this was like one of the best scenes of the movie

Went and saw Beauty and the Beast, and I just had to share my experience because it was so pure?

So, like, I get into the theater, find myself a nice spot smack dab midscreen, which is WAY EASIER without thirty people traipsing in behind you in a group, lemme tell you, and I’m just sitting there, by my lonesome, scrolling tumblr and watching whatever weird stuff they’ve got on screen, and a family comes to sit in my row, which was the only empty one not right in front of the screen. Sat down what I thought was a seat away from me until I saw a little girl in an adorable ass red dress climbing over mom and dad to sit next to me. 

Totally fine. I was just off of center and they got to sit right in the middle of the screen, and when she finally gets settled this little girl looks up at me, with a soda half her size in one hand, and somehow both popcorn and candy in her tiny little lap, and she stage whispers to her mom:

“She’s by herself!”

Mom looks embarrassed, but I smile and wave off the apology. 

I go back to my phone, only to realize someone is tugging at my sleeve. Little girl looks up at me, all wide eyes and curiosity, and holds out a napkin filled with popcorn and chocolate. Like, I remember being a kid, and I remember how important candy and popcorn at the theater are, and I think she thought she was saving my life by offering this sustenance.

I almost fucking cried guys, kids are the best.

So I take it and thank her and let her talk my ear off for a few minutes until she needs a drink because she has been talking SO MUCH her mouth is dry. This kid is going places, guys, I’m telling you right now, because she picked up that cup the size of her torso like a champ and angled the straw just right and continued to try to talk to me around her gulps.

While this is happening, on the other side of me another mom and daughter sat down, and, turns out, the girls know each other. I’m guessing, based on the gumption of Red Dress, that they probably met in the lobby before they went into the theater. 

Girl number 2, I’ll call her Princess Dress, because it was a fantastic dress and when I told her so she proceeded to point to every princess along the neck and name them and give me their Stats, proceeds to have a conversation across me with Red Dress.

Both sets of parents were looking like they wanted to bury their heads in their hands, but I was having a blast.

Anyway, eventually lights go down, we get into the movie, and for the most part Red and Princess were content, although every so often Red made sure to pass me a handful of sticky half-melted chocolate. 

Watching a live action version of a movie that I watched for the first time when I was their age was a fuckin’ trip, man. Like. I got super emotional over things I didn’t expect to, and during the wolf scenes I was actually mildly distressed, because Princess was gripping the hand rest so hard on my right I thought she was gonna break it. Any scene I laughed or snorted at got a peal of laughter from my two new best friends, so hopefully no one has to go home and explain why I nearly snorted out my drink during “Be Our Guest” when they went for a visual gag for “After all miss, this is France!”.

During the ballroom scene, Red turned to her mom and whispered “The Beast is handsome!” and it took so much for me not to lean over and whisper back “Girl same.”

But my favorite, MY VERY FAVORITE part of this whole experience was when Gaston shot the Beast - FOR THE THIRD TIME HOLY HELL I KNEW IT WAS DARK BUT GODDAMN THIS IS A KIDS MOVIE ISN’T IT - Red patted my arm because yeah, okay, I was maybe crying a little, look, I know what happens but the movie made me feel things okay. Anyway, she like, pushes herself up in her seat and leans in close and she goes “It’s okay. He’s gonna be okay.”

The point is, children are so pure, and everyone should always watch movies with strangers.

Yuri!!! On Stage Event Report!

So today (4/29/2017) I went to the Yuri on Ice Yuri on Stage event. To clarify though, I was not at the actual Tokyo event, rather a live viewing at a local movie theater. Which of course does alter the experience but it’s the next best thing. At first I thought the theater was only doing the afternoon session, but very last minute I ended up being able to attend both!

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5 Reason’s Why Supernatural is the Gayest Show on Television (That’s Still Stuck in the Closet)

To start with, I’m not delusional.  I’m fully aware that the studio and execs have settled into a comfortable pattern with Supernatural, and especially considering it’s heavily mixed demographic (interestingly, it was ranked a favorite among republicans and democrats in 2016) they’re unlikely to rock the ship with a canonically queer relationship between two of it’s main characters.  

However, it’s important to understand exactly how much queerness is bubbling beneath the thick surface layer of “no homo:”  from the orgies of male-on-male eyesex to the inspiration for most of its main characters, Supernatural is queer to its very core. 

Here are five (blaring but stubbornly unacknowledged) reasons why:


1.  Dean’s gratuitously bisexual inspiration. 

Whenever someone claims a queer interpretation of Dean is baseless, I’m always happy to direct them straight to his flamingly bisexual source:  Dean Moriarty, his namesake and direct inspiration, a la the novel On the Road.  

Admittedly, I read On the Road and didn’t particularly enjoy it, as I found it to be a somewhat masturbatory reassertion of masculinity for its narrator, Sal Paradise.  Sal idolizes and fixates the charismatic Dean and his promiscuous lifestyle, openly having sex with and impregnating multiple women, and is all around a heterosexual power figure…right up until the point at which Dean propositions a male prostitute.  

Though he’s never shown doing anything gratuitous with male characters (since the book was published in the 1960s, it wouldn’t have been legal to) it’s clear that Dean is very much bisexual, not ashamed of it, and in terms of personality, very similar to Dean.  There are a few key differences (Dean Moriarty, for example, legitimately gives zero fucks about anything, whereas Dean Winchester is secretly a little ball of anxiety with the weight of the world on his shoulders) but it’s clear where Eric Kripke got his inspiration from.

Moreover, Dean Moriarty was in turn based off of the real life bisexual counterculturist Neal Cassady, who among other things had a twenty-year sexual relationship with a male poet.  Here, he is pictured in a Denver mugshot: 

So next time someone tells you the homoerotic subtext of Supernatural exists only in the imagination of rabid fangirls, remember that Dean is the direct descendant of two ragingly bisexual icons.

2.  Castiel (or at least his wardrobe) was also based off of a bisexual character.

For a show so aggressively devoted to a “no homo” interpretation, it has a real propensity to drawing inspiration from queer characters:  everyone’s favorite baby in a trench coat, for example, was modeled after the demon-busting John Constantine from the Hellblazer comics.  Yup, another bisexual.   

Though in true assbutt fashion, his love of men is censored in movie and TV adaptions, Constantine unabashedly swings both ways in paper form – a.k.a. where Kripke found inspiration for Castiel’s look.  Here, we see him platonically receiving a man-hug from one of his bros:

So I’m not saying the fact that two out of three main characters are modeled after canonically queer figures could have anything to do with Supernatural’s gratuitous queer subtext, but y’know.  It might.

3.  Cas himself is sexually complex (and literally cannot be straight.) 

Dean has made reference to the fact that he “doesn’t swing that way” (ironically, both of which times he was literally in the midst of blatantly flirting with men.)  

Cas, however, has no such reservations:  he’s never indicated, vocally or otherwise, a preference towards either gender, so much as outright declaring that he doesn’t give a damn.  

He reacts to male and female flirtation much the same way:  just try and tell me his suspicious glower and Mick wasn’t similar to Mandy the waitress (and try and tell me they both weren’t acting like they’d like to eat him for dinner.)

Moreover, the only time we’ve seen him ever achieve some kind of intimacy with female characters is when they’re literally throwing themselves at him.  Hey, he’s an aesthetically pleasing fellow – or rather, an aesthetically pleasing something.  

Which brings me to my next point that he isn’t really a fellow at all:  Cas not only gives zero fucks about sexual orientation, he also gives zero fucks about gender.  Sure, he’ll spend seven years in the same ill-fitting trench coat, but he’ll also rock a petticoat like nobody’s business.

I’ve discovered that the writer for “Lily Sunder Has Some Regrets,” Steve Yockey, is a gay man, which honestly makes it all the more perfect:  not only does it establish the Orlando-esque flexibility (or nonexistence) of Cas’s gender, but it eliminates the possibility of his straightness.  

And I want Destiel to be canon as much as anybody, but am I opposed to Cas being a genderfluid lesbian?  No.  No, I am not.    

4.  Dean can textually be interpreted as bisexual (and probably should be.)

For anyone who questions whether Dean not being straight as an arrow, I’m happy to point out some very canon things that happened on the show:

(Examples courtesy of @some-people-call-it-tragic!)

And yes, when feeling threatened, he’s professed not to swing that way.  But you know how many queer people I know who have at one point felt compelled to lie about our sexual orientation?  Every single one.  And I live in the bluest of blue states – Dean was raised in Bible Belt America and spends most of his time in the Southwest.  Not to mention the fact that he was raised during the heat of the AIDS academic.

In other words, he has every logical reason to be wary at the prospect of coming out of the closet, or even acknowledging same sex attraction at all.

