this whole scene is perfect

docholligay replied to your photo: “Remember when Marvel superhero books were about characters as much as…”:

digging the fact that she’s actually wearing a star of David, too.

YES THANK YOU, I’d mentioned that and then was rewording something and forgot to put it back. And it’s just there, no mention of it the whole scene, same as Stevie with her cane.

Shit wasn’t perfect by any stretch, but god I loved Claremont’s run.

6

“Shit-packer porn.” That is…that is very interesting. ‘Cause this is where the relationship between subject and object reverses. The proverbial shoe shifting to the other foot. And what was seen… now reveals the seer. Because the eyes of the beholder find not just beauty where they want, but also shallowness, ugliness, confusion… prejudice. Which is to say the beholder will always see what they want to see. Suggesting that what you, Mr. Valles, want to see is in fact shit-packer porn.

8

“you win if there’s a change in hyungsik’s face” ; part.1 ailee vers.
{ivy vers.}

I think one of the most heartbreaking things (aside from the obvious) is the moment in both the book and the show where Clay and the audience both come to the conclusion that no matter what happens now, whether he finishes the tapes, passes them on, gets justice for Hannah, no matter what happens, she’s still dead. He can’t bring her back.

That line ‘I’m fucking useless’ is so perfect because it’s so real. That whole scene is, where he begins to open up to his mum. We get so much from Clay in that moment, his desperation, his guilt, his heart wrenching sadness and pain over what’s happened.

Clay and Hannah, they are just so SAD, because they never were, they are the tragically impossible, the could have been, the almost was, the what if.

And I feel like in certain moments, certain ways the show displays it so perfectly. 

Including with Clay’s slow downfall, where he just unravels and no one notices or worse notice but are too concerned with their own bullshit to stop and help. Like you’ve already seen the ending to this why aren’t you doing something! When he comes to school smelling, his constant zone outs, the actual fucking HALLUCINATIONS! 

You just feel for him because he’s desperate to do something, anything, but there’s nothing to be done, there is nothing he can do that will fix it. He’s too late and he knows it and now he has to find a way to live with it.

also the scene where cassian was out in the rain having an existential crisis over whether or not he could kill galen even though he had the perfect shot because he knew it was what he needed to do as a soldier but he had already started caring about jyn and in the end he chose to be a friend and a partner instead of the soldier when he spared galen for jyn’s sake

ok but… y'all realize there’s a reason why ed imagines oswald singing THAT song, right? I don’t think it’s supposed to show oswald’s pov or how ed imagines oswald’s pov - it’s supposed to show how ed feels once oswald is gone. it might be a song he fleetingly heard on the radio or one that he’s known for years but that doesn’t matter. what matters is that he connects the song with oswald and if you look at the lyrics it makes perfect sense tbh. the whole top hat scene has less to do with oswald and more to do with ed.

here’s the lyrics to the full song:

“It’s okay in the day I’m staying busy
Tied up enough so I don’t have to wonder where is he
Got so sick of crying
So just lately
When I catch myself I do a 180
I stay up clean the house
At least I’m not drinking
Run around just so I don’t have to think about thinking
That silent sense of content
That everyone gets
Just disappears soon as the sun sets

This face in my dreams seizes my guts
He floods me with dread
Soaked in soul
He swims in my eyes by the bed
Pour myself over him
Moon spilling in
And I wake up alone

If I was my heart
I’d rather be restless
The second I stop the sleep catches up and I’m breathless
This ache in my chest
As my day is done now
The dark covers me and I cannot run now
My blood running cold
I stand before him
It’s all I can do to assure him
When he comes to me
I drip for him tonight
Drowning in me we bathe under blue light

His face in my dreams seizes my guts
He floods me with dread
Soaked in soul
He swims in my eyes by the bed
Pour myself over him
Moon spilling in
And I wake up alone”

also did you notice how ed says “what are you doing?” before oswald starts singing? joke’s on you ed, this is all you.

