in the iphone calendar you can go back into the thirteenth century and beyond???? i didn’t even scroll back as far as it went because i was scared of break the space time continuum what is this did you guys know that disease ridden peasants woke up on january sixth fucking 1207 and it was a fucking saturday
Unfortunate space travellers won’t be able to return to their own
universe, according to Hawking. But they will be able to escape
somewhere else, he has proposed at a conference in Stockholm.
Black holes in fact aren’t as “black” as people thought and could be a way of getting through to an alternative universe.
existence of alternative histories with black holes suggests this might
be possible,” Hawking said, according to a report from Stockholm
University. “The hole would need to be large and if it was rotating it
might have a passage to another universe. But you couldn’t come back to
our universe. So although I’m keen on space flight, I’m not going to try
Hawking’s proposal is an attempt to answer a problem that has
tormented physicists about what happens to things when they go beyond
the event horizon, where even light can’t get back. The information
about the object has to be preserved, scientists believe, even if the
thing itself is swallowed up — and that paradox has puzzled scientists
Now Hawking has proposed that the information is
stored on the boundary, at the event horizon. That means that it never
makes its way into the black hole, and so never needs to make its way
out again either.
That would also mean that humans might not disappear if they fall
into one. They’d either stay as a “hologram” on the edge, or fall out
“If you feel you are in a black hole, don’t give up,” he told the audience at the end of his speech. “There’s a way out.”
Okay so hockey is like, rife with superstitions and
Each player has their own pre-game rituals, which are
honestly on par with religious sacraments.
You do not fuck with a man’s
pre-game ritual. Also, the inability to
practice one’s pre-game ritual is deeply emotionally destabilizing. Like, we’re talking serious repercussions
here. If a player is unable to complete their
sacred ritual, there will be hell to pay.
Just as famous as Crosby’s famous pre-game plate of spaghetti,
or Jack Zimmerman’s pre-game PB&J, is Snowy’s pre-game application of eyeliner. It is not only essential to his game play; it
is essential to the current alignment of our space-time continuum.
Which brings us to Snowy, currently in the throes of an
emotional breakdown, in seat 15C on the Falc’s bus, clutching desperately to
his last remaining tube of La Nuit, Nior
de Nior eyeliner as though it were the cooling body of his only son.
Can’t decide the name of the AU, there are too many good suggestions, but I’m putting all the stuff about this AU under #ship war au because it’s a literally ship war between Jarco’s kid and Starco’s kid :p
Also these are my headcanons about the AU
They are from different timelines.
The daughter’s name is
Elizabeth.(Thanks @themagnificentsonnyboy!) She comes from a timeline where Star and Marco get together in the future(duh), she went back in time because
told her there is an anomaly in the time-space continuum.
In Jarco kid’s timeline, there was an event called “Stapocalypse” occurred a couple months after the school dance, when a mile-wide star-shape portal suddenly appeared in the night sky of Echo Creek, released all kinds of monsters to the Earth Dimension,
in days and everyone went underground, and Star is nowhere to be found. Jarco kid is a scavenger on the surface, until he found a strange tape measure device under some rubble…
Oh and his name is Jam, which means Jackie and Marco… What? there’s no time for naming kids there’s an apocalypse happening!
The “no Magic” sign on Jam’s rifle is just a doodle he drew, the rifle shoots laser
beams and has nothing to do with anti-magic.
There’s a running gag in the AU about Elizabeth’s cheek marks being mistaken as corn but it’s actually Fleur-de-lis.
Both Elizabeth and Jam are fighting for their lives, but fighting keeps getting themselves grounded, so all they do now is matchmaking, sometimes they debate over the internet too.
Elizabeth is 14 and Jam is 16.
These are my takes on the AU you can have your own headcanons about it.
If anyone want to make fanart/fanfic about the AU you are more than welcome to do so c:
You are 187 chapters into this fic. You have been reading continually since you began. You must find out what happens next.
An unfinished fic ends on a cliffhanger. It hasn’t been updated since April 1832.