Moreover it’s been canonically established that Dean has a habit of lying about himself to protect his image of masculinity:  according to Dean, he doesn’t do shorts, chick flicks, cucumber water, skinny jeans and sunglasses, and Taylor Swift music.  You know how many of those things he loves?  All of them

Finally, not every member of the cast or crew might agree (though I know for a fact that some of them do) but their interpretations do not effect textuality.  And Dean can textually be interpreted as bisexual.  

5.  Dean and Cas make a better couple than any of their love interests.

I’m going to state something I feel is obvious:  Cas and Dean have more buildup, tension, chemistry, emotional connection, and romantic history than literally any of their other interests.  

Take Lisa, for example:  she’s Dean’s longest lasting introduced as female partner, and she’s introduced as the “bendiest weekend of his life.”  

Furthermore, I’d argue that sexual attraction notwithstanding, Dean was never romantically in love with Lisa.  To him, she epitomizes his desire for a mother figure, a home, and his lost childhood, as is best demonstrated in his fantasy from “Dream a Little Dream of Me:”  Lisa isn’t a seductive or romantic figure here – she’s a maternal one. 

Though since Dean has never had a long lasting relationship (or, to my belief, been completely in love with a girl) it’s easy to see how he’d misinterpret these feelings as romantic love. 

Then we have Cas, who’s introduced by pulling Dean from the depths of hell, who makes most one-on-one scenes with Dean look like a soft core porno, and who recently (canonically!) declared his love for Dean.  

I don’t dislike Lisa, but it’s easy to see which of the two relationships is more three-dimensional, more original, and more worthy of screentime.

You know what, the ‘suddenly, there’s 5 more Winter Soldiers’ subplot

has gotten a lot of flack, and I don’t disagree that it could and should have been handled a lot better, but even as it is, I really really like what it says, or rather, confirms about Bucky.

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Why the SPN mixtape scene from 12x19 is screenwriting gold, and should be taught to the next generations of screenwriters everywhere - analysis

20 seconds. Two lines of dialogue, three gestures, a couple more camera angles. Episode 19, season 12 of a genre TV show “Supernatural”. A single strike of screenwriting and cinematic genius. The mixtape scene.

Robert Berens and Meredith Glynn, I bow before you.

This scene should be used as an example for future screenwriters how you can put maximum of meaning into minimal time and dialogue. Should be analyzed and taught at universities everywhere, how to achieve the most using the least. How to write for TV, where you only have less than an hour to built something spectacular.

WOW.

Let’s just peel off all the layers of these 20 seconds of footage and these 13 words. 13 WORDS.

(Cas knocks, Dean doesn’t say anything. Cas opens the door, apologizes for disturbing Dean in his room, and then takes a cassette tape out of his left inside coat pocket, and puts it on the desk, while tapping the label on it that says “Deans (sic!) top 13 Zepp traxx”.)

Cas: Um, I just wanted to return this.

Dean: It’s a gift. You keep those.

13 tracks. 13 words. The future. So number thirteen is important for the future. I mean, are you trying to tell us something here, writers?

(Dean takes the tape, oustreches his arm, and gives it back to Cas. We see Cas’ hand grabbing the tape, and taking it back.)

That tiny scene is ENORMOUS from the perspective of the narrative and the characterization. Let’s see what we can get out of it. (Prepare yourself: it’s gonna be long. Damn, how much meta can you write based on 20 seconds of television and two lines of dialogue?) (Hint: A lot.)

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I’m glad we’re not getting a Season 2 this year

I’ve seen people disappointed about the movie, and wanting a Season 2 in October.

My perspective is… This is the BEST NEWS THAT I HAVE HEARD in this fandom, hallelujah.

The biggest enemy that Yuri on Ice has always had is its own success. When your show is basically printing money in DVD and merchandise sales, you can bet that the higher ups are breathing down your neck. Do more. Do it now. Do it faster. If you find a goose that lays golden eggs, by all means, make that thing lay as fast as it freaking can, and while you’re at it, can you make those eggs any bigger?

I have seen success absoutely ruin amazing shows/series/book series/etc. Over and over and over again.

This is particularly true when the show/series/book series has a strong romantic subplot, as Yuri on Ice does. That’s because often, in order to keep people who are invested in the romance invested, shows tend to do one of two things: 1. Keep people from getting together long after any reasonable person could imagine that they’d be apart, or 2. Add ridiculous drama to keep splitting them apart and then getting them back together.

I trust Kubo and Yamamoto. I don’t for one second trust bean counters. And I absolutely do NOT want to see someone splitting up Yuri and Victor in nonorganic ways just to keep some unnaturally stupid tension. Yuri on Ice was magical because it was made with love–every aspect of it–and every time the show surprised us, it was with how much more love was in the show than we’d ever imagined. But it is hard to manage that fine line between enough internal tension to move the story forward and that love that makes Yuri on Ice utterly magical.

When I heard details about the production, I could sense that love. They traveled to every venue, constructed the story around what was actually possible. The spirit of everywhere they went to pervades each scene. You can line up shots of where they were with anime scenes. The way they constructed characters, their skates, the music for their skates, how it all fits together to tell an overarching story about love in all its forms, something that is utterly compelling and yet lacks villains. Even details like putting the wedding rings on the right hand. This is storytelling at its very damned best, at every level, and I’m on my knees to it.

And you want them to do what they did in years for season 1 in a matter of months? It’s not possible. Not with the site visits. Not with needing to construct characters with respect and love. Not with commissioning music. Kubo was talking on Twitter today about visiting Mexico, and the idea of her taking Leo’s heritage as a Mexican American so seriously, and with such respect, in a time when Mexican-Americans are being absolutely vilified in this country, makes me almost weepy. That is what I want–that love, that respect for what they do.

The very, very worst thing that could happen to Yuri on Ice is for the second season to be made with money in mind rather than love. I would rather have no second season than to see someone push this show to become more “mainstream” (read: toning down the queerness, fuck that), or for them to not have the time to develop a story line that continues season 1 with the mastery and the love that made it so special.

The fact that they’re taking their time is the best thing I could have heard. We can get it fast or we can get it good. There’s plenty of media out there that comes out fast. There’s a reason this one was special. Everyone who wants something fast, well, there’s plenty of crap out there–feel free to be a fan of it.

Have a little patience, and trust the people who brought you this piece of genius, who have every financial incentive to take as much money as possible. If they say you’re not getting a season 2 this year, you better believe that it’s because they can’t do it well.

Two years may sound like an eternity, but a crappy season is the thing that actually lasts forever.

The 7 Elements of a SCENE

There are few things as soul-crushing in the writing process (at least to me) than getting a bunch of characters in a room with the intention of something happening, then the characters proceed to stand around and stare at each other.  

Or worse, look at you like this. 

My characters didn’t know why they were there. I didn’t know why they were there either. I had no clue what they were supposed to be doing, so I’d start throwing random instructions at them: “Fight, characters! You guys should fight now! Maybe fighting will make this event have a purpose!” Which inevitably resulted in characters going through the motions of battle for no apparent reason, like they had all lost their minds.

What was the problem? I didn’t know how to write a scene. I didn’t know what a scene was. I had a vague definition that it was something about changing scenery, or just “something happening”.

It’s not. And once I learned what a scene was, my characters got to stop pummeling each other, while wishing they could pummel me. 

So what is a scene? 

The definition of a scene is kind of like the definition of a story. Story is change, a massive change in the life of your main character. A scene is change too, but much smaller, and part of that huge story change. You couldn’t have the BIG change without these tiny changes. Thus, a scene is not switching scenery. It’s not flipping to a new Character’s POV. It’s one segment of change, which triggers the next change, which triggers the next, which gradually build into sequences, which build into Acts, which build into story. 

So what goes into a scene? How does it work?

1. Alternating Charges

If a scene opens positive, it will turn negative by the end. If it opens negative, it will end positive. Simple. 

2. Character Goals

Everybody in a scene wants something. If they don’t want anything, they shouldn’t be in the scene. And these characters, with their often opposing goals, are going to employ different tactics on each other to get what they want. Which creates …

3. Escalating Conflict

Conflict is created when one character wants one thing and another wants something else, right? So the characters in the scene are each pushing for something different, each new tactic increasing in determination. And what are these actions called?  

4. Beats

The beats of a scene are exchanges of action and reaction. One character does something, another character reacts. All exchanges (beats) are pushing the scene onward, building tension and conflict, until finally …

5. Turns & Revelations

The scene turns. The positive has changed to negative. Something has been discovered. The story has spun in a new direction.

6. Connection to Story Objective

Every scene must be connected to the BIG goal of the story, the main character is taking small actions to reach that big goal. If it isn’t obviously connected to this big plot, it won’t make sense. Your reader won’t know why the heck they’re reading the scene. Which brings us to … 

7. Logic & Necessity  

Every scene must be necessary. It must be able to be linked with the previous scene. “Because that happened in the previous scene, THIS must happen in this scene.”

