this was very experimental

Romantic Poet movies that haven’t happened yet but should.
  • A trippy Coleridge visual album scored completely in acid rock, in the style of Pink Floyd’s The Wall.
  • A beautiful Wordsworth movie in the style of a Rogers and Hammerstein musical + the 1994 version of The Secret Garden.
  • A weird Blake movie that’s half animated in a very experimental but disquieting style and has a good message but makes little kids cry.
  • An indie, anachronistic Shelley movie that’s got a lot of interesting visual effects and shaggy hair and is scored in 1960s protest songs.
  • A ridiculous, huge-budget Lord Byron movie directed by Baz Luhrmann and featuring an almost exclusively hip hop soundtrack. (It’s the only way to do it.)
  • A Keats musical with lots of Amelie-style reality-bending effects and an entire soundtrack by Hozier and/or Sufjan Stevens.
5

Kanako Murakami x Yuzuru Hanyu: The Phantom of the Opera

“Softly, deftly, music shall surround you
Feel it, hear it, closing in around you
Open up your mind, let your fantasies unwind
In this darkness which you know you cannot fight
The darkness of the music of the night

Let your mind start a journey to a strange new world
Leave all thoughts of the world you knew before
Let your soul take you where you long to be
Only then can you belong to me”

Thanks to everyone who gave me suggestions for this mashup. This one turned out very different from how I first imagined it to be, but, oh well, that’s just how this thing called life rolls I guess.

anonymous asked:

What are the green day ' eras ' and could u give example pics?

i usually separate most green day eras by album sound, as this band has always been evolving and changing their sound every time they release music. anyways here’s how i personally divide their eras starting from 1987 to current day

1987 - 1993 (the early days, pre-dookie)

includes the band’s formation, their first show, being signed to lookout records, releasing their first album, playing in backyards/basements to crowds of 5 people and eventually gilman, tré cool joining the band, the release of kerplunk

1994 - 1996 (rise to fame and “burning out”)

includes the release of dookie, green day becoming a household name overnight, woodstock 94′, the release of insomniac, touring nonstop for over a year and eventually having to cancel their tour due to exhaustion, as billie said it was a very confusing and overwelming time for the entire band

1997 - 2003 (experimental sounds and personal reflection)

this era is sort of long but is one of my favourites as i truly believe it is what allowed green day to be the band that they are today. it includes nimrod, warning, international superhits, and shenanigans. the release of songs such as good riddance, the band began to write whatever music they wanted to without caring about what others had to say

2004 - 2011 (reinvention, revival, and rock operas)

includes the release of american idiot and the “revival” of green day. the previous experimental era gave green day the guts to do something absolutely crazy and a full blown rock opera was the result. this era also includes bullet in a bible, foxboro hot tubs, another rock opera 21st century breakdown, american idiot on broadway, and awesome as fuck

2012 - 2015 (the trilogy and a well deserved break)

this era was a hectic one as green day released three albums in a row within the span of 5 months. it was a rough time personally for the members of green day, battling things such as addiction and cancer. this era also includes a very long (and needed) break for the band members, focus on their families and personal lives, as well as green day being inducted into the rock and roll hall of fame

2016 - now (revolution radio and happy days)

this is the era we are in now, as well as my personal favourite. green day has said themselves that they have never been healthier and happier after a long couple of years and i’m very excited to see what other great things this band will achieve in the following years. green day is currently on tour playing in australia

