to hand. hell, maybe have her struggle with hand to hand and give us a fight scene where she actually struggles. heck, make your characters have to fight in a dark room where they can’t see. how does their fighting style change? how does that affect their skill and their awareness? if you make every fight sound/look the same, it gets boring after a while so don’t be afraid to get creative!

3) use your fight scenes to tell the reader something

your fights should always serve a narrative purpose. throwing in needless, random fights work when you’re michael bay, not so much when you’re a fiction writer. if you’re putting in a fight scene, make it so that your characters get something important during that fight that’ll advance the plot. make them learn something about themselves (a new power! a new skill!) during that fight. make them grapple with a weakness or insecurity that they have that’ll advance their character development or be brought back as a plot device later. the only times where you should really zoom in up close on fight scenes is when they’re doing something important. because then when your reader sees you getting into a fight scene, they’ll think “oooo, something important is gonna happen!”

this is also a really great time to get into emotions and motivations in your fight! again, blow-by-blow action scenes get old very quick. does your character feel angry? humiliated? hurt? traumatized? what are the stakes? why is this fight important? why is this character fighting harder? why are they hesitating? fights are emotional and dramatic! add some texture in there to make the scenes come to life. 

4) use your language to add perspective to your scenes

sometimes when you’re in a hand-to-hand fight with someone, it’s good to really zoom in. a character might feel another character’s breath on their face. might smell their sweat and blood. might be feeling hot and claustrophobic. sometimes (like in war scenes for example) it might be good to pan out and step away and give a snapshot of bodies, of screaming, of gunshots, or swords clashing, etc and not necessarily go into in depth detail about every single mini-fight going on in that mix. think to yourself “do i want them to focus on this one fight, or do i want them to focus on this battle as a whole” and try to emulate that. 

another cool thing to do is play around with sentence structure. so if you want a fight scene to go really quickly, use short/choppy sentences to make it seem fast and punchy. if you want a fight scene to seem sluggish and like it’s going on forever, use longer, run-on sentences to show fatigue or exhaustion. just a cool device to make your scenes more engaging!

Hey, all!  Amy here and feel free to skip this, but I noticed a huge thing going around with fanfiction writers and fanfiction readers. Kinda throwing arrows at one another over mistakes and how they should be addressed.

Okay, first off: stop.  Ew.  It’s gross. Y’all are big boys and girls and y’all can act like it.  You don’t need to attack each other at the knees behind the safety of your screens.

Secondly:  there are points on both sides.  People who write have a right to be proud of their work and can choose not to accept criticism.  On the other hand, people who read and absorb the work have the right as well to point out mistakes they noticed if it’s meant to be helpful.

So how can people interact civilly when it comes to fanfiction and it’s accompanying critiques? By following a few internet rules, plain and simple.  No, I’m not gonna tell you to forgive and forget or just roll over and let the other person have their way.  That’s not what you do IRL and that’s not what you do online either.  Instead, both persons have a series of rules to follow in order to try and make the most of their experience.

Originally posted by m-blunicorn


I start with you because you’re the ones who have poured your heart and soul into this baby. And I get it, I do.  When you spend hours and hours slaving over your baby, going over the idea thousands of times in your head, trying to get the idea on paper, and trying to make it look good, then oh heck to the yes it’s your baby and you’re gonna defend it to the death.  I expect that and that’s okay.  What’s not okay is when it interferes with your ability to check in with the situation and see if they actually meant harm, so here are a few rules I’ve started to use over my years of fanfiction writing:

  1. Read the entire comment for content.  This is a bitter pill to take, especially if they sound condescending or snarky.  I’ve run into a few of them, and they’re never pleasant to deal with, but some of them have good ideas.  Try to filter out the junk of the comment and get to the meat of it all.  (I’ll get to what to do if there’s no meat later)
  2. Take a break from the comment when you get angry. And chances are that if it’s an unsolicited comment, you’re going to get angry.  This is your baby and you’ve worked hard on it.  If the crtiquer isn’t at least taking that into account, you may even get furious.  Get up and walk away.  They do not deserve your wrath.
  3. Decide for yourself if they have a point. Most critiquers tend to leave their comments because they’re trying to help in their own (somewhat obnoxious) way. If they’ve got a point, thank them, but also try to express if the critique was delivered well.  If it was, tell them so they can help more people. If not, tell them so they can work on it.  IF THEY DO NOT HAVE ANY POINT AT ALL AND ARE JUST BEING RUDE, get rid of it.  They’re not worth your time.
  4. Respond or toss.  This is up to you.  If they had content that was actually useful, then they were being helpful like they were trying to be.  If they had content and it wasn’t useful, it’s up to you what to do.  If they had zero content in their critique or it wasn’t relevant at all, skip it.  They’re not worth your time.