So! To see how that all works, let’s break down a scene from Tangled. (Because I used it in the last post to map out how a premise works, and my little writer heart can’t resist symmetry.)

Which scene? The one right after this happens: 

Opening Charge: Positive. She’s realized everything. 

Rapunzel’s Goal: Rise up against her mother – finally. 

Gothel’s Goal: Regain control.

Escalating Conflict: They’re fighting over who controls Rapunzel, and this battle causes them to go from “mother and daughter” to “enemies”. The conflict builds nicely in this scene, causing the story turn.

Connection to Story Objective: Throughout the movie, the big thing Rapunzel wants is freedom, she wants her life to begin, she wants to have a new dream. This is the moment she figures out how to do that; it’s not escaping the tower, it’s escaping Gothel’s control over her.

So! Here’s the scene.

Beat 1

“Rapunzel? Rapunzel, what’s going on up there?”

Ignores her. Still processing the tremendous implications of this revelation. 

Beat 2

“Are you alright?" 

"I’m the lost princess.” (Dumbfounded. Almost whispering it to herself.)


Beat 3

“Oh, please speak up Rapunzel! You know how I hate the mumbling.” (Bullying.)

“I am the lost princess! Aren’t I?” (Fighting back. She will not be bullied anymore.)

Beat 4

Gothel stares, stunned. She’s rendered temporarily speechless, because her secret’s been revealed finally, and her victim is actually fighting against her.


“Did I mumble, Mother? Or should I even call you that?” (Accusing. Drawing herself up taller. Looking down on Gothel and glaring. She’s seeing her clearly for the first time in her life.)

Beat 5

After a pause, thinking up a tactic. “Oh, Rapunzel, do you even hear yourself? How could you ask such a ridiculous question?” (Laughs. Ridicules. Attempts to make her feel childish, dumb, worthy of being mocked. Tactics which have always worked. She even begins to hug her.)


Rapunzel pushes her. “It was you! It was all you!” (Still accusing and angry, but pain is beginning to show. It’s almost like she’s giving her a chance to explain herself.)


Beat 6

“Everything I did was to protect you.” (And Gothel doesn’t say anything redeeming. She’s holier than thou, regal, bestowing kindness on an ungrateful, stupid child. Trying to control through guilt.)

Rapunzel rams her out of the way. 

Beat 7

“Rapunzel!” (Shouting. Now trying anger.)

“I’ve spent my entire life hiding from people who would use me for my power …” (Leaves her.)

Beat 8

"Rapunzel!” (Still trying the anger angle.)

“But I should have been hiding from you.” (Throwing the truth at her.)

Beat 9

“Where will you go? He won’t be there for you.” (She’s tried everything else. It’s time to attack her heart.)

“What did you do to him?” (Fear)

Beat 10

“That criminal is to be hanged for his crimes.” (She’s keeping up the disapproving mother act, but striking her right where it will hurt her most.)

“No.” (She’s stopped. Shrinking in on herself. Staring, horrified. And Gothel thinks she’s won.)

Beat 11

“Now, now.  It’s alright. Listen to me. All of this is as it should be.” She goes to pat Rapunzel’s head, a gesture symbolic of her superiority, her physical, mental, and emotional control over her victim.


Rapunzel grabs Gothel’s wrist. “No! You were wrong about the world. And you were wrong about me! And I will never let you use my hair again!" 

Beat 12

Gothel wrenches free, stumbling backwards in shock and anger, breaking the mirror in the process. 

Rapunzel walks away. She’s escaped Gothel emotionally now.

Beat 13

"You want me to be the bad guy? Fine. Now I’m the bad guy.” (Well, now emotional control is over. It’s time to start stabbing Rapunzel’s boyfriend.)

This action has no reaction, interestingly. It leaves us hanging, a cliffhanger created with only beats. 

Closing Charge: Negative. She’s now a full-fledged villain, the motherly persona shed, and she’s determined to get what she wants whatever the cost. 

Turn: It changed from positive to negative,  and now we’ve got a Flynn-stabbing witch to deal with.  

Revelation: She’s always been evil. She has always been the bad guy. The motherly act was just that, an act. 

Logic & Necessity: This scene fits with the previous scene, and the one that follows.     

Though I’ve seen these concepts in many books, the place I first learned about it (and the best resource for scene design in my opinion) is the book Story by Robert McKee. It’s helped me countless times, is one of my favorite books on storytelling, and I highly recommend it if you write anything.

I realize that these definitions were a little vague, so I’ll be explaining things more thoroughly in subsequent posts. 

on the new Iron Fist series

So after binge watching a ton of Marvel’s new Iron Fist series, I went onto tumblr, wondering what the fandom was up to now, what with all these new gifs and stuff to make. ‘Maybe I would find some fan art or something’ I thought innocently to myself,

BUT BOY WAS I WRONG

instead, I was greeted with SO MUCH DISCOURSE on how Iron Fist ‘needs a chinese-american actor’ or ‘has terrible dialogue and is slow’.

the best part is when I found out that some of y’all are trying to get this show boycotted like ‘????’

Now as a Chinese-speaking Asian female, living in Asia, with an Asian background and a good know-how of Chinese history, as well as a decent knowledge of comic books, (although I confess I got into the animated series first) I’m here to end the discussion before y’all get your full rage on and start fighting fans of the show like it’s Lord of the Flies up in here

So keep reading if you want to be educated or if you just want to fight me before you know what you’re even talking about

“THE SHOW INSULTS CHINESE CULTURE”

Uhhhh…no? I’ve seen a few episodes and I mean so far there isn’t really anything that screams ‘insult’ or even offensive in the slightest. Besides maybe the fact that they take the beliefs and twist them a little bit but honestly even that ain’t that bad as to what I’ve seen elsewhere.

I’ve read the boycott post and let me say that yea, they dressed him with an eye for Asian elements, but maybe that’s because it’s supposed to be resembling Asian clothing? I mean how is that offensive? Is it the part that it looks Asian? Or that you simply feel that white people that direct these shows should not be using Asian stuff for entertainment? Because I hate to break it to you but it’s still not offensive. Even the dragon tattoo is totally fine because it’s supposed to resemble Asian elements yea but also have y’all read the comics? Because he punched through a dragon and basically took it’s heart. So I mean a dragon tattoo kinda matches the theme.

I mean in the first episode they speak almost flawless Chinese for Pete’s sake! Hell, I was surprised that they even had it in them to have a non-Google translated line. Sure the accent was a little overdoing it cuz not even I have that thick a Chinese accent but I’ll excuse it since he was apparently learning and speaking 15 years. (I speak it maybe a few times a day for like the last 14 years or so only)

So no, the show doesn’t really insult Chinese culture, sure they might be ignorant, but you must understand that after generations of stereotypes and misconceptions that that can’t just go away with one show

“Danny Rand should be played by an Asian guy/be a Chinese-American”

I can’t even begin to tell you my frustration about this.

Y’all do know this show is based on the comics right?

You know, the one with the white guy.

I know Marvel is infamous for not including enough representation in their shows but seriously? This is like the Harry Potter thing all over again with Hermione being black, it’s not that we don’t want representation or anything, but it’s the fact that this hero that us comic fans have come to already love has been replaced. Or at least it feels like it. Like when a movie is made from a book and people go crazy because character XYZ suddenly has different traits or isn’t quite what was described as compared to the book.

Frankly, it sucks.

So even though yes, Marvel should have more Asians in their shows, don’t expect them to completely give the main character a makeover, even if the makeover was supposed to provide representation. And honestly? I don’t want them to change him because I really freaking love Iron Fist, just as he is.

“This show just villainizes Asians”

So you tell me that my race is being made villains because Marvel decided that most of their Asians on their shows are evil ninjas (aka the Hand) and at most there are like 3 sorta good Asians. Oh and I’m sorry, you want more Asian men that are good guys? You want a balance of Asian heroes?

Well I guess that would be kind of hard to fit into the story since, oh, I don’t know, everything happens in the USA?

If you want more Asian characters well then look no further because you do have them. Daisy Johnson from Agents of Shield? What about her extremely brave mom? Or maybe Colleen in Iron Fist? Everyone seems to be blatantly ignoring her badassery and only seeing the part where she’s a sorta love interest.

Facts are, there are Asian characters, you’re really just looking hard enough. I agree wholeheartedly when you say that more Asian men need to be in the Marvel universe that aren’t part of the bad guy team but you gotta say that they are still awesome.

Does anyone even remember the Japanese ninja yakuza guy from Daredevil? Dude got set on fire and STILL came back to kick ass. That’s a plus in my book because even though he’s considered bad, he’s been proven to be cunning, smart, and overall awesome.