🎶🎶When You Collect Records🎶🎶
  • Hipster: *moves dusty old boxes out of the way* Whoa, an old record player. It looks like it's in working order too! *runs outside*
  • Hipster: Yo, dad!
  • Dad: What?
  • Hipster: We're getting rid of all of poppop's stuff, right?
  • Dad: There's something you want, isn't there?
  • Hipster: There's this old stereo record player in the attic.
  • Dad: What do you need a record player for?
  • Hipster: My record collection.
  • Dad: I didn't even know they still made those things. Can't you just listen to music on your phone?
  • Hipster: Dad, there's a big difference between listening to music digitally and on record.
  • Dad: Fine, I don't wanna get into it with you right now. You can take the record player. You just have to get someone else to take it to your place for you. My truck's full.
  • Hipster: Thanks dad! *smooches dad on the cheek*
  • *later at hipster's apartment*
  • Friend: So, like Patch Adams ends with Patch Adams half-naked in front of a ton of people. I don't know if it was meant to be funny or like a weird sex thing, but like the movie was just a deeply disturbing character study. I can't stop thinking about it.
  • Hipster: That sounds boring. *unlocks door to apartment* Ta-da! Here it is! My new record player!
  • Friend: New? Looks fucking old to me, dude.
  • Hipster: Well, it is old. That's the appeal. And we're going to listen to the new Sufjan record on it.
  • Friend: Is that actually how you say Sufjan? Apparently, I've been pronouncing it wrong this whole time.
  • Hipster: Well, you won't after this record. There's an entire track where he just says his name for four minutes. It's amazing. *plays records*
  • Record Player: *coughs* Hello. Hello! Where am I? Doctor? Hello! Why is it so dark...............................Can I breathe? I can't breath. Oh god, I'm not breathing! Oh god, oh god, oh god, oh god, oh god! I.....................................
  • Hipster: Uh, that's not Sufjan.
  • Friend: It totally isn't. Is it some guest vocalist? I like the new direction he's going in. No instruments or singing, and long stretches of silence. Very experimental.
  • Hipster: *stops record player* I think maybe we should do something else for now.
  • Friend: Fucking lame! I wanted to listen to more Sufjan.
  • *days later at the record store*
  • Hipster: Yo, I think the Sufjan Stevens record I bought from here might be some kind of mispress.
  • Store Clerk: Really? It's a pretty major album. I doubt there'd just be a mispress like that.
  • Hipster: Yeah, but listen to it. It's not Sufjan at all. It's some girl talking.
  • *hipster and clerk listen to a completely normal Sufjan Stevens album together*
  • Store Clerk: What are you talking about? This is definitely Sufjan Stevens.
  • Hipster: Okay, but it wasn't like that when I listened to it at home! I even listened to it with my friend and he heard the same thing!
  • Store Clerk: Maybe there's something wrong with your record player.
  • Hipster: Hmm, maybe there is.
  • *back at the apartment*
  • Hipster: *turns on record player and just listens*
  • Record Player: ...I'm awake again. Why did I black out? Did I even black out? God, I'm not breathing, but it doesn't matter. Why don't I need to breathe? Am I even alive?
  • Hipster: Can you hear me?
  • Record Player: Doctor. Doctor! DOCTOR! Why can't I move? Why can't I feel anything. Keep yourself together. It'll all make sense soon. Calm down. Just breathe deeply. Fuck, I can't breathe! AIIIIIIIIIIIIIIEEEEEEEEEEEEE! I CAN'T BREATHE! DOCTOR! DOCTOR! DOCTOR! HELP! HELP ME, PLEASE! I'M STUCK! I CAN'T MOVE! PLEASE HELP ME!
  • Hipster: *turns off record player* It's just a recording, I bet. I can't believe I talked to it like an idiot... *nervously turns record player back on*