I actually formed these rules after an encounter with a critiquer who was completely neutral in tone, blurted my mistakes for the world to see, and essentially made me feel like the absolute worst writer in the world.  They weren’t harsh, but their critique did hurt me, especially because I’d still just been starting out.

The first thing that happened was I got angry.  I was livid, furious.  Like, how dare they?  Couldn’t they just sit back and enjoy the story?  I spent a good week or so avoiding my fanfiction account just because I was so pissed off.  I ended up talking to my mom and she asked me if they had any points.  I think she was going for “if they don’t, then they’re not worth your time”, but they did. After that, I went back and tried to see it from their point of view.

Originally posted by geekylaugifs

Didn’t mean I suddenly wasn’t mad at them.  I was mad, but I also realized that they, in their own roundabout and hurtful (to me, who reads inflection into typed words and winces at every loud noise and criticism) way, were trying to help me.

I worked on it, and I don’t think they ever commented on my stuff again, but the people who already loved my stuff?  The people who said that my stuff was ‘cute’ or ‘genius’?  They loved it all the more!  The critiquer may not have stuck around, but those who did benefited.

(It really took me a long time to stop being angry at them.  Now I just kind of take a lesson from them.  As a fanfiction writer, and as a critiquer myself.)

Originally posted by trendinggifs


I’m saying this as someone who has pretty high standards for what I read.  I look into formatting, tenses, plot, characterization, spelling, and even comma usage!  These little things do actually bug me, and sometimes enough to the point of wanting to comment, but I’ve been on the other side of it and remember the frustration and the anger that can come from a wrongly worded comment, so there are a few rules that I’ve formulated in order to be the best critiquer I can be and help as many people as possible get as amazing as they can as a writer!

Note:  These rules are for critiquers who actually do want to help writers get better and improve the overall quality of internet written works. If you’re here because of some superiority complex, these rules may be difficult for you to follow.  I, however, encourage you to do your best and perhaps one day you’ll be a good critiquer.  *^_^*

  1. Find a way to figure out if the author even wants your critique.  One way to do this is to respectfully ask them.  Always open with a positive.  Something like “Hey, I liked ___ about your story, but I noticed something was a bit off. Can I give you a constructive critique?” Typically, an author would be happy to know you cared about their opinion, so this will go either one of two ways.  They will either (A) allow the critique and actually listen to what you have to say or (B) politely decline the offer.  This means they have made up their mind and you are to let it go.  The back button is a wonderful friend at this point.
  2. Follow the sandwich format.  This is a tried and true method for getting people to actually listen.  If you start in with the critique, the author will feel attacked and immediately get defensive.  Instead of wondering if you’ve got any point, they will find ways to contradict you and argue.  Instead, open with something you liked about the story.  There was a reason you read it all to the end, wasn’t there?  Mention that first (AND BE HONEST!  NO ONE LIKES SOMEONE WHO GIVES OUT FALSE COMPLIMENTS), and then get to the critique, or ‘meat’, of your critique.  When that’s done, exit with a thank-you for being willing to listen to your comments.  It takes a lot for a creator to listen to someone point out the flaws in their baby, even if they’re trying to learn.  Remember that you want this to be a positive interaction, not a demolition derby.
  3. No insults or other derogatory comments. Unless explicitly stated otherwise, the writer is trying their best.  Insulting them makes them less willing to hear you out, much less accept your comments and get better.
  4. No elevating yourself over them.  It’s a no-brainer.  You’re not there to school them, you’re there to help them.  Helping requires a serving mind, which puts their needs before your ego.
  5. Do not hound the author.  If they listen but don’t take your comments, you’re not allowed to harass them.  Most likely, they don’t see a point in your comment and have elected to ignore it. And that’s fine.  The point is that you managed to bring it to their attention once.  Maybe they’ll come back to it later, maybe not.  Either way, once your critique is given, it’s done.  Unless they come to you asking about it, your job is to pack up and vamoose, or simply to sit back and enjoy watching the rest of the story unfold.
  6. Make sure your comments are objective.  Like, if there’s a comma problem, tell them about it. If there’s verb tenses being messed up, inform them politely.  If person A didn’t get with person B, then you’re not critiquing.  That’s a matter of opinion and doesn’t belong in the critiquing category.
  7. Be respectful.  They’re going on a limb and listening to you, and it’s the author’s choice whether or not to continue the correspondence. You don’t have to ‘kiss up to them’ or ‘serve them’, but you have to make sure you’re not being a jerk and that all your comments are warranted.

