How To Blend Cultures (Without Making Impossible Mixes)
This is a guide specifically about fantasy worldbuilding. WWC gets a lot of questions around “I’m mixing two cultures together, how do I do that?” and this is to explain both how to do that and when you very much should not.
Next up, mixing Greece/Rome with far-flung cultures gets a little bit eyebrow raising. Unless it was a direct trading partner/conquered property, Greek/Roman cultures do not mix with non-European cultures. The Greek empire only went to the Northern regions of India at its very peak, and that is limited to the ancient world. Rome stopped in the Middle East, so, again, you don’t have the cultural backing for a mixing of anything outside of its borders.
Depictions of Rome and Greece in ancient literature shows other ancient cultures found them quite backwards, and were adverse to mixing with them. By many standards they were very backwards, and it’s only Europe (and, as an extension, America) that revered them to the extent they do. Asia and Africa had no reason to see them as advanced, because they made many more technological advancements than either. North America and Oceanic cultures hardly interacted with either, and had both their own technological advancements+ cultures closer by to borrow advancements from, instead.
Outside of that, cultures are born out of the environments that made them. As a result, places with wildly dissimilar climates and resources pools will not be able to blend harmoniously unless you’re taking a modern analogue society where globalism has happened. This is plain old because resources only travel so far, and people are more likely to build culture around resources they have easy access to (even well-established trade links can lead to people re-creating things: Han purple and Egyptian blue point to an ancient trade link, but they were made with local materials processed differently).
Roman architecture exists because the Romans had access to copious amounts of concrete materials/marble and lived in the Mediterranean, which got very hot summers, heavy rains, and not a whole lot of cold. As a result they created structures that worked for this, which included open airways, pillars, easy to clean floors, shade, and ventilation. Places that lack these resources will not be able to replicate Rome.
Their resource pool was very specific to their regions, and there’s a reason Rome had the rule that anybody who did’t live like Romans were slaves: it was really hard to live like a Roman, and they wanted their slave pool as large as possible.
Different cultures with different resources formed in wildly different ways, and might not even have anything similar to Greece or Rome. Because of this, you need to look really close at why culture developed the way it did. If it’s because they had extremely dissimilar resources pools, it’s wise to not blend the cultures (or at least not think they’ll look anything like their original cultures)
Which brings me to value systems. Cultures put value on different things. Each culture ends up with a base philosophy for what they esteem and how they use resources, which proceeds to influence how it develops. Architecture has meaning to it. So does what colours you use in different applications. Because these things are sacred and/or practical for certain social orders. “Sacred” in cultures ends up becoming a shorthand for “this ritual helps us survive.”
There is no such thing as “aesthetic” when you get down to the root of each single item, because that aesthetic has a practical purpose. There is also no such thing as a “solely religious reason” under the same logic. Cows have become sacred in most varieties of Hinduism— because cows (and oxen) have been the main farming animal in the Indian subcontinent for millennia. They provide milk for sustenance, power for ploughing fields, and dung, which can be used as a floor polish and, when dried, a source of fuel for fire that gives off a more even heat than wood. As a single provider for crucial elements of agrarian life, their sacredness developed from their practicality. Having cows roam freely meant absolutely everyone could have access to an efficient cooking fuel.
Chinese brush painting has meaning. Jade sculpture has meaning. Pagodas and sloped roofs and gates have meaning. The philosophy, environment, history, and present circumstances of a culture is built into every. single. little. thing. about that culture, meaning you cannot just change it out.
Unless you learn the very root of culture, their values and stigmas and honours and shames, you cannot modify it accurately. Cultures survive because that was the best way to respond to the world at the time. A long-standing culture such as China’s has to be functional and incredibly well suited for the environment, otherwise it would not have survived. There is something about Chinese culture that works extraordinarily well for it to perpetuate itself, and you cannot disrespect that.
Learn the “why” of culture. Learn how it came to manifest and the reasons behind its manifestations. Study the geography and resources available to the people at hand. Know a culture so well you can explain how it works in real life and how your world’s history parallels the circumstances that created a similar culture in fantasy.
Only then will you be able to pull it off with respect.
photos by jeff dai in tibet and sichuan, china. the first photo is notable for the colourful airglow (weak atmospheric light emissions) and the gravity waves (most likely from a near by thunderstorm) shown, while the second photo, also showing airglow, has mount everest (or qomolangma, meaning mother of the universe in tibetan) in the background. (more astrophotography posts)
Thích Quảng Đức, was a Vietnamese Mahayana Buddhistmonk who burned himself to death at a busy Saigon road intersection on 11 June 1963.Quang Duc was protesting the persecution of Buddhists by the South Vietnamese government led by Ngô Đình Diệm.
Photographs of his self-immolation were circulated widely across the
world and brought attention to the policies of the Diệm government. John F. Kennedy
said in reference to a photograph of Duc on fire, “No news picture in
history has generated so much emotion around the world as that one.” Malcolm Browne won a Pulitzer Prize for his photograph of the monk’s death.
Quảng Đức’s act increased international pressure on Diệm and led him
to announce reforms with the intention of mollifying the Buddhists.
However, the promised reforms were not implemented, leading to a
deterioration in the dispute. With protests continuing, the ARVN Special Forces loyal to Diệm’s brother, Ngô Đình Nhu, launched nationwide raids on Buddhist pagodas,
seizing Quảng Đức’s heart and causing deaths and widespread damage.
Several Buddhist monks followed Quảng Đức’s example, also immolating
themselves. Eventually, an Armycoup toppled Diệm, who was assassinated on 2 November 1963.
Quang Duc’s body was re-cremated during the funeral, but Duc heart
remained intact and did not burn. It was considered to be holy and
placed in a glass chalice at Xa Loi Pagoda. The intact heart relic is
regarded as a symbol of compassion.
Despite the shock of the Western public, the practice of Vietnamese
monks self-immolating was not unprecedented. Instances of
self-immolations in Vietnam had been recorded for centuries, usually
carried out to honor Gautama Buddha.
Photographs taken by Malcolm Browne of the self-immolation quickly
spread across the wire services and were featured on the front pages of
newspapers worldwide. The self-immolation was later regarded as a
turning point in the Buddhist crisis and a critical point in the
collapse of the Diem regime.
Malcolm Browne won a Pulitzer Prize for his photograph of the monk’s death.
Today, to honour Tibetan Uprising Day and relentless Tibetan resistance to China’s brutal occupation, please share the Tibetan flag which is banned inside Tibet or join a local demonstration.
“Free Tibet” is not about hippies or meditation, it’s about a country that’s been under military occupation since 1949. It’s about colonialism.
Over 130 people have now self immolated since 2011 in protest against Chinese rule. Just recently, on March 6th, Norchuk set herself on fire and died from her wounds, marking the first self immolation of 2015.