Hey, Hello, Hi. It’s me Addy. I think there are artists out there who are underrated and that everyone should know about. My little larries unite project turned out to be more about writers and fics than anything else so I wanted to provide a space where I could talk with you about the artists that I love and my top five fan arts/edits/manips from them. I will post the links to every fan art within each post. I’ll do it as regularly as I can. As always, don’t hesitate to link me to an underrated artist!

Since it’s the first time I do this, I want to start with a bang: Gina @twopoppies On top of being a wonderful big hearted person and a true friend, she’s also a very talented artist with a very cheeky humour. Without further ado, here’s my top 5 from her.

5. Louis destroying the enemy

direct link to the art here.

It kind of speak for itself, but what the drawing symbolises makes my Louie/Larrie heart melt at what should be. I can’t help but want to tag this #soon. Gina’s love for Louis is undeniable and it shows in every art but here in particular.


4. Flower

direct link to the art here.

This is a fan art Gina drew for Where Your Heart Is, a fic that I have co-written. Not only did she suggest the whole scene, she also made it perfect with this piece. She managed to capture a very intimate moment and made the emotions transpire too. Little fun fact, Harry was in boxers in the original drawing and when it didn’t fit the description she added jeans, because Harry and Louis can’t touch in the fic. This is how detail oriented she is. The woman makes jeans appear (but more often she makes them dissapear, let’s be real xD )

3. Rainbow

Direct link to the art here.

I think Gina managed to capture how cheeky real Harry can be. This is the most “him” fan art I ever stumbled upon ever. This is just one of many sides of him, but we’re so used to see his aethetic side nowadays, that I’m really happy she captured this more carefree side. 

2. Together since 2010

Direct link to the art here.

Despite the romantic message the thing I like the most in this one is the little detail that you wouldn’t notice at first glance: Louis’ power stance and the way Harry’s feet are positionned (slightly inward). Of course, their tattoos aligning is an added bonus.

1. They walk together like this

Direct link to the art here

Art is always open to interpretation. Sometimes Gina adds backgrounds, I’m glad she didn’t here, because I can imagine for myself what is happening. Personally depending on my mood,I like to imagine that they’re starring at fireworks, or the Mona Lisa, or watching Louis’ siblings playing in the backyard. Mostyl I like to imagine them starring at their bright future together.

To see all of Gina fan arts click here. Please, go and tell her how amazing she is. 

See you soon!

Edit by my dearest @nottooldforthisship, she makes everything more beautiful.

You Love It (Hoseok/Reader)

Originally posted by kths

Genre: Smut - Drabble

Words: 1,566

Author: Admin JP

Summary: You love the attention. 

Tags: Public sex, stranger sex, toy use, oral sex, exhibitionism, etc. 


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anonymous asked:

I love that the umbrella scene feels so different but at the same time the same as the rest of the series. The music in the series is most of the time flashy and peppy and feels really cartoony. but this scene was so perfectly slow and god the music is so 'this is between us' but also had that romantically magically feeling. Thomas could've make it very typical with quirky music and heart sparkle effects, but he didn't. The whole scene was just perfect. I hope you understand what I mean haha

MAN I totally feel you anon!! The scene has a sort of weight, presence, and pacing to it that’s different than the rest of the series.

I was just talking about colour keys with @gabzilla-z and how this episode in particular seems to use colours very deliberately. Like!!! You’re right, the show itself is bright and colourful and playful. And if you were to think about the general mood of the show in terms of colour, you’d probably come up with warm tones: reds and oranges and yellows. Ladybug colours, washing through the screen and bringing a sense of action and security. A beacon of hope, like the hero she is.

And in the moment with the rain, it’s /so/ different from what we’re used to (I don’t think we’ve gotten a rain scene before now? Rain is really expensive to animate). It’s shades of blue: more Adrien’s colours, reflecting back to his favourite colour and also his mood. And it makes sense because he’s the one who opens up in this moment and tells Marinette, rather honestly and with a kind of vulnerability, what his intentions were and how this is all quite new to him.