“The show has terrible stunts/acting/dialogue/fight scenes”

From here on out it’s mostly just me trying to explain why the directors and writers of the show made decisions in the show to make it what it is, so let’s dive right into it.

  • STUNTS

Actually the stunts weren’t half-bad. If you’ve seen other shows or movies that are heavily reliant on stunts and action, and compare it to this show, they really aren’t that much different. Sure it might seem a little unbelievable sometimes like they’re breaking physics or something, but he already has a glowing fist. I think we’ve crossed the line of believable long ago.

  • ACTING

I have nothing to say about this except that go and take some acting or drama classes before coming and criticizing these awesome men and women who did indeed try their best

  • DIALOGUE

Now I get the dialogue might be a little weird at times and what not, but you must understand that this show was partially written with the Defenders series in mind. So almost everything that was said in the show is meant to lead to something more. Thus, you must take it as a bigger picture. Sorta like how everyone said that Fantastic Beast and Where to Find Them wasn’t as good as they thought it would be, that movie was also meant to lead on to a bigger story so you might want to excuse the weird speech and cryptic lines at times.

  • FIGHT SCENES & ACTION

Okay seriously people, please read the comics. Danny Rand is supposed to be an accidental hero, one that doesn’t want to fight unless he really has zero choice in the matter. So yea, the fight scenes won’t be that interesting, but only because the character in question is more interested in ending the fight than anything.

~

So there you have it, my whole slightly angry info-dump on Iron Fist and Marvel’s representation problem in general. If you want to correct me or scold me even then by all means message me or shoot me an ask. But just keep in mind that Marvel can’t make all your problems go away in one show, and please for the love of all that is good read the comics before coming to rant okay?

20 Behind-The-Scenes Facts About Pirates Of The Caribbean.

1. During the filming of On Stranger Tides, Johnny Depp spent over $60,000 out of his own pocket to buy waterproof jackets for 500 crew members to protect them from the cold, wet weather. 

2. While filming in London in October 2010, Johnny Depp received a letter from a local 9-year old schoolgirl, telling him her classmates needed help to ‘mutiny’ against her teachers. He turned up with almost no warning at the school in full Sparrow outfit, but advised against mutiny. 

3. In Curse Of The Black Pearl, Johnny Depp improvised many of his lines, including the notorious, “Bring me that horizon,” and Jack Sparrow’s catch phrase, “Savvy?" 

4. Depp and Verbinski have a funny way of describing Jack running away from danger. They both compared it to a “lizard running on water.” Looking back at pirates of the caribbean, we can totally see where they’re coming from.

5. The cast and crew walked away from filming with tons of “treasure.” When production wrapped, many of the people who worked on the film (including Johnny Depp) picked props out from the treasure cave to take home. According to Verbinski, not a single one of the cursed coins was left behind.

6. Geoffrey Rush was afraid that people wouldn’t notice him on screen when he and Keira Knightley were in the same scene. He came up with a solution, however. He thought that viewers watched films the same way they read books - from left to right - and thus, tried to be on the left side of the shot as much as possible so that people would notice him before they noticed Keira. 

7. Robert De Niro was originally offered the role of Captain Jack Sparrow. However, he turned down the role because he thought that the film would do poorly in box offices. 

8. Keira Knightley was only 17 years old when they started shooting the first Pirates Of The Caribbean. Because she was a minor, her mother had to accompany her to all of the shooting locations. 

9. Johnny Depp’s character, Captain Jack, is portrayed as having gold teeth in the film. The gold teeth were actually Depp’s idea, but he predicted that executives would want fewer gold teeth than he wanted. So Depp told his dentist to implant extra gold teeth as a bargaining tool. After negotiations with the film executives, Sparrow’s final number of gold teeth in the film was what Depp had envisioned all along. 

10. If you pay attention throughout The Curse Of The Black Pearl, there is a scab on Jack Sparrow’s chin that gradually gets bigger and bigger. Many thought that it was a mistake, but Depp revealed later that his was a prank he and his makeup artist had thought of together. 

11. Clothing and smears of charcoal were used to conceal Johnny Depp’s numerous tattoos. The "Jack Sparrow” tattoo on his arm in the movie is a fake, but he actually got a real replica after finishing the film, in honor of his son Jack. 

12. Originally, Johnny Depp wanted Jack Sparrow to have no nose and be afraid of silly things like pepper and the common cold. Disney rejected the idea.

 13. Jack Sparrow is known for his outrageous face makeup, but he didn’t start with that look. While filming in a cave, excessive makeup was added to all of the characters so they wouldn’t looked washed out on film. When the crew realised how cool the makeup looked on Johnny Depp, they continued to use it on him for the rest of the movie. 

14. The moment when Elizabeth kissed Jack Sparrow in Dead Man’s Chest was purposefully cut out of Orlando Bloom’s script so that the cameras could get a genuine, shocked reaction from him. 

15. The fourth installation, On Stranger Tides, was the most expensive film ever made at the time, not adjusted for inflation. The budget ran to $300,000,000. That’s more than the budget of all three Lord Of The Rings films combined.

16. Johnny Depp based his performance on Keith Richards because he thought that pirates were just 18th century versions of rockstars. 

17. The names of the three main characters are all related to birds: Jack Sparrow, Elizabeth Swann, and William Turner, who was a famous ornithologist. 

18. The scene where Orlando Bloom impersonates Johnny Depp’s performance was devised by Bloom who asked producer Jerry Bruckheimer if he could put it into the movie. 

19. According to the screenwriters’ commentary on the DVD, Will Turner is actually the best swordsman in the film, Barbossa and Commodore Norrington are evenly matched, and Jack Sparrow is the worst. 

20. During filming of On Stranger Tides in London a 'Jack Sparrow’ impersonator just walked onto the set. The guards did not think to ask for any ID as he looked so much like the character. 

ask and you shall receive | one (m)

[credit.] 

pairing: jung hoseok x reader, sugar daddy! hoseok
genre/warnings: smut, lots of oral, slow burn, dirty talk, dom! hoseok
words: 13,865
summary: your sugar daddy says you don’t have to sleep with him if you don’t want to…trouble is, you do want to. You’re just nervous and a little inexperienced, but he catches on quick and begins to teach you the true pleasures of sex, and boy, are they good…

 a/n: in the end I had to split this into two parts rip. It was already nearly 14k with just one smut scene haha. but oh well, that means more detail for part two…

Keep reading

Pepero Day (M)

MASTERLIST

Pairing: Yoongi x reader

Genre: Smut, Bestfriend!Yoongi, Valentine’s Day themed

Word count: 5.7k

warnings: Rated M, language, graphic sexual descriptions

A/N: This was meant to be a valentine’s day fic, but it’s a day late, rip. I hope you enjoy it regardless!

Keep reading

thesoggybug  asked:

Hi there! As someone new to this fandom, I have to say your blog is the best thing ever! What would you recommend a good fic for someone who has never read any Victuuri fanfics before? I was hoping for something really sweet (maybe nsfw?), but still in character and not AU.

Hi! Thank you! Here are some of my favourite fics that I think would be perfect for someone who is new to the fandom!

Originally posted by noenoaholi


New to YOI fanfiction? Start here!


Canon Universe 

The Fundamentals of Caring by braveten, Explicit, 20k
One of my favourite hurt/comfort fics! Yuuri comes down with a nasty cold and Victor tries to take care of him the best that he can. Full of hilariously delusional Yuuri, caring Victor, and ALL THE FLUFF! So cute, definitely recommend! 

Love Like You by LFMH021, Teen, 3.6k
Little insight to retired and domestic Victuuri! Many small scenes from deciding who is going to do the dishes to grocery shopping. SO CUTE AND FLUFFY I LOVE THIS FIC SO MUCH! It’s the domestic fic you’re looking for!

stammi vicino by sunshinehide, Gen, 1k
It’s moments like these where Yuuri realizes how lucky in love he is with Victor. SO fluffy and cute!

Just for You, a Symphony from My Soul by Caeseria, Explicit, 12k
Sometimes, it’s the smaller moments – those out of the public eye – that are the most important. Lovely first time fic!

Jealous by Flightless_Bird, Teen, 4.4k
The idea prickled in the back of Yuuri’s mind and he glanced sharply at Victor again. Was he…Could he be….? Well, there was only one way to find out. SO GOOD OMG

From The Moon by ButterBeerBitch, Mature, 4.8k
Victor Nikiforov, the living legend, winner of five consecutive World Championships and five straight Grand Prix Finals - was in Yuuri’s bed. Yuuri’s bumpy, squeaky bed, with the Pokémon stickers peeling off the frame and the unwashed sheets.