Originally posted by yourreactiongifs

I know there are a lot of rules, but critiquing is hard, especially with how a lot of people view them.  But you, the critiquer, ARE NOT EVIL.  You’re not the bad guy.  You’re not messed up.  You’re not ‘sticking your nose where it doesn’t belong’.  You’re human and you’re trying to be helpful.  These are just tips and tricks on how to go about it the right way and maximize your helpfulness.

Originally posted by hippie-janessa


The last thing I’ll say is that not everyone will follow these rules.  They will think they’re stupid or pandering or all-around dumb. Some people who claim to critique will continue to slander our good name by acting like holier-than-thou snits. Some people who write will continue to get outrageously angry for persons daring to say something went wrong.

Originally posted by blisteredblue

Here’s how to deal with them:

  1. Leave the computer.  Or the website, just for a bit.  Enjoy the sunshine, take a walk, talk with your best friend, eat some ice cream, go play.  See if it just blows over.  They don’t get to take away your happiness because they’re angry.
  2. Delete the hate.  When you’re good and happy, you can delete the hate mail, or maybe grab a friend to laugh at it.  But don’t respond to hate with anger.  As my good friend Warlord Okeer said, you shall inflict “the greatest insult an enemy can suffer. To be ignored.”
  3. If they chase you down in anger, block them. This is okay to do.  For fanfiction writers:  if they continue to pester you with their comments after you say ‘no thanks’, block their tails.  For fanfiction critiquers:  if they got angry over a critique you gave, provided that they said okay and provided that you followed the rules of critiquing, you’re allowed to block them. You did it right.  Don’t even stress.

And then there are the times where we forget to follow the rules and insult someone on accident. It happens.  If you realize you’re in the wrong, it’s just one rule.

  1. Apologize.  No, you don’t have to grovel for forgiveness, but understand that your actions may have hurt someone else and react accordingly.  If they won’t take it, at least make the promise to yourself to be better in the future.

And that’s it.  I know it seems like a lot to swallow, but it all boils down to making sure your words are respectful, kind, and true.

Originally posted by fandomdeluxe


anonymous asked:

Two characters (A and B) are fighting in zero gravity, in a medium sized room (12 feet by 14 feet). A is about 40-30 pounds smaller than B, who is about 200-210 pounds. A is quicker than B but B can take more blows than A. They both are trained to a high level in karate, judo, and Kendo, and both are physically fit. B is very good at Kyudo. They have no weapons, but shrapnel and debris are everywhere. How might this battle go down and who would win?

They’re fighting in zero-g. None of what you’ve listed here actually matters, not even their weight, because it doesn’t help them when fighting in ZERO GRAVITY. Martial arts designed to work with gravity, don’t work in the cold depths of space as they’re relying on mechanics and physical laws that aren’t present. Whoever adapts fastest is the one who wins.

However, and this is an important point for anyone sending in questions, we can’t tell you how to write your fight scenes. We won’t create them for you, we can tell you how a thing works and pass on resources to help you get where you want to go but we can’t tell you how the fight will go down.

You, the writer, are the source and it is up to you to figure out how it will happen and who will win. Combat relies on more than just where people fight, their height and their weight, what they have access to. It also involves a lot of setting information, relies on narrative flow, themes, and the personalities of the characters involved. It is your story. You do it.

This is a good lesson when it comes to learning. If you want your character to be a fighter skilled in five different martial arts with a high belt ranking then YOU, yes, YOU need to put your nose to the grindstone and get researching. It’s all up to you. You are the one who is telling this story. It is up to you to convince your audience, however you choose to do so.