In a way, that moment kind of echoes their ladynoir interaction: there’s a kind of understanding and charge of emotions that’s implicitly understood but not necessarily articulated.

The piano music (also!! a great tie to Adrien’s character), the slower pacing of the scene (because half of that moment is told through the character animation, with the wide eyed states and the laughter and the /passing of the umbrella/ good grief I’m not over this at all), the rain, the darker and cooler palette of colours- it is very different from everything else we’ve seen. And it fits magically within the narrative because that choice is so deliberately and purposefully done. The contrast sets the emotional beat apart and is what consequently wrecks us all.

This show really blows a lot of typical character and story tropes right out of the water and I’m SO glad and astonished that it translates into the animation. That they worked with subtlety and used the gravity of maturity to drive this moment home.

3

Sometimes I wonder if they’ve taken after the two sides of me: goofy but introspective.
Luna begings reading, and I’m engrossed, not even realizing i’ve eaten my whole Pop-Tart until I try to shove an invisible piece in my mouth.
    “Zhora forgot her ray gun and fluffy mallows on the hovercraft,” Luna reads loudly, “and she needed to hurry. Dash was waiting.”
  Kinney scrunches her her nose. “Where are the ghosts or the trolls? Is there a witch at least?”
“Just aliens.” Luna taps Kinney’s nose. “Beep, beep.”
   Kinney barely flinches. She says matter-of-factly. “Ghosts are better than aliens.”
Luna shrugs and flips a page in her journal. “Everyones likes different sorts of things.” She glances at me, and when she starts smiling, I realize that I’ve been beaming at my eight-year-old like she’s the empress of an intergalactic  universe– and i’m just a little astronaut floating by, witnessing this beauty. 
Luna Hale might not have any friends outside of relatives, but she has more confidence at eight-years-old than I did hen I was twenty.
Never ashamed.
My daughter is never ashamed.
  “You made mommy cry,” Kinney says and starts drying my tears with her Darth Vader pajama shirt.
“Happy tears,” I tell them, wiping at my wet eyes, tears overflowing.
Luna touches her Hulk slipper to my Thor slipper and singsongs, “Fan fiction.” She makes a smooching noise, Hulk kissing Thor.

THIS WHOLE SCENE? PERFECT??? 

  • SLEEPING BELLAMY BLAKE BECAUSE I’M SURE HE DOESN’T DO THAT A WHOLE LOT
  • THE THOUGHT OF CLARKE WATCHING OVER HIM HE SLEEPS
  • CLARKE WRITING BELLAMY’S NAME ON THE LIST TO SAVE HIM EVEN THOUGH HE BELIEVES HE DOESN’T DESERVE TO BE SAVED 
  • BELLAMY DOING THE SAME THING FOR CLARKE????
  • “IF I’M ON THAT LIST, YOU’RE ON THAT LIST” ???? IF I’M CRYING, YOU’RE CRYING???
  • “WRITE IT [HER NAME] DOWN OR I WILL” ??? AND THEN HE LITERALLY DOES THAT BELLAMY BLAKE KING OF DOING THAT 
  • (also I’m not going to ignore bellamy blake’s arms in this scene like sweet jesus)
  • I LOVE THE SHOTS OF THEM WRITING DOWN EACH OTHER’S NAMES
  • THE TIME WE ALL THOUGHT BELLAMY WAS SAYING “ YOU STILL BREATHING?” ABT CLARKE IN RESPONSE TO “YOU STILL HAVE FAITH?”
  • THE WHOLE GESTURE OF CLARKE LEANING INTO BELLAMY’S HAND AND HIS TOUCH AS HE LAYS IT ON HER SHOULDER PLEASE
  • THIS WHOLE SCENE