#KissOrHug by Aurum, Gen, 2.2k
Yuuri and Victor make #Victuri trend worldwide. Phichit accidentally makes it worse. This is is SO cute, it’s a must read!

Safety Hazards in St. Petersburg by lucycamui, Explicit, 3.7k
In which Yuuri moves in with Victor in St. Petersburg and Victor discovers just how distracting living with him can be. I LOVE THIS FIC SO MUCH OMG

A Safe Place To Fall by uchiuchi, Teen, 8k
Victor doesn’t understand what Yuuri said during the press conference, and Yuuri

hold me in your arms tonight by isonala, Gen, 702 words
After surgery, Victor wakes up with temporary amnesia and forgets he’s married to Yuuri. Quick read, and the fluffiest of fluff. Must read!

Praise Please by surveycorpsjean, Explicit, 5.2k
Viktor is a good coach. Strict, talented. But Viktor is kind. He gives praise like a waterfall, overflowing and loud and it makes Yuuri drown. Fluff and smut. Cute!


Alternate Universe

of dusk and dawn and a love beyond by exile_wrath, Gen, 5.5k
The King of Day, Victor, drops flowers to the Ruler of Night, Yuuri, to express his love for him; yet, they are always returned, as Yuuri thinks that they’re dropped by mistake. Day and Night AU!

Until My Feet Bleed and My Heart Aches by Reiya, Explicit, 147k (WIP)
Rivals AU where Yuuri’s main goal, ever since he was a child, is to beat Victor and win the GPF. SO MUCH ANGST (like, so much) and deliciously hot, hot, hot! You might die from reading this… it’s that good. Thumbs up!

Amateur or Expert by Watermelonsmellinfellon, Teen, 1.9k
AU where Yuuri is a ice skating instructor and Victor is thirsty for him and will do whatever it takes for Yuuri to get to know him. Even if that means pretending to not know how to skate at all, even though he’s a five-time world champion. VERY cute, lots of fluff, and Victor is hilarious in this. Love!

#baristalife by fan_nerd, Mature, 9.6k
Coffee shop AU! Victor, proud owner of Muse café and roastery, goes searching for a local bakery to buy sweets for his store. When he does, he finds Yutopia, a quaint little place tucked away in a small part of town. The good news is, he quickly becomes business partners with the lead patissier, Yuuri. This is an amazing fic, must read! 

Expomise by thankyouforexisting, Teen, 71k (WIP)
YOI/Hogwarts crossover that is too pure for words. First year muggle-born Yuuri get paired up with the Victor Nikiforov in potions class. Filled with after school study sessions, magic, pining, and skating! LOVE!

all the world’s a stage by braveten, Explicit, 112k
Actor AU where Victor is the the most famous actor in Hollywood and Yuuri is a silver medalist at this year’s GPF… and also has a huge crush on Victor. Yuuri auditions to become his skating coach for a movie with the help of Pitchit and cuteness ensues. Lots of fluff, some angst, and a little bit of smut. Amazing fic!

Dancing Daffodils by grayclouds, Mature, 33k (WIP)
Greek God AU where Yuuri is the god of Eros who falls for Victor, a man secluded/banished from the rest of society. Very sweet, and the mix of Greek mythology and YOI works amazingly well. Definitely recommend!

Masquerade by Ashida, Explicit, 46k (WIP)
Yuuri is part of Japan’s most notorious mafias. Victor is the head of the Russian mafia. After brief meetings throughout the span of five years, they decide to go off together and leave everything behind. Mafia AU! I AM OBSESSED WITH THIS FIC!

On My Love by RikoJasmine, Teen, 48k (WIP)
Time travel AU where Yuuri and Victor are happy aged and married, but an accident occurs and suddenly Yuuri wakes up back in Detroit, in a time before he had even met Victor. Angst and pining ensues. Great fic!

ebony & ivory by wbtrashking (fan_nerd), Explicit, 20k
OH MY GOD THIS FIC IS AMAZING. Yuuri, a pianist, moves into a new apartment complex to play with the ASO. Not long after he starts practicing, he starts getting requests from his mysterious upstairs neighbour. Musician AU!

Top Misconceptions People Have about Pulp-Era Science Fiction

A lot of people I run into have all kinds of misconceptions about what pulp-era scifi, from the 1920s-1950s, was actually like. 


“Pulp-Era Science Fiction was about optimistic futures.”

Optimistic futures were always, always vastly outnumbered by end of the world stories with mutants, Frankenstein creations that turn against us, murderous robot rebellions, terrifying alien invasions, and atomic horror. People don’t change. Then as now, we were more interested in hearing about how it could all go wrong. 

To quote H.L. Gold, editor of Galaxy Science Fiction, in 1952: 

“Over 90% of stories submitted to Galaxy Science Fiction still nag away at atomic, hydrogen and bacteriological war, the post atomic world, reversion to barbarism, mutant children killed because they have only ten toes and fingers instead of twelve….the temptation is strong to write, ‘look, fellers, the end isn’t here yet.’”

The movie Tomorrowland is a particulary egregious example of this tremendous misconception (and I can’t believe Brad Bird passed on making Force Awakens to make a movie that was 90 minutes of driving through the Florida swamps). In reality, pre-1960s scifi novels trafficked in dread, dystopian futures, and fear. There was simply never a time when optimistic scifi was overrepresented, even the boyish Jules Verne became skeptical of the possibilities of technology all the way at the turn of the century. One of the most famous pulp scifi yarns was Jack Williamson’s The Humanoids, about a race of Borg-like robots who so totally micromanage humans “for our own protection” that they leave us with nothing to do but wait “with folded hands.”


“Pulp scifi often featured muscular, large-chinned, womanizing main characters.”

Here’s the image often used in parodies of pulp scifi: the main character is a big-chinned, ultra-muscular dope in tights who is a compulsive womanizer and talks like Adam West in Batman. Whenever I see this, I think to myself…what exactly is it they’re making fun of?

It’s more normal than you think to find parodies of things that never actually existed. Mystery buffs and historians, for example, can’t find a single straight example of “the Butler did it.” It’s a thing people think is a thing that was never a thing, and another example would be the idea of the “silent film villain” in a mustache and top hat (which there are no straight examples of, either). There are no non-parody examples of Superman changing in a phone booth; he just never did this.

In reality, my favorite description of pulp mag era science fiction heroes is that they are “wisecracking Anglo-Saxon engineers addicted to alcohol and tobacco who like nothing better than to explain things to others that they already know.” The average pulp scifi hero had speech patterns best described as “Mid-Century American Wiseass” than like Adam West or the Lone Ranger. 

The nearest the Spaceman Spiff stereotype came to hitting the mark was with the magazine heroes of the Lensmen and Captain Future, and they’re both nowhere near close. Captain Future was a muscular hero with a chin, but he also had a Captain Picard level desire to use diplomacy first, and believed that most encounters with aliens were only hostile due to misunderstandings and lack of communication (and the story makes him right). He also didn’t seem interested in women, mostly because he had better things to do for the solar system and didn’t have the time for love. The Lensmen, on the other hand, had a ruthless, bloodthirsty streak, and were very much like the “murder machine” Brock Sampson (an attitude somewhat justified by the stakes in their struggle). 


“Pulp Era Scifi were mainly action/adventure stories with good vs. evil.” 

This is a half-truth, since, like so much other genre fiction, scifi has always been sugared up with fight scenes and chases. And there was a period, early in the century, when most scifi followed the Edgar Rice Burroughs model and were basically just Westerns or swashbucklers with different props, ray guns instead of six-shooters. But the key thing to remember is how weird so much of this scifi was, and that science fiction, starting in the mid-1930s, eventually became something other than just adventure stories with different trappings. 

One of my favorite examples of this is A. Bertram Chandler’s story, “Giant-Killer.” The story is about rats on a starship who acquire intelligence due to proximity to the star drive’s radiation, and who set about killing the human crew one by one. Another great example is Eando Binder’s Adam Link stories, told from the point of view of a robot who is held responsible for the death of his creator.

What’s more, one of the best writers to come out of this era is best known for never having truly evil bad guys: Isaac Asimov. His “Caves of Steel,” published in 1953, had no true villains. The Spacers, who we assumed were snobs, only isolated themselves because they had no immunities to the germs of earth.


“Racism was endemic to the pulps.”

It is absolutely true that the pulps reflected the unconscious views of society as a whole at the time, but as typical of history, the reality was usually much more complex than our mental image of the era. For instance, overt racism was usually shown as villainous: in most exploration magazines like Adventure, you can typically play “spot the evil asshole we’re not supposed to like” by seeing who calls the people of India “dirty monkeys” (as in Harold Lamb). 