You don’t need me to tell you how, you need to learn how so that you can write it on your own and that starts with learning how the individual martial arts you want your character to know work then you start the long process of figuring out how they work together. Along the way, you’ll learn that judo and kendo are mostly useless for live combat because they are sport forms. This is intentional, its there in the “do” as opposed to “jutsu”. “Do” signifies the martial art’s transition into an art form rather than a combat form. There are parts of it which are still applicable, but combat is no longer its primary purpose as a training outlook. You’d also learn that “karate” is an umbrella for multiple Okinawan martial disciplines that are unique and distinct in their practices.

You want to do it, you need to learn how they work and then how they work together. If you can’t do that, take a step back. Start with one instead of three or four.

You want to write fights in zero gravity? You might start by learning how zero gravity functions, watch videos of astronauts in space, and figure out the importance of gravity itself. For earth based combat, gravity is necessary for the techniques to function. They’re all built with the idea that you will be fighting on earth. They won’t work the same way in a zero-g environment.

Research on your own is important. You may not need to practice a martial art in order to write it, but you do need to learn its concepts. You need the foundations, and the theory behind how the techniques are supposed to work. You can learn that multiple ways and you can internalize those concepts far more quickly than the years it takes to train to physical competence in a single martial art. This is also where I say I hope that Character A is somewhere between 35 to 50 for their “high level” of skill in three martial styles. Traditional martial arts, particularly karate, judo, and kendo, take awhile to learn. You’re looking at upwards of five years to the first black belt, or longer depending on how firmly they hold to tradition. Some schools won’t let anyone but an adult test for black belt at all.

While this is happening all in your imagination, the writer always has to put their money where their mouth is. They’ve got to prove their character’s competence to their audience and its up to you to do it.

So, start at the bottom and work your way up. The more you learn, then the easier it will be to conceptually put together these fight scenes on your own.

That is the goal of this blog. We’re not here to write your fight scenes. We can theorize how a scene might go down in abstract, tell you how some martial arts work on a conceptual level, and teach you about the psychology and logic behind the mystification of combat forms. However, the work is yours.

You do it.


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✨A List of Basic Herbs✨

Hi, lovelies! I haven’t made a witchy post in a little while, and thought that this would be very helpful, especially for baby witches. Here is a list containing a few easy, basic beginner’s herbs to gather for your witch cabinet/magick tool collection! If you do not have access to all of these in their herbal/spice forms, remember that oil is always a good substitute.

Basil: This herb can be used to bring good luck, promote purification, and provide an extra boost in love spells!

Chamomile: This is very similar to how Lavender is used in magick. Chamomile is very beneficial during meditation and in sleep/healing spells, it is also very protective, lucky, and purifying.

Cinnamon: In addition to smelling and tasting wonderful, cinnamon is a great option for wealth, success, and healing spells.

Eucalyptus: So, so excellent for healing. General protection is also a very good use for it!

Lavender: A favorite of nearly every witch I’ve met, and for good reason. A perfect herb for calming, protection, healing, purification, and happiness.

Mugwort: General healing, strength, and protection are all things that mugwort can be used for. Using it as an incense is also effective - it can assist in the strengthening of your divination practices.

Peppermint: It’s not just for having around during the holidays- peppermint is wonderful for boosting your psychic energies and abilities.

Rose: The ultimate in love and romance spells, of course - in addition to protection, luck, and helping your psychic powers grow.

Rosemary: Rosemary is a very good all-purpose herb. It can be effective in all of the following areas: protection, love, purification, mental powers, cleansing of negative energy, promoting sleep, and helping your memory.

Sage: Sage is a staple in nearly every witch’s collection. It is generally used for its strong healing and cleansing powers. It can also be used in spells/rituals that support longevity, fulfillment of wishes, wealth, and protection.

Sandalwood:A wonderful medium for strong cleansing of negativity. Healing, exorcism, dream fulfillment, and spirituality are also great uses of sandalwood.

Bonus: Salt! I use it in nearly all of my rituals, spells, and altars. Salt is an absorber rather than a channeler, soaking in all of the psychic energies surrounding. It is purifying, protective, and healing, a good addition to any general ritual.

Writing Sexual Content

Anonymous asked: What are some ways to write sexual content?

Good question. I wouldn’t say there’s a simple answer either, because much of what will be expected will depend on your genre. There is a big difference in expectations for literature, YA, romance, erotica, and so on. The important thing is to consider these expectations along with the relationship between the characters involved and style or tone you intend to convey.