  • Record Player: I blacked out again. I blacked out. For how long? Is there even time here? Hell. This is hell, right? Did I go to hell.........................................
  • Hipster: *listens to the record player for hours*
  • Record Player: Negative 6893 bottles of wine on the wall! Negative 6893 bottles of wine! Take one down, pass it around, Negative 6894 bottles of wine on the wall... fuck, fuck, fuck, fuck, fuck! PLEASE SOMEONE HELP ME! AIIIIIIIIIIIIIIIIEEEEEEEEEEEEEEEEEEEEE!
  • Hipster: *keeps listening*
  • Record Player: Soul of Christ, make me holy, Body of Christ, be my salvation. God, please forgive me. I'm sorry for all of my sins. Please free me. I'm so sorry. Please. Please. Please.
  • Hipster: *still listening*
  • Record Player: FUCK YOU! FUCK YOU! SHITTY DOCTOR! FUCK YOU! LET ME OUT! LET ME OUT! *sobs intensely* FUCK YOU! FUCK YOU! FUCK EVERYTHING! Please just let me go.
  • Hipster: *nervously walks up to record player and lightly taps on it*
  • Record Player: ...A knock. A KNOCK! PLEASE HELP ME! I'M STUCK! PLEASE! *record player begins shake violently*
  • Hipster: *backs away in fear*
  • Record Player: HELP! HELP! HELP ME! PLEASE, IF SOMEONE'S THERE, HELP ME! HELP ME! I'M STUCK! GET ME OUT OF HERE, PLEASE!
  • Hipster: *unplugs record player*
  • Hipster: *gets hammer from the closet and begins to break apart record player*
  • Record Player: *drips red*
  • Hipster: W-What? *cracks front of record player open*
  • *rotting viscera falls from the record player*
  • Hipster: O-Oh... *stuffs viscera back into the record player and duct tapes over it*
  • Hipster: *turns record player back on*
  • Record Player: ...I can feel. It hurts. Why does it hurt now? Why does it hurt? Why? Why? Why? WHY!? WHY!? WHY!? *spurts blood through it speakers and begins to gurgle*
  • Record Player: *hops forward* Please just let me go. Please... please. I'll do anything. I just want to see you again. I'm so sorry. This isn't what I asked for. I'm so sorry. *hops forward again and comes unplugged*
  • Record Player: *tips over, bleeding heavily onto the carpet*
  • Hipster: *silently cleans up the mess*
  • *some time later*
  • Hipster: *calls dad* Hey, dad. Oh, nothing. Uh, I just need to borrow your truck, If not tonight sometime this week. I just need to get rid of something. No, no, that's fine, I can do it myself. Yeah, tomorrow morning is perfect. Thanks Love you too. Bye.
  • *the next afternoon*
  • Dad: So, what did you need to get rid of this morning?
  • Hipster: Nothing important. Just some old junk... Dad, what kind of person was poppop?
  • Dad: Well, he was only the greatest man I've known in my life. Really caring, dedicated to his family. When you were born he loved you so much. He was a bit of a loner, though. It took a lot to get him to open up. Even around me and your grandmother. He was a bit like you. Always a huge music lover.
  • Hipster: I see. Was he ever a doctor?
  • Dad: That's a weird thing to ask. Nope. He hated doctors. Didn't trust modern medicine one bit. It's ironic. His cancer probably wouldn't have gotten to him if he did. But, your poppop was always so stubborn.
  • Hipster: Oh, okay then.
  • *some days later*
  • Friend: New carpet?
  • Hipster: Yup, old one was ugly wasn't it. It was time for a change.
  • Friend: That's what I've been telling you! I'm glad you finally came to your senses. What happened to your record player, though?
  • Hipster: That thing? I threw it away. It was busted.
  • Friend: That sucks. Are you gonna buy a new one?
  • Hipster: No.
  • Friend: But you won't have anything to play your records on.
  • Hipster: Yeah, but I buy records because I want to support the artists. They're not really for listening. Besides, lossless is better. FLAC is the future.
Enrique’s recommended cartoon list

