tibet art



Date:14th–16th century
Medium:Carved wood, skin, gesso, gilding
Dimensions:Height: 42 15/16 in. (109 cm)
Credit Line:Purchase, Clara Mertens Bequest, in memory of André Mertens, 1989Accession Number:1989.55
The Metropolitan Museum of Art

Images and description from The Metropolitan Museum of Art:  “The ancient “silk route”, running from the Mediterranean to Sian in east central China, made Central Asia a meeting place of many cultures. This lute, an extraordinary example of musical exchange between East and West, is similar to instruments played by angels depicted in seventh-century Buddhist cave paintings. It offers some insight into the development of the modern sgra-snyan. The body, with two skin-covered chambers, is a rare example of an archaic transitional form that seems to point to the Afghan robab, and various Himalayan lute types. Decorative elements, such as green-colored skins, like those of the damarn, and the portraits of Buddha and musicians, rendered on painted ivory with gold leaf, are typical of fifteenth-century Tibet. The back, fingerboard, and pegbox reveal cartouches and palmettes reminiscent of seventeenth-century Persia. Tin leafing shows through as a silvery underlayer in a worn section of the instrument. Painted gesso adheres to the surface, the result of an ancient gilding process known as adoratura. Originally, there were six strings attached to this instrument, but the pegbox was shortened to accommodate five, with a possible sixth string attached to a side peg. Despite the appearance of Buddha and his musicians, the sgra-snyan was not used in religious settings, but accompanied secular song.”  


Cosmological Scroll

16th century, Tibet

Credit:  Rubin Museum of Art,  C2009.9, HAR61200

Description and images via:Rubin Museum of Art “This eight-panel, double-sided scroll presents diagrams exploring various aspects of the cosmos as described in the Buddhist text called the Wheel of Time (Kalachakra) Tantra. This tantra emphasizes the correlations between the outward appearances of the universe and the human body.

 Kalachakra Cosmos

This fully annotated diagram of the Buddhist cosmos renders all of the essential elements of the Kalachakra system’s understanding of upper-world topography, and displays them both from above and from the side. It focuses particularly on Mount Meru, which is believed to sit at the center axis of the cosmos. Meru’s base, or foundation, consists of four round disks that represent (from bottom to top) air, fire, water, and earth.

 The Cosmic Man

The human body represents a complex inner cosmology with direct correlations to the universe. Branching off from the vertical central channel of this “cosmic man” are six centers, or chakras, associated with the six elements: space, located at the crown; water, at the forehead; fire, at the throat; wind, at the heart; earth, at the navel; and awareness, at the genitals. In addition to these primary chakras, the painting also depicts the chakras at the main joints—shoulders, elbows, wrists, hips, knees, and ankles— which correlate to the twelve signs of the zodiac. The figure’s fingers, correspond to the five elements.”

February, 1936
Shadow Case File #95

“I needed an outstanding character and I had been thinking of one who would be a mystery in himself, moving into the affairs of lesser folks much to their amazement.

“By combining Houdini’s penchant for escapes with the hypnotic power of Tibetan mystics…such a character would have unlimited scope when confronted by surprise situations, yet all could be brought within the range of credibility.”

Walter B. Gibson
Author of The Shadow

Each year on March 10, Tibetans and their supporters, from every corner of the world, come together to rise up for Tibet.

Let us celebrate and honor Tibet, Tibetans, and their culture! Join us on the quad to support the Tibetan people!!!

每年的3月10日,世界各地的圖博人和他們的支持者,皆群起支援西藏抗暴紀念日。讓我們慶祝和榮耀圖博,圖博人和他們的文化! 加入我們支持圖博人民!!!