A new show has taken over Tumblr. You see the gif sets everywhere. Intrigued, you go looking. You cannot find the show. Five days later the posts disappear as if they never existed.
Your favorite author posts a new fanfic. It is a different fandom than the one you followed them for, but still one of yours. This keeps happening. You suspect the author may be stalking you.
The gifs of the new trailer come out before the new trailer does. People shush you when you question this. You cannot ask questions about the space-time continuum.
You find a new person to RP with. You send them a message and they respond two years later as if there was no time gap. It is possible that for them, there was no time gap.
This fanart looks nothing like the character. And yet. It looks exactly like the character.
A shipping war begins. You watch the body count climb higher and higher as it becomes more violent. Blood streams from your face and you clutch your weapon to your chest. Afterwords, the survivors sometimes stare with blank eyes and mutter “Harmony…. Harmony…”
That character is clearly a Slytherin. The rest of the fandom seems to think they are a Huffelpuff. There is something wrong.
There is a new coffee shop au for your ship. It is exactly like every other coffee shop au for your ship. It is exactly like every other coffee shop au for every ship. You begin to suspect there has always only ever been one coffee shop au.
You dare not say the true name of Binkydonk Cucumbershoots. Demon names have too much power.
The Supernatural fans have a gif for everything. They cannot be stopped by mortal means.
You begin reading a fic at four in the afternoon. When you next look up it is nearly dawn, and you don’t know what day it is.
this post is going around and all it really makes me want is ANH!Ben being around and frustrating and confusing AotC/tCW/RotS!Obi-Wan
he could also be a force ghost (when he became more powerful than vader could imagine, he never realized that would mean breaking the time-space continuum) that either no one else but Obi-Wan could see, or actually be there but hiding from everyone else but Obi-Wan and Obi-Wan also has to hide his presence from the others, I mean
just imagine neat Obi-Wan having to deal with this scattered desert-mad old version of him who no longer has a lot of care for this ‘civilized’ mess, trying to lead him around to realizing sidious is the sith lord, also getting cripplingly sad about anakin
also obi-wan had no idea his vagueness was so frustrating until he had to put up with it himself
I’ve only watched the first 6 episodes, but I have to say that Maka and Soul’s relationship in Soul Eater is the weirdest thing.
It’s like the very notion of will they-won’t they has collapsed in on itself along with the space time continuum. The two of them are very clearly just friends, but at the same time Soul wanting to hook up with an attractive girl is openly referred to as infidelity by Maka and nobody bats an eyelash. And the next morning they wake up in the same house and she’s baking him breakfast. It’s like somebody wrote a coffeeshop AU fanfiction and a domestic AU fanfic and mixed up the chapters in some weird Schrodinger’s Ship monstrosity. Every scene between them is part of a romantic subplot that simultaneously never happened, is currently happening, and already finished years ago because they’re married and expecting kids.
Not that I’m complaining, I’ll take it over the usual will they-won’t they.
The amount of parallels and direct homages to previous episodes in Series Four are more than numerous at this point. There are so many that its almost like they are re-doing entire episodes. Well, they are. The reason and method of which was confounding me for awhile, but I figured out the reason with my original Space-Time meta, and the method I just discovered this morning.
Here is a basic timeline of episodes in BBC’s Sherlock
Now, accounting for what we learned in The Space-Time Continuum Part I meta, here is some additional information:
The glass in TAB serves as a reflection or mirror between Series three and Series Four, which is why the Series MIRROR each other, as in literally mirror.
EDIT TO ADD: @tjlcisthenewsexy pointed out the awesome phrasing that Molly gives us in HLV during Sherlock’s MP fall after being shot. She wonders if he should go forwards or backwards. This moment could easily be considered a second zero null vector because it is at this point Sherlock decides to start going backwards-towards TRF. Didn’t it seem odd how quickly he forgave Mary and how quickly The Watson’s marriage was back on track? That’s because he started rewinding the state of their relationship to the beginning of that episode!!!