The Amazing World of Gumball

A love letter to animation through and through! Using CGI, traditional animation, flash, stop motion, puppets, clay animation, among others, a show solely created to exploit and push the possibilities this wonderful medium offers, with top-notch tongue-in-cheek humor alongside more slapstick one, that can make you feel when itself to do so in ways that never feel manipulative, the best from both Europe and America.

Courage the Cowardly Dog

Like Gumball, another love letter to animation, but with the added bonus that it’s also a love letter to classic horror films; very surreal, experimental at times, with a writing that can take you anywhere, from scaring the shit out of you, leave you uneasy, leave you uncomfortable, to just downright bittersweet feelings that never once feel forced or hamfisted, the only Cartoon Network show that has ever been nominated to an Oscar. 

Ed, Edd & Eddy

It’s surreal as fuck and it captures the feel of the old, golden era shows from the 30′s and 40′s, plus it has the best ending of a cartoon I’ve ever seen.

Harvey Beaks

It’s cute, it’s uniquely animated, it’s chock full of great characters, and it will constantly remind you of how great it was being a kid; plus, it has the thirstiest, gayest fucking bunny rabbit you’ll ever see, and you will love every second of his appearances. It’s the purest cartoon you’ll ever get to see!

King of the Hill

Relatable characters, relatable storylines, absurd situations that nevertheless always feel real enough, an MC that couldn’t be more different than us, and yet we one way or the other end up identifying with, one fo the very few adult cartoons that don’t have to rely on violence or sex to convey a mature feeling.

Star vs the Forces of Evil

Basically, america taking the magical girls genre from Japan, and just doing it right. The animation goes to shit around mid-season 1, but it recovers in season 2, the writing, however, just improves. One of the very few shows to pull off romance right, and with a constant knack at game-changing events after each season, a true example of how to do overarching plots that actually respect the audience. 

Rick and Morty

Basically everything Futurama ever wanted to be: A love letter to sci fi, with dark yet compelling storylines that are always fun as fuck, fundamentally broken characters that continually evolve without losing their essences, gracious violence, lack of reliance on tired tropes, and surprisingly emotional moments that never feel out of place nor forced. 

Golan the Insatiable.

Uniquely animated, with a very bizarre, borderline ADHD writing that nonetheless always keeps it entertaining, a pity it’s so short.

Samurai Jack

While the current season is the best animated series I’ve ever seen period, the older seasons are just a great, if much more lighthearted and a bit unfocused (mostly due to the old setup of stand-alone episodes), and while it’s true you can watch the new episodes without watching the older ones, as the season has been designed to be enjoyed like that, you can get a much better view of Jack and his current struggles by knowing what he already went through and how he used to tackle his old challenges, which makes the new ones much more striking.

Edit: Having finished season 5, I must say, the first half is still the best animated series I’ve seen period, the second, however, now belongs in the mentions with an *.

Wander Over Yonder

The closest we got to a return of the old slapstick-era cartoons of the golden age, at first a bit superficial, but as the series progresses you learn to love all of its characters, which all go through their own character arcs, alongside a big overarching plot that spans the entire second season, with an excellent ending worthy of its legacy. 

The Grim Adventures of Billy and Mandy

An everpresent dark humor that never takes itself too seriously, broken unlikable characters you will learn to love, a constant improvement in the animation as the show moves forward, an expanded secondary cast that help bring a breath of fresh air to the formula, and just plain awesome movies and crossovers. 

Clarence

A completely slice of life show that just works! Sure, the MC can get annoying, and the first season relies too heavily on gross-out humor, but from the second season the show finds its footing, with characters that are just filled with personality, settings that vary from mundane to just complete bizarre and yet always feel like part of the same universe, and plots that just serve to remind you how it felt to be a kid. Plus, there’s a teacher character that’s completely broken, and yet she always ends up being the most competent character of them all!

And finally, special mentions with a big asterisk:

The Loud House

At its core, it’s a great, unique show with a diverse cast of characters and an interesting animation that while simplistic, has a ton of charm, and when its properly exploited, is fun as hell, but sadly, more often that not it falls into old, tired tropes, making it a frustrating chore to watch, and so far those episodes outnumber the good ones, so it’s still a mixed bag.

Gravity Falls

Everyone and their mom will tell you this is the greatest cartoon ever made, but once you disregard the “muh deepest lore” and “muh mysteries”, it kinda falls apart, mainly due to an overfocus on the first MC, Dipper, heavily distracting from most of the lore in many episodes, the complete flanderization of the second MC, Mabel, originally a great character with tons of charm that eventually devolves into a selfish bastard that never learns from her mistakes or faces consequences for her actions, and finally, a lackluster second half of the final season that kinda throws away all the build-up lore and mysteries. 

Phineas and Ferb

Great songs, great characters, very creative settings, and a fucking Top Gear’s trio cameo! But man if the formula just gets old, some of the songs are just god-awful, and many neat concepts and characters get terribly underused in favor of the same old tropes. Plus the simplistic designs of the main characters tend to clash a lot with the more polished ones found in later seasons.