Street & Smith, the largest of all of the pulp publishers, had a standing rule in the 1920s-1930s to never to use villains who were ethnic minorities because of the fear of spreading race hate by negative portrayals. In fact, in one known case, the villain of Resurrection Day was going to be a Japanese General, but the publisher demanded a revision and he was changed to an American criminal. Try to imagine if a modern-day TV network made a rule that minority groups were not to be depicted as gang bangers or drug dealers, for fear that this would create prejudice when people interact with minority groups in everyday life, and you can see how revolutionary this policy was. It’s a mistake to call this era very enlightened, but it’s also a mistake to say everyone born before 1970 was evil.


“Pulp scifi writers in the early days were indifferent to scientific reality and played fast and loose with science.”

 FALSE.

 This is, by an order of magnitude, the most false item on this list.

In fact, you might say that early science fiction fandom were obsessed with scientific accuracy to the point it was borderline anal retentive. Nearly every single one of the lettercols in Astounding Science Fiction were nitpickers fussing about scientific details. In fact, modern scifi fandom’s grudging tolerance for storytelling necessities like sound in space at the movies, or novels that use “hyperspace” are actually something of a step down from what the culture around scifi was in the 1920s-1950s. Part of it was due to the fact that organized scifi fandom came out of science clubs; Hugo Gernsback created the first scifi pulp magazine as a way to sell electronics and radio equipment to hobbyists, and the “First Fandom” of the 1930s were science enthusiasts who talked science first and the fiction that speculated about it second.

In retrospect, a lot of it was just plain obvious insecurity: in a new medium considered “kid’s stuff,” they wanted to show scifi was plausible, relevant, and something different from “fairy tales.” It’s the same insecure mentality that leads video gamers to repeatedly ask if games are art. You’ve got nothing to prove there, guys, calm down (and take it from a pulp scifi aficionado, the most interesting things are always done in the period when a medium is considered disposable trash). 

One of the best examples was the famous Howard P. Lovecraft, who published “The Shadow out of Time” in the 1936 issue of Astounding. Even though it might be the only thing from that issue that is even remotely reprinted today, the letters page from this issue practically rose up in revolt against this story as not being based on accurate science. Lovecraft was never published in Astounding ever again.

If you ever wanted to find out what Star Wars would be like if they were bigger hardasses about scientific plausibility, check out E.E. Smith’s Lensman series. People expect a big, bold, brassy space opera series with heroes and villains to play fast and loose, but it was shockingly scientifically grounded.

To be fair, science fiction was not a monolith on this. One of the earliest division in science fiction was between the Astounding Science Fiction writers based in New York, who often had engineering and scientific backgrounds and had left-wing (in some cases, literally Communist) politics, and the Amazing Stories writers based in the Midwest, who were usually self taught, and had right-wing, heartland politics. Because the Midwestern writers in Amazing Stories were often self-taught, they had a huge authority problem with science and played as fast and loose as you could get. While this is true, it’s worth noting science fiction fandom absolutely turned on Amazing Stories for this, especially when the writers started dabbling with spiritualism and other weirdness like the Shaver Mystery. And to this day, it’s impossible to find many Amazing Stories tales published elsewhere.

Not Your Average Zutara Fic Rec

So I’ve gone through a LOT of Zutara fanfiction, probably too much if I’m being honest, and finding good fics can be really hard. When looking up fic rec lists I’ve noticed that a lot of the lists are just the same select fanfictions recommended over and over (We get it, everyone and their mother loves ‘His Majesty Prefers Blue’ and ‘Stormbenders’ [I never finished HMPB, sue me]). 

So this list is for all of you who are in my shoes and can’t seem to find anything besides the same ten or fifteen stories recommended and are desperate for something new. Everything listed is complete! (If I listed the incompletes/abandoned stories I’d have a lot more chaptered stories listed… RIP ‘The Confrontational Approach’…) 

I have a lot of bookmarked stories that I have yet to read and am in the middle of (Almost caught up on @firelordandlady ‘s ‘Say Anything’!), so I’ll try to update this when I finish something I think deserves a recommendation. 

Chaptered

In the Same Candlelight by Like a Dove

In a world where there is no war, Zuko and Katara spend their summers together. Growing up is messy, embarrassing, and at times sad, but they think it might be okay because they have each other. Edited summary.

I know. I KNOW. I LITERALLY JUST SAID I WASN’T GOING TO RECOMMEND FANFICS THAT ARE ON EVERYONE’S LIST. But I NEED to mention this one. I spent so long not interested in this fic. I don’t like drastic AU’s, or modern AU’s. My taste is strictly canon divergence, so I didn’t think I would like this. I WAS SO WRONG. Trust me, if you are like me and don’t like big AU’s, read this anyway. I promise, you won’t be disappointed. Characterization is still so spot on, even with such a different take. Aang is precious. There is nothing but fluff, fluff, and fluff. It will melt you. You will probably die and your spirit will rise up smiling and beaming out rainbows and sunshine. That’s what happened to me. 

Lilacs and Lily Pads by sadladybug

A tale of clumsy courtship and calamitous court weddings, featuring awkward family encounters, floral mishaps, cultural complications, and good old fashioned fluff and conflict. Takes place in the five years following war’s end. For Zutara Week 2016. A prequel to Bones.

Clothe Me in Seasons, Dress Me in Snow is a very commonly recommended Zutara fic (And for good reason, I shed many tears reading it). But this two-shot (A companion to Bones, a smut one shot) by the same author is really underrated and beautifully written. It follows Zuko and Katara as they try to plan their wedding, as well as shows two scenes from before they got engaged that solidified the relationship to be one they knew would last. Just really well done overall and very very sweet. 

EDIT: I talked with the author and apparently it isn’t finished?? But they are apparently working on the next chapters so yay!! And each chapter is independent so it doesn’t feel unfinished.  

The Slow Path by Tazainian Devil

Eight years after the fall of Ozai, Aang returns to the friends he left behind - Taang, Zutara, Sukka

This is technically a Taang fic, and if I’m being honest I kind of just skimmed through the non-zutara chapters, but the Zutara storyline was good enough that I think it’s definitely worth the read. And the overall plot has a great premise. Be warned, it has a sequel that was never finished. 

Another Word For Alchemy by FanPanda13

Five years have passed since the Avatar defeated Fire Lord Ozai, and the members of the Gaang have all gone in their own direction. But when Aang invites them all to a Peace Summit at the North Pole and tells them of his new project, for which he will need their support, the group comes together again for adventure, fun and romance. AU. Zutara. COMPLETE.

So this fic is crazy for me. At first, it started as just really good natured fluff. The writing wasn’t anything fantastic (Although I loved how it broke the 4th wall and didn’t take itself seriously), and there were some definite OOC moments. But I had so much FUN with it. The plot (while definitely not the focus as everyone is more concerned about when Zuko and Katara will get together) was interesting, and there were some really sweet moments. It was also HILARIOUS and I had multiple moments where I genuinely laughed out loud. But then about five chapters before the end, the quality SKY ROCKETED. As the plot and mystery come together, the characters all come together in a moment that truly feels like it came from the show. Even the writing quality increases by a lot and I was genuinely shocked and impressed. Definitely recommend. 

Kyoshi Hold ‘Em by cupid-painted-blind

When a blizzard shuts down the fourth annual Peace Summit, the group has to find some way to pass the time. /Zutara, Taang, Jet/Mai, Jet/Everyone, Sukka

If you’re looking for a good crack fic, look no further. It’s post war and utter nonsense. Jet is alive for some reason??? No one questions it and he’s shipped with pretty much everyone. It’s funny, it’s decently written, there are drinking and sexy time shenanigans, and overall just lighthearted. Also, it does a great job of being a crack fic without crossing the line and becoming unfunny and just a trash fic. A lot struggle to find the balance and resort to going over the top and ridiculous, but this one does a really good job. 

Come With Me by Steamboat Ghost

Coauthored by fuzzytomato. Troubled over his newly restored honor, Zuko finds solace in the familiar guise of the Blue Spirit. In a chance meeting with the Painted Lady, a friendship is forged as the two heroes seek to help the Fire Nation’s neglected.

I’ll admit it: I’ve never gotten into Blutara fanfictions. I only read the first couple chapters of HMPB and dropped it after the tree scene. I don’t know, it felt really OOC for me and I may go back and read it again just because EVERYONE raves about it, but IDK. I’ve never been a huge Blutara fan because while I love the concept, I’d much rather see the Painted Lady and the Blue Spirit come together as equals. Most fics present Zuko behind his mask to Katara, and it feels imbalanced. There aren’t a lot of stories where we see their alter persona’s come together even though that’s the entire point of the parallel between the two. Insert this fic. I only wish there was a sequel dealing with Zuko in the Gaang after these events. Hey, a girl can dream. 

A Zutara Story Anastasia by LastSunset

Katara, the only suviving waterbender of the Southern Water Tribe, joins two con men, Zuko and Iroh, while a fearful admiral chases for her death. A Zutara Story. Based on the movie Anastasia.

