Was it a movie I saw since August 22nd, 2009: Yes, #123.
1) Circle of Life.
Very few films have such iconic first frames as The Lion King does, and there are three key reasons for that.
First of all: the visuals are wildly unique. That very first visual of the sun rising is visceral and memorable, not to mention just absolutely beautiful. The following images of the animals of the Pride Lands also stand out, because they are filled with such character and life as well as something else which isn’t often seen in animated films: realism. Think about the film’s of the Disney Renaissance before The Lion King: The Little Mermaid, The Rescuers Down Under, Beauty and the Beast and Aladdin. All are beautifully animated and feature great animal characters, but they are largely cartoon characters. They’re anthropomorphic, which the animals in The Lion King will be. But these first animals we see aren’t. They’re realistic, natural. In some ways it’s like we’re watching an animated nature documentary. And it does well to set up the visuals of the film.
Secondly: the opening number sets up a clear sense of place among the Pride Lands. We very quickly understand the hierarchy of things, how the lions are actually kings, who’s important, who are just subjects, relationships between characters like Mufasa and Rafiki, all without any dialogue. The fact the film can do this all so elegantly speaks greatly to its craft.
Thirdly: the music. Holy cow the music here is absolutely incredible. It is grand, moving, and a perfect first song for the film. It not only represents the talents of both composer Elton John and lyricist Tim Rice - who create a soundtrack with one iconic song after the next - but also Hans Zimmer. Hans Zimmer’s score in this film isn’t discussed much among lay people (we talk about it in film classes), which is a shame because it is as important if not more so than the work done by the previously mentioned musicians. Zimmer has only won one Oscar in his entire life and it is for this film. His score and work with the wildly talented Lebo M is perfectly married with this song, so much so the animators even recognized it.:
The original opening to the film was supposed to have been a quiet dialogue-heavy sequence. When composer Hans Zimmer prepared his interpretation of Circle of Life, he made an extended version so he would have some flexibility as to what to cut for the film. The animators were so impressed with the work that they decided to change the beginning into the currently seen sequence so they could use the entire work that Zimmer prepared.
So yeah, that’s why “Circle of Life” works so well as an opening.
2) Jeremy Irons as Scar.
Scar is a delightfully evil villain in the best sense. He makes your skin crawl for a number of reasons. You understand he’s a cowardly piece of dirt, but he’s also intimidating. That’s because the animators and Irons are able to convey Scar’s intellect grandly. You understand how intelligent he is, how his power is in manipulation, and THAT’S what’s scary. Irons makes the part in much the same way James Woods makes Hades or Jonathan Pryce makes Jafar. He is one of many MANY examples of how this movie is perfectly cast.
3) I touched upon this briefly in note #1, but there are very few big budget American animated films which are animated as beautifully as The Lion King. The filmmakers take a number of brief moments to really just show off the majesty of the Pride Lands, to show off nature, which ties directly into the theme of the circle of life. Nature has an order to things, a balance, and this film shows that in the most beautiful and perfect way imaginable here and there.
4) This theme of the circle of life is perfectly explained by Mufasa to his young child Simba early in the film. The reason that scene works and why so many simple lines of dialogue are strong in the memories of children who grew up on this film is because they’re simple but not stupid. Important concepts like the order of nature are explained to young Simba while also not talking down to him (and thereby not talking down to the audience). It is simple elegance at its finest.
5) The Morning Report.
So I’m watching the DVD copy of this film which was released in 2004 I believe, which features this addition to the film. “The Morning Report” was a song which I believe was originally considered for the original release but then cut, before finding new life in the successful Broadway production of The Lion King. Although I grew up with the film including “The Morning Report”, I honestly prefer the version without it. The song is fun but doesn’t really feel necessary and I imagine it was cut from the original film for a reason. It also shortens the gap between songs by falling between “Circle of Life” and “I Just Can’t Wait To Be King” which kind of messes up the pacing for me. I like the song on its own and its not enough to ruin the film by ANY means, but I prefer this movie without “The Morning Report”.
6) I know Scar is completely evil and despicable, but there are moments where I relate to him. Case in point:
Simba: “You’re so weird!”
Scar: “You have no idea.”
7) Okay, quick question: ARE SIMBA AND NALA RELATED!? Because there’s only two lions in the whole pride and they’re both related to Simba. So who’s Nala’s dad? Is there an answer for this I don’t know?