First, what genre are your writing in? 

This sounds like a simple question, but I get that for a lot of writer’s it’s not. If you do not know your genre, pick the one (or two) you think it is closest to.  Now, my go-to answer to almost everything writing-related is to read and here is no different. Try to think of books in your genre that include scenes like the one you’re working on. Never jump to the conclusion that here are no books that can help because especially when writing sexual content, that’s definitely going to be something. 

Keep reading

A potion for new beginnings

Hello everyone! 💎🔮🌙
This is a moment of big changes in my life, both practically and spiritually. I decided to celebrate the new beginnings in my life with a potion that promotes changes, evolution and self-love. Tonight is also this month’s new moon, so this is really the best time to prepare this potion. 

Ingredients 🌸

  • Green tea for energy and cleansing
  • Dried rosebuds for new beginnings
  • Dried jasmine flowers for a clear vision of the future
  • Blackberries for protection and healing 
  • Maple syrup (or sweetener of choice) for self-love and self-indulgence

Recipe 🔮

Bring a pot of water to a boil, then turn off the heat and add the green tea leaves, rosebuds and jasmine. Let the herbs infuse for 5 minutes. Filter the herbs and add the berries while the tea is still hot, smash them with a fork and let them sit in the tea for about 10 minutes. Filter the potion, add the sweetener (to taste) and pour it in a bottle. You can refrigerate the potion or drink it warm. I also put a sigil on the bottle to reinforce the power of the potion, and i decorated it with rose quartz beads. 

May the new moon light your way!
Astrea 🔮🌙💎

anonymous asked:

Hey, i read that you've a degree in creative writing and I wanted to ask if you recommend it. Because I'm thinking about studying it but my sister always mocks me

I highly recommend it! 

When I first began my English degree, they brought us all into a room and said, “I know not a single one of you has a parent that’s happy you are here.” We laughed, but it was true; no one takes an English degree seriously. The man in charge of this “seminar” for lack of a better word, went on to say that most majors have a job associated with them: psychology majors become psychologists, biology majors become biologists, etc. But there’s no English-ologist. 

Being an English major is not a training course for a job: it’s a way of thinking. And that scares a lot of people. What are you going to do with that job, they ask. 

The answer? A heck of a lot. 

English, and especially creative writing, is part a psychology degree, part a sociology degree, part a hospitality degree, and part an arts degree. It teaches you to understand people, to communicate effectively, to problem solve, to think ahead, to juggle large groups, to think outside of the box, etc. All of these traits necessary to form a plot and create characters out of thin air are also vital in any company, and that’s what’s making English degrees one of the most sought after in business. HR departments need you, law firms need you, even science departments need you!

In a Huffington Post article entitled “Why I Hire English Majors” a business man wrote: 

I think what I appreciate most about English majors is that they are taught to think critically, and that is exactly what I want in my business.

And he’s not the only one! Humanity degrees are not the point-fun-at “mistake” our parents all told us they were, not anymore! Whether or not you continue the arts path (I just got admitted into an MFA grad program at the University of Hawaii where I will be continuing my education in creative writing and taking on a teaching apprenticeship to teach creative writing as well–a way to stay on the “creative” path with this major), there are other jobs you will be qualified for after a four year degree. 

I’ve included the original packet I received on my very first day in college here. This helped me four years ago, and it’s still helping me now. 


26.04.17 // Wednesday // 03:52 PM
✨3/30 days of productivity ✨

Now, I’m studying for my organic chemistry exam. I’m so nervous 😩
It’s hard to be motivated.

Cosmic Witch Tip

While doing spells that relate to outer space/the stars, try performing them at night outside!  By looking at the stars while practicing magic you feel powerful and it will remind you why you’re practicing your craft in the first place. Channel the energy in the stars and let that guide your craft!

we were talkin abt our instructor today, n one of the guys said “have you noticed how feminist she is n always talking abt empowering women? that’s so cool.”

anyway he’s so great n i wanna be his friend n we talked abt memes n he’s my favorite person there at work, he for sure snatched my wig even before that comment but especially after he said that

Little Update Thing!

I recently changed jobs from a makeup store to a coffee shop, so if y'all have any questions about what it’s like to work in a coffee shop for any of your coffee shop AU’s, then leave a comment on this post or send an ask and we’ll do a How Do I Write segment on it later!

-admin chamomile