So this isn’t so much a retelling of Anastasia but with Katara and Zuko as it is a fanfic version of the movie but with the characters names and world changed. It takes a lot of lines from the movie. But WHO CARES? It’s Anastasia and Zutara!!! What more do you need??? 

Oneshot

this burden you bear by cowlicklesschick

Word travels, and war stories will be told round campfires and on freighter ships until every person in the world knows what Master Katara did for the new Fire Lord. She fights the burning in her throat at the thought of people knowing why she had to heal him in the first place. Post-war Zutara.

This is an angst-with-a-happy-ending, which I say is the absolute BEST type of angst. Katara deals with the guilt of what Zuko did for her as the Fire Nation celebrates what she did to save his life during the Agni Kai. The two come together beautifully while struggling to see the feelings they both share. Really well written and like I said, it has a happy ending, which we all need. 

The Best of Me by Laririn-Shadow

The night before his eighteenth birthday Zuko wraps a bandage around his left wrist. He has a country to run and no time for frivolous things. It will make everything easier if he waits. Zutara Soulmates AU

Soulmate AU’s usually aren’t my thing (With the glaring exception of one Until Dawn Soulmate AU, but that’s besides the point), but I really enjoyed this oneshot. It isn’t sweeping or insanely romantic and the reveal isn’t “OMG I’VE LOVED YOU THIS WHOLE TIME” But it’s a subtle love that grows, which I really like. 

snuggling dysfunctional cats by emletish

Toph thinks Katara and Zuko were a ridiculously, incredibly, stupidly adorable couple. There is only one problem, they were not actually going out. This confuses Toph. could stand alone or be read as a companion peice to my stalking series

Fun fact: Before this oneshot, I had only ever read one fanfiction over 200k words, and had no desire to read another one again. And then I read this. This one shot was so fantastic that it was the reason I ended up reading the ‘Not Stalking Zuko’ trilogy (Also by emletish), which totals almost 900k words because this companion piece had me so sold. Yeah, it’s THAT good. 

my salvation, he’s not anything by sarsaparillia

Let’s run away and start another war. — Zuko/Katara.

¯\_(ツ)_/¯ What can I say? I love the ‘Let’s run away together, consequences be damned’ trope. ¯\_(ツ)_/¯

The Time is Ripe by Casa Circe

ZUTARA WEEK 2012 Day Seven: Seasons. There are many stages that a heart goes through before it can finally be ready for the love it was meant to have. The road is often a rocky one but eventually, it leads you home.

A oneshot for the Zutara Week 2012 prompt ‘Seasons’. Not too much to say about it. Short, sweet, and well written. What more do you need? 

Serendipity by Boriqua-chan

Iroh goes hunting for tea leaves and finds something…interesting. /Zutara week, day 1/

Secret relationships! Fluff! Happiness! And all from Uncle Iroh’s perspective!! Everything I love in one great oneshot! 

Too Close for Comfort also by Casa Circe

ZUTARA WEEK 2010 Day Three: Pain. After watching “The Ember Island Players”, no one is in the mood for teasing. But a little slip of the tongue leads to the painful realization that the play was more accurate than they were willing to admit.

There are two Zutara plots/tropes that I am a complete and utter SLUT for. The first is the ‘Let’s talk about that EIP show’ trope. This is one of my favorites. 

The Color of Truth is Red by Mrs. Pettyfer

Written for Zutara Week prompt “awkward.” Zuko and Katara discuss the Ember Island Players.

Another post EIP oneshot

Enlightenment by Blade Quill

Choices are made on the day of Zuko’s coronation, and sometimes, enlightenment is just the simple truth at hand. Zutara. AU of the final moments of the Book 3 Finale

The OTHER plot/trope I’m a slut for is finale rewrites. LET ME SEE THEM COME TOGETHER AFTER HE TAKES LIGHTNING FOR HER. Ugh, I love it. 

Framework by profoundlycan

What if in “Sozin’s Comet” Katara had come into the room instead of Mai? Zuko/Katara. Prequel to Schema.

 Another finale rewrite! Let’s just get Mai out of the picture here… 

Lightning Shocks the Heart by drunkzutarafeels

Why do our hearts remain dormant until a climactic moment makes time stand still?

And here’s yet another finale rewrite. There is a really popular Zutara gifset that someone animated of the Agni Kai ‘Thank you’ scene, but Katara kisses Zuko after she hugs him. This is the fanfiction equivalent of that gif set. 

Sunrise by lewilder

The days go on and on, and even if she feels more comfort from the moon, Katara learns to cherish the promise of each new sunrise. Zutara AU, largely finale-centric. Oneshot.

LAST FINALE AU I PROMISE. Really sweet, starts right after The Southern Raiders and goes past canon. 

all the ghosts we cannot kill (we learn to love) by raisindeatre

Zuko and Katara; the moments we didn’t see. Or: Maybe we are all somebody’s ghost. And maybe sometimes we can be more than that.

“…My quarrel has only ever been with you, Zuko,” she says, his name sharp on her tongue. “This has only ever been about me and you.”

“You’re wrong,” he rasps, his voice rough in the late afternoon sunlight that falls around them, tangles them in golden nets. “This has only ever been about me and the Avatar. Not you and me. What we hold between us has nothing to do with it.”

This is a really beautiful one-shot that follows a battered, war torn and hardened Zuko and Katara through the scenes we DIDN’T see throughout the entire show. A Zutara must-read.

Drabble Collection/Series

And Other Fairly Stupid Tales by Advocaat

A collection of humorous and crack-tastic oneshots corresponding to the days of Zutara Month

Really great Zutara Month themed drabbles, and it contains the only body swapping plot that I’ve read and really enjoyed. Also the chapters ‘Potential’ and ‘Festival’ are some of my all time favorites. 

Zuko Was No Coward by hootowl

Zuko was many things, but a coward he was not. A collection of Zutara100 prompts. Title may change.

Definitely some heartbreakers and angsty drabbles in here, but all well written and thoroughly enjoyable. If you read ANYTHING from this list, read chapter two of this drabble collection. I MELTED when I read it. It’s perfection. Aunt Wu’s prediction has always been a plotline I’ve loved in Zutara fanfiction, and this one just does it PERFECTLY. 

Zutara Week 2012 by ichilover3

A collection of oneshots inspired by the prompts for Zutara Week

Not much more to say. The first, third, and fourth prompts are my favorite from this series. 

Zutara Week 2015 by bianca_anna

It started at a tea shop and ended with forever. My entries for Zutara Week 2015. I hope you enjoy them.

Oh my GOODNESS. So they’re Zutara Week prompts, but all set in the same universe. The Zutara!Family depicted in these drabbles has become my headcanon. I’ve seen many a Zutara family, but this one is by far my FAVORITE. This is now my official family for them. I want the very last chapter fully animated because it’s so good and epic and I want more of this families adventures. 

bother me with these please

1: What’s the most annoying thing about your best friend/s?
2: Least favorite TV shows?
3: Favorite moment with your best friend/s?
4: What’s one quality you would like to have?
5: Name three people of your same sex you would: marry,kiss and fuck
6: Do you like your full name?
7: Tell me your most embarrasing memory
8: Favorite color to wear?
9: Favorite restaurant?
10: What would be a good first date for you?
11: Are you a good wrestler?
12: Are you allergic to something?
13: Would you be a good singer?
14: Who’s the last person you told “I love you” to?
15: What car would you buy if you had enough money?
16: Favorite cover of a song?
17: What was your last conversation about?
18: Where were you born?
19: Least favorite app?
20: Tell me two facts about your country of birth
21: Do you like wearing sunglasses?
22: When it’s a good moment for a first kiss?
23: What are your nationalities?
24: What would make you drop college/university?
25: A crossover between two shows (any shows) you would like to see?
26: Long or short hair?
27:A character from a book/TV show/movie that shouldn’t have died?
28: Favorite movie scene?
29:Do you ship more fiction people or more real people?
30: Favorite country song?
31: Favorite John Green book?
32: Least favorite Ed Sheeran song?
33: Favorite ship?
34: How do you deal with sexual tension?
35: Name a celebrity who died that you miss
36: Favorite Harry Potter spell?
37: Something you are scared of losing?
38: Someone you regret meeting?
39: Have you ever been hurt by someone you thought he/she was your friend?
40: Do you easily open up to people?
41: What is a gift you love receiving?
42: What is something you could leave easily?
43: Rant about that’s eating you up
44: If you could make one phone call to anyone right now, who would it be and what would you say?
45:Are you easy to love?

MOBILE MASTERLIST

I haven’t updated this in about 9 billion years so I’d say it’s time I updated it… Because there are so many reactions, I’ve put all of them under the cut!