(GIF source unknown [if this is your GIF please let me know].)
8) You know how there are things you say and then you understand why you say them?
Zazu: “The sooner we get to the watering hole, the sooner we can leave.”
I have been saying for years, “The sooner we ________, the sooner we can leave,” and I was wondering where that came from. Now I know!
9) “I Just Can’t Wait To Be King”
Disney Renaissance films traditionally had a big show stopping number in them to dial up the fun. The Little Mermaid hand “Under the Sea”, Beauty and the Beast had “Be Our Guest”, Aladdin had “Friend Like Me”, and The Lion King has “I Just Can’t Wait To Be King”. The song is pure fun, with a song that infects the audience with its energy and an animation style to match. But more than being a piece of entertainment, it sets up a clear juxtaposition for Simba by the film’s end. Consider the responsible leader he is when he takes his place on Pride Rock against who he is during this song and you can see just how far he’s journeyed.
10) Simba as a character.
Honestly, the most interesting thing about Simba is the journey he goes on in 90 short minutes. You see him go from irresponsible kid to guilt ridden adult trying (and maybe failing) to deal with trauma, to a responsible leader. And it’s all so organic that you’re never taken out of the moment. It’s not like, “What, suddenly he’s this now?” I think that’s due to an excellent blend between the writing, animation, and voice over work.
Simba’s dialogue is done by two actors: Jonathan Taylor Thomas as cub Simba and Matthew Broderick as adult Simba. Both play exactly what they need to in the part, with Taylor Thomas able to portray both the cub’s more carefree nature and later grief. Broderick on the other hand is able to portray adult Simba’s grief/heartache, attempts at carefreeness, and eventual responsibility all really well. As mentioned above, it all feels right. Never jarring, never off putting, it just freaking works.
11) There are a number of scenes in this film which have a crazy good sense of place, and the elephant graveyard is one of them. As soon as you enter this territory you KNOW you’re not supposed to be there. It’s dark, forbidding, threatening, and just has a real sense of fear/dread to it. It’s freaking great.
12) Shenzi, Banzai and Ed.
This trio is another strong example of excellent casting in the film. Whoopi Goldberg, Cheech Marin, and Jim Cummings all are able to be individually funny, evil, dangerous, and stupid at the same time. As a set, though, they compliment each other nicely. No one outshines the other, they’re a great trio that just help support each other.
13) The scene between Mufasa and Simba after the elephant graveyard is amazing.
From the moment Simba’s tiny paw is seen in Mufasa’s larger one, you understand clearly a big fear of the lion’s. He’s afraid he will never be as great a man as his father, with many of his actions compensating for this idea (going to the graveyard, for example). Both Simba and Mufasa are portrayed with heartwarming honesty in this scene. Mufasa’s anger subsides quickly and you understand (even before he says it) that his anger comes from a place of fear and concern for his son. It’s a scene which - more than anything else - gets you deeply invested in their relationship. Which makes the upcoming plot turn all the more heartbreaking.
This is also a good place to talk about James Earl Jones as Mufasa. Known primarily for his voice over work as Darth Vader, Jones is as amazing here but for different reasons. He is able to give Mufasa so much depth in his performance. The voice of the king can be threatening, angry, patient, wise, afraid, heartbroken, desperate, and kind, with no element lessening the other. And Jones just is excellent in all facets, which might be why he’s reprising the part in the 2019 reimagined version directed by Jon Favreu.
14) Remember how I said Scar can be relatable? Well, I think we’ve all had this moment:
15) Be Prepared.
Okay, I’m a sucker for a good villain song and “Be Prepared” is wonderfully dark/evil. I have to remind myself it’s still Elton John and Tim Rice, it’s still the guys who did “I Just Can’t Wait To Be King” because it’s just got such a different character to it. The song is amazing from a storytelling standpoint because if it wasn’t clear what Scar’s motivations/goals were before, they sure are now. Like with “I Just Can’t Wait To Be King”, there’s this wonderfully fun animation style to it which pushes the boundaries of reality. It’s just wonderfully villainous and I love it.
15.1) In the song “Be Prepared”, Jeremy Irons actually threw out his voice after the line, “YOU WON’T GET A SNIFF WITHOUT ME!” So the filmmakers had Jim Cummings (legendary voice over actor who plays Ed in this film) sing the rest of the song. If you’re a fan of Anastasia, Cummings sang “In The Dark of the Night” and if you listen you can definitely hear that it’s him but otherwise he does a good job of masking his voice.
16) Wildebeest Stampede.
(GIF source unknown [if this is your GIF please let me know].)
The reason the stampede scene works as well as it does is because it is so freaking epic. The scale of it, the music, the tension is just crazy high. Through the marriage of all aspects of cinema (acting, writing, visuals, sound) the audience is just on the edge of their seats. And the way Mufasa just jumps into the fray and throws Simba to safety just shows an incredible amount of personal stakes for him. It’s amazing from beginning to end.
17) Excuse me while I have a good cry.
Okay, this never used to get to me. Never. When I was a kid, it didn’t effect me AT ALL. But now?
Simba [upon finding Mufasa’s body]: “Dad come on, you gotta get up…we gotta go home.”
Yeah, even thinking about it gets me teary eyed. I think it’s because of some personal stuff I’ve gone through the older I get, but just the raw honesty of the scene gets me. Especially the way Simba nestles under Mufasa’s paw because to him that place is safe? And he just lays close to his dad and…
18) Scar goes from fun Disney villain to someone who you’re actively rooting against (as you are against the best villains) when he decides to murder his own brother and make his nephew feel like it’s his fault even though he plans to kill him anyway. That’s like, next level evil. Suffice to say I’m cheering on Scar’s demise at the end.
19) Timon and Pumbaa.
The film’s ultimate scene stealers, Nathan Lane and Ernie Sabella are great in their respective parts as the meerkat and warthog. They just bring a smile to your face whenever they appear on screen. Pumbaa is charmingly innocent and Timon is likably deviant as a trickster. They play off each other well like a classic comedy duo and are just great to watch.
20) Hakuna Matata.
One of the key reasons the song works so well in the story is because it is a welcome shift in tone from Mufasa’s death and Simba’s exile in a way which still feels organic. The number is charming, light, infectious, fun, and just a genuinely feel good song. A great anthem for anyone who stresses too much about the little things. Maybe not so much for people who could stress more about the big things, but there’s a middle ground.
21) I always wanted more of teenage Simba, who we really only get to spend like 3 seconds with. I don’t know, there’s something about that ½ mane which I like. But then again, I’m a fan of awkward middle child movies and tv show stuff. That’s probably a factor.
22) I love it when Disney gets meta.
Scar: “Sing something with a little bounce in it.”
22.1) My mother and brother saw the Broadway version in New York in 2014 or 2015 (I can’t remember which). According to them, Zazu sang “Let it Go” instead and got the same reaction out of Scar. I dig it.
23) This is a brief but great scene that lets the audience understand Simba is NOT where he belongs, no matter how great Timon & Pumbaa are.
Simba [about stars]: “Somebody once told me that the great kings of the past are up there…”
[Timon and Pumbaa break out laughing at Simba.]
24) Okay, let’s talk about this.
According to IMDb:
There have been rumors that when Simba collapses on the cliff after talking with Timon and Pumbaa about stars, the dust that flies off the cliff forms the letters SEX. In fact it forms the letters SFX, the abbreviation of the special-effects team that worked on that portion of the film. For all subsequent releases more flowers and dust were added to the scene to avoid controversy.
25) I love how it takes Simba no time at all to recognize Nala, he recognizes her that well. It just takes her beating him in a fight.
26) In some moments, I’m Timon.
Timon: “Let me get this straight! You know her, she knows you, but she wants to eat him. And everyone’s okay with this? DID I MISS SOMETHING!?”
27) Can You Feel The Love Tonight.
Apparently at one point Disney was going to have Timon and Pumbaa sing the whole song as a gag, while at another they’d cut it entirely. Elton John campaigned that the song be featured as is, as he considered it a love song in the grand Disney tradition. Well this apparently a brilliant decision because it won the film as Oscar for Best Original Song. The song is such a sweet and beautiful piece which really just pulls at your heart strings, allowing you to actually feel the love in the air. I just love it.
28) This moment always makes me smile. Rafiki’s unbridled joy is just so infectious.
Rafiki: “Asante sana, squash banana…”
29) Remember that I said Simba’s biggest fear was not being as great a lion/king as his father was?