(Interesting Side Note about Peppers Ghost, the parlor trick used in TAB. (Taken from Wikipedia)
The basic trick involves a stage that is specially arranged into two rooms, one that people can see into or the stage as a whole, and a second that is hidden to the side, the “blue room”. A plate of glass (or Plexiglas or plastic film) is placed somewhere in the main room at an angle that reflects the view of the blue room towards the audience. Generally this is arranged with the blue room to one side of the stage, and the plate on the stage rotated around its vertical axis at 45 degrees. Care must be taken to make the glass as invisible as possible, normally hiding the lower edge in patterning on the floor and ensuring lights do not reflect off it.
When the lights are bright in the main room and dark in the blue room, the reflected image cannot be seen. When the lighting in the blue room is increased, often with the main room lights dimming to make the effect more pronounced, the reflection becomes visible and the objects within the blue room seem to appear in thin air. A common variation uses two blue rooms, one behind the glass and one to the side, which can be switched visible or invisible by alternating the lighting. (x)
This would explain Blue light hell @skulls-and-tea!! Every time we see a blue light, what we are witnessing is a reflection of something else from the series!)
So, the three episodes of each series literally reflect each other like this:
So the episode breakdown would look like this:
Do you see how the series are literal reflections of each other? There is of course still parallels to each of the episodes outside of this flow chart (like illusions to Sumatra in TEH and TST), but that can be accounted for by the fact that time isn’t actually linear. While these series reflect eachother as a basic method of understanding, the space of each episode still exists all in one time, so there will still be homages to “other” space-times.
The reflection of the two series explains why The Six thatchers is so similar to His Last Vow, with the guns and the slo-mo gunshot and Mary’s secret assassin storyline and would help a lot of us EMPers who are so attached to HLV being the beginning of EMP realize why we thought this so vehemently after TST. TLD and TSoT are connected by their emotional focus and their progression of John and Sherlock’s relationship. They are also linked by the only two JohnLock hugs in existence. TEH and TFP are very similar in the countdown/bomb motifs, bond-esque baddie plots, A focus on Mycroft and Sherlock’s relationship, and the inclusion of The Holmes parents.
Now, if you notice, Series Three and Four also has A LOT of parallels to Series Two, but they don’t work as a mirror! Series 3 & 4 are not a reflection of Series 2, but a reproduction of it! If Sherlock is working is way through how to defeat Moriarty at point zero, then he will need to work through all the steps (Absolute Past) that led him to that point- (i.e Series 1 and more specifically, Series 2). So the entirety of Series 3 & 4 is a retelling of Series 2, folded in on itself. Why? Because TIME IS NOT LINEAR! For the visual learners (that’s me) this explanation would look something like this:
Its a circle, folded in on itself. Its literally the space-time continuum come to life!! If we want to break it down episode by episode I made table for that! (I’m really getting a lot of use out of Word today)
This is just a short list off the top of my head, so Im sure there is more- feel free to add on! Like John being kidnapped ASiB, TEH, and TFP!
As I stated before, there will definitely be parallels within every episode to every other episode because time has folded and twisted in on itself in Sherlock’s mind. Its all existing at once. So the parallels in ASiB to TST or in TRF to TFP, are purposeful and a reminder that time is not linear.
I hope these charts helped explain the theory a little more!
Tagging some people that I think might enjoy it based on their comments on the first part!
Loving you is like being a moon falling in love with the sun, always from afar, never meeting, never touching.
We may exist in the same galaxy, breathe the same space, bound by the same time-continuum, created by the same Creator, yet here I am, and there you are, both of us tied to Earth out of obligation.
And then the people would always wonder why the moon is mercurial and moody, always waxing and waning, when they never know of our story, of a love that never meets.
Once in a while though, the heavens would pity us and would give us a chance to meet face to face and a solar eclipse would happen. I would bask in your warmth and all the people would watch in awe. Our encounters though never lasted for long, it always end as soon as it begin. Once in a while, the heavens would also remind us that our love is never meant to be, and a lunar eclipse would happen. On those days when I couldn’t even see your face, and your warmth couldn’t even reach me, all I can do is shed tears made of blood. And the people would wonder why the moon is so red then, when they never know of our story, of a love that never touches.