As of February 5, 2017…


~ = TRIGGER WARNING

* = SEXUAL CONTENT


Keep reading

So I just saw Get Out and this post will have no spoilers but holy shit, does it ever deserve its current perfect score on Rotten Tomatoes.

I’m not going to go on about its racial commentary aspects because I am white as hell and I figure it’s best if I leave that discussion up to POC, but it is just a fantastic horror film and a really well made movie and I highly endorse it.

Some thoughts:

  • I have only ever seen Allison Williams as Peter Pan before and so in my head, for the whole movie, she was Peter Pan
  • The cinematography is so GREAT and claustrophobic and that combined with the fabulous score just puts you so on edge and GAH
  • The preview makes it look like a racial Stepford Wives and it’s SO MUCH WORSE AND MORE DISTURBING, DAMN
  • But honestly though, I was actually the most unnerved during the setup than when things became a straight up horror film because at least then you could tell yourself “well this isn’t actually possible” but before that it’s like the microaggression equivalent of Chinese water torture and it’s so uncomfortable and cringe-worthy and the worst part is hearing shit like “I would have voted for Obama for a third term” or “my man” or “Is [the sex] really better?” and realizing you know people who would say that sort of thing and think they’re not racist at all and then you start to wonder if you’re that obnoxious and it’s almost a relief when things go to hell
  • Except it’s not a relief at all because HOLY SHIT THIS MOVIE
  • also the takeaway for white people here (other than don’t participate in human trafficking and racism) is probably that if you’re like Peter Pan and realizing your community is hella racist, the thing to do about it is not get privately frustrated but not actually stand up for your friends beyond incredulous looks at racist asshats, use your privilege for good, people
  • there is some comedy in this movie, and it’s great because it’s a Jordan Peele film, and it comes in exactly the right spots when you need a bit of levity or you might die of the tension, but it always felt like a proper horror film to me more than a horror comedy
  • the design of the hypnosis sequences are GORGEOUS
  • so there’s some gore in this movie but what you see is pretty much all surgical gore and any gory violence is just implied off screen, you only see blood as a result of violence
  • There’s no sexual violence in this movie, but there is human trafficking so that does imply that sexual violence is happening somewhere
  • There’s also an extended sequence of animal death where you don’t really see much but you hear the most awful pained cries
  • As far as I remember, there aren’t racial slurs or really explicit racist language (like “boy” or “you people” or calling the lead less than human or anything), but there is one scene that is very deliberately and painfully reminiscent of slavery auctions and there’s a lot of fetishizing of black (clothed) bodies by the white characters and casual dehumanization of black lives and at least in my perspective that made it even more uncomfortable and painful because these people probably are totally convinced they’re not at all racists and urgh
  • this movie made me like the TSA
  • like every single line of this movie has significance later, it’s really well-written
  • I know I said I wouldn’t comment on the commentary aspects much, but really, white people should see this movie, it points out a lot of microaggressions and makes you uncomfortable and it should
  • Daniel Kaluuya pretty much carries the movie in a lot of scenes and he’s great, I don’t know what his role in Black Panther is but I can’t wait to see more of him
Types of Drunks
  • *Check Jupiter, or 11th House
  • Aries: The Frat Boy-Type. Kinda always trying to bone someone before the end of the night. Pounded like, 20 beers. Probably wakes up with someone they thought was hotter/prettier when drunk.
  • Taurus: Ditzy-Drunk Type. Girl who constantly compliments you and leans on your boyfriends shoulder and basically flirt w/ everyone and asks shit like "What's Aleppo?"
  • Gemini: Toilet-Hugger. You don't *usually* get drunk, but tonight you did. At first you were socializing, and somehow, you ended up hunched over the toilet puking. You havent left. Your bestfriend almost puked in your hair. One time, she did.
  • Cancer: Expresso Depresso. "No, I don't always drink when I'm sad." You kinda just came to the party to "escape". You don't want to be here, and in every movie EVER, you find some goth bitch to complain about existence with. That, or you're in a bar wanting to die cause your wife left you. Your choice, i guess.
  • Leo: Game Maker. You're the asshole who suggests 7 Minutes in Heaven, Truth or Dare, and other shitty games at middle school parties where someone found some Mike's Hard Lemonade. You still get drunk off of the shit, too. Somehow.
  • Virgo: Socialite. You don't really get drunk. You just get buzzed, and go home. You talk to everyone and anyone, and get as many numbers as possible. You're quite the hook up when it comes to some drugs at a party, though.
  • Libra: Hoe. You're the girl who compliments everyone and smiles at everything. You also basically wanna suck someone's dick before the night ends. Who's? Idk.
  • Scorpio: Dirty Dancer. Someone complained about there "being too many clothed people" at the party. So, you took your clothes off, threw them at the person, and began dancing. Truly a Titty Hero.
  • Sagittarius: Drunk "Driver". You're the guy who suggests they go on an adventure, or brought tons of booze to do some really illegal shit. As a kid, you literally drank just because "if we're doing something illegal, may as well do two!!"
  • Capricorn: Bartender. Nobody really appointed you bartender. Nobody really asked, either. But, nobody is complaining. You make the best booze, and the more YOU drink, the funnier, quicker, and cuter the drinks are made. By the end of the night, the drink counter looks a bit like a Scorpio's room -- clothes all over the floor in order to mop some mysterious liquid up.
  • Aquarius: Royal Rebel. Drink the keg. Bring the big ass case of booze. Make some kid puke. And then do it again. Dare devil galore, and kind of an asshole about it. That, or stays in the corner like they may make the party into a murder scene. One or the other.
  • Pisces: Just like Taurus, but also drinks twice her weight and probably asks "Where's the weeeeeeEEEeeedd???" 20 times.
Clony headcanons and ideas (Sorry it's so long!)

-Tony is protective of Clay. Whenever someone has bullied or messed with Clay in the past, Tony has found them and personally “talked” to them.
-Clay still gets recurring nightmares and one of the times he has one, Tony is over for a sleepover. Tony wakes him up and rubs his back to comfort him as Clay catches his breathe.
- When Tony dropped Clay off in ep 11 he, proceeded to drive around the block and sit at the corner of the street to make sure Clay kept his promise about not doing anything stupid.
-Sometimes Clay forgets to eat and Tony has to remind him.
- Whenever Tony and Clay get into an argument Tony goes for a drive in his mustang and Clay goes on a ride on his bike. Tony usually cleans his head the fastest and then goes looking around for Clay. When he finds him he invites him into his car and they drive around while talking about their argument.
- Tony was terrified when Clay almost jumped off the cliff and he got a couple nightmares from the experience.
- Tony likes to call Clay babe and sometimes he likes to use a lot of romantic spanish terms.
- Tony secretly likes to snuggle and cuddle and show PDA whenever they’re alone but, doesn’t like to show PDA when they’re out and about.
- Clay shows emotion the easiest out of the two of them and has the most mood swings.
- Clay always breaks when Tony uses the “puppy dog eyes” on him.
-Whenever they go in for a hug or a kiss Tony has to stand on his tip toes to reach Clay.
- The two like to switch between big spoon and little spoon when they get the chance to snuggle.
- Clay is as clueless when it comes to boys as he is when it comes to girls.
- Clay can be super sweet and sensitive and he tends to turn red when Tony says something cute or embarrassing.
- Tony is extremely smooth when it comes to flirting.
- When Tony saw all the scratches and bruises on Clays face he inwardly freaked the f*ck out.
- Clay can be super clumsy at times.
- One day when Clays parents weren’t home they both ice skated around his house in their socks.
-Despite his small size and height Tony can dominate just as well (maybe even better) then Clay in the bedroom.
-Clay likes to geek out and rant about the different scenes in the movies they watch and Tony secretly doesn’t mind.
- Tony and Clay sometimes like to go to the park to swing and to casually talk about things.
- Tony sometimes finds it hard to look Clay in the eyes during arguments because his eyes are really expressive.
-Tony is the most responsible out of the two.

- Tony can lift up Clay and when he does this, Clay turns into a messy ball of emotions and embarrassment.
- Tony has tried to get over Clay in the past but couldn’t fully get over him.
-Tony has the best fashion sense out of the two.
-Clay likes to show Tony all his indie bands.
-Clay likes to curl up and hog all the blankets.
-Whenever Clay gets upset or starts crying Tony switches to overprotective boyfriend mode.
-Tonys family ships them harder then anyone.
-Tony is secretly the dancing queen.
-The both of them get attention from both genders and they both can get a little possessive of each other.
-The first time the two went swimming at the beginning of their relationship, Clay couldn’t stop staring.
-Every time Tony pulls up in his mustang he sees Clays eyes brighten a little.
- Sometimes Clay falls asleep in Tonys car and Tony gives him his leather jacket.