Rafiki: “You see: he lives in you.”
Rafiki’s words and then Simba’s communication with his father’s ghost both feed directly into this fear.
Simba has greatness in him and that greatness is represented by his father. His father’s memory lives on in him and he can do great things in that memory. The visuals of the scene where Simba communes with his father’s ghost continues the film’s streak of excellent visuals and is iconic to this day.
30) One of the wisest lines I have heard in a movie ever.
Rafiki: “Oh yes, the past can hurt. But the way I see it you can either run from it OR learn from it.”
31) Nathan Lane improvised this line and the filmmakers just rolled with it. Meanwhile I still laugh my butt off every time we get this far.
32) This line really shows that Scar sees being king much as the immature cub Simba did (in “I Just Can’t Wait To Be King”), but that’s a much scarier reality than it is fantasy.
Scar: “I’m the king, I can do whatever I want.”
33) I would like to point out that Scar is such a freaking coward. He cowers so quickly before Simba when he returns then tries to manipulate him. He tries to sneak away from the fight before blaming the hyenas for everything. He tries to appease Simba before double-crossing him and being thrown to the hyenas (literally). It’s this cowardice, this double crossing, which leads to Scar’s death and I couldn’t be happier about it.
34) This all takes place during a skirmish between our heroes and villains, a scene which is a really great climax for a lot of reasons. It definitely has some seriousness and epic-ness to it, while also infusing it with classic cartoonish fun. It’s just got some wonderful action to it.
35) Simba’s ascension to the top of Pride Rock feels 100% earned. In the ninety minutes of the movie we’ve seen the journey he’s gone on since birth and we understand that this is not only his place but also that he’s earned this place. A truly fitting ending.
The Lion King is an iconic classic of not only animation but cinema in general. It’s wonderful sense of epic storytelling blends perfectly with characters, actors, music, and animation. It tells the story it needs in an elegant and emotional fashion, providing cinema with one of its most heartbreaking deaths ever while also giving us some of Disney’s best humor. All in all, it’s just a great film everyone should see.
【Japan Official Fanclub Magazine Vol.5】BTS My Biography – Jimin’s part
The middle school student who loves dancing became a member of BTS
My earliest memory is when I was 4 – 5 years old (nominal age) and we were moving to a new property nearby where we lived at the time. I held the rice cooker’s inner pot and helped my family to move. When I was a child, I loved to go outside to play with my hyungs and friends in the neighborhood every day. We often played football and hide & seek. Once I ran too far away and even ran to the nearby town (laughs).
In primary school, I loved to play with my friends. During the breaks, we often played football. Although I really liked drawing, I hated coloring. My future dreams changed constantly every day, I wanted to become a chef when I watched a cooking anime. When I watched ‘Galaxy Express 999’, I wanted to become the Galaxy Express’ driver, and I wanted to become a pirate when I watched ‘One Piece’.
I have a very good relationship with my young brothers, who’s 2 years younger. Sometimes, we play games together at home, or watch movies. I remember that we watched the anime ‘Dragon Balls’ and the movie ‘The Host’. We’re just like friends.
I got along with everyone in middle school. Although there’re 6 classes in my school, I pretty much knew everyone. I joined the football and table tennis clubs at school, I was happy every day back then.
I became interested in dancing during the 2nd grade of middle school. I used to go to practice punctually after school, and I started to attend a dance academy in 2010. I was also happy in the dance academy. Whenever I had time, I would go practice dance. I’ve also participated in big performances, but I was really nervous. Actually, even now sometimes I still get nervous when I stand on the stage.
A year before graduating from middle school, I started to think about attending an arts high school. I couldn’t even concentrate on studying when I was in the self-study room, I was worrying about “which high school should I attend? what do I want to do in the future…” While I was contemplating, I thought about having a job where I could stand on the stage. So, Busan Arts High school became my target. In dance majors, I wanted to learn dances that’s modern so I chose contemporary dance as my major. During high school, I spared no effort in dancing. At the time, my friends and I only knew dancing, we got together and practiced, messed around and then continued to practice. During high school, I also had to deal with the dance academy’s workload, but I worried about the tuition fees so I said: “I won’t attend the dance academy anymore.” However, the teacher said: “Jimin, you can attend even if you don’t pay.” The teacher took so much care of me, I wanted to repay the teacher so I practiced even harder. I learnt a lot under the guidance of the teacher. I’ve never thought about giving up dance, not even once.
During spring 2012, my middle school dance teacher contacted me so I auditioned and got accepted, then I decided to go to Seoul in May. The first member I met was Hobi hyung. Hyung welcomed me and said, “let’s work hard together!” Other members also came to talk to me, it just reminded me of the time when I arrived, I went to eat with everyone in the canteen. The happiest moment during the trainee life was when we eat and play together. I still have the amusement park ticket that we went together, I still carry that around in my wallet. It’s because it was the first time and first place that all of our members went together to play. So, it’s engraved on my memory. I’ve been carrying that ticket for about 5 years.
In Seoul, I got transferred to the same school as Taehyung. I was in Class 4 but Taehyung was in Class 2, the whole school knew Taehyung. Because Taehyung has a lot of friends so when he came to my class, he said to the students, “be nice to Jimin!” I’m really shy with strangers, but I gradually got close to my classmates thanks to Taehyung.
The most difficult part of the trainee life was the uncertainty of my future. I got anxious when I hear “you might get eliminated this time”, so I wanted to do my best with practicing. If I practiced until 3, 4am, I would sleep a bit and go practice singing at 6am for an hour and then go to school. This routine continued for about a year. At the time, I’ve never thought I could become a member of BTS, but I was chosen as a substitute member. The hyungs said: “we want to debut with Jimin”, and that became my strength. The feeling of wanting to debut with these hyungs grew stronger.
I was so excited when we debuted. The memories of when we had the showcase, we received a cake from our fans for the first time, after the showcase BTS members and staff members all cried, we went on music shows the next day, and Jin hyung cried. No matter how long it has been, I can’t forget those memories.
I don’t have anything new that I want to challenge in the future, I just want to challenge and see how far I can go with the things I’m doing now. I’m also diligently learning Japanese because I want to speak Japanese fluently!
Mince garlic, onion and ginger. Dice the carrot and cut the bell pepper into thin slices then pan fry with olive oil for 5 minutes. Then add garlic, onion and ginger and cook until the onions become translucent. Stir in curry paste and tomato paste and cook for one minute stirring the ingredients around in the pan. Add 2 cup of water and lentils then bring to a boil. In the mean time cook the rice in 1 ½ cups of water.
Let the lentils soften for 10 minutes then add the remaining ingredients, stirring well to combine them. Cook with the lid for 15-20 on medium low heat.
Once the rice has cooked completely remove from the stove and serve some of it into a bowl. Add your lentil curry and serve with some delicious naan bread. Enjoy!
Description: A creamy rice dish served with sautéed fern heads. It’s a little bland.
Game ingredients: Oil, Fiddlehead Fern, Garlic
This recipe restores 225 energy and 101 health. It can be obtained from the Cooking Channel. It sells for 350g.
Difficulty: Medium, 1 hour. Serves 3.
I set the difficulty to medium because it can be a little labour intensive for some, but don’t be scared off by that! It’s mostly because it requires some extra precision. Also, contrary to the description, it’s not bland.
Risotto: -400g Arborio rice, or any other Italian short-grain rice -5 cups/1.2L vegetable broth -1 cup white wine -2 cloves garlic -1 small onion -2 tablespoons olive oil -½ teaspoon each of salt, pepper, and oregano -½ cup grated parmesan cheese -2 tablespoons butter
Fiddleheads: -230g fiddleheads -2 tablespoons butter -Pinch of garlic powder -Salt and pepper, to taste
Soak the fiddleheads in a bowl of cold water for a few minutes, and then drain in a colander and rinse off excess bits of leaves to clean them. Remove any darkened bits. Put off to the side.
Boil the vegetable broth in a saucepan over high heat, and then reduce to low heat and simmer to keep it warm. Mince the garlic and finely chop the onion. In a large saucepan, heat the olive oil over medium-high, and then add in the garlic and onion and sauté
for 5 minutes or til soft, stirring frequently.
Reduce the heat to medium. Add the rice to the garlic and onion, along with the salt, pepper, and oregano. Cook for 2 minutes, stirring constantly to prevent the rice from being burned while frying, and then add the white wine. Stir the wine into the rice until it’s mostly all absorbed. The smell of the garlic, onion, and wine will be pretty strong, so don’t lean in too close.
With a ladle, add ½ cup of vegetable broth at a time to the rice. Stir constantly until almost all the broth is absorbed, and then add another ½ cup of broth. Repeat this process for about 25 minutes, or until the rice is creamy and tender with a slightly firm centre. If you run out of broth and the rice needs more liquid, use hot water until it’s done.
Before the rice is complete, pour about 4 or 5 cups of water into a medium saucepan and cook over high on a separate burner. If you’ve timed it well, the rice will be done by the time the water boils. Turn off the heat on the rice and place a lid on it to keep it warm.
Place the fiddleheads in the boiling water and cook for 7 minutes, and then drain the water in a colander.
In a frying pan, melt the butter over medium-high, and then add the fiddleheads. Add the salt, pepper, and garlic powder and sauté until tender.
Combine the fiddleheads into the pot of rice, leaving a few extra to drop on top before serving.
Fiddlehead Risotto is creamy and delicious, and the fiddleheads offer a refreshing taste against the starch of the rice. It’s an excellent combination.
Making your own charm is as easy as baking a cake, with no baking.
First let’s explore what makes a charm a charm.
charm [CHärm] n.
a collection of materials placed into a color specific bag used to send and receive specific vibrations from the universe. A satellite dish if you will. Carrying these little bundles of magic with you everywhere you go is one of the easiest ways to communicate your wants and needs with the universe.
Step One: Figuring out your intentions
Every charm has a specific intent behind it. Without one, it’s just a bag of rocks and dirt. Figure out what you need the most in your life right now. This could be anything from romantic love to quick cash to even inner peace
Step Two: Understanding the skeleton
What in the world do skeletons have to do with charms? Well, the skeleton of a charm is essentially the building blocks you need. All of the really powerful charms I have made have come equipped with a leafy green, a flower, a base, a bag, and a mineral.
The leafy green is a plant material. This can be dried herbs or simple green foliage from a specific plant that gives off good vibrations through its leaves.
The flower is there to work with the other leafy green and encompass a specific property all in one bundle.
The mineral is there to push out the signal. Incorporating crystals and rocks add an antenna to your satellite dish.
The bag is a little string draw satchel that is a specific color depending on what your intentions are (green for money, pink for love, etc). Every little satchel is just a method for energy to be carried around. The longer you are with it, the more energy and intention you put into it.
Now last but not least is the base. This is something that can absorb any negative energy but can also add a little substance to your charm bag. The base is tricky but very versatile. A majority of the time rice is a really good base but things like garden or graveyard dirt can be used.
Step Three: Research
I’ve found the easiest way to accomplish this step it to work backwards. Instead of looking for a specific material that you need for a charm, figure out what the materials you have already do and see if they apply. You’d be surprised how versatile a lot of materials are. A lot of good resources can be found on the internet if you look up “(Material name)’s magical properties”. Just those three words can give you a solid amount of websites to read. On top of that, you can check out the WiccanInk page. If you’re not on mobile, there are links at the top labeled “Herbs”, “Color Magic”, and “Stones” (conveniently hyperlinked here for you as well).
Step Four: Cleansing and charging
This is arguably one of the most important steps in this process. You can have the best material combination in the world but if your crystal isn’t charged, then it isn’t going to work. Take the time to purify and charge all materials before adding them to any magic work, let alone charm work. Here are some good cleansing methods and the best way to charge any item it to leave it out in the sun for a full day.
Step Five: Putting it all together
At this stageyou have gathered all your materials, cleansed everything, and charged it with your intent. You can now add the ingredients to the bag. The order I like to use is base, mineral, leafy green, then flower. You can do it anyway you like but I’ve found that this method just looks prettier. When you are adding all the ingredients be sure to visualize yourself succeeding in whatever part of your life you want to improve. Do this work in front of your altar and away from the rest of the world. Find a quiet spot in your head so you can really focus on your life needs.
Take your time. Work with your charm. After a little bit you will be able to feel the energy it is giving off and you will realize every charm has it’s own personality. At the end, tie three knots in the cord to tie up the bag and with each knot think about what you already have. For example if you’re working on a charm to improve your wealth, think about three instances where you are wealthy enough. Thank the universe for the instances and understand that you can still receive more.
Following these steps will hopefully lead you to successful charm work. Take your time and remember